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Synthetic Narratives brings together leading artists, technologists, and thinkers to explore the\n cultural, philosophical, and creative potentials of this rapidly evolving field.\u003cbr />\n\u003cb>\u003c/b>\u003cdiv id=\"bwimg\">\u003cb>\u003cdiv>\u003cdiv style=\"text-align: left\">\n\n\u003c/div>\u003c/div>\u003c/b>\u003c/div>\n\n\n\u003cbr />\n\n\n\u003cdiv id=\"bwimg\">\u003cb>\u003cdiv>\u003cdiv style=\"text-align: left\">\u003ca href=\"mailto:[email protected]\" rel=\"mailto\" style=\"color: rgb(46, 255, 46);\">Contact\u003c/a> / \u003ca href=\"https://docs.google.com/document/d/1rEUVBfzovWvPICcT5rJ2PNVZveYNN4wy/edit?usp=sharing&ouid=109997439251181166531&rtpof=true&sd=true\" style=\"color: rgb(46, 255, 46);\" target=\"_blank\">Press Report\u003c/a>\u003c/div>\u003c/div>\u003c/b>\u003c/div>\u003cbr />\n\u003cbr />\n\u003cbr />\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cspan style=\"color: rgb(46, 255, 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/>\u003cbr />\n\u003cspan style=\"color: rgb(46, 255, 46);\">AI Filmmaking\u003c/span>\u003cbr />\u003chr />\u003ccolumn-set gutter=\"1rem\" mobile-stack=\"true\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"H2671264751075505611303561243081\" href=\"michaela-ternasky-holland-1\" rel=\"history\">\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"michaela-ternasky-holland-1\" rel=\"history\">Michaela Ternasky-Holland\n\u003c/a>\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"michaela-ternasky-holland-1\" rel=\"history\">Animation + AI\u003c/a>\u003c/column-unit>\u003c/column-set>\u003chr />\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"H2675706885413752744129194666441\" href=\"angela-ferraiolo-1\" rel=\"history\">\u003ca href=\"angela-ferraiolo-1\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"angela-ferraiolo-1\" rel=\"history\">Angela Ferraiolo\u003c/a>\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"angela-ferraiolo-1\" rel=\"history\">A “Liquid” Cinema: AI and the Transition from Montage to Morphology\u003c/a>\u003c/column-unit>\u003c/column-set>\u003chr />\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"N2675734375969256494967843236297\" href=\"lucien-harriot-1\" rel=\"history\">\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\n\n\u003ca href=\"lucien-harriot-1\" rel=\"history\">Lucien Harriot\u003c/a>\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"lucien-harriot-1\" rel=\"history\">AI and the Evolution of Visual Effects Workflows\u003c/a>\u003c/column-unit>\u003c/column-set>\u003chr />\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"X2675755293746932598282445957577\" href=\"kiran-malhorta\" rel=\"history\">\u003ca href=\"kiran-malhorta\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"kiran-malhorta\" rel=\"history\">Kiran Malhotra\u003c/a>\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"kiran-malhorta\" rel=\"history\">AI+Post Production Workflows\u003c/a>\u003c/column-unit>\u003c/column-set>\u003chr />\n\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"B2683495236068540697481030969801\" href=\"christopher-manzione-1\" rel=\"history\">\u003ca href=\"kiran-malhorta\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"christopher-manzione-1\" rel=\"history\">AI Fillmaking Q+A\u003c/a>\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"christopher-manzione-1\" rel=\"history\">Moderated by Christopher Manzione\u003c/a>\u003c/column-unit>\u003c/column-set>\u003chr /> \n\n\u003cbr />\n\u003cspan style=\"color: rgb(46, 255, 46);\">Immersive Media\u003c/span>\u003cbr />\n\u003chr />\n\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"A2675774133554229030437187791305\" href=\"alan-winslow-1\" rel=\"history\">\u003ca href=\"alan-winslow-1\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"alan-winslow-1\" rel=\"history\">Alan Winslow\u003c/a>\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"alan-winslow-1\" rel=\"history\">Scan The Wild\u003c/a>\u003c/column-unit>\u003c/column-set>\n\n\u003chr />\n\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"B2675801039550859829493855201737\" href=\"kat-mustea-1\" rel=\"history\">\u003ca href=\"kat-mustea-1\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"kat-mustea-1\" rel=\"history\">Kat Mustatea\u003c/a>\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"kat-mustea-1\" rel=\"history\">Voidopolis and the Art of Disappearing\u003c/a>\u003c/column-unit>\u003c/column-set>\n\n\u003chr />\n\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"Z2676042480516985083982272833993\" href=\"camille-jeanjean-1\" rel=\"history\">\u003ca href=\"kat-mustea-1\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\n\n\u003ca href=\"camille-jeanjean-1\" rel=\"history\">Camille Jeanjean\u003c/a>\n\n\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"camille-jeanjean-1\" rel=\"history\">AI for Culture — Not Culture for AI\u003c/a>\u003c/column-unit>\u003c/column-set>\n\n\u003chr />\n\n\n\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"F2676053905784628297098709477833\" href=\"matthe
15w-niederhauser-1\" rel=\"history\">\u003ca href=\"kat-mustea-1\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"matthew-niederhauser-1\" rel=\"history\">Matthew Niederhauser\u003c/a>\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"matthew-niederhauser-1\" rel=\"history\">Narrative Engines &#x26; Interactive ML\u003c/a>\u003c/column-unit>\u003c/column-set>\n\u003chr />\n\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"C2686799726698537014392117832137\" href=\"danielle-mcphatter-1\" rel=\"history\">\u003ca href=\"kiran-malhorta\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"danielle-mcphatter-1\" rel=\"history\">Immersive Media Q+A\u003c/a>\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"danielle-mcphatter-1\" rel=\"history\">Moderated by Danielle McPhatter\u003c/a>\u003c/column-unit>\u003c/column-set>\u003chr />\n\n\u003cbr />\n\n\n\u003cspan style=\"color: rgb(46, 255, 46);\">Post-Photography\u003c/span>\u003chr />\n\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"Q2676078305680396218270532544969\" href=\"thiago-hersan-1\" rel=\"history\">\u003ca href=\"alan-winslow-1\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"thiago-hersan-1\" rel=\"history\">\n\nThiago Hersan\n\n\u003c/a>\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"thiago-hersan-1\" rel=\"history\">\n\nUnboxing AI: A nod and a plea for Flusserian engagement\n\n\u003c/a>\u003c/column-unit>\u003c/column-set>\n\n\u003chr />\n\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"H2676085671207050433462559091145\" href=\"natasha-chuk-1\" rel=\"history\">\u003ca href=\"kat-mustea-1\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"natasha-chuk-1\" rel=\"history\">\n\nNatasha Chuk\n\n\u003c/a>\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"natasha-chuk-1\" rel=\"history\">\n\nPhotography at the Edges of its Own Ontology\n\n\u003c/a>\u003c/column-unit>\u003c/column-set>\n\n\u003chr />\n\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"E2676094063608606999844195445193\" href=\"micaelle-lages-+-isabella-valle\" rel=\"history\">\u003ca href=\"kat-mustea-1\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\n\n\u003ca href=\"micaelle-lages-+-isabella-valle\" rel=\"history\">Micaelle Lages , Isabella Valle\u003c/a>\n\n\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\n\n\u003ca href=\"micaelle-lages-+-isabella-valle\" rel=\"history\">From Family Albums to Synthetic Memories: Gender, Dissidences and Visibilities\u003c/a>\n\n\u003c/column-unit>\u003c/column-set>\n\n\u003chr />\n\n\n\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"N2676100306042141775377590954441\" href=\"michael-whitham-+-aidan-larned-1\" rel=\"history\">\u003ca href=\"kat-mustea-1\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"michael-whitham-+-aidan-larned-1\" rel=\"history\">\n\nMichael Whitham, Aidan Larned\u003c/a> \n\n\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"michael-whitham-+-aidan-larned-1\" rel=\"history\">Narrative Engines &#x26; Interactive ML\u003c/a>\u003c/column-unit>\u003c/column-set>\n\n\n\u003chr />\n\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">
15\u003cmedia-item class=\"no-grayscale linked\" hash=\"D2686794864487287321954793335241\" href=\"jonah-king-1\" rel=\"history\">\u003ca href=\"kiran-malhorta\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"jonah-king-1\" rel=\"history\">Post-Photography Q+A\u003c/a>\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"jonah-king-1\" rel=\"history\">Moderated by Jonah King\u003c/a>\u003c/column-unit>\u003c/column-set>\u003chr /> \n\n\n\n\u003cbr />\n\n\n\n\n\u003cspan style=\"color: rgb(46, 255, 46);\">Truth &#x26; Trust\u003c/span>\u003chr />\n\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"W2676108514880148064275479177673\" href=\"avital-meshi-1\" rel=\"history\">\u003ca href=\"alan-winslow-1\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"avital-meshi-1\" rel=\"history\">Avital Meshi\u003c/a>\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"avital-meshi-1\" rel=\"history\">GPT-ME: Generating a New Sense of Self with AI\u003c/a>\u003c/column-unit>\u003c/column-set>\n\n\u003chr />\n\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"V2676113439976348303988665133513\" href=\"fred-grinstein-1\" rel=\"history\">\u003ca href=\"kat-mustea-1\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"fred-grinstein-1\" rel=\"history\">\n\nFred Grinstein\n\n\u003c/a>\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"fred-grinstein-1\" rel=\"history\">How AI Accelerates Our Flawed Relationship with the Truth\u003c/a>\u003c/column-unit>\u003c/column-set>\n\n\u003chr />\n\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"D2683435967565275584229747239369\" href=\"emily-spratt\" rel=\"history\">\u003ca href=\"kat-mustea-1\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"emily-spratt\" rel=\"history\">Emily Spratt\u003c/a>\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"emily-spratt\" rel=\"history\">AI as Mediumship: Remembrance Reimagined in Image and Word\u003c/a>\u003c/column-unit>\u003c/column-set>\n\n\u003chr />\n\n\n\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"U2676138228434333393778483440073\" href=\"christopher-meerdo-1\" rel=\"history\">\u003ca href=\"kat-mustea-1\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"christopher-meerdo-1\" rel=\"history\">Christopher Meerdo\u003c/a> \u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\n\n\u003ca href=\"christopher-meerdo-1\" rel=\"history\">The Hallucinitating Archive\u003c/a>\n\n\u003c/column-unit>\u003c/column-set>\n\n\n\u003chr />\n\u003ccolumn-set gutter=\"1rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cmedia-item class=\"no-grayscale linked\" hash=\"S268667923
