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162 163<link rel="https://api.w.org/" href="https://filmcolors.org/wp-json/" /><link rel="EditURI" type="application/rsd+xml" title="RSD" href="https://filmcolors.org/wp/xmlrpc.php?rsd" /> 164<meta name="generator" content="WordPress 6.7.9" /> 165 166 167</head> 168<!-- !Body --> 169 170<body 171 class="blog" 172 id="post-40532" 173 > 174 175 176 <div id="wrap"> 177 178 <div class="header"> 179 <div class="header-inner"> 180 <div class='site-title'> 181 <a class='huge' href='https://filmcolors.org'> 182 Timeline of Historical Colors in Photography and Film </a> 183 <p class='site-sub-title'> 184 </p> 185 </div> 186 <div class='menu'> 187 <ul> 188 189<li class="page-item info-link hidden page-6402"> 190 <a href="https://filmcolors.org/">Film Colors</a> 191 192 <div class="hidden"> 193 <div class="text-wrap" ID=\"infobox-6402\"> 194 <button class='customClose'>Ã</button> 195 <h2>Film Colors</h2> 196 197 </div> 198 </div> 199</li> 200 201<li class="page-item info-link page-3001"> 202 <a href="#/infobox/3001">About</a> 203 204 <div class="hidden"> 205 <div class="text-wrap" ID=\"infobox-3001\"> 206 <button class='customClose'>Ã</button> 207 <h2>About</h2> 208 209 </div> 210 </div> 211</li> 212 213<li class="page-item info-link page-10565"> 214 <a href="https://filmcolors.org/filter/">Search</a> 215 216 <div class="hidden"> 217 <div class="text-wrap" ID=\"infobox-10565\"> 218 <button class='customClose'>Ã</button> 219 <h2>Search</h2> 220 221 </div> 222 </div> 223</li> 224 225<li class="page-item info-link page-39062"> 226 <a href="#/infobox/39062">Scan2Screen</a> 227 228 <div class="hidden"> 229 <div class="text-wrap" ID=\"infobox-39062\"> 230 <button class='customClose'>Ã</button> 231 <h2>Scan2Screen</h2> 232 233 </div> 234 </div> 235</li> 236 237<li class="page-item info-link hidden page-10702"> 238 <a href="https://filmcolors.org/compare/">Compare</a> 239 240 <div class="hidden"> 241 <div class="text-wrap" ID=\"infobox-10702\"> 242 <button class='customClose'>Ã</button> 243 <h2>Compare</h2> 244 245 </div> 246 </div> 247</li> 248 249<li class="page-item info-link "> 250 <a href="https://filmcolors.org#testimonials">Testimonials</a> 251 252 <div class="hidden"> 253 <div class="text-wrap" > 254 <button class='customClose'>Ã</button> 255 <h2>Testimonials</h2> 256 257 </div> 258 </div> 259</li> 260 261<li class="page-item info-link page-34182"> 262 <a href="#/infobox/34182">Color Mania Book</a> 263 264 <div class="hidden"> 265 <div class="text-wrap" ID=\"infobox-34182\"> 266 <button class='customClose'>Ã</button> 267 <h2>Color Mania Book</h2> 268 269 </div> 270 </div> 271</li> 272 273<li class="page-item info-link page-6305"> 274 <a href="#/infobox/6305">News and Blog</a> 275 276 <div class="hidden"> 277 <div class="text-wrap" ID=\"infobox-6305\"> 278 <button class='customClose'>Ã</button> 279 <h2>News and Blog</h2> 280 281 </div> 282 </div> 283</li> 284 285<li class="page-item info-link page-23047"> 286 <a href="https://filmcolors.org/acknowledgements/">Acknowledgements</a> 287 288 <div class="hidden"> 289 <div class="text-wrap" ID=\"infobox-23047\"> 290 <button class='customClose'>Ã</button> 291 <h2>Acknowledgements</h2> 292 293 </div> 294 </div> 295</li> 296 297<li class="page-item info-link page-6723"> 298 <a href="#/infobox/6723">Budget / Sponsors</a> 299 300 <div class="hidden"> 301 <div class="text-wrap" ID=\"infobox-6723\"> 302 <button class='customClose'>Ã</button> 303 <h2>Budget / Sponsors</h2> 304 305 </div> 306 </div> 307</li> 308 309<li class="page-item info-link page-2999"> 310 <a href="#/infobox/2999">Copyright Notice</a> 311 312 <div class="hidden"> 313 <div class="text-wrap" ID=\"infobox-2999\"> 314 <button class='customClose'>Ã</button> 315 <h2>Copyright Notice</h2> 316 317 </div> 318 </div> 319</li> 320 321<li class="page-item info-link page-3000"> 322 <a href="#/infobox/3000">Contact</a> 323 324 <div class="hidden"> 325 <div class="text-wrap" ID=\"infobox-3000\"> 326 <button class='customClose'>Ã</button> 327 <h2>Contact</h2> 328 329 </div> 330 </div> 331</li> 332 333<li class="page-item info-link hidden page-6403"> 334 <a href="https://filmcolors.org/timeline-of-historical-film-colors/">Timeline</a> 335 336 <div class="hidden"> 337 <div class="text-wrap" ID=\"infobox-6403\"> 338 <button class='customClose'>Ã</button> 339 <h2>Timeline</h2> 340 341 </div> 342 </div> 343</li> 344 345<li class="page-item info-link page-6724"> 346 <a href="#/infobox/6724">Donate</a> 347 348 <div class="hidden"> 349 <div class="text-wrap" ID=\"infobox-6724\"> 350 <button class='customClose'>Ã</button> 351 <h2>Donate</h2> 352 353 </div> 354 </div> 355</li> 356 </ul>
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href="https://filmcolors.org/cat/bibliography/">Bibliography</a> 388</li> 389 <li class="cat-item cat-item-7"><a href="https://filmcolors.org/cat/chromogenic-monopack/">Chromogenic monopack</a> 390</li> 391 <li class="cat-item cat-item-8"><a href="https://filmcolors.org/cat/chromolytic-multilayer/">Chromolytic multilayer</a> 392</li> 393 <li class="cat-item cat-item-1676"><a href="https://filmcolors.org/cat/chromolytic-single-layer/">Chromolytic single layer</a> 394</li> 395 <li class="cat-item cat-item-9"><a href="https://filmcolors.org/cat/color-separation/">Color separation</a> 396</li> 397 <li class="cat-item cat-item-1680"><a href="https://filmcolors.org/cat/data-sheets/">Data sheets</a> 398</li> 399 <li class="cat-item cat-item-1678"><a href="https://filmcolors.org/cat/direct-positive/">Direct positive</a> 400</li> 401 <li class="cat-item cat-item-5"><a href="https://filmcolors.org/cat/double-coated-stock/">Double-coated / bi-pack</a> 402</li> 403 <li class="cat-item 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<span class='label'>30 Records per Page</span> 442 <span class='arrow arrow-down'>â¼</span><span class='arrow arrow-up'>Ã</span></a> 443 <ul><li class='item-0 first'><span class='current'>30</span></li><li class='item-1'><a href='https://filmcolors.org/timeline-of-historical-film-colors/?records=50' data-amount='50'>50</a></li><li class='item-2'><a href='https://filmcolors.org/timeline-of-historical-film-colors/?records=100' data-amount='100'>100</a></li><li class='item-3'><a href='https://filmcolors.org/timeline-of-historical-film-colors/?records=all' data-amount='-1'>all</a></li></ul> 444 </div> 445 446 447 <div class='section pagenav floatlist'> 448 <span class='label'>Page</span> 449 <ul><li class='item first'><span aria-current="page" class="page-numbers current">1</span></li><li class='item'><a class="page-numbers" href="https://filmcolors.org/timeline-of-historical-film-colors/page/2/">2</a></li><li class='item'><a class="page-numbers" href="https://filmcolors.org/timeline-of-historical-film-colors/page/3/">3</a></li><li class='item'><span class="page-numbers dots">…</span></li><li class='item'><a class="page-numbers" href="https://filmcolors.org/timeline-of-historical-film-colors/page/19/">19</a></li><li class='item arrow next'><a class="next page-numbers" href="https://filmcolors.org/timeline-of-historical-film-colors/page/2/">âº</a></li></ul> </div> 450 451 452 453 <div class="float-right"> 454 <div class='section search-ui'> 455 <a class='searchlink' href="##">Search</a> 456 <!