156329383334637710649801\" href=\"camila-galaz-1\" rel=\"history\">\u003ca href=\"kiran-malhorta\" rel=\"history\">\u003c/a>\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\u003cb>\u003ca href=\"camila-galaz-1\" rel=\"history\">Q &#x26; A\u003c/a>\u003c/b>\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"6\">\u003ca href=\"jonah-king-1\" rel=\"history\">Moderated by Camila Galaz\u003c/a>\u003c/column-unit>\u003c/column-set>\u003chr />\n\n\n\n\n\n\u003cbr />\n\n\u003ccolumn-set>\u003ccolumn-unit slot=\"0\" span=\"3\">\n\n\u003cdiv style=\"text-align: left\">\u003c/div>\n\n\u003cdiv style=\"text-align: left\">\u003c/div>\n\n\u003cdiv style=\"background-color: RGBA(000, 000, 000); text-align: center;\">\n   \u003c/div>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"9\">\u003c/column-unit>\u003c/column-set>\u003cdiv class=\"button-container\">\n\u003c/div>","local_css":".glow-text {\n  text-shadow: 0 0 5px #00ff00, 0 0 10px #00ff00, 0 0 20px #00ff00;\n}\n\n\n[id=\"Q0331760906\"].page {\n\tmin-height: var(--viewport-height);\n}\n\n[id=\"Q0331760906\"] .backdrop {\n}\n\n.mobile [id=\"Q0331760906\"] .backdrop {\n}\n\n.mobile [id=\"Q0331760906\"] .page-layout {\n}\n\n[id=\"Q0331760906\"] .page-content {\n\talign-items: flex-start;\n\twidth: 100%;\n\ttext-align: left;\n}\n\n[id=\"Q0331760906\"] .page-layout {\n}\n\n/* Ensure the parent column behaves like a full-height flex container */\n.column, .container, .page-content {\n  display: flex;\n  flex-direction: column;\n  height: 100%;\n}\n\n/* Push the buttons to the bottom of the column */\n.button-container {\n  margin-top: auto;\n  display: flex;\n  flex-direction: column;\n  gap: 2px;\n  padding: 0px 0px 0 0px;\n}\n\n.submit-button {\n  width: 100%;\n  border: 2px solid black;\n  background: linear-gradient(to bottom right, #a1d190, rgba(139, 139, 139, 0.28));\n  color: #04ff04;\n  font-family: \"Repro Variable\";\n  font-size: 1.5rem;\n  font-weight: 400;\n  text-align: center;\n  text-decoration: none;\n  padding: 16px;\n  cursor: pointer;\n  transition: opacity 0.5s ease-in-out;\n  border-radius: 0;\n}\n\n.submit-button:hover {\n  animation: fade 1s infinite alternate;\n}\n\n@keyframes fade {\n  from { opacity: 1; }\n  to { opacity: 0.6; }\n}\n.panel-frame {\n  width: 100%;\n  \n  color: RGBA(255, 255, 255, 0.85);\n  font-family: \"Repro Variable\";\n font-style: italic;\n    text-align: center;\n  font-weight: 400;\n  font-size: 20px;\n  line-height: 1;\n  padding: 20px;\n  \n  transition: opacity 0.5s ease-in-out;\n  border-radius: 0;\n\tfont-style: normal;\n\tfont-variation-settings: 'slnt' 0;\n}\n\n[id=\"S1005200661\"].page {\n\tmin-height: var(--viewport-height);\n\tbackground-color: rgba(0, 0, 0, 0);\n}\n\n[id=\"S1005200661\"] .backdrop {\n}\n\n.mobile [id=\"S1005200661\"] .backdrop {\n}\n\n.mobile [id=\"S1005200661\"] .page-layout {\n}\n\n[id=\"S1005200661\"] .page-content {\n\talign-items: flex-start;\n\twidth: 100%;\n\tpadding-top: 15rem;\n}\n\n.map-container {\n    width: 100%;\n    max-width: 600px;\n    height: 450px;\n    overflow: hidden;\n  }\n\n  .map-container iframe {\n    width: 100%;\n    height: 100%;\n    border: 0;\n    filter: grayscale(100%);\n    /* vendor prefixes for broader support */\n    -webkit-filter: grayscale(100%);\n    -moz-filter: grayscale(100%);\n    -ms-filter: grayscale(100%);\n    -o-filter: grayscale(100%);\n  }\n\n\n/* Make all images in media-item elements black and white */\nmedia-item img,\nmedia-item {\n  filter: grayscale(100%);\n}\n\n/* Optional: keep the effect on hover or remove it */\nmedia-item img:hover,\nmedia-item:hover {\n  filter: grayscale(100%); /* keep grayscale on hover */\n}\n\n\n[id=\"S1005200661\"] .page-layout {\n\tmax-width: 50%;\n}\n\n}\n.color-images img {\n  filter: none !important;\n}\n\n.no-grayscale {\n  filter: none  !important;\n}","display":true,"stack":false,"pin":true,"overlay":false,"password_enabled":false,"page_count":0,"page_design_options":null,"backdrops":{"activeBackdrop":"none","backdropSettings":{"legacy/video":{"image":"K2486167871496357669656216775113","video_url":"https://vimeo.com/1076742433","preset_pattern":"checkerboard","using_preset":true,"image_active":true,"preset_image":"https://static.cargo.site/assets/backdrop/video/checkerboard_64.png","preset_width":"16px","preset_height":"16px","alpha":40,"clipScroll":false,"scale_option":"cover","margin":"0.0rem","color":"#FFFFFF00","use_mobile_image":false},"wallpaper":{"activeImage":"K2486167871496357669656216775113","alignments":[]}}},"pin_options":{"screen_visibility":"desktop","position":"top","overlay":true,"fixed":true,"adjust":false},"overlay_options":{"closeOnClickout":false,"closeOnNavigate":false,"closeOthersOnOpen":false,"animateO
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15C%22attributes%22%3A%7B%7D%7D%2C%22C1185409066%22%3A%7B%22sort%22%3A18%2C%22attributes%22%3A%7B%7D%7D%2C%22N2271514498%22%3A%7B%22sort%22%3A16%2C%22attributes%22%3A%7B%7D%7D%7D\">\u003c/gallery-grid>\u003cdiv class=\"button-container\">\u003cu>\u003ch1 class=\"gradient-text\">\u003cb>\u003ca class=\"panel-frame\" href=\"exhibition\" rel=\"history\" style=\"--font-scale: 1.95;\" tag-text=\"exhibition\">\u003cbr />\n\u003c/a>\u003c/b>\u003c/h1>\u003c/u>\u003cspan style=\"color: rgb(46, 255, 46); --font-scale: 1.06;\">\u003cdiv style=\"text-align: left\">\u003cb>Artwork Showcase\u003c/b>\u003c/div>\u003c/span>\u003cbr />\n\n\u003c/div>\n\u003cdiv id=\"bwimg\">\n\u003cgallery-grid columns=\"6\" gutter=\"0.0rem\" mobile-gutter=\"1rem\" show-tags=\"false\" show-title=\"true\" thumbnail-index=\"set:V1769784639\" thumbnail-index-metadata=\"%7B%22L2502686628%22%3A%7B%22sort%22%3A0%2C%22attributes%22%3A%7B%7D%7D%2C%22I1914888001%22%3A%7B%22sort%22%3A1%2C%22attributes%22%3A%7B%7D%7D%2C%22C0137683658%22%3A%7B%22sort%22%3A2%2C%22attributes%22%3A%7B%7D%7D%2C%22Y3964277561%22%3A%7B%22sort%22%3A3%2C%22attributes%22%3A%7B%7D%7D%2C%22N1916125763%22%3A%7B%22sort%22%3A3%2C%22attributes%22%3A%7B%7D%7D%2C%22A0304036688%22%3A%7B%22sort%22%3A4%2C%22attributes%22%3A%7B%7D%7D%2C%22X1857237178%22%3A%7B%22sort%22%3A5%2C%22attributes%22%3A%7B%7D%7D%2C%22R0429467597%22%3A%7B%22sort%22%3A6%2C%22attributes%22%3A%7B%7D%7D%2C%22K1284663471%22%3A%7B%22sort%22%3A7%2C%22attributes%22%3A%7B%7D%7D%2C%22F1650992282%22%3A%7B%22sort%22%3A8%2C%22attributes%22%3A%7B%7D%7D%2C%22X3197904691%22%3A%7B%22sort%22%3A9%2C%22attributes%22%3A%7B%7D%7D%2C%22V3623814549%22%3A%7B%22sort%22%3A10%2C%22attributes%22%3A%7B%7D%7D%7D\">\u003c/gallery-grid>\u003cdiv class=\"button-container\">\u003ca class=\"panel-frame\">\u003cb>\u003cbr />\u003c/b>\u003cbr />\n\u003c/a>\u003cdiv style=\"text-align: left\">\u003ca style=\"color: rgb(46, 255, 46);\">AI Film Screening \u003c/a>\u003c/div>\u003c/div>\u003cdiv style=\"text-align: left\">\n\u003cbr />\n\u003cspan style=\"line-height: 1;\">\u003cb>\u003cbr />\u003c/b>\u003c/span>\u003cb>\u003ci>Beast of Peace\u003c/i> – Steven Hernandez\u003cbr />\n\u003cbr />\n\u003ci>HOME\u003c/i> – Ezra Li\u003cbr />\n\u003cbr />\n\u003ci>Gentle \u003c/i>– Alex Naghavi\u003cbr />\n\u003cbr />\n\u003ci>The Mars Novella \u003c/i>– Carmen Gloria Pérez\u003cbr />\n\u003cbr />\n\u003ci>Silent Seed 2050\u003c/i> – Nasser Farshad\u003cbr />\n\u003cbr />\n\u003ci>The Ribbon\u003c/i> – Ryan Patterson\u003cbr />\n\u003cbr />\n\u003ci>The Wall \u003c/i>– Olly Blackburn\u003cbr />\n\u003cbr />\n\u003ci>Furor Agendi\u003c/i> – Wilson Stiner\u003cbr />\n\u003cbr />\n\u003ci>Entre deux souffle\u003c/i> – Zoubeir JLASSI\u003cbr />\n\u003cbr />\n\u003ci>Goodbye Body\u003c/i> – Aisling Phelan\u003cbr />\n\u003cbr />\n\u003ci>Imagos\u003c/i> – Brogan Wassell\u003cbr />\n\u003cbr />\n\u003ci>Rooted in Code\u003c/i> – Nejc Trampuž\u003cbr />\n\u003cbr />\n\u003ci>You&#x27;re Very Special\u003c/i> – u2p050\u003cbr />\n\u003cbr />\n\u003ci>Unit-E\u003c/i> – Alien Fluxus\u003cbr />\n\u003cbr />\n\u003ci>Language is Leaving Me\u003c/i> – Ellen Pearlman\u003cbr />\n\u003cbr />\n\u003ci>ECHOLESS\u003c/i> – Leon Krykhtin\u003cbr />\n\u003cbr />\n\u003ci>Cryptic Lineages\u003c/i> – Laura Splan\u003cbr />\n\u003cbr />\n\u003cbr />\n\u003cdiv id=\"bwimg\">\u003cspan class=\"caption\" style=\"line-height: 1.5;\">AI Film Judging Panel:\u003cbr />\n \u003ca href=\"https://TiffaniJoseph.com\" target=\"_blank\">\n \u003cbr />\n\u003c/a>\u003c/span>\u003ca href=\"https://TiffaniJoseph.com\" target=\"_blank\">Tiffani Joseph\u003c/a>\u003ca href=\"https://www.stevens.edu/profile/jking8\" target=\"_blank\">, Jonah King\u003c/a>\u003ca href=\"https://www.stevens.edu/profile/cmanzion\" target=\"_blank\">, \u003cbr />\nChristopher Manzione\u003c/a>\u003cspan style=\"line-height: 1.5;\">\u003ca href=\"https://www.jsuarezcreative.com\" target=\"_blank\">, Justin Suarez\u003c/a>\u003ca href=\"https://jbsolercreative.com\" target=\"_blank\">, \u003cbr />\nJulio Soler\u003c/a>\u003ca href=\"https://www.metapuppet.ai/\" target=\"_blank\">, Metapuppet,\u003c/a>\u003ca href=\"https://titlecuts.net/\" target=\"_blank\"> Allan Title\u003c/a>\u003c/span>\u003cbr />\n\u003c/div>\u003c/b>\u003c/div>\u003cb>\u003cdiv id=\"bwimg\">\u003cbr />\n\n\n\u003cbr />\n\u003cbr />\n\u003c/div>\u003c/b>\u003cb>\u003cdiv>\u003cbr />\n\u003ccolumn-set gutter=\"3.9rem\">\u003ccolumn-unit slot=\"0\" span=\"4\">\u003cbr />\n\u003cmedia-item class=\"linked\" hash=\"B2320104501131355765415824107977\" href=\"https://www.stevens.edu/program/visual-arts-technology\" scale=\"92.9%\" style=\"width: min(33.9vw, 100%); min-width: 150px;\" target=\"_blank\">\u003c/media-item>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"8\">\n\n\u003cdiv style=\"text-align: left\">Directed by \u003ca href=\"https://www.stevens.edu/profile/jking8\" target=\"_blank\">\u003cu>Jonah King\u003c/u>\u003c/a> &#x26; \u003cu>\u003ca href=\"https://www.stevens.edu/profile/cmanzion\" target=\"_blank\">Christopher Manzione\u003c/a>\u003c/u>. \u003cbr />
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15\n\n\n\n\n\n\u003cmedia-item hash=\"Z2948005516270763983675726801353\" limit-by=\"width\" scale=\"100%\">\n\n\n\n\u003c/media-item>\u003cbr />\n\u003cbr />\n\u003ca href=\"https://www.dariadorosh.com/text\" style=\"color: rgba(51, 255, 0, 0.85);\" target=\"_blank\">Daria Dorosh\u003c/a>\n\n\u003cbr />\n\u003cbr />\nThe Nymer Configuration: \u003cbr />\nA Story from the In-Between\u003cbr />\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\">\n\n\u003cmedia-item hash=\"I2932196792810353138212143933897\">\n\n\n\n\u003c/media-item>\u003cbr />\n\u003cbr />\n\n\u003ca href=\"https://johncraigfreeman.wordpress.com/about/\" style=\"color: rgba(51, 255, 0, 0.85);\" target=\"_blank\">John Craig Freeman\u003c/a>\n\n\u003cbr />\u003cbr />\nKonsult: A New Pedagogy for a Post-AI Civilization\u003cbr />\u003c/column-unit>\u003ccolumn-unit slot=\"3\">\u003cmedia-item hash=\"M2932200520473055321217205840329\">\u003c/media-item>\u003cbr />\n\u003cbr />\n\n\n\u003ca href=\"https://www.newmuseum.org/person/amy-xiaofan-jiang/\" style=\"color: rgba(51, 255, 0, 0.85);\" target=\"_blank\">Amy Xiaofan Jiang\u003c/a>\u003cbr />\u003cbr />\n\nPractices of Relation in Synthetic Media\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"4\">\u003cmedia-item hash=\"K2932196793031714067096658553289\">\n\n\u003c/media-item>\u003cbr />\n\n\n\u003cbr />\n\u003ca href=\"https://mischacreates.webflow.io/about\" style=\"color: rgba(51, 255, 0, 0.85);\" target=\"_blank\">Mischa Kuma\u003c/a>\u003cbr />\u003cbr />\nSynthetic Nature: Worldbuilding as Practice in Brain Health and Human Resilience\u003c/column-unit>\u003ccolumn-unit slot=\"5\">\u003cmedia-item hash=\"V2932196793013267323022949001673\">\u003c/media-item>\u003cbr />\n\n\n\u003cbr />\n\u003ca