--<a href="#/infobox/searchhelp" class='search-help-link'>?</a> 457 <form method="get" action="https://filmcolors.org/wp
457/filter/"></form>--> 458 <input name='_sf_s' class='searchinput' type="text" value="" /> 459 <a class="searchsubmit" href="#">âº</a> 460 <!----> 461 <div class='hidden'> 462 <div id='infobox-searchhelp' class='text-wrap'> 463 <h2>Search Modifiers</h2> 464 <p> 465 Type "process: [process name]" to search for processes.<br /> 466 Type "inventor: [inventor name]" to search for inventors. 467 </p> 468 </div> 469 </div> 470 471 </div> 472 </div> 473 474 <br style="clear:both;" /> 475 </div> 476 </div> 477 478 479 480 481 482 483 484 <div class='post' id="post-id-40532"> 485 <div class='post-inner group'> 486 <div class="column column-1"> 487 <div class="column-inner"> 488 <div class="post-header"> 489 490 <h2 class='post-title'> 491 <a href='https://filmcolors.org/timeline-entry/40532/'>Kodak Professional Ektapress Films</a> 492 </h2> 493 494 <div class="post-meta group"> 495 <div class="meta year">ca. 1988</div> 496 497 | <div class='meta inventor'>Eastman Kodak Company</div> </div> 498 <div class="meta principle"> 499 Subtractive 3 color: chromogenic monopack, still photography </div> 500 501 </div> 502 503 <div class="textblock"> 504 505 Kodak Professional Ektapress is a product line of professional color negative films for 35 mm photography that is designed for exposure with daylight or electronic flash. The line comprises three films of different speeds: PJ100 (ISO 100), PJ400 (ISO ... </div> 506 507 508 509 <ul class="detail-links"> 510 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40532/">Access detailed information</a> âº</li> 511 </ul><!-- detail-links --> 512 513 514 <div class='edit-links'> 515 </div> 516 </div><!-- column-inner --> 517 </div><!-- column --> 518 519 520 <div class="column column-2"> 521 <div class="column-inner"> 522 523 524 525 <div class="imagebox"> 526 <ul class='images'> 527 528 529 530 <li class=""> 531 <!--<a title="" data-id="40533" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/09/e116-5.png'> 532 <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" fetchpriority="high" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="(max-width: 700px) 100v
532w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e116-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e116-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5.png 935w" data-sizes="auto" /> </a>--> 533 534 <a title="" data-id="40533" class="" href='https://filmcolors.org/timeline-entry/40532/'> 535 <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="(max-width: 700px) 100vw, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e116-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e116-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5.png 935w" data-sizes="auto" /> </a> 536 537 <span class="hidden caption">Eastman Kodak Company (2003): <em>Technical Data, Color Negative Film. Kodak Professional Ektapress Films</em> (E-116), 04.2003, p. 5.</span> 538 </li> 539 540 541 542 <li class="hidden"> 543 <!--<a title="" data-id="40534" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2026/09/e116-6.png'> 544 </a>--> 545 546 <a title="" data-id="40534" class="hidden" href='https://filmcolors.org/timeline-entry/40532/'> 547 </a> 548 549 <span class="hidden caption">Eastman Kodak Company (2003): <em>Technical Data, Color Negative Film. Kodak Professional Ektapress Films</em> (E-116), 04.2003, p. 6.</span> 550 </li> 551 552 553 554 <li class="hidden"> 555 <!--<a title="" data-id="40536" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2026/09/e116-8.png'> 556 </a>--> 557 558 <a title="" data-id="40536" class="hidden" href='https://filmcolors.org/timeline-entry/40532/'> 559 </a> 560 561 <span class="hidden caption">Eastman Kodak Company (2003): <em>Technical Data, Color Negative Film. Kodak Professional Ektapress Films</em> (E-116), 04.2003, p. 8.</span> 562 </li> 563 </ul> 564 <h3> 565 <a href='https://filmcolors.org/timeline-entry/40532/'> 566 3 Images 567 568 </a> 569 570 571 </h3> 572 </div> 573 574 575 576 </div><!-- column-inner --> 577 </div><!-- column --> 578 579 580 </div><!-- post-inner --> 581 </div><!-- post --> 582 583 584 <div class='post' id="post-id-40544"> 585 <div class='post-inner group'> 586 <div class="column column-1"> 587 <div class="column-inner"> 588 <div class="post-header"> 589 590 <h2 class='post-title'> 591 <a href='https://filmcolors.org/timeline-entry/40544/'>Kodak Pro 100T Film / PRT</a> 592 </h2> 593 594 <div class="post-meta group"> 595 <div class="meta year"></div> 596 597 | <div class='meta inventor'>Eastman Kodak Company </div> </div> 598 <div class="meta principle"> 599 Subtractive 3 color: chromogenic monopack, still photography </div> 600 601 </div> 602 603 <div class="textblock"> 604 605 Kodak Pro 100T Film [PRT] is a tungsten-balanced color negative film. With an ISO speed of 100, it is designed for exposure under tungsten lighting (3200 K). It replaced Kodak Vericolor II Professional Film [VPL], and its successor is Kodak ... </div> 606 607 608 609 <ul class="detail-links"> 610 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40544/">Access detailed information</a> âº</li> 611 </ul><!-- detail-links --> 612 613 614 <div class='edit-links'> 615 </div>