href=\"https://djspooky.com/bio/\" style=\"color: rgba(51, 255, 0, 0.85);\" target=\"_blank\">DJ Spooky\u003c/a>\u003cbr />\n\u003cbr />Digital Fictions - the future of storytelling\n\n\u003c/column-unit>\u003c/column-set>\u003cbr />\n\u003cbr />\n\n\u003cdiv style=\"text-align: center\">\u003ca class=\"greendots\" href=\"#\" rel=\"close-overlay\">\u003cb>- EXIT TO MAIN SITE -\u003c/b>\u003c/a>\u003c/div>\n\u003cbr />\n\n\n\n    \u003ccolumn-unit slot=\"3\" span=\"2\">\u003c/column-unit>\n\u003cdiv style=\"text-align: left\">\u003c/div>","local_css":"[id=\"T2822372589\"].page {\n\tmin-height: var(--viewport-height);\n\tjustify-content: center;\n\tbackground-color: rgba(0, 0, 0, 0.5);\n}\n\n[id=\"T2822372589\"] .page-content {\n\talign-items: center;\n\tborder-color: #ffffff;\n\tborder-radius: 0.0rem;\n\tborder-width: 0.1rem;\n\theight: auto;\n\tbox-shadow: 0rem 0rem 1.85rem 2.4rem #000000;\n\t--page-content-backdrop-filter: blur(0.67rem);\n\tpadding: 0.9rem;\n\tbackground-color: rgba(7, 7, 7, 0.62);\n}\n\n[id=\"T2822372589\"] .page-layout {\n\talign-items: center;\n\tmax-width: 89%;\n\t--page-layout-mix: normal;\n}\n\n.overlay-content:has([id=\"T2822372589\"]) {\n}","display":true,"stack":false,"pin":false,"overlay":true,"password_enabled":false,"page_count":0,"page_design_options":null,"backdrops":{"activeBackdrop":"none"},"pin_options":{"screen_visibility":"desktop","position":"top","overlay":true,"fixed":false,"adjust":false},"overlay_options":{"closeOnClickout":true,"closeOnNavigate":true,"closeOthersOnOpen":false,"animateOnOpen":{"fade":true,"speed":0.1,"slideAmount":0,"slideDirection":"default","wipeShape":"default","easing":"ease-out","scaleAmount":0,"rotateAmount":0},"animateOnClose":{"fade":false,"speed":0,"slideAmount":0,"slideDirection":"default","wipeShape":"default","easing":"linear","scaleAmount":0,"rotateAmount":0},"closeSelf":false,"closeDelay":0,"transitionIntensity":2,"openOnLoad":true,"transitionPreset":"custom"},"thumb_media_id":62308077,"thumbnail":{"id":62308077,"master_muid":14461385,"name":"David-Chalmers---Keynote.jpg","display_name":null,"hash":"U2485996511537196101051633936841","width":600,"height":600,"file_size":310616,"file_type":"jpg","mime_type":"image/jpeg","is_image":true,"is_video":false,"is_url":false,"is_placeholder":false,"has_audio_track":null,"duration":null,"url":null,"url_id":null,"url_thumb":null,"url_type":null,"created_at":"2025-08-04 19:02:21.222239","updated_at":"2025-08-04 19:02:21.222239","options":null},"thumb_meta":[],"media":[{"id":62308077,"display_name":"David-Chalmers---Keynote.jpg","name":"David-Chalmers---Keynote.jpg","hash":"U2485996511537196101051633936841","width":600,"height":600,"file_size":310616,"file_size_human":"303.3KB","file_type":"jpg","mime_type":"image/jpeg","is_image":true,"is_video":false,"is_url":false,"in_use":true,"created_at":"2025-08-04T19:02:21.222239Z","updated_at":"2025-08-04T19:02:21.222239Z"},{"id":79906091,"display_name":"DJ-Spooky-by-Janelle-Pietrzak-3-small.
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He is Professor of Philosophy and Neural Science at New York University, where he also co-directs the Center for Mind, Brain and Consciousness.\u003cbr />\n\n\u003cbr />Chalmers is best known for formulating the “hard problem of consciousness” and for popularising the philosophical zombie thought experiment. \u003cbr />\n\n\u003cbr />He is a Fellow of both the Australian Academy of the Humanities and the American Academy of Arts and Sciences, and is co-founder of PhilPapers, an online database for academic philosophy.\u003cbr />\u003cbr />\u003ca href=\"https://consc.net/\" style=\"color: rgba(51, 255, 0, 0.85);\" target=\"_blank\">website\u003c/a>\u003c/span>\u003c/div>\n\n\u003cbr />\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"1\">\n\n\u003cbr />\n\u003c/column-unit>\u003c/column-set>\u003cbr />\n\n\u003cdiv style=\"text-align: right\">\u003ca class=\"icon-link\" href=\"#\" rel=\"close-overlay\">\u003ctext-icon icon=\"nav-close\">\u003c/text-icon>\u003c/a>\u003c/div>\n\n\n\n\n    \u003ccolumn-unit slot=\"3\" span=\"2\">\u003c/column-unit>\n\u003cdiv style=\"text-align: left\">\u003c/div>","local_css":"[id=\"V3404640290\"].page {\n\tmin-height: var(--viewport-height);\n\tjustify-content: center;\n\tbackground-color: rgba(0, 0, 0, 0.5);\n}\n\n[id=\"V3404640290\"] .page-content {\n\talign-items: center;\n\tborder-color: #ffffff;\n\tborder-radius: 0.0rem;\n\tborder-width: 0.1rem;\n\theight: auto;\n\tbox-shadow: 0rem 0rem 1.85rem 2.4rem #000000;\n\t--page-content-backdrop-filter: blur(0.67rem);\n\tpadding: 0.9rem;\n\tbackground-color: rgba(7, 7, 7, 0.62);\n}\n\n[id=\"V3404640290\"] .page-layout {\n\talign-items: center;\n\tmax-width: 89%;\n\t--page-layout-mix: normal;\n}\n\n.overlay-content:has([id=\"V3404640290\"]) {\n}","display":true,"stack":false,"pin":false,"overlay":true,"password_enabled":false,"page_count":0,"page_design_options":null,"backdrops":{"activeBackdrop":"none"},"pin_options":{},"overlay_options":{"closeOnClickout":true,"closeOnNavigate":true,"closeOthersOnOpen":false,"animateO
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An early adopter of computational montage, her algorithmic films have screened internationally, including one of the world’s first examples of computer-driven generative montage in “Subway”, which screened at the New York Film Festival in 2011. She has worked professionally at RKO, H20 Studios, Westwood Studios, and Electronic Arts, where she led the narrative design of one of the game industry’s first MMORPGs. Solo and group exhibitions include SIGGRAPH (Los Angeles), ISEA (Vancouver, Hong Kong), EVA (London), ArtMachines2 (Hong Kong), New York Film Festival (New York), Courtisane Film Festival (Ghent), and others. She is a member of Runway ML’s Creators Program, a New Inc mentor alumni, and the co-chair of visual and studio arts at Sarah Lawrence College in New York, where she founded the arts and technology program in new genres.\u003cbr />\u003cbr />\u003ca href=\"https://littleumbrellas.net/\" style=\"color: rgba(51, 255, 0, 0.85);\" target=\"_blank\">website\u003c/a>\u003c/span>\u003c/div>\n\n\u003cbr />\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"1\">\n\n\u003cbr />\n\u003c/column-unit>\u003c/column-set>\u003cbr />\n\n\u003cdiv style=\"text-align: right\">\u003ca href=\"#\" rel=\"close-overlay\">\u003ctext-icon icon=\"nav-close\">\u003c/text-icon>\u003c/a>\u003c/div>\n\n\n\n\n    \u003ccolumn-unit slot=\"3\" span=\"2\">\u003c/column-unit>\n\u003cdiv style=\"text-align: left\">\u003c/div>","local_css":"[id=\"J1143496253\"].page {\n\tmin-height: var(--viewport-height);\n\tjustify-content: center;\n\tbackground-color: rgba(0, 0, 0, 0.5);\n}\n\n[id=\"J1143496253\"] .page-content {\n\talign-items: center;\n\tborder-color: #ffffff;\n\tborder-radius: 0.0rem;\n\tborder-width: 0.1rem;\n\theight: auto;\n\tbox-shadow: 0rem 0rem 1.85rem 2.4rem #000000;\n\t--page-content-backdrop-filter: blur(0.67rem);\n\tpadding: 0.9rem;\n\tbackground-color: rgba(7, 7, 7, 0.62);\n}\n\n[id=\"J1143496253\"] .page-layout {\n\talign-items: center;\n\tmax-width: 89%;\n\t--page-layout-mix: normal;\n}
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Since founding Mechanism Digital in 1996, he has guided teams through award-winning work for feature films, commercials, and corporate communications. Today, Lucien explores how AI reshapes storytelling—from streamlining VFX and animation workflows to unlocking new creative possibilities for filmmakers and brands. A frequent speaker and mentor in the VFX community, he brings a collaborative, future-ready perspective to the evolving landscape of AI-driven production. \u003cbr />\u003cbr />\u003ca href=\"https://www.linkedin.com/in/lucienharriot/\" style=\"color: rgb(46, 255, 46);\" target=\"_blank\">Linkedin\u003c/a>\n \n\u003c/span>\n\n\u003c/span>\u003c/div>\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"1\">\n\n\u003cbr />\n\u003c/column-unit>\u003c/column-set>\n\n\u003cbr />\n\n    \u003ccolumn-unit slot=\"3\" span=\"2\">\u003c/column-unit>\n\u003cdiv style=\"text-align: left\">\u003c/div>\n\n\u003cdiv style=\"text-align: right\">\u003ctext-icon icon=\"nav-close\">\u003c/text-icon>\n\n\u003cbr />\u003c/div>","local_css":"[id=\"B0765771285\"].page {\n\tmin-height: var(--viewport-height);\n\tjustify-content: center;\n\tbackground-color: rgba(0, 0, 0, 0.5);\n}\n\n[id=\"B0765771285\"] .page-content {\n\talign-items: center;\n\tborder-color: #ffffff;\n\tborder-radius: 0.0rem;\n\tborder-width: 0.1rem;\n\theight: auto;\n\tbox-shadow: 0rem 0rem 1.85rem 2.4rem #000000;\n\t--page-content-backdrop-filter: blur(0.67rem);\n\tpadding: 0.9rem;\n\tbackground-color: rgba(7, 7, 7, 0.62);\n}\n\n[id=\"B0765771285\"] .page-layout {\n\talign-items: center;\n\tmax-width: 89%;\n\t--page-layout-mix: normal;\n}\n\n.overlay-content:has([id=\"B0765771285\"]) {\n}","display":true,"stack":false,"pin":false,"overlay":true,"password_enabled":false,"page_count":0,"page_design_options":null,"backdrops":{"activeBackdrop":"none"},"pin_options":{},"overlay_options":{"closeOnClickout":true,"closeOnNavigate":true,"closeOthersOnOpen":false,"animateO
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Kiran previously served on the Producers Guild of America&#x27;s National Board of Directors, and she currently hosts and curates a quarterly salon for local AI filmmakers with Machine Cinema NYC. \u003cbr />\u003cbr />\u003ca href=\"https://www.kiranmalhotra.com/about\" style=\"color: rgb(46, 255, 46);\" target=\"_blank\">Website\u003c/a>\n \n\u003c/span>\n\n\u003c/span>\u003c/div>\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"1\">\n\n\u003cbr />\n\u003c/column-unit>\u003c/column-set>\u003cbr />\u003cdiv style=\"text-align: right\">\u003ca class=\"icon-link\" href=\"#\" rel=\"close-overlay\">\u003ctext-icon icon=\"nav-close\">\u003c/text-icon>\u003c/a>\u003c/div>\n\n\n    \u003ccolumn-unit slot=\"3\" span=\"2\">\u003c/column-unit>\n\u003cdiv style=\"text-align: left\">\u003c/div>","local_css":"[id=\"H1960670990\"].page {\n\tmin-height: var(--viewport-height);\n\tjustify-content: center;\n\tbackground-color: rgba(0, 0, 0, 0.5);\n}\n\n[id=\"H1960670990\"] .page-content {\n\talign-items: center;\n\tborder-color: #ffffff;\n\tborder-radius: 0.0rem;\n\tborder-width: 0.1rem;\n\theight: auto;\n\tbox-shadow: 0rem 0rem 1.85rem 2.4rem #000000;\n\t--page-content-backdrop-filter: blur(0.67rem);\n\tpadding: 0.9rem;\n\tbackground-color: rgba(7, 7, 7, 0.62);\n}\n\n[id=\"H1960670990\"] .page-layout {\n\talign-items: center;\n\tmax-width: 89%;\n\t--page-layout-mix: normal;\n}\n\n.overlay-content:has([id=\"H1960670990\"]) {\n}","display":true,"stack":false,"pin":false,"overlay":true,"password_enabled":false,"page_count":0,"page_design_options":null,"backdrops":{"activeBackdrop":"none"},"pin_options":{},"overlay_options":{"closeOnClickout":true,"closeOnNavigate":true,"closeOthersOnOpen":false,"animateO