616 </div><!-- column-inner --> 617 </div><!-- column --> 618 619 620 <div class="column column-2"> 621 <div class="column-inner"> 622 623 624 625 <div class="imagebox"> 626 <ul class='images'> 627 628 629 630 <li class=""> 631 <!--<a title="" data-id="40545" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/09/e29-4.png'> 632 <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="(max-width: 700px) 100vw, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e29-4-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e29-4-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4.png 935w" data-sizes="auto" /> </a>--> 633 634 <a title="" data-id="40545" class="" href='https://filmcolors.org/timeline-entry/40544/'> 635 <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
635w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e29-4-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e29-4-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4.png 935w" data-sizes="auto" /> </a> 636 637 <span class="hidden caption">Eastman Kodak Company (1999): <em>Technical Data, Color Negative Film. Kodak Pro 100T Film / PRT</em>, 04.1999 (E-29), p. 4.</span> 638 </li> 639 </ul> 640 <h3> 641 <a href='https://filmcolors.org/timeline-entry/40544/'> 642 1 Image 643 644 </a> 645 646 647 </h3> 648 </div> 649 650 651 652 </div><!-- column-inner --> 653 </div><!-- column --> 654 655 656 </div><!-- post-inner --> 657 </div><!-- post --> 658 659 660 <div class='post' id="post-id-40502"> 661 <div class='post-inner group'> 662 <div class="column column-1"> 663 <div class="column-inner"> 664 <div class="post-header"> 665 666 <h2 class='post-title'> 667 <a href='https://filmcolors.org/timeline-entry/40502/'>Kodak Ektachrome P1600 Professional Film</a> 668 </h2> 669 670 <div class="post-meta group"> 671 <div class="meta year">ca. 1992</div> 672 673 | <div class='meta inventor'>Eastman Kodak Company</div> </div> 674 <div class="meta principle"> 675 Subtractive 3 color: chromogenic monopack, reversal, 35 mm </div> 676 677 </div> 678 679 <div class="textblock"> 680 681 Kodak Ektachrome P1600 Professional Film is a daylight-balanced color reversal film designed for push processing. Its optimal effective speed is EI 1600, achieved through a two-stop push with Process E-6P. 682 </div> 683 684 685 686 <ul class="detail-links"> 687 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40502/">Access detailed information</a> âº</li> 688 </ul><!-- detail-links --> 689 690 691 <div class='edit-links'> 692 </div> 693 </div><!-- column-inner --> 694 </div><!-- column --> 695 696 697 <div class="column column-2"> 698 <div class="column-inner"> 699 700 701 702 <div class="imagebox"> 703 <ul class='images'> 704 705 706 707 <li class=""> 708 <!--<a title="" data-id="40501" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/09/e147-5.png'> 709 <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
709w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e147-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e147-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5.png 1870w" data-sizes="auto" /> </a>--> 710 711 <a title="" data-id="40501" class="" href='https://filmcolors.org/timeline-entry/40502/'> 712 <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
712w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e147-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e147-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5.png 1870w" data-sizes="auto" /> </a> 713 714 <span class="hidden caption">Eastman Kodak Company (2007): <i>Technical Data, Color Transparency Film. Kodak Ektachrome P1600 Professional Film</i> (E-147), 05.2007, p. 5.</span> 715 </li> 716 </ul> 717 <h3> 718 <a href='https://filmcolors.org/timeline-entry/40502/'> 719 1 Image 720 721 </a> 722 723 724 </h3> 725 </div> 726 727 728 729 </div><!-- column-inner --> 730 </div><!-- column --> 731 732 733 </div><!-- post-inner --> 734 </div><!-- post --> 735 736 737 <div class='post' id="post-id-40506"> 738 <div class='post-inner group'> 739 <div class="column column-1"> 740 <div class="column-inner"> 741 <div class="post-header"> 742 743 <h2 class='post-title'> 744 <a href='https://filmcolors.org/timeline-entry/40506/'>Kodak Ektachrome 400X Professional Film</a> 745 </h2> 746 747 <div class="post-meta group"> 748 <div class="meta year">ca. 1992</div> 749 750 | <div class='meta inventor'>Eastman Kodak Company</div> </div> 751 <div class="meta principle"> 752 Subtractive 3 color: chromogenic monopack, reversal </div> 753 754 </div> 755 756 <div class="textblock"> 757 758 Kodak Ektachrome 400X Professional Film is a color reversal film. With an ISO speed of 400, it is designed for exposure with daylight or electronic flash. 759 </div> 760 761 762 763 <ul class="detail-links"> 764 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40506/">Access detailed information</a> âº</li> 765 </ul><!-- detail-links --> 766 767 768 <div class='edit-links'> 769 </div> 770 </div><!-- column-inner --> 771 </div><!-- column --> 772 773 774 <div class="column column-2"> 775 <div class="column-inner"> 776 777 778 779 <div class="imagebox"> 780 <ul class='images'> 781 782 783 784 <li class=""> 785 <!--<a title="" data-id="40504" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/09/e161-5.png'> 786 <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
786w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e161-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e161-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5.png 1870w" data-sizes="auto" /> </a>--> 787 788 <a title="" data-id="40504" class="" href='https://filmcolors.org/timeline-entry/40506/'> 789 <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