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Art Center in Riga, Alt Art Space in Istanbul, Philadelphia International Festival of the Arts, the Surry Hills Festival in Melbourne, and Gurzenich Koln Museum in Cologne. 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15s. Thiago is currently an assistant professor of Art, Media, and Technology at Parsons School of Design, where he teaches programming, machine learning, and design. He is also a visiting researcher at the University of São Paulo&#x27;s School of Architecture, Urbanism, and Design, where he develops tools for analysing, questioning, and reorganising public media archives. He has been a resident artist at Impakt in Utrecht, Delfina Foundation in London, and Autodesk in San Francisco, and has participated in exhibitions at MUDAC in Lausanne, Science Gallery in Dublin, and SESC in São Paulo.\n\u003cbr />\n\u003cbr />\u003ca href=\"https://thiagohersan.com/\" style=\"color: rgb(46, 255, 46);\" target=\"_blank\">Website\u003c/a>\u003cbr />\n\u003cbr />\n \n\u003c/span>\n\n\u003c/span>\u003c/div>\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"1\">\n\n\u003cbr />\n\u003c/column-unit>\u003c/column-set>\u003cbr />\n\n\u003cdiv style=\"text-align: right\">\u003ca class=\"icon-link\" href=\"#\" rel=\"close-overlay\">\u003ctext-icon icon=\"nav-close\">\u003c/text-icon>\u003c/a>\u003c/div>\n\n\n\n\n    \u003ccolumn-unit slot=\"3\" span=\"2\">\u003c/column-unit>\n\u003cdiv style=\"text-align: left\">\u003c/div>","local_css":"[id=\"P2972806221\"].page {\n\tmin-height: var(--viewport-height);\n\tjustify-content: center;\n\tbackground-color: rgba(0, 0, 0, 0.5);\n}\n\n[id=\"P2972806221\"] .page-content {\n\talign-items: center;\n\tborder-color: #ffffff;\n\tborder-radius: 0.0rem;\n\tborder-width: 0.1rem;\n\theight: auto;\n\tbox-shadow: 0rem 0rem 1.85rem 2.4rem #000000;\n\t--page-content-backdrop-filter: blur(0.67rem);\n\tpadding: 0.9rem;\n\tbackground-color: rgba(7, 7, 7, 0.62);\n}\n\n[id=\"P2972806221\"] .page-layout {\n\talign-items: center;\n\tmax-width: 89%;\n\t--page-layout-mix: normal;\n}\n\n.overlay-content:has([id=\"P2972806221\"]) {\n}","display":true,"stack":false,"pin":false,"overlay":true,"password_enabled":false,"page_count":0,"page_design_options":null,"backdrops":{"activeBackdrop":"none"},"pin_options":{},"overlay_options":{"closeOnClickout":true,"closeOnNavigate":true,"closeOthersOnOpen":false,"animateOnOpen":{"fade":true,"speed":0.1,"slideAmount":0,"slideDirection":"default","wipeShape":"default","easing":"ease-out","scaleAmount":0,"rotateAmount":0},"animateOnClose":{"fade":false,"speed":0,"slideAmount":0,"slideDirection":"default","wipeShape":"default","easing":"linear","scaleAmount":0,"rotateAmount":0}},"thumb_media_id":62308082,"thumbnail":{"id":62308082,"master_muid":14461385,"name":"Thiago-Hersan---Post-Photography.jpg","display_name":null,"hash":"M2485996511758557029936148556233","width":600,"height":600,"file_size":190067,"file_type":"jpg","mime_type":"image/jpeg","is_image":true,"is_video":false,"is_url":false,"is_placeholder":false,"has_audio_track":null,"duration":null,"url":null,"url_id":null,"url_thumb":null,"url_type":null,"created_at":"2025-08-04 19:02:21.224028","updated_at":"2025-08-04 19:02:21.224028","options":null},"thumb_meta":[],"media":[{"id":62308082,"display_name":"Thiago-Hersan---Post-Photography.jpg","name":"Thiago-Hersan---Post-Photography.jpg","hash":"M2485996511758557029936148556233","width":600,"height":600,"file_size":190067,"file_size_human":"185.6KB","file_type":"jpg","mime_type":"image/jpeg","is_image":true,"is_video":false,"is_url":false,"in_use":true,"created_at":"2025-08-04T19:02:21.224028Z","updated_at":"2025-08-04T19:02:21.224028Z"}],"tags":[{"tag":"Immersive","url":"immersive"}],"access_level":"public"},"P2399105116":{"id":"P2399105116","title":"Natasha Chuk","purl":"natasha-chuk-1","page_type":"page","content":"\u003ccolumn-set gutter=\"3.5rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cdiv style=\"text-align: left\">\u003ch1 class=\"gradient-text\" style=\"--font-scale: 1.95;\">Natasha Chuk\u003c/h1>\u003c/div>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"7\">\n\n\u003cdiv style=\"text-align: left\">\u003ch1 style=\"--font-scale: 1.95;\">Photography at the Edges of its Own Ontology\u003c/h1>\u003c/div>\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"2\">\n\n\u003cdiv style=\"text-align: right\">\u003ch1 style=\"color: rgb(77, 255, 0);\">\u003c/h1>\u003c/div>\u003c/column-unit>\u003c/column-set>\u003ccolumn-set gutter=\"3.1rem\">\u003ccolumn-unit slot=\"0\" span=\"8\">\n\u003cdiv style=\"position: relative; width: 100%; padding-top: 56.25%;\">\n  \u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" referrerpolicy=\"strict-origin-when-cross-origin\" src=\"https://www.youtube.com/embed/fWaoV-YA22A?si=EoYPkByByDL0DLGA?autoplay=0&mute=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" title=\"YouTube video player\">\n  \u003c/iframe>\n\u003c/div>\n\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\n\n\n\u003cmedia-item hash=\"D2485996511721663541788729453001\" scale=\"58.7%\">\u003c/media-item>\u003cbr />\n\u003cbr />\n\n\n\u003cdiv style=\"text-align: left\">\u003cspan class=\"caption\" style=\"line-height: 1.5;\">\u003cspan style=\"color: rgba(51, 255, 0, 0.85);\">\u003cb>Natasha Chuk\u003c/b>, PhD is a media theorist, writer, educator, and independent curator focused on the intersection of art, philosophy, and creative technologies. Her writing has appeared in Millennium Film Journal, Chronogram, FLAT Journal, and other journals and edited volumes. She is the author of Vanishing Points: Articulations of Death, Fragmentation, and the Unexperienced Experience of Created Objects (Intellect, 2015) and the forthcoming Photo Obscura: The Photographic in Post-Photography (Intellect, 2025). She teaches courses in the areas of film, photography, video game studies, new media art, and media theory at the School of Visual Arts and Parsons in New York City.\n\u003cbr />\n\u003cbr />\u003ca href=\"https://www.natashachuk.com/\" style=\"color: rgb(46, 255, 46);\" target=\"_blank\">Website\u003c/a>\u003cbr />\n\u003cbr />\n \n\u003c/span>\n\n\u003c/span>\u003c/div>\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"1\">\n\n\u003cbr />\n\u003c/column-unit>\u003c/column-set>\u003cbr />\n\n\u003cdiv style=\"text-align: right\">\u003ca class=\"icon-link\" href=\"#\" rel=\"close-overlay\">\u003ctext-icon icon=\"nav-close\">\u003c/text-icon>\u003c/a>\u003c/div>\n\n\n\n\n    \u003ccolumn-unit slot=\"3\" span=\"2\">\u003c/column-unit>\n\u003cdiv style=\"text-align: left\">\u003c/div>","local_css":"[id=\"P2399105116\"].page {\n\tmin-height: var(--viewport-height);\n\tjustify-content: center;\n\tbackground-color: rgba(0, 0, 0, 0.5);\n}\n\n[id=\"P2399105116\"] .page-content {\n\talign-items: center;\n\tborder-color: #ffffff;\n\tborder-radius: 0.0rem;\n\tborder-width: 0.1rem;\n\theight: auto;\n\tbox-shadow: 0rem 0rem 1.85rem 2.4rem #000000;\n\t--page-content-backdrop-filter: blur(0.67rem);\n\tpadding: 0.9rem;\n\tbackground-color: rgba(7, 7, 7, 0.62);\n}\n\n[id=\"P2399105116\"] .page-layout {\n\talign-items: center;\n\tmax-width: 89%;\n\t--page-layout-mix: normal;\n}\n\n.overlay-content:has([id=\"P2399105116\"]) {\n}","display":true,"stack":false,"pin":false,"overlay":true,"password_enabled":false,"page_count":0,"page_design_options":null,"backdrops":{"activeBackdrop":"none"},"pin_options":{},"overlay_options":{"closeOnClickout":true,"closeOnNavigate":true,"closeOthersOnOpen":false,"animateO
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15Brazil). Micaelle holds an M.P.S. from NYU’s Interactive Telecommunications Program (ITP), where she focused on machine learning and audiovisual narratives, and a B.A. in Cinema and Audiovisual from UFPB.\n\u003cbr />\n\u003cbr />\u003ca href=\"https://www.linkedin.com/in/micaelle-lages-838015193/\" style=\"color: rgb(46, 255, 46);\" target=\"_blank\">Website\u003c/a>\u003cbr />\n\u003cbr />\n \n\u003c/span>\n\n\u003c/span>\u003c/div>\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"1\">\n\n\u003cbr />\n\u003c/column-unit>\u003c/column-set>\u003cbr />\n\n\u003cdiv style=\"text-align: right\">\u003ca class=\"icon-link\" href=\"#\" rel=\"close-overlay\">\u003ctext-icon icon=\"nav-close\">\u003c/text-icon>\u003c/a>\u003c/div>\n\n\n\n\n    \u003ccolumn-unit slot=\"3\" span=\"2\">\u003c/column-unit>\n\u003cdiv style=\"text-align: left\">\u003c/div>","local_css":"[id=\"Z3718719257\"].page {\n\tmin-height: var(--viewport-height);\n\tjustify-content: center;\n\tbackground-color: rgba(0, 0, 0, 0.5);\n}\n\n[id=\"Z3718719257\"] .page-content {\n\talign-items: center;\n\tborder-color: #ffffff;\n\tborder-radius: 0.0rem;\n\tborder-width: 0.1rem;\n\theight: auto;\n\tbox-shadow: 0rem 0rem 1.85rem 2.4rem #000000;\n\t--page-content-backdrop-filter: blur(0.67rem);\n\tpadding: 0.9rem;\n\tbackground-color: rgba(7, 7, 7, 0.62);\n}\n\n[id=\"Z3718719257\"] .page-layout {\n\talign-items: center;\n\tmax-width: 89%;\n\t--page-layout-mix: normal;\n}\n\n.overlay-content:has([id=\"Z3718719257\"]) {\n}","display":true,"stack":false,"pin":false,"overlay":true,"password_enabled":false,"page_count":0,"page_design_options":null,"backdrops":{"activeBackdrop":"none"},"pin_options":{},"overlay_options":{"closeOnClickout":true,"closeOnNavigate":true,"closeOthersOnOpen":false,"animateOnOpen":{"fade":true,"speed":0.1,"slideAmount":0,"slideDirection":"default","wipeShape":"default","easing":"ease-out","scaleAmount":0,"rotateAmount":0},"animateOnClose":{"fade":false,"speed":0,"slideAmount":0,"slideDirection":"default","wipeShape":"default","easing":"linear","scaleAmount":0,"rotateAmount":0}},"thumb_media_id":69430279,"thumbnail":{"id":69430279,"master_muid":14461385,"name":"Isabella-Micaelle.png","display_name":null,"hash":"B2676185329871035857831131392457","width":600,"height":600,"file_size":664465,"file_type":"png","mime_type":"image/png","is_image":true,"is_video":false,"is_url":false,"is_placeholder":false,"has_audio_track":null,"duration":null,"url":null,"url_id":null,"url_thumb":null,"url_type":null,"created_at":"2025-12-02 02:58:18.007999","updated_at":"2025-12-02 02:58:18.007999","options":null},"thumb_meta":[],"media":[{"id":62308074,"display_name":"Isabella-Valle---Post-Photography.jpg","name":"Isabella-Valle---Post-Photography.jpg","hash":"U2485996511592536333272762591689","width":600,"height":600,"file_size":275684,"file_size_human":"269.2KB","file_type":"jpg","mime_type":"image/jpeg","is_image":true,"is_video":false,"is_url":false,"in_use":true,"created_at":"2025-08-04T19:02:21.216401Z","updated_at":"2025-08-04T19:02:21.216401Z"},{"id":62315956,"display_name":"Micaelle-Lages---Post-Photography.jpg","name":"Micaelle-Lages---Post-Photography.jpg","hash":"D2486167511508147071214316988873","width":600,"height":600,"file_size":381775,"file_size_human":"372.8KB","file_type":"jpg","mime_type":"image/jpeg","is_image":true,"is_video":false,"is_url":false,"in_use":true,"created_at":"2025-08-04T21:36:50.978749Z","updated_at":"2025-08-04T21:36:50.978749Z"},{"id":69430279,"display_name":"Isabella-Micaelle.png","name":"Isabella-Micaelle.png","hash":"B2676185329871035857831131392457","width":600,"height":600,"file_size":664465,"file_size_human":"648.9KB","file_type":"png","mime_type":"image/png","is_image":true,"is_video":false,"is_url":false,"in_use":true,"created_at":"2025-12-02T02:58:18.007999Z","updated_at":"2025-12-02T02:58:18.007999Z"}],"tags":[{"tag":"postphotography","url":"postphotography"}],"access_level":"public"},"Q2378464175":{"id":"Q2378464175","title":"Michael Whitham + Aidan