789w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e161-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e161-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5.png 1870w" data-sizes="auto" /> </a> 790 791 <span class="hidden caption">Eastman Kodak Company (2007): <em>Technical Data, Color Transparency Film. Kodak Ektachrome 400X Professional Film </em>(E-161), 09.2005, p. 5.</span> 792 </li> 793 </ul> 794 <h3> 795 <a href='https://filmcolors.org/timeline-entry/40506/'> 796 1 Image 797 798 </a> 799 800 801 </h3> 802 </div> 803 804 805 806 </div><!-- column-inner --> 807 </div><!-- column --> 808 809 810 </div><!-- post-inner --> 811 </div><!-- post --> 812 813 814 <div class='post' id="post-id-39345"> 815 <div class='post-inner group'> 816 <div class="column column-1"> 817 <div class="column-inner"> 818 <div class="post-header"> 819 820 <h2 class='post-title'> 821 <a href='https://filmcolors.org/timeline-entry/39345/'>Condax-Dytrol</a> 822 </h2> 823 824 <div class="post-meta group"> 825 <div class="meta year">ca. 1940</div> 826 827 | <div class='meta inventor'>Louis M. Condax, Condax-Speck, Inc., New York, Robert P. Speck</div> </div> 828 <div class="meta principle"> 829 Subtractive 3 color: dye imbibition process, still photography </div> 830 831 </div> 832 833 <div class="textblock"> 834 835 “Around 1940, Condax-Speck, Inc., of New York started to market dyes and mordant for the Condax-Dytrol system of dye imbibition printing (Fig. 4.19). The system, developed by company owners Louis M. Condax (1897â1971) and Robert P. Speck, ... </div> 836 837 838 839 <ul class="detail-links"> 840 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/39345/">Access detailed information</a> âº</li> 841 </ul><!-- detail-links --> 842 843 844 <div class='edit-links'> 845 </div> 846 </div><!-- column-inner --> 847 </div><!-- column --> 848 849 850 <div class="column column-2"> 851 <div class="column-inner"> 852 853 854 855 856 </div><!-- column-inner --> 857 </div><!-- column --> 858 859 860 </div><!-- post-inner --> 861 </div><!-- post --> 862 863 864 <div class='post' id="post-id-40554"> 865 <div class='post-inner group'> 866 <div class="column column-1"> 867 <div class="column-inner"> 868 <div class="post-header"> 869 870 <h2 class='post-title'> 871 <a href='https://filmcolors.org/timeline-entry/40554/'>Kodak Professional Supra Films</a> 872 </h2> 873 874 <div class="post-meta group"> 875 <div class="meta year">?</div> 876 877 | <div class='meta inventor'>Eastman Kodak Company</div> </div> 878 <div class="meta principle"> 879 Subtractive 3 color: chromogenic monopack, still photography </div> 880 881 </div> 882 883 <div class="textblock"> 884 885 Kodak Professional Supra is a product line of professional color negative films for commercial photography, designed for exposure with daylight or electronic flash. The line includes films of different speeds: Supra 100 (ISO 100), Supra 200 (ISO ... </div> 886 887 888 889 <ul class="detail-links"> 890 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40554/">Access detailed information</a> âº</li> 891 </ul><!-- detail-links --> 892 893 894 <div class='edit-links'> 895 </div>
896 </div><!-- column-inner --> 897 </div><!-- column --> 898 899 900 <div class="column column-2"> 901 <div class="column-inner"> 902 903 904 905 <div class="imagebox"> 906 <ul class='images'> 907 908 909 910 <li class=""> 911 <!--<a title="" data-id="40550" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/09/e2519-7.png'> 912 <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100vw, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7.png 935w" data-sizes="auto" /> </a>--> 913 914 <a title="" data-id="40550" class="" href='https://filmcolors.org/timeline-entry/40554/'> 915 <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
915w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7.png 935w" data-sizes="auto" /> </a> 916 917 <span class="hidden caption">Eastman Kodak Company (2003): <em>Technical Data, Color Negative Film. Kodak Professional Supra</em> (E-2519), 05.2003, p. 7.</span> 918 </li> 919 920 921 922 <li class="hidden"> 923 <!--<a title="" data-id="40555" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2026/09/e4029-7.png'> 924 </a>--> 925 926 <a title="" data-id="40555" class="hidden" href='https://filmcolors.org/timeline-entry/40554/'> 927 </a> 928 929 <span class="hidden caption">Eastman Kodak Company (2003): <em>Technical Data, Color Negative Film. Kodak Professional Supra Color Negative Films</em> (E-4029), 05.2003, p. 7.</span> 930 </li> 931 </ul> 932 <h3> 933 <a href='https://filmcolors.org/timeline-entry/40554/'> 934 2 Images 935 936 </a> 937 938 939 </h3> 940 </div> 941 942 943 944 </div><!-- column-inner --> 945 </div><!-- column --> 946 947 948 </div><!-- post-inner --> 949 </div><!-- post --> 950 951 952 <div class='post' id="post-id-39680"> 953 <div class='post-inner group'> 954 <div class="column column-1"> 955 <div class="column-inner"> 956 <div class="post-header"> 957 958 <h2 class='post-title'> 959 <a href='https://filmcolors.org/timeline-entry/39680/'>Raylo</a> 960 </h2> 961 962 <div class="post-meta group"> 963 <div class="meta year">ca. 1922</div> 964 965 | <div class='meta inventor'>Hiram Codd Joseph Deeks (American Raylo Corporation)</div> </div> 966 <div class="meta principle"> 967 Subtractive 3 color: pigment process, still photography </div> 968 969 </div> 970 971 <div class="textblock"> 972 973 “Raylo was a material developed by Hiram Codd Joseph Deeks (1880â1952) of the American Raylo Corporation, New York. It was introduced in 1922 for a printing service for users of the Raylo Camera, a one-shot camera that made three negatives ... </div> 974 975 976 977 <ul class="detail-links"> 978 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/39680/">Access detailed information</a> âº</li> 979 </ul><!-- detail-links --> 980 981 982 <div class='edit-links'> 983 </div> 984 </div><!-- column-inner --> 985 </div><!-- column --> 986 987 988 <div class="column column-2"> 989 <div class="column-inner"> 990 991 992 993 <div class="imagebox"> 994 <ul class='images'> 995 996 997 998 <li class=""> 999 <!--<a title="" data-id="39682" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2.jpg'> 1000 <img width="700" height="643" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1000w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-131.jpg 131w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-1024.jpg 1024w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2.jpg 1224w" data-sizes="auto" /> </a>--> 1001 1002 <a title="" data-id="39682" class="" href='https://filmcolors.org/timeline-entry/39680/'> 1003 <img width="700" height="643" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1003w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-131.jpg 131w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-1024.jpg 1024w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2.jpg 1224w" data-sizes="auto" /> </a> 1004 1005 <span class="hidden caption">Pénichon, Sylvie (2013): <i>Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation.</i> London, Los Angeles: Thames & Hudson, p. 87.