Larned","purl":"michael-whitham-+-aidan-larned-1","page_type":"page","content":"\u003ccolumn-set gutter=\"3.5rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cdiv style=\"text-align: left\">\u003ch1 class=\"gradient-text\" style=\"--font-scale: 1.95;\">Michael Whitham + Aidan Larned \u003c/h1>\u003c/div>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"7\">\n\n\u003cdiv style=\"text-align: left\">\u003ch1 style=\"--font-scale: 1.95;\">The Body for Broadcast: Synthetic Selves and the Post-Photographic Condition\u003c/h1>\u003c/div>\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"2\">\n\n\u003cdiv style=\"text-align: right\">\u003ch1 style=\"color: rgb(77, 255, 0);\">\u003ca href=\"postphotography\" rel=\"history\" tag-text=\"postphotography\">Post-Photography\u003c/a>\u003c/h1>\u003c/div>\n\n\n\n\u003c/column-unit>\u003c/column-set>\u003ccolumn-set gutter=\"3.1rem\">\u003ccolumn-unit slot=\"0\" span=\"8\">\n\u003cdiv style=\"position: relative; width: 100%; padding-top: 56.25%;\">\n  \u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" referrerpolicy=\"strict-origin-when-cross-origin\" src=\"https://www.youtube.com/embed/VF3JUO3aoN0?si=7QKtt-F8LN95j-L9?autoplay=0&mute=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" title=\"YouTube video player\">\n  \u003c/iframe>\n\u003c/div>\n\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\n\n\n\u003cmedia-item hash=\"U2485996511703216797715019901385\" scale=\"58.7%\">\u003c/media-item>\u003cbr />\n\u003cbr />\n\n\n\u003cdiv style=\"text-align: left\">\u003cspan class=\"caption\" style=\"line-height: 1.5;\">\u003cspan style=\"color: rgba(51, 255, 0, 0.85);\">\u003cb>Michael Whitham\u003c/b> and \u003cb>Aidan Larned\u003c/b> are writers, creatives, and strategists who have worked together at the independent creative agency Hugo &#x26; Marie since 2021. They co-author Helium, the agency’s ongoing essay series that explores how visual language, cultural trends, and ideas of identity intersect with branding and media. Aidan also independently writes, edits, and designs a series of zines and small-run publications, often in collaboration with other artists. Michael holds an MA in the History of Art, with a focus on postmodern photography, and previously spent a decade as a commissioner, creative director, and ph
15otographic producer for major international recording artists. Since 2024 he has been a mentor for NEW INC, the New Museum’s incubator that supports innovation at the intersection of art, design, science, and technology. Together, their work at Hugo &#x26; Marie explores how images, language, and cultural signals shape, and are shaped by, the systems we live inside.\n\u003cbr />\n\n\u003cbr />\u003ca href=\"https://us12.campaign-archive.com/home/?u=b33a0d2875fd82d100cbe4ced&id=508ca39f8a\" style=\"color: rgb(46, 255, 46);\" target=\"_blank\">Website\u003c/a>\u003cbr />\n\u003cbr />\n \n\u003c/span>\n\n\u003c/span>\u003c/div>\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"1\">\n\n\u003cbr />\n\u003c/column-unit>\u003c/column-set>\u003cbr />\n\n\u003cdiv style=\"text-align: right\">\u003ca class=\"icon-link\" href=\"#\" rel=\"close-overlay\">\u003ctext-icon icon=\"nav-close\">\u003c/text-icon>\u003c/a>\u003c/div>\n\n\n\n\n    \u003ccolumn-unit slot=\"3\" span=\"2\">\u003c/column-unit>\n\u003cdiv style=\"text-align: left\">\u003c/div>","local_css":"[id=\"Q2378464175\"].page {\n\tmin-height: var(--viewport-height);\n\tjustify-content: center;\n\tbackground-color: rgba(0, 0, 0, 0.5);\n}\n\n[id=\"Q2378464175\"] .page-content {\n\talign-items: center;\n\tborder-color: #ffffff;\n\tborder-radius: 0.0rem;\n\tborder-width: 0.1rem;\n\theight: auto;\n\tbox-shadow: 0rem 0rem 1.85rem 2.4rem #000000;\n\t--page-content-backdrop-filter: blur(0.67rem);\n\tpadding: 0.9rem;\n\tbackground-color: rgba(7, 7, 7, 0.62);\n}\n\n[id=\"Q2378464175\"] .page-layout {\n\talign-items: center;\n\tmax-width: 89%;\n\t--page-layout-mix: normal;\n}\n\n.overlay-content:has([id=\"Q2378464175\"]) {\n}","display":true,"stack":false,"pin":false,"overlay":true,"password_enabled":false,"page_count":0,"page_design_options":null,"backdrops":{"activeBackdrop":"none"},"pin_options":{},"overlay_options":{"closeOnClickout":true,"closeOnNavigate":true,"closeOthersOnOpen":false,"animateOnOpen":{"fade":true,"speed":0.1,"slideAmount":0,"slideDirection":"default","wipeShape":"default","easing":"ease-out","scaleAmount":0,"rotateAmount":0},"animateOnClose":{"fade":false,"speed":0,"slideAmount":0,"slideDirection":"default","wipeShape":"default","easing":"linear","scaleAmount":0,"rotateAmount":0}},"thumb_media_id":62308076,"thumbnail":{"id":62308076,"master_muid":14461385,"name":"MichaelWhitham-PostPhotography.jpg","display_name":null,"hash":"U2485996511703216797715019901385","width":600,"height":600,"file_size":289259,"file_type":"jpg","mime_type":"image/jpeg","is_image":true,"is_video":false,"is_url":false,"is_placeholder":false,"has_audio_track":null,"duration":null,"url":null,"url_id":null,"url_thumb":null,"url_type":null,"created_at":"2025-08-04 19:02:21.221098","updated_at":"2025-08-04 19:02:21.221098","options":null},"thumb_meta":[],"media":[{"id":62308076,"display_name":"MichaelWhitham-PostPhotography.jpg","name":"MichaelWhitham-PostPhotography.jpg","hash":"U2485996511703216797715019901385","width":600,"height":600,"file_size":289259,"file_size_human":"282.5KB","file_type":"jpg","mime_type":"image/jpeg","is_image":true,"is_video":false,"is_url":false,"in_use":true,"created_at":"2025-08-04T19:02:21.221098Z","updated_at":"2025-08-04T19:02:21.221098Z"}],"tags":[{"tag":"postphotography","url":"postphotography"}],"access_level":"public"},"F1094399997":{"id":"F1094399997","title":"Jonah King","purl":"jonah-king-1","page_type":"page","content":"\u003ccolumn-set gutter=\"3.5rem\">\u003ccolumn-unit slot=\"0\" span=\"4\">\u003cdiv style=\"text-align: left\">\u003ch1 class=\"gradient-text\" style=\"--font-scale: 1.95;\">Post-Photography Q+A \u003c/h1>\u003c/div>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"6\">\n\n\u003cdiv style=\"text-align: left\">\u003ch1 style=\"--font-scale: 1.95;\">Chaired by Jonah King\u003c/h1>\u003c/div>\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"2\">\n\n\u003cdiv style=\"text-align: right\">\u003ch1 style=\"color: rgb(77, 255, 0);\">\u003c/h1>\u003c/div>\u003c/column-unit>\u003c/column-set>\u003ccolumn-set gutter=\"3.1rem\">\u003ccolumn-unit slot=\"0\" span=\"8\">\n\u003cdiv style=\"position: relative; width: 100%; padding-top: 56.25%;\">\n  \u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" referrerpolicy=\"strict-origin-when-cross-origin\" src=\"https://www.youtube.com/embed/CH9LAC25C5Q?si=OpnInbHA3oSkL-uv\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" title=\"YouTube video player\">\n  \u003c/iframe>\n\u003c/div>\n\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\n\n\n\u003cmedia-item hash=\"S2486167102101109099304528423369\" scale=\"58.7%\">\u003c/media-item>\u003cbr />\n\u003cbr />\n\n\n\u003cdiv style=\"text-align: left\">\u003cspan class=\"caption\" style=\"line-height: 1.5;\">\u003cspan style=\"color: rgba(51, 255, 0, 0.85);\">\u003cb>Jonah King \u003c/b>is an Irish media artist and filmmaker exploring human–nonhuman relations and speculative futures through immer
15sive technologies. \n\u003cbr />\n\n\u003cbr />\nBased between Dublin and Brooklyn, their world-building creates narrative-driven installations, VR experiences, and video works that examine how ecological intimacies shape identity.\n\u003cbr />\n\n\u003cbr />\n King’s work has been shown at the Irish Museum of Modern Art, the American Museum of the Moving Image, EXPO Chicago, and the New Museum, and featured in festivals including SXSW. They hold an MFA from Columbia University and a BFA from NCAD, and are Assistant Professor of Interactive Digital Media at Stevens Institute of Technology.\n\u003cbr />\n\n\u003cbr />\u003ca href=\"https://jonahking.com/\" style=\"color: rgb(46, 255, 46);\" target=\"_blank\">Website\u003c/a>\u003cbr />\n\u003cbr />\n \n\u003c/span>\n\n\u003c/span>\u003c/div>\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"1\">\n\n\u003cbr />\n\u003c/column-unit>\u003c/column-set>\u003cbr />\u003cdiv style=\"text-align: right\">\u003ca class=\"icon-link\" href=\"#\" rel=\"close-overlay\">\u003ctext-icon icon=\"nav-close\">\u003c/text-icon>\u003c/a>\u003c/div>\n\n\n    \u003ccolumn-unit slot=\"3\" span=\"2\">\u003c/column-unit>\n\u003cdiv style=\"text-align: left\">\u003c/div>","local_css":"[id=\"F1094399997\"].page {\n\tmin-height: var(--viewport-height);\n\tjustify-content: center;\n\tbackground-color: rgba(0, 0, 0, 0.5);\n}\n\n[id=\"F1094399997\"] .page-content {\n\talign-items: center;\n\tborder-color: #ffffff;\n\tborder-radius: 0.0rem;\n\tborder-width: 0.1rem;\n\theight: auto;\n\tbox-shadow: 0rem 0rem 1.85rem 2.4rem #000000;\n\t--page-content-backdrop-filter: blur(0.67rem);\n\tpadding: 0.9rem;\n\tbackground-color: rgba(7, 7, 7, 0.62);\n}\n\n[id=\"F1094399997\"] .page-layout {\n\talign-items: center;\n\tmax-width: 89%;\n\t--page-layout-mix: normal;\n}\n\n.overlay-content:has([id=\"F1094399997\"]) {\n}","display":false,"stack":false,"pin":false,"overlay":true,"password_enabled":false,"page_count":0,"page_design_options":null,"backdrops":{"activeBackdrop":"none"},"pin_options":{},"overlay_options":{"closeOnClickout":true,"closeOnNavigate":true,"closeOthersOnOpen":false,"animateOnOpen":{"fade":true,"speed":0.1,"slideAmount":0,"slideDirection":"default","wipeShape":"default","easing":"ease-out","scaleAmount":0,"rotateAmount":0},"animateOnClose":{"fade":false,"speed":0,"slideAmount":0,"slideDirection":"default","wipeShape":"default","easing":"linear","scaleAmount":0,"rotateAmount":0}},"thumb_media_id":62315936,"thumbnail":{"id":62315936,"master_muid":14461385,"name":"JonahKing_Headshot_PostPhoto.jpg","display_name":null,"hash":"S2486167102101109099304528423369","width":600,"height":600,"file_size":267887,"file_type":"jpg","mime_type":"image/jpeg","is_image":true,"is_video":false,"is_url":false,"is_placeholder":false,"has_audio_track":null,"duration":null,"url":null,"url_id":null,"url_thumb":null,"url_type":null,"created_at":"2025-08-04 21:36:28.873530","updated_at":"2025-08-04 21:36:28.873530","options":null},"thumb_meta":[],"media":[{"id":62315936,"display_name":"JonahKing_Headshot_PostPhoto.jpg","name":"JonahKing_Headshot_PostPhoto.jpg","hash":"S2486167102101109099304528423369","width":600,"height":600,"file_size":267887,"file_size_human":"261.6KB","file_type":"jpg","mime_type":"image/jpeg","is_image":true,"is_video":false,"is_url":false,"in_use":true,"created_at":"2025-08-04T21:36:28.873530Z","updated_at":"2025-08-04T21:36:28.873530Z"}],"tags":[{"tag":"postphotography","url":"postphotography"}],"access_level":"public"},"Z2670692209":{"id":"Z2670692209","title":"Avital Meshi","purl":"avital-meshi-1","page_type":"page","content":"\u003ccolumn-set gutter=\"3.5rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cdiv style=\"text-align: left\">\u003ch1 class=\"gradient-text\" style=\"--font-scale: 1.95;\">Avital Meshi\u003c/h1>\u003c/div>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"7\">\n\n\u003cdiv style=\"text-align: left\">\u003ch1 style=\"--font-scale: 1.95;\">GPT-ME: Generating a New Sense of Self with AI\u003c/h1>\u003c/div>\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"2\">\n\n\u003cdiv style=\"text-align: right\">\u003ch1 style=\"color: rgb(77, 255, 0);\">\u003c/h1>\u003c/div>\u003c/column-unit>\u003c/column-set>\u003ccolumn-set gutter=\"3.1rem\">\u003ccolumn-unit slot=\"0\" span=\"8\">\n\u003cdiv style=\"position: relative; width: 100%; padding-top: 56.25%;\">\n  \u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" referrerpolicy=\"strict-origin-when-cross-origin\" src=\"https://www.youtube.com/embed/Xy6UlRDz3Po?si=Yj67NYFfbYHTMqz3?autoplay=0&mute=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" title=\"YouTube video player\">\n  \u003c/iframe>\n\u003c/div>\n\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\n\n\n\u003cmedia-item hash=\"Y2485996511463409124756795730377\" scale=\"58.7%\">\u003c/media-item>\u003cbr />\n\u003cbr />\n\n\n\u003cdiv style=\"text-align: left\">\u003cspan class=\"caption\" style=\"line-height: 1.5;\">\u003cspan style=\"color: rgba(51, 255, 0, 0.85);\">\u003cb>Avital Meshi \u003c/b>is a new media and performance artist whose work explores AI’s impact on human identity and s