</span> 1006 </li> 1007 </ul> 1008 <h3> 1009 <a href='https://filmcolors.org/timeline-entry/39680/'> 1010 1 Image 1011 1012 </a> 1013 1014 1015 </h3> 1016 </div> 1017 1018 1019 1020 </div><!-- column-inner --> 1021 </div><!-- column --> 1022 1023 1024 </div><!-- post-inner --> 1025 </div><!-- post --> 1026 1027 1028 <div class='post' id="post-id-38078"> 1029 <div class='post-inner group'> 1030 <div class="column column-1"> 1031 <div class="column-inner"> 1032 <div class="post-header"> 1033 1034 <h2 class='post-title'> 1035 <a href='https://filmcolors.org/timeline-entry/38078/'>Kodachrome used for duplication</a> 1036 </h2> 1037 1038 <div class="post-meta group"> 1039 <div class="meta year">[1964]</div> 1040 1041 </div> 1042 <div class="meta principle"> 1043 </div> 1044 1045 </div> 1046 1047 1048 1049 1050 <ul class="detail-links"> 1051 <li><a class="single-link" href="https://filmcolors.org/timeline-entry/38078/">Access detailed information</a> âº</li> 1052 </ul><!-- detail-links --> 1053 1054 1055 <div class='edit-links'> 1056 </div> 1057 </div><!-- column-inner --> 1058 </div><!-- column --> 1059 1060 1061 <div class="column column-2"> 1062 <div class="column-inner"> 1063 1064 1065 1066 1067 </div><!-- column-inner --> 1068 </div><!-- column --> 1069 1070 1071 </div><!-- post-inner --> 1072 </div><!-- post --> 1073 1074 1075 <div class='post' id="post-id-39408"> 1076 <div class='post-inner group'> 1077 <div class="column column-1"> 1078 <div class="column-inner"> 1079 <div class="post-header"> 1080 1081 <h2 class='post-title'> 1082 <a href='https://filmcolors.org/timeline-entry/39408/'>Finlay Positive Color Screen / Finlaychrome</a> 1083 </h2> 1084 1085 <div class="post-meta group"> 1086 <div class="meta year">ca. 1933</div> 1087 1088 | <div class='meta inventor'>Clare L. Finlay</div> </div> 1089 <div class="meta principle"> 1090 Additive 3 color: regular mosaic screen, combined system, still photography and film </div> 1091 1092 </div> 1093 1094 <div class="textblock"> 1095 1096 “The launching of a combined version of the product called Finlaychrome was announced in 1931 but was still unavailable three years later; it is unclear if it was ever marketed.28 Instead, it seems that the company produced a viewing screen ... </div> 1097 1098 1099 1100 <ul class="detail-links"> 1101 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/39408/">Access detailed information</a> âº</li> 1102 </ul><!-- detail-links --> 1103 1104 1105 <div class='edit-links'> 1106 </div> 1107 </div><!-- column-inner --> 1108 </div><!-- column --> 1109 1110 1111 <div class="column column-2"> 1112 <div class="column-inner"> 1113 1114 1115 1116 <div class="imagebox"> 1117 <ul class='images'> 1118 1119 1120 1121 <li class=""> 1122 <!--<a title="" data-id="17280" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1.jpg'> 1123 <img width="700" height="594" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1123w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-141.jpg 141w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1.jpg 800w" data-sizes="auto" /> </a>--> 1124 1125 <a title="" data-id="17280" class="" href='https://filmcolors.org/timeline-entry/39408/'> 1126 <img width="700" height="594" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1126w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-141.jpg 141w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1.jpg 800w" data-sizes="auto" /> </a> 1127 1128 <span class="hidden caption">Source: Pénichon, Sylvie (2013): <i>Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation.</i> London, Los Angeles: Thames & Hudson, p. 235.</span> 1129 </li> 1130 1131 1132 1133 <li class="hidden"> 1134 <!--<a title="" data-id="39413" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2024/08/Penichon_Finlay_2013_2.jpg'> 1135 </a>--> 1136 1137 <a title="" data-id="39413" class="hidden" href='https://filmcolors.org/timeline-entry/39408/'> 1138 </a> 1139 1140 <span class="hidden caption">Pénichon, Sylvie (2013): <i>Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation.</i> London, Los Angeles: Thames & Hudson, p. 39.</span> 1141 </li> 1142 1143 1144 1145 <li class="hidden"> 1146 <!--<a title="" data-id="39478" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2024/08/Penichon_Finlaychrome_1.jpg'> 1147 </a>--> 1148 1149 <a title="" data-id="39478" class="hidden" href='https://filmcolors.org/timeline-entry/39408/'> 1150 </a> 1151 1152 <span class="hidden caption">Pénichon, Sylvie (2013): <i>Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation.</i> London, Los Angeles: Thames & Hudson, p. 40.</span> 1153 </li> 1154 </ul> 1155 <h3> 1156 <a href='https://filmcolors.org/timeline-entry/39408/'> 1157 3 Images 1158 1159 </a> 1160 1161 1162 </h3> 1163 </div> 1164 1165 1166 1167 </div><!-- column-inner --> 1168 </div><!-- column --> 1169 1170 1171 </div><!-- post-inner --> 1172 </div><!-- post --> 1173 1174 1175 <div class='post' id="post-id-39148"> 1176 <div class='post-inner group'> 1177 <div class="column column-1"> 1178 <div class="column-inner"> 1179 <div class="post-header"> 1180 1181 <h2 class='post-title'> 1182 <a href='https://filmcolors.org/timeline-entry/39148/'>Autotype Dyebro</a> 1183 </h2> 1184 1185 <div class="post-meta group"> 1186 <div class="meta year">ca. 1929</div> 1187 1188 | <div class='meta inventor'>Owen Wheeler, Autotype Company</div> </div> 1189 <div class="meta principle"> 1190 Subtractive 3 color: dye imbibition process, still photography </div> 1191 1192 </div> 1193 1194 <div class="textblock"> 1195 1196 “Introduced around the same time as Colorsnap and Uvatype, Autotype Dyebro combined the three-color carbro and dye imbibition processes. The method was invented by Owen Wheeler (1859â1932) and commercialized by the Autotype Company in about ... </div> 1197 1198 1199 1200 <ul class="detail-links"> 1201 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/39148/">Access detailed information</a> âº</li> 1202 </ul><!-- detail-links --> 1203 1204 1205 <div class='edit-links'> 1206 </div> 1207 </div><!-- column-inner --> 1208 </div><!-- column --> 1209 1210 1211 <div class="column column-2"> 1212 <div class="column-inner"> 1213 1214 1215 1216 1217 </div><!-- column-inner --> 1218 </div><!-- column --> 1219 1220 1221 </div><!-- post-inner --> 1222 </div><!-- post --> 1223 1224 1225 <div class='post' id="post-id-39059"> 1226 <div class='post-inner group'> 1227 <div class="column column-1"> 1228 <div class="column-inner"> 1229 <div class="post-header"> 1230 1231 <h2 class='post-title'> 1232 <a href='https://filmcolors.org/timeline-entry/39059/'>Projection light</a> 1233 </h2> 1234 1235 <div class="post-meta group"> 1236 <div class="meta year"></div> 1237 1238 </div> 1239 <div class="meta principle"> 1240 Theory </div> 1241 1242 </div> 1243 1244 1245 1246 1247 <ul class="detail-links"> 1248 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/39059/">Access detailed information</a> âº</li> 1249 </ul><!-- detail-links --> 1250 1251 1252 <div class='edit-links'> 1253 </div>
1254 </div><!-- column-inner --> 1255 </div><!-- column --> 1256 1257 1258 <div class="column column-2"> 1259 <div class="column-inner"> 1260 1261 1262 1263 1264 </div><!-- column-inner --> 1265 </div><!-- column --> 1266 1267 1268 </div><!-- post-inner --> 1269 </div><!-- post --> 1270 1271 1272 <div class='post' id="post-id-40377"> 1273 <div class='post-inner group'> 1274 <div class="column column-1"> 1275 <div class="column-inner"> 1276 <div class="post-header"> 1277 1278 <h2 class='post-title'> 1279 <a href='https://filmcolors.org/timeline-entry/40377/'>Fujichrome 64T Type II Professional [RTP II]</a> 1280 </h2> 1281 1282 <div class="post-meta group"> 1283 <div class="meta year"></div> 1284 1285 | <div class='meta inventor'>Fujifilm Corporation</div> | <div class='meta country'>Japan</div> </div> 1286 <div class="meta principle"> 1287 Subtractive 3 color: chromogenic monopack, reversal, 35 mm </div> 1288 1289 </div> 1290 1291 <div class="textblock"> 1292 1293 Fujichrome 64T Type II Professional [RTP II] is a tungsten-type color reversal film with a speed of ISO 64 by the Fujifilm Corporation. It is no longer in production. 1294 </div> 1295 1296 1297 1298 <ul class="detail-links"> 1299 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40377/">Access detailed information</a> âº</li> 1300 </ul><!-- detail-links --> 1301 1302 1303 <div class='edit-links'> 1304 </div> 1305 </div><!-- column-inner --> 1306 </div><!-- column --> 1307 1308 1309 <div class="column column-2"> 1310 <div class="column-inner"> 1311 1312 1313 1314 <div class="imagebox"> 1315 <ul class='images'> 1316 1317 1318 1319 <li class=""> 1320 <!--<a title="" data-id="40446" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6.png'> 1321 <img width="700" height="934" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1321w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-1151.png 1151w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-90.png 90w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6.png 1157w" data-sizes="auto" /> </a>--> 1322 1323 <a title="" data-id="40446" class="" href='https://filmcolors.org/timeline-entry/40377/'> 1324 <img width="700" height="934" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1324w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-1151.png 1151w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-90.png 90w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6.png 1157w" data-sizes="auto" /> </a> 1325 1326 <span class="hidden caption">Fujifilm: <em>Data Sheet, Color Reversal Films. Fujichrome 64T Type II Professional [RTP II]</em> (AF3-024E), p. 6.</span> 1327 </li> 1328 </ul> 1329 <h3> 1330 <a href='https://filmcolors.org/timeline-entry/40377/'> 1331 1 Image 1332 1333 </a> 1334 1335 1336 </h3> 1337 </div> 1338 1339 1340 1341 </div><!-- column-inner --> 1342 </div><!-- column --> 1343 1344 1345 </div><!-- post-inner --> 1346 </div><!-- post --> 1347 1348 1349 <div class='post' id="post-id-39483"> 1350 <div class='post-inner group'> 1351 <div class="column column-1"> 1352 <div class="column-inner"> 1353 <div class="post-header"> 1354 1355 <h2 class='post-title'> 1356 <a href='https://filmcolors.org/timeline-entry/39483/'>Fuji Dyecolor</a> 1357 </h2> 1358 1359 <div class="post-meta group"> 1360 <div class="meta year">ca. 1975</div> 1361 1362 | <div class='meta inventor'>(Fuji Photo Film Company)</div> </div> 1363 <div class="meta principle"> 1364 Subtractive 3 color: dye imbibition process, still photography </div> 1365 1366 </div> 1367 1368 <div class="textblock"> 1369 1370 “Around 1975, Fuji Photo Film Company introduced Fuji Dyecolor, a dye imbibition printing service available only in Japan. A feature of the process was that the transfer of the dyes was done automatically in a special rotary machine developed ... </div> 1371 1372 1373 1374 <ul class="detail-links"> 1375 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/39483/">Access detailed information</a> âº</li> 1376 </ul><!-- detail-links --> 1377 1378 1379 <div class='edit-links'> 1380 </div> 1381 </div><!-- column-inner --> 1382 </div><!-- column --> 1383 1384 1385 <div class="column column-2"> 1386 <div class="column-inner"> 1387 1388 1389 1390 1391 </div><!-- column-inner --> 1392 </div><!-- column --> 1393 1394 1395 </div><!-- post-inner --> 1396 </div><!-- post --> 1397 1398 1399 <div class='post' id="post-id-40571"> 1400 <div class='post-inner group'> 1401 <div class="column column-1"> 1402 <div class="column-inner"> 1403 <div class="post-header"> 1404 1405 <h2 class='post-title'> 1406 <a href='https://filmcolors.org/timeline-entry/40571/'>Kodak Professional Portra 100T Film / Tungsten</a> 1407 </h2> 1408 1409 <div class="post-meta group"> 1410 <div class="meta year">?</div> 1411 1412 | <div class='meta inventor'>Eastman Kodak Company</div> </div> 1413 <div class="meta principle"> 1414 Subtractive 3 color: chromogenic monopack, still photography </div> 1415 1416 </div> 1417 1418 <div class="textblock"> 1419 1420 Kodak Professional Portra 100T Film is a tungsten-balanced color negative film from the Portra product line. With an ISO speed of 100, it is designed for exposure with tungsten illumination (3200 K). 1421 </div> 1422 1423 1424 1425 <ul class="detail-links"> 1426 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40571/">Access detailed information</a> âº</li> 1427 </ul><!-- detail-links --> 1428 1429 1430 <div class='edit-links'> 1431 </div> 1432 </div><!-- column-inner --> 1433 </div><!-- column --> 1434 1435 1436 <div class="column column-2"> 1437 <div class="column-inner"> 1438 1439 1440 1441 <div class="imagebox"> 1442 <ul class='images'> 1443 1444 1445 1446 <li class=""> 1447 <!