15ocial interaction. Using interactive technologies, she creates performances and installations that engage viewers with AI in playful, critical ways. Her practice examines how algorithms shape behaviour, perception, and self-expression, encouraging awareness and agency in living alongside these systems.\n Meshi is pursuing a PhD in Performance Studies at UC Davis, with a Designated Emphasis in Science and Technology Studies. She holds an MFA from UC Santa Cruz, a BFA from the School of the Art Institute of Chicago, and degrees in Behavioural Biology from the Hebrew University of Jerusalem. Her projects have been showcased at venues like NYU’s Institute of Fine Arts, CURRENTS New Media Festival, Women Made Gallery, SIGGRAPH, ISEA, and more.\n\u003cbr />\n\u003cbr />\u003ca href=\"https://www.avitalmeshi.com/\" style=\"color: rgb(46, 255, 46);\" target=\"_blank\">Website\u003c/a>\u003cbr />\n\u003cbr />\n \n\u003c/span>\n\n\u003c/span>\u003c/div>\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"1\">\n\n\u003cbr />\n\u003c/column-unit>\u003c/column-set>\u003cbr />\u003cdiv style=\"text-align: right\">\u003ca class=\"icon-link\" href=\"#\" rel=\"close-overlay\">\u003ctext-icon icon=\"nav-close\">\u003c/text-icon>\u003c/a>\u003c/div>\n\n\n    \u003ccolumn-unit slot=\"3\" span=\"2\">\u003c/column-unit>\n\u003cdiv style=\"text-align: left\">\u003c/div>","local_css":"[id=\"Z2670692209\"].page {\n\tmin-height: var(--viewport-height);\n\tjustify-content: center;\n\tbackground-color: rgba(0, 0, 0, 0.5);\n}\n\n[id=\"Z2670692209\"] .page-content {\n\talign-items: center;\n\tborder-color: #ffffff;\n\tborder-radius: 0.0rem;\n\tborder-width: 0.1rem;\n\theight: auto;\n\tbox-shadow: 0rem 0rem 1.85rem 2.4rem #000000;\n\t--page-content-backdrop-filter: blur(0.67rem);\n\tpadding: 0.9rem;\n\tbackground-color: rgba(7, 7, 7, 0.62);\n}\n\n[id=\"Z2670692209\"] .page-layout {\n\talign-items: center;\n\tmax-width: 89%;\n\t--page-layout-mix: normal;\n}\n\n.overlay-content:has([id=\"Z2670692209\"]) {\n}","display":true,"stack":false,"pin":false,"overlay":true,"password_enabled":false,"page_count":0,"page_design_options":null,"backdrops":{"activeBackdrop":"none"},"pin_options":{},"overlay_options":{"closeOnClickout":true,"closeOnNavigate":true,"closeOthersOnOpen":false,"animateOnOpen":{"fade":true,"speed":0.1,"slideAmount":0,"slideDirection":"default","wipeShape":"default","easing":"ease-out","scaleAmount":0,"rotateAmount":0},"animateOnClose":{"fade":false,"speed":0,"slideAmount":0,"slideDirection":"default","wipeShape":"default","easing":"linear","scaleAmount":0,"rotateAmount":0}},"thumb_media_id":62308078,"thumbnail":{"id":62308078,"master_muid":14461385,"name":"Avital-Meshi---Truth-and-Trust.jpg","display_name":null,"hash":"Y2485996511463409124756795730377","width":600,"height":600,"file_size":177993,"file_type":"jpg","mime_type":"image/jpeg","is_image":true,"is_video":false,"is_url":false,"is_placeholder":false,"has_audio_track":null,"duration":null,"url":null,"url_id":null,"url_thumb":null,"url_type":null,"created_at":"2025-08-04 19:02:21.223271","updated_at":"2025-08-04 19:02:21.223271","options":null},"thumb_meta":[],"media":[{"id":62308078,"display_name":"Avital-Meshi---Truth-and-Trust.jpg","name":"Avital-Meshi---Truth-and-Trust.jpg","hash":"Y2485996511463409124756795730377","width":600,"height":600,"file_size":177993,"file_size_human":"173.8KB","file_type":"jpg","mime_type":"image/jpeg","is_image":true,"is_video":false,"is_url":false,"in_use":true,"created_at":"2025-08-04T19:02:21.223271Z","updated_at":"2025-08-04T19:02:21.223271Z"}],"tags":[{"tag":"truthandtrust","url":"truthandtrust"}],"access_level":"public"},"K1911719247":{"id":"K1911719247","title":"Fred Grinstein","purl":"fred-grinstein-1","page_type":"page","content":"\u003ccolumn-set gutter=\"3.5rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cdiv style=\"text-align: left\">\u003ch1 class=\"gradient-text\" style=\"--font-scale: 1.95;\">Fred Grinstein\u003c/h1>\u003c/div>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"7\">\n\n\u003cdiv style=\"text-align: left\">\u003ch1 style=\"--font-scale: 1.95;\">How AI Accelerates Our Flawed Relationship with the Truth\u003c/h1>\u003c/div>\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"2\">\u003c/column-unit>\n\n\n\n\n\n\u003c/column-set>\u003ccolumn-set gutter=\"3.1rem\">\u003ccolumn-unit slot=\"0\" span=\"8\">\n\u003cdiv style=\"position: relative; width: 100%; padding-top: 56.25%;\">\n  \u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" referrerpolicy=\"strict-origin-when-cross-origin\" src=\"https://www.youtube.com/embed/k-3HB9aO9jA?si=P7XB0xYgAsXLARXJ?autoplay=0&mute=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" title=\"YouTube video player\">\n  \u003c/iframe>\n\u003c/div>\n\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">
15\n\n\n\u003cmedia-item hash=\"D2485996511574089589199053040073\" scale=\"58.7%\">\u003c/media-item>\u003cbr />\n\u003cbr />\n\n\n\u003cdiv style=\"text-align: left\">\u003cspan class=\"caption\" style=\"line-height: 1.5;\">\u003cspan style=\"color: rgba(51, 255, 0, 0.85);\">\u003cb>Fred Grinstein\u003c/b> is a media executive/ producer based in Los Angeles, CA. With a seasoned background in premium film/ TV and new ventures in emergent technologies like AI and Web3, his goal is to build bridges between traditional content and the modern creator economy.\n\u003cbr />\n\n\u003cbr />\nPreviously he served as Head of Non-Fiction Programming at Steve Golin’s Anonymous Content where projects include “Undercurrent: The Disappearance of Kim Wall”, directed by Erin Lee Carr for HBO, “At the Ready” from filmmaker Maisie Crow, (2021 Sundance), and “Murders Before the Marathon” a 3×60 for Hulu. As an independent, he recently served as Consulting Producer on Oscar-Short Listed “Hidden Letters” directed by Violet du Feng (2023), and Executive Producer on “Lowndes County and the Road to Black Power” co-directed by Geeta Gandbhir and Sam Pollard (2022 Tribeca Film Fest).\n\n\u003cbr />\u003cbr />\n\n \n\u003c/span>\n\n\u003c/span>\u003c/div>\n\u003cspan class=\"caption\" style=\"color: rgb(0, 255, 0);\">\u003ca href=\"https://www.linkedin.com/in/fred-grinstein/\" style=\"color: rgba(51, 255, 0, 0.85);\" target=\"_blank\">Fred Grinstein Linkedin\u003c/a>\u003cbr />\n\u003ca href=\"https://linktr.ee/machinecinema\" style=\"color: rgba(51, 255, 0, 0.85);\" target=\"_blank\">Machine Cinema Linkedin\u003c/a>\u003cbr />\n\u003cbr />\n\u003c/span>\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"1\">\n\u003c/column-unit>\u003c/column-set>\u003cbr />\n\n\u003cdiv style=\"text-align: right\">\u003ca class=\"icon-link\" href=\"#\" rel=\"close-overlay\">\u003ctext-icon icon=\"nav-close\">\u003c/text-icon>\u003c/a>\u003c/div>\n\n\n\n\n    \u003ccolumn-unit slot=\"3\" span=\"2\">\u003c/column-unit>\n\u003cdiv style=\"text-align: left\">\u003c/div>","local_css":"[id=\"K1911719247\"].page {\n\tmin-height: var(--viewport-height);\n\tjustify-content: center;\n\tbackground-color: rgba(0, 0, 0, 0.5);\n}\n\n[id=\"K1911719247\"] .page-content {\n\talign-items: center;\n\tborder-color: #ffffff;\n\tborder-radius: 0.0rem;\n\tborder-width: 0.1rem;\n\theight: auto;\n\tbox-shadow: 0rem 0rem 1.85rem 2.4rem #000000;\n\t--page-content-backdrop-filter: blur(0.67rem);\n\tpadding: 0.9rem;\n\tbackground-color: rgba(7, 7, 7, 0.62);\n}\n\n[id=\"K1911719247\"] .page-layout {\n\talign-items: center;\n\tmax-width: 89%;\n\t--page-layout-mix: normal;\n}\n\n.overlay-content:has([id=\"K1911719247\"]) {\n}","display":true,"stack":false,"pin":false,"overlay":true,"password_enabled":false,"page_count":0,"page_design_options":null,"backdrops":{"activeBackdrop":"none"},"pin_options":{},"overlay_options":{"closeOnClickout":true,"closeOnNavigate":true,"closeOthersOnOpen":false,"animateOnOpen":{"fade":true,"speed":0.1,"slideAmount":0,"slideDirection":"default","wipeShape":"default","easing":"ease-out","scaleAmount":0,"rotateAmount":0},"animateOnClose":{"fade":false,"speed":0,"slideAmount":0,"slideDirection":"default","wipeShape":"default","easing":"linear","scaleAmount":0,"rotateAmount":0}},"thumb_media_id":62308073,"thumbnail":{"id":62308073,"master_muid":14461385,"name":"Fred-Grinstein---Truth-and-Trust.jpg","display_name":null,"hash":"D2485996511574089589199053040073","width":600,"height":600,"file_size":322069,"file_type":"jpg","mime_type":"image/jpeg","is_image":true,"is_video":false,"is_url":false,"is_placeholder":false,"has_audio_track":null,"duration":null,"url":null,"url_id":null,"url_thumb":null,"url_type":null,"created_at":"2025-08-04 19:02:21.202626","updated_at":"2025-08-04 19:02:21.202626","options":null},"thumb_meta":[],"media":[{"id":62308073,"display_name":"Fred-Grinstein---Truth-and-Trust.jpg","name":"Fred-Grinstein---Truth-and-Trust.jpg","hash":"D2485996511574089589199053040073","width":600,"height":600,"file_size":322069,"file_size_human":"314.5KB","file_type":"jpg","mime_type":"image/jpeg","is_image":true,"is_video":false,"is_url":false,"in_use":true,"created_at":"2025-08-04T19:02:21.202626Z","updated_at":"2025-08-04T19:02:21.202626Z"}],"tags":[{"tag":"truthandtrust","url":"truthandtrust"}],"access_level":"public"},"X2450570222":{"id":"X2450570222","title":"Emily Spratt","purl":"emily-spratt","page_type":"page","content":"\u003ccolumn-set gutter=\"3.5rem\">\u003ccolumn-unit slot=\"0\" span=\"3\">\u003cdiv style=\"text-align: left\">\u003ch1 class=\"gradient-text\" style=\"--font-scale: 1.95;\">Emily Spratt\u003c/h1>\u003c/div>\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"7\">\n\n\u003cdiv style=\"text-align: left\">\u003ch1 style=\"--font-scale: 1.95;\">How AI Accelerates Our Flawed Relationship with the Truth\u003c/h1>\u003c/div>\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"2\">\n\n\u003cdiv style=\"text-align: right\">\u003ch1 style=\"color: rgb(77, 255, 0);\">\u003c/h1>\u003c/div>\u003c/column-unit>\u003c/column-set>\u003ccolumn-set gutter=\"3.1rem\">\u003ccolumn-unit slot=\"0\" span=\"8\">\n\u003cdiv style=\"position: relative; width: 100%; padding-top: 56.25%;\">\n  \u003ciframe allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\" frameborder=\"0\" referrerpolicy=\"strict-origin-when-cross-origin\" src=\"https://www.youtube.com/embed/pXpOsm28fGs?si=SdjRbyxr0J8l_i9b?autoplay=0&mute=0\" style=\"position: absolute; top: 0; left: 0; width: 100%; height: 100%;\" title=\"YouTube video player\">\n  \u003c/iframe>\n\u003c/div>\n\n\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"1\" span=\"3\">\n\n\n\u003cmedia-item hash=\"J2489650907756415051695784765897\" scale=\"58.7%\">\u003c/media-item>\u003cbr />\n\u003cbr />\n\n\n\u003cdiv style=\"text-align: left\">\u003cspan class=\"caption\" style=\"line-height: 1.5;\">\u003cspan style=\"color: rgba(51, 255, 0, 0.85);\">\u003cb>Dr. Emily L. Spratt\u003c/b> is an art historian, data scientist, and strategic advisor. She is a lecturer in the Department of Art History and Archaeology at Columbia University and a visiting professor at the Institute of World Politics. She earned her doctorate in Byzantine and Renaissance art history from Princeton University and completed her post-doctoral research in artificial intelligence at the Columbia Data Science Institute. Currently, she is writing two books, one on generative AI, ethics, and art, and the other—based on her dissertation—on the artistic and cultural legacy of Byzantium in the early modern period. Outside of academia, Dr. Spratt is a strategic advisor and has collaborated with persons and entities such as the G20 Summit on AI and cultural heritage, Bottega Veneta on AI and the visual arts, Alain Passard and L’Arpège on The Gastronomic Algorithms, The Campari Group and Unit9 Production on Fellini Forward, Artory on blockchain and the art market, the Art and AI Lab at Rutgers University on the AICAN art collection, and AmazeWallet on Eternal Fuji with Tetsuya Komuro. Recognized by the Office of President Emmanuel Macron for her pioneering research in AI, especially as it is applied to the arts, Dr. Spratt was honored to have been the inaugural art curator for the Global Forum on AI for Humanity in Paris. She is also a regular media commentator and her opinions have been sought by the Washington Post, CBS News, The Telegraph, The Times, Nasdaq, NewsNation, CBC Radio, Agence France-Presse, Chosun Media, and other news outlets.\n\n\u003cbr />\u003cbr />\n\n \n\u003c/span>\n\n\u003c/span>\u003c/div>\n\u003cspan class=\"caption\" style=\"color: rgb(0, 255, 0);\">\u003ca href=\"https://arthistory.columbia.edu/content/emily-l-spratt\" style=\"color: rgba(51, 255, 0, 0.85);\" target=\"_blank\">Website\u003c/a>\u003c/span>\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"1\">\n\u003c/column-unit>\u003c/column-set>\u003cbr />\u003cdiv style=\"text-align: right\">\u003ca class=\"icon-link\" href=\"#\" rel=\"close-overlay\">\u003ctext-icon icon=\"nav-close\">\u003c/text-icon>\u003c/a>\u003c/div>\n\n\n    \u003ccolumn-unit slot=\"3\" span=\"2\">\u003c/column-unit>\n\u003cdiv style=\"text-align: left\">\u003c/div>","local_css":"[id=\"X2450570222\"].page {\n\tmin-height: var(--viewport-height);\n\tjustify-content: center;\n\tbackground-color: rgba(0, 0, 0, 0.5);\n}\n\n[id=\"X2450570222\"] .page-content {\n\talign-items: center;\n\tborder-color: #ffffff;\n\tborder-radius: 0.0rem;\n\tborder-width: 0.1rem;\n\theight: auto;\n\tbox-shadow: 0rem 0rem 1.85rem 2.4rem #000000;\n\t--page-content-backdrop-filter: blur(0.67rem);\n\tpadding: 0.9rem;\n\tbackground-color: rgba(7, 7, 7, 0.62);\n}\n\n[id=\"X2450570222\"] .page-layout {\n\talign-items: center;\n\tmax-width: 89%;\n\t--page-layout-mix: normal;\n}
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Meerdo’s sculptural, image, and film work engages with data archives, computational processes, and digital forensics, often incorporating encrypted imagery, leaked documents, synthetic media, and machine-learning techniques. He has exhibited widely at institutions such as the Renaissance Society, the Mattress Factory Museum of Contemporary Art, the Museum of Contemporary Photography, the National Gallery of Kosovo, and FOAM Fotografiemuseum Amsterdam. His time-based work has been screened at the Nightingale Cinema (Chicago), the Flat Earth Film Festival (Seyðisfjörður, Iceland), nodoCARACAS (Venezuela), the Chicago Underground Film Festival, Platform Centre (Winnipeg), and on DIS.art.\n\n\n\n\u003cbr />\u003cbr />\n\n \n\u003c/span>\n\n\u003c/span>\u003c/div>\n\u003cspan class=\"caption\" style=\"color: rgb(0, 255, 0);\">\u003ca href=\"https://www.meerd.ooo/\" style=\"color: rgba(51, 255, 0, 0.85);\" target=\"_blank\">Website\u003c/a>\u003c/span>\n\n\u003c/column-unit>\u003ccolumn-unit slot=\"2\" span=\"1\">\n\u003c/column-unit>\u003c/column-set>\u003cbr />\n\n\n    \u003ccolumn-unit slot=\"3\" span=\"2\">\u003c/column-unit>\u003cdiv style=\"text-align: right\">\u003ca class=\"icon-link\" href=\"#\" rel=\"close-overlay\">\u003ctext-icon icon=\"nav-close\">\u003c/text-icon>\u003c/a>\u003c/div>\n\u003cdiv style=\"text-align: left\">\u003c/div>","local_css":"[id=\"N2271514498\"].page {\n\tmin-height: var(--viewport-height);\n\tjustify-content: center;\n\tbackground-color: rgba(0, 0, 0, 0.5);\n}\n\n[id=\"N2271514498\"] .page-content {\n\talign-items: center;\n\tborder-color: #ffffff;\n\tborder-radius: 0.0rem;\n\tborder-width: 0.1rem;\n\theight: auto;\n\tbox-shadow: 0rem 0rem 1.85rem 2.4rem #000000;\n\t--page-content-backdrop-filter: blur(0.67rem);\n\tpadding: 0.9rem;\n\tbackground-color: rgba(7, 7, 7, 0.62);\n}\n\n[id=\"N2271514498\"] .page-layout {\n\talign-items: center;\n\tmax-width: 89%;\n\t--page-layout-mix: normal;\n}\n\n.overlay-content:has([id=\"N2271514498\"]) {\n}","display":true,"stack":false,"pin":false,"overlay":true,"password_enabled":false,"page_count":0,"page_design_options":null,"backdrops":{"activeBackdrop":"none"},"pin_options":{},"overlay_options":{"closeOnClickout":true,"closeOnNavigate":true,"closeOthersOnOpen":false,"animateO
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Her projects have engaged with institutions such as the Media Archaeology Lab, New Museum, National Communications Museum, MIT, and Rhizome. Galaz is co-creator of Our Friend the Computer, a globally ranked podcast exploring underrepresented histories of computing, an editor at the Millennium Film Journal for experimental film, and co-founder of Superkilogirls, a creative research lab exploring the material infrastructures of computing and labour. 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234    font-weight: 200 1000;
235}
236
237@font-face {
238    font-display: block;
239    font-family: "Diatype Variable";
240    src: url("https://type.cargo.site/files/Cargo-DiatypePlusVariable.woff2") format("woff2-variations");
241    font-style: normal;
242    font-weight: 200 1000;
243}
244
245@font-face {
246    font-display: block;
247    font-family: "Diatype Variable";
248    src: url("https://type.cargo.site/files/Cargo-DiatypePlusVariable-Italic.woff2") format("woff2-variations");
249    font-style: italic;
250    font-weight: 200 1000;
251}
252
253@font-face {
254    font-display: block;
255    font-family: "Diatype Semi-Mono Variable";
256    src: url("https://type.cargo.site/files/Cargo-DiatypePlusVariable.woff2") format("woff2-variations");
257    font-style: normal;
258    font-weight: 200 700;
259}
260
261@font-face {
262    font-display: block;
263    font-family: "Diatype Semi-Mono Variable";
264    src: url("https://type.cargo.site/files/Cargo-DiatypePlusVariable.woff2") format("woff2-variations");
265    font-style: normal;
266    font-weight: 200 700;
267}
268
269@font-face {
270    font-display: block;
271    font-family: "Diatype Semi-Mono Variable";
272    src: url("https://type.cargo.site/files/Cargo-DiatypePlusVariable.woff2") format("woff2-variations");
273    font-style: normal;
274    font-weight: 200 700;
275}
276
277@font-face {
278    font-display: block;
279    font-family: "Diatype Semi-Mono Variable";
280    src: url("https://type.cargo.site/files/Cargo-DiatypePlusVariable.woff2") format("woff2-variations");
281    font-style: normal;
282    font-weight: 200 700;
283}
284
285@font-face {
286    font-display: block;
287    font-family: "Diatype Semi-Mono Variable";
288    src: url("https://type.cargo.site/files/Cargo-DiatypePlusVariable.woff2") format("woff2-variations");
289    font-style: normal;
290    font-weight: 200 700;
291}
292
293@font-face {
294    font-display: block;
295    font-family: "Diatype Semi-Mono Variable";
296    src: url("https://type.cargo.site/files/Cargo-DiatypePlusVariable-Italic.woff2") format("woff2-variations");
297    font-style: italic;
298    font-weight: 200 700;
299}
300
301@font-face {
302    font-display: block;
303    font-family: "Diatype Mono Variable";
304    src: url("https://type.cargo.site/files/Cargo-DiatypePlusVariable.woff2") format("woff2-variations");
305    font-style: normal;
306    font-weight: 200 700;
307}
308
309@font-face {
310    font-display: block;
311    font-family: "Diatype Mono Variable";
312    src: url("https://type.cargo.site/files/Cargo-DiatypePlusVariable.woff2") format("woff2-variations");
313    font-style: normal;
314    font-weight: 200 700;
315}
316
317@font-face {
318    font-display: block;
319    font-family: "Diatype Mono Variable";
320    src: url("https://type.cargo.site/files/Cargo-DiatypePlusVariable.woff2") format("woff2-variations");
321    font-style: normal;
322    font-weight: 200 700;
323}
324
325@font-face {
326    font-display: block;
327    font-family: "Diatype Mono Variable";
328    src: url("https://type.cargo.site/files/Cargo-DiatypePlusVariable.woff2") format("woff2-variations");
329    font-style: normal;
330    font-weight: 200 700;
331}
332
333@font-face {
334    font-display: block;
335    font-family: "Diatype Mono Variable";
336    src: url("https://type.cargo.site/files/Cargo-DiatypePlusVariable.woff2") format("woff2-variations");
337    font-style: normal;
338    font-weight: 200 700;
339}
340
341@font-face {
342    font-display: block;
343    font-family: "Diatype Mono Variable";
344    src: url("https://type.cargo.site/files/Cargo-DiatypePlusVariable-Italic.woff2") format("woff2-variations");
345    font-style: italic;
346    font-weight: 200 700;
347}
348
349</style>
350			</head>
351	<body style="opacity: 0;"><customhtml><head>
352  <!-- Google tag (gtag.js) -->
vendor: 64 bytes, lines 352-353
352
353<script async src="https://www.googletagmanager.com/gtag/js?id=
353G-KEV8VD89N6
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353"></script>
354<script>
355  
vendor: 134 bytes, lines 355-359
355window.dataLayer = window.dataLayer || [];
356  function gtag(){dataLayer.push(arguments);}
357  gtag('js', new Date());
358
359  gtag('config', '
359G-KEV8VD89N6
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360</script>
360
361  <link rel="preconnect" href="https://fonts.googleapis.com">
362<link rel="preconnect" href="https://fonts.gstatic.com" crossorigin>
363<link href="https://fonts.googleapis.com/css2?family=Doto:[email protected]&display=swap" rel="stylesheet">
364<link href="https://fonts.googleapis.com/css2?family=Space+Grotesk:[email protected]&display=swap" rel="stylesheet">
365  
366  
367<!-- Meta Pixel Code -->
368<script>
vendor: 399 bytes, lines 368-377
368
369!function(f,b,e,v,n,t,s)
370{if(f.fbq)return;n=f.fbq=function(){n.callMethod?
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372if(!f._fbq)f._fbq=n;n.push=n;n.loaded=!0;n.version='2.0';
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374t.src=v;s=b.getElementsByTagName(e)[0];
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376'https://connect.facebook.net/en_US/fbevents.js');
377fbq('init', '
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377');
378fbq('track', 'PageView');
379</script>
379
380<noscript><img height="1" width="1" style="display:none"
381src="https://www.facebook.com/tr?id=716046004784145&ev=PageView&noscript=1"
382/></noscript>
383<!-- End Meta Pixel Code -->
384</head></customhtml><style>html {
385	--mobile-scale: 1.25;
386	--mobile-padding-offset: 0.7;
387}
388
389body {
390	--swatch-1: rgba(0, 0, 0, 0.85);
391	--swatch-2: rgba(0, 0, 0, 0.75);
392	--swatch-3: rgba(0, 0, 0, 0.6);
393	--swatch-4: rgba(0, 0, 0, 0.4);
394    --swatch-5: rgba(0, 0, 0, 0.25);
395	--colorfilter-color: #000000;
396	--colorfilter-color-opacity: 1;
397	--colorfilter-mix: lighten;
398	--colorfilter-grayscale: 1;
399	background-color: #000000;
400}
401
402body.mobile {
403}
404
405a:active,
406.linked:active,
407.zoomable::part(media):active {
408	opacity: 0.7;
409}
410
411.page a.active {
412	color: rgba(0, 0, 0, 0.4);
413}
414
415sub {
416	position: relative;
417	vertical-align: baseline;
418	top: 0.3em;
419}
420
421sup {
422	position: relative;
423	vertical-align: baseline;
424	top: -0.4em;
425}
426
427.small-caps {
428	font-variant: small-caps;
429    text-transform: lowercase;
430}
431
432ol {
433	margin: 0;
434	padding: 0 0 0 1.8em;
435}
436
437ul {
438	margin: 0;
439	padding: 0 0 0 2.0em;
440}
441
442ul.lineated {
443	margin: 0;
444	padding: 0;
445	list-style-type: none;
446	margin: 0 0 0 3em;
447	text-indent: -3em;
448}
449
450blockquote {
451	margin: 0;
452	padding: 0 0 0 2em;
453}
454
455hr {
456	background: rgba(0, 0, 0, 0.6);
457	border: 0;
458	height: 3px;
459	display: block;
460	margin-top: 0.4rem;
461	margin-bottom: 0.5rem;
462}
463
464.content {
465	border-color: #000000;
466	border-width: 0.5rem;
467	border-style: solid;
468	border-radius: 0rem;
469	margin: 0.0rem;
470}
471
472.mobile .content {
473}
474
475bodycopy {
476	font-size: 1.20rem;
477	font-weight: 100;
478	color: rgba(255, 255, 255, 0.85);
479	font-family: Standard;
480	font-style: normal;
481	line-height: 1.2;
482	letter-spacing: 0;
483	display: block;
484}
485
486bodycopy a {
487	color: rgba(255, 255, 255, 0.85);
488	border-bottom: 0px solid rgba(127, 127, 127, 0.2);
489	text-decoration: none;
490}
491
492bodycopy a:hover {
493}
494
495h1 {
496  font-family: Doto;
497  font-optical-sizing: auto;
498  font-weight: 600;
499  font-style: normal;
500     margin-top: 0;
501  margin-bottom: 0em; /* adjust this as needed */
502	line-height: 1.25;
503	letter-spacing: -0.054em;
504	background: rgba(0,0,0,0);
505	color: #ffffff;
506	filter: drop-shadow(5.6rem 5.6rem 0.70rem rgba(255, 255, 255, 0.25));
507	display: inline-block;
508	will-change: filter;
509}
510.gradient-text {
511  background: linear-gradient(to right, #33ff00, #00ff5e);
512  -webkit-background-clip: text;
513  -webkit-text-fill-color: transparent;
514}
515.mobile h1 {
516}
517
518h1 a {
519	color: #ffffff;
520
521  font-family: "Doto", sans-serif;
522  font-optical-sizing: auto;
523  font-weight: <weight>;
524  font-style: normal;
525  font-variation-settings:
526    "ROND" 0;
527}
528
529h1 a:hover {
530}
531
532h2 {
533
534  font-family: "Doto", sans-serif;
535  font-optical-sizing: auto;
536  font-weight: 300;
537  font-style: light;
538  font-variation-settings:
539    "ROND" 0;
540     margin-top: 0;
541  margin-bottom: 0em; /* adjust this as needed */
542	color: #ffffff;
543}
544
545h2 a {
546color: #ffffff;
547	text-decoration: none;
548}
549
550h2 a:hover {
551}
552
553.caption {
554	font-size: 1.2rem;
555	font-weight: 350;
556	color: #ffffff;
557	  font-family: "Repro Variable";
558  font-optical-sizing: auto;
559	font-style: normal;
560	line-height: 1.2;
561	letter-spacing: 0;
562	display: block;
563	font-variation-settings: 'slnt' 0;
564}
565
566.caption a {
567	color: #ffffff;
568	text-decoration: underline;
569}
570
571.caption a:hover {
572}
573
574media-item .caption {
575	margin-top: .5em;
576}
577
578gallery-grid .caption,
579gallery-columnized .caption,
580gallery-justify .caption {
581	margin-bottom: 2em;
582}
583
584[thumbnail-index] .caption {
585	text-align: center;
586}
587
588[thumbnail-index] .caption .tags {
589	margin-top: 0.25em;
590}
591
592.page {
593	justify-content: flex-start;
594}
595
596.page-content {
597    padding: 1rem;
598	text-align: left;
599	border-width: 0.0rem;
600	border-color: rgba(0,0,0,.85);
601	border-style: solid;
602	padding-bottom: 0.0rem;
603}
604
605.mobile [id] .page-layout {
606}
607
608.mobile [id] .page-content {
609}
610
611.page-layout {
612	align-items: flex-start;
613	max-width: 100%;
614	padding: 0.0rem;
615}
616
617media-item::part(media) {
618	border: 0;
619	padding: 0rem;
620}
621
622.quick-view {
623	height: 100%;
624	width: 100%;
625	padding: 3rem;
626	margin-top: auto;
627	margin-right: auto;
628	margin-bottom: auto;
629	margin-left: auto;
630}
631
632.quick-view-background {
633	background-color: #ffffff;
634}
635
636.quick-view .caption {
637	color: rgba(255, 255, 255, 1.0);
638	padding: 20px 0;
639	text-align: center;
640	transition: 100ms opacity ease-in-out;
641	position: absolute;
642	bottom: 0;
643	left: 0;
644	right: 0;
645}
646
647.quick-view .caption-background {
648	padding: 0.5rem 1rem;
649	display: inline-block;
650	background: rgba(255, 255, 255, 0.5);
651	border-radius: .5rem;
652	text-align: left;
653	max-width: 50rem;
654}
655
656.mobile .quick-view {
657	width: 100%;
658	height: 100%;
659	margin: 0;
660	padding: 10px;
661}
662
663.mobile .quick-view .caption {
664	padding: 10px 0;
665}
666
667.greendots {
668	--text-style: "GreenDots";
669	font-size: 1.20rem;
670	font-weight: 800;
671	color: #2eff2e;
672	font-family: Doto;
673	font-style: normal;
674	line-height: 1.2;
675	letter-spacing: 0;
676	display: block;
677}
678
679.greendots a {
680	color: #2eff2e;
681	border-bottom: 0px solid rgba(127, 127, 127, 0.2);
682	text-decoration: none;
683}
684
685.greendots a:hover {
686	
687}
688
689.mobile .quick-view .caption-background {
690	max-width: 100vw;
691}
692
693::part(slideshow-nav) {
694	--button-size: 30px;
695	--button-inset: 20px;
696	--button-icon-color: rgba(255, 255, 255, 0.9);
697	--button-icon-stroke-width: 1.5px;
698	--button-icon-stroke-linecap: none;
699	--button-background-color: rgba(87, 87, 87, 0.35);
700	--button-background-radius: 50%;
701	--button-active-opacity: 0.7;
702}
703
704gallery-slideshow::part(slideshow-nav) {
705	--button-inset: 15px;
706}
707
708.quick-view::part(slideshow-nav) {
709}
710
711.wallpaper-slideshow::part(slideshow-nav) {
712}
713
714.mobile ::part(slideshow-nav) {
715	--button-inset: 10px;
716}
717
718.mobile .quick-view::part(slideshow-nav) {
719	--button-inset: 25px;
720}
721
722shop-product {
723	font-size: 1.2rem;
724	max-width: 22rem;
725	font-family: "Diatype Variable";
726	font-style: normal;
727	font-weight: 400;
728	font-variation-settings: 'slnt' 0, 'MONO' 0;
729	letter-spacing: 0em;
730	margin-bottom: 1em;
731}
732
733shop-product::part(price) {
734	color: rgba(0, 0, 0, 0.75);
735	line-height: 1.1;
736	margin-bottom: 0.5em;
737}
738
739shop-product::part(dropdown) {
740	width: 100%;
741	color: rgba(0, 0, 0, 0.85);
742	border: 1px solid rgba(0, 0, 0, 0.2);
743	background-color: rgba(255, 255, 255, 0.0);
744	background-image: url(https://static.cargo.site/assets/images/select-line-arrows.svg);
745	background-repeat: no-repeat;
746	background-position: top 0em right .1em;
747	line-height: 1.2;
748	padding: 0.58em 2em 0.55em 0.9em;
749	border-radius: 10em;
750	margin-bottom: 0.5em;
751}
752
753shop-product::part(button) {
754	background: rgba(0, 0, 0, 0.15);
755	color: rgba(0, 0, 0, 0.75);
756	text-align: left;
757	line-height: normal;
758	padding: 0.5em 1em;
759	cursor: pointer;
760	border-radius: 10em;
761}
762
763shop-product::part(button):active {
764	opacity: .7;
765}
766
767audio-player {
768	--text-color: rgba(0, 0, 0, 0.85);
769	--text-padding: 0 1.2em 0 1.0em;
770	--background-color: rgba(255, 255, 255, 0);
771	--buffer-background-color: rgba(0, 0, 0, 0.03);
772	--progress-background-color: rgba(0, 0, 0, 0.075);
773	--border-lines: 1px solid rgba(0, 0, 0, 0.2);
774	font-size: 1.2rem;
775	width: 32rem;
776	height: 2.75em;
777	font-family: "Diatype Variable";
778	font-style: normal;
779	font-weight: 400;
780	font-variation-settings: 'slnt' 0, 'MONO' 0;
781	line-height: normal;
782	letter-spacing: 0em;
783	margin-bottom: 0.5em;
784	border-radius: 10em;
785}
786
787audio-player::part(button) {
788	--icon-color: rgba(0, 0, 0, 0.85);
789	--icon-size: 32%;
790	--play-text: '';
791	--pause-text: '';
792	width: 3.15em;
793	display: inline-flex;
794	justify-content: center;
795	cursor: pointer;
796}
797
798audio-player::part(play-icon) {
799	padding-left: 0.6em;
800}
801
802audio-player::part(pause-icon) {
803	padding-left: 0.4em;
804}
805
806audio-player::part(progress-indicator) {
807	border-right: 1px solid rgba(0, 0, 0, 0);
808	height: 100%;
809	cursor: ew-resize;
810}
811
812audio-player::part(separator) {
813	border-right: var(--border-lines);
814}
815
816body.mobile audio-player {
817	max-width: 100%;
818}
819
820
821.pad {
822  width: 100vw !important;
823  position: relative !important;
824  left: 0 !important;
825  right: 0 !important;
826  margin: 0 !important;
827  padding: 40px !important;
828  z-index: 9999 !important;
829  align-content: center;
830}
831.full-black-background {
832  background: black !important;
833  width: 100vw !important;
834  position: relative !important;
835  left: 0 !important;
836  right: 0 !important;
837  margin: 0 !important;
838  padding: 40px !important;
839  z-index: 9999 !important;
840  align-content: center;
841}
842
843#bwimg img {
844  filter: grayscale(100%)
845}
846
847.color-images img {
848  filter: none !important;
849}
850
851hr {
852  border: none;
853  border-top: 1px solid white;
854}</style><style id="mobile-offset-styles"></style><style id="text-style-font-sizes"></style><style id="link-styles"></style><style id="font-feature-settings-styles"></style><div class="content"><div style="margin-top: 0px; margin-bottom: 0px;" class="pages"><div data-direction="up" class="pagination-watcher "></div><div data-container="set" data-id="Z3331448812"></div><div data-direction="down" class="pagination-watcher "></div></div></div>
855		
855<script src="https://build.cargo.site/frontend/57c231/index.js" async type="module"></script>
855
856	</body>
857
858</html>

Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.