--<a title="" data-id="40570" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/09/e2468-5.png'> 1448 <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1448w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5.png 1870w" data-sizes="auto" /> </a>--> 1449 1450 <a title="" data-id="40570" class="" href='https://filmcolors.org/timeline-entry/40571/'> 1451 <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1451w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5.png 1870w" data-sizes="auto" /> </a> 1452 1453 <span class="hidden caption">Eastman Kodak Company (2006): <em>Technical Data, Color Negative Film. Kodak Professional Portra 100T Film / Tungsten</em> (E-2468), 10.2006, p. 5.</span> 1454 </li> 1455 </ul> 1456 <h3> 1457 <a href='https://filmcolors.org/timeline-entry/40571/'> 1458 1 Image 1459 1460 </a> 1461 1462 1463 </h3> 1464 </div> 1465 1466 1467 1468 </div><!-- column-inner --> 1469 </div><!-- column --> 1470 1471 1472 </div><!-- post-inner --> 1473 </div><!-- post --> 1474 1475 1476 <div class='post' id="post-id-40483"> 1477 <div class='post-inner group'> 1478 <div class="column column-1"> 1479 <div class="column-inner"> 1480 <div class="post-header"> 1481 1482 <h2 class='post-title'> 1483 <a href='https://filmcolors.org/timeline-entry/40483/'>Kodak Professional Elite Chrome Extra Color 100 Film</a> 1484 </h2> 1485 1486 <div class="post-meta group"> 1487 <div class="meta year">ca. 1994</div> 1488 1489 | <div class='meta inventor'>Eastman Kodak Company</div> </div> 1490 <div class="meta principle"> 1491 Subtractive 3 color: chromogenic monopack, reversal </div> 1492 1493 </div> 1494 1495 <div class="textblock"> 1496 1497 Kodak Professional Elite Chrome Extra Color 100 Film is a color reversal film from Kodak’s Elite Chrome product line. With an ISO speed of 100, it is designed for exposure with daylight or electronic flash. 1498 </div> 1499 1500 1501 1502 <ul class="detail-links"> 1503 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40483/">Access detailed information</a> âº</li> 1504 </ul><!-- detail-links --> 1505 1506 1507 <div class='edit-links'> 1508 </div> 1509 </div><!-- column-inner --> 1510 </div><!-- column --> 1511 1512 1513 <div class="column column-2"> 1514 <div class="column-inner"> 1515 1516 1517 1518 <div class="imagebox"> 1519 <ul class='images'> 1520 1521 1522 1523 <li class=""> 1524 <!--<a title="" data-id="40482" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/09/e126e-5.png'> 1525 <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1525w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5.png 1870w" data-sizes="auto" /> </a>--> 1526 1527 <a title="" data-id="40482" class="" href='https://filmcolors.org/timeline-entry/40483/'> 1528 <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1528w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5.png 1870w" data-sizes="auto" /> </a> 1529 1530 <span class="hidden caption">Eastman Kodak Company (2005): <i>Technical Data, Color Reversal Film. Kodak Professional Elite Chrome Extra Color 100 Film</i> (E-126E), 04.2005, p. 5.</span> 1531 </li> 1532 </ul> 1533 <h3> 1534 <a href='https://filmcolors.org/timeline-entry/40483/'> 1535 1 Image 1536 1537 </a> 1538 1539 1540 </h3> 1541 </div> 1542 1543 1544 1545 </div><!-- column-inner --> 1546 </div><!-- column --> 1547 1548 1549 </div><!-- post-inner --> 1550 </div><!-- post --> 1551 1552 1553 <div class='post' id="post-id-39308"> 1554 <div class='post-inner group'> 1555 <div class="column column-1"> 1556 <div class="column-inner"> 1557 <div class="post-header"> 1558 1559 <h2 class='post-title'> 1560 <a href='https://filmcolors.org/timeline-entry/39308/'>Belcolor</a> 1561 </h2> 1562 1563 <div class="post-meta group"> 1564 <div class="meta year">ca. 1935</div> 1565 1566 | <div class='meta inventor'>George Murphy</div> </div> 1567 <div class="meta principle"> 1568 Subtractive 3 color: pigment process, still photography </div> 1569 1570 </div> 1571 1572 <div class="textblock"> 1573 1574 “Introduced in the mid-1930s by George Murphy, Inc., of New York City, Belcolor was considered one of the simplest ways to obtain color transparencies, as it required no special equipment or expert technique and could be used successfully ... </div> 1575 1576 1577 1578 <ul class="detail-links"> 1579 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/39308/">Access detailed information</a> âº</li> 1580 </ul><!-- detail-links --> 1581 1582 1583 <div class='edit-links'> 1584 </div> 1585 </div><!-- column-inner --> 1586 </div><!-- column --> 1587 1588 1589 <div class="column column-2"> 1590 <div class="column-inner"> 1591 1592 1593 1594 1595 </div><!-- column-inner --> 1596 </div><!-- column --> 1597 1598 1599 </div><!-- post-inner --> 1600 </div><!-- post --> 1601 1602 1603 <div class='post' id="post-id-40491"> 1604 <div class='post-inner group'> 1605 <div class="column column-1"> 1606 <div class="column-inner"> 1607 <div class="post-header"> 1608 1609 <h2 class='post-title'> 1610 <a href='https://filmcolors.org/timeline-entry/40491/'>Kodak Ektachrome 320T Professional Film</a> 1611 </h2> 1612 1613 <div class="post-meta group"> 1614 <div class="meta year">ca. 1992</div> 1615 1616 | <div class='meta inventor'>Eastman Kodak Company</div> </div> 1617 <div class="meta principle"> 1618 Subtractive 3 color: chromogenic monopack, reversal, 35 mm </div> 1619 1620 </div> 1621 1622 <div class="textblock"> 1623 1624 Kodak Ektachrome 320T Professional Film is a color reversal film. With an ISO speed of 320, it is balanced for exposure with tungsten illumination. 1625 </div> 1626 1627 1628 1629 <ul class="detail-links"> 1630 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40491/">Access detailed information</a> âº</li> 1631 </ul><!-- detail-links --> 1632 1633 1634 <div class='edit-links'> 1635 </div> 1636 </div><!-- column-inner --> 1637 </div><!-- column --> 1638 1639 1640 <div class="column column-2"> 1641 <div class="column-inner"> 1642 1643 1644 1645 <div class="imagebox"> 1646 <ul class='images'> 1647 1648 1649 1650 <li class=""> 1651 <!--<a title="" data-id="40490" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/09/e145-4.png'> 1652 <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1652w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e145-4-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e145-4-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4.png 1870w" data-sizes="auto" /> </a>--> 1653 1654 <a title="" data-id="40490" class="" href='https://filmcolors.org/timeline-entry/40491/'> 1655 <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1655w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e145-4-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e145-4-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4.png 1870w" data-sizes="auto" /> </a> 1656 1657 <span class="hidden caption">Eastman Kodak Company (2007): <i>Technical Data, Color Reversal Film. Kodak Ektachrome 320T Professional Film</i> (E-145), 05.2007, p. 4.</span> 1658 </li> 1659 </ul> 1660 <h3> 1661 <a href='https://filmcolors.org/timeline-entry/40491/'> 1662 1 Image 1663 1664 </a> 1665 1666 1667 </h3> 1668 </div> 1669 1670 1671 1672 </div><!-- column-inner --> 1673 </div><!-- column --> 1674 1675 1676 </div><!-- post-inner --> 1677 </div><!-- post --> 1678 1679 1680 <div class='post' id="post-id-35973"> 1681 <div class='post-inner group'> 1682 <div class="column column-1"> 1683 <div class="column-inner"> 1684 <div class="post-header"> 1685 1686 <h2 class='post-title'> 1687 <a href='https://filmcolors.org/timeline-entry/35973/'>Kingston Process</a> 1688 </h2> 1689 1690 <div class="post-meta group"> 1691 <div class="meta year">191?</div> 1692 1693 | <div class='meta inventor'>Arthur Kingston</div> | <div class='meta country'>England</div> </div> 1694 <div class="meta principle"> 1695 Additive three color process: rotary filters </div> 1696 1697 </div> 1698 1699 <div class="textblock"> 1700 1701 Three black-and-white color separations were printed consecutively on one film strip and projected through the corresponding color filters, thus combining to one color image on screen. 1702 </div> 1703 1704 1705 1706 <ul class="detail-links"> 1707 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/35973/">Access detailed information</a> âº</li> 1708 </ul><!-- detail-links --> 1709 1710 1711 <div class='edit-links'> 1712 </div> 1713 </div><!-- column-inner --> 1714 </div><!-- column --> 1715 1716 1717 <div class="column column-2"> 1718 <div class="column-inner"> 1719 1720 1721 1722 1723 </div><!-- column-inner --> 1724 </div><!-- column --> 1725 1726 1727 </div><!-- post-inner --> 1728 </div><!-- post --> 1729 1730 1731 <div class='post' id="post-id-1319"> 1732 <div class='post-inner group'> 1733 <div class="column column-1"> 1734 <div class="column-inner"> 1735 <div class="post-header"> 1736 1737 <h2 class='post-title'> 1738 <a href='https://filmcolors.org/timeline-entry/1319/'>Trichromatic vision</a> 1739 </h2> 1740 1741 <div class="post-meta group"> 1742 <div class="meta year">1802</div> 1743 1744 | <div class='meta inventor'>Thomas Young</div> </div> 1745 <div class="meta principle"> 1746 Theory: Color vision </div> 1747 1748 </div> 1749 1750 <div class="textblock"> 1751 1752 Theory of trichromatic vision proposed by Thomas Young. 1753 </div> 1754 1755 1756 1757 <ul class="detail-links"> 1758 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/1319/">Access detailed information</a> âº</li> 1759 </ul><!-- detail-links --> 1760 1761 1762 <div class='edit-links'> 1763 </div> 1764 </div><!-- column-inner --> 1765 </div><!-- column --> 1766 1767 1768 <div class="column column-2"> 1769 <div class="column-inner"> 1770 1771 1772 1773 1774 </div><!-- column-inner --> 1775 </div><!-- column --> 1776 1777 1778 </div><!-- post-inner --> 1779 </div><!-- post --> 1780 1781 1782 <div class='post' id="post-id-40063"> 1783 <div class='post-inner group'> 1784 <div class="column column-1"> 1785 <div class="column-inner"> 1786 <div class="post-header"> 1787 1788 <h2 class='post-title'> 1789 <a href='https://filmcolors.org/timeline-entry/40063/'>Heliochromy direct positive</a> 1790 </h2> 1791 1792 <div class="post-meta group"> 1793 <div class="meta year">1855</div> 1794 1795 | <div class='meta inventor'>Claude Félix Abel Niépce de Saint-Victor</div> </div> 1796 <div class="meta principle"> 1797 Direct color photography: still photography </div> 1798 1799 </div> 1800 1801 1802 1803 1804 <ul class="detail-links"> 1805 <li><a class="single-link" href="https://filmcolors.org/timeline-entry/40063/">Access detailed information</a> âº</li> 1806 </ul><!-- detail-links --> 1807 1808 1809 <div class='edit-links'> 1810 </div>
1811 </div><!-- column-inner --> 1812 </div><!-- column --> 1813 1814 1815 <div class="column column-2"> 1816 <div class="column-inner"> 1817 1818 1819 1820 <div class="imagebox"> 1821 <ul class='images'> 1822 1823 1824 1825 <li class=""> 1826 <!--<a title="" data-id="40065" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1.jpg'> 1827 <img width="700" height="942" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100vw, 700px" data-src="https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-89.jpg 89w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1.jpg 875w" data-sizes="auto" /> </a>--> 1828 1829 <a title="" data-id="40065" class="" href='https://filmcolors.org/timeline-entry/40063/'> 1830 <img width="700" height="942" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1830w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-89.jpg 89w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1.jpg 875w" data-sizes="auto" /> </a> 1831 1832 <span class="hidden caption">Pénichon, Sylvie (2013): <i>Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation.</i> London, Los Angeles: Thames & Hudson, p. 10.</span> 1833 </li> 1834 </ul> 1835 <h3> 1836 <a href='https://filmcolors.org/timeline-entry/40063/'> 1837 1 Image 1838 1839 </a> 1840 1841 1842 </h3> 1843 </div> 1844 1845 1846 1847 </div><!-- column-inner --> 1848 </div><!-- column --> 1849 1850 1851 </div><!-- post-inner --> 1852 </div><!-- post --> 1853 1854 1855 <div class='post' id="post-id-1320"> 1856 <div class='post-inner group'> 1857 <div class="column column-1"> 1858 <div class="column-inner"> 1859 <div class="post-header"> 1860 1861 <h2 class='post-title'> 1862 <a href='https://filmcolors.org/timeline-entry/1320/'>Color theory</a> 1863 </h2> 1864 1865 <div class="post-meta group"> 1866 <div class="meta year">1861</div> 1867 1868 | <div class='meta inventor'>James Clerk Maxwell</div> </div> 1869 <div class="meta principle"> 1870 Additive 3 color: Additive 3 color, still photography </div> 1871 1872 </div> 1873 1874 <div class="textblock"> 1875 1876 “In a lecture on the theory of three primary colors, given at the Royal Institution of Great Britain on May 17, 1861, Maxwell presented the first demonstration of a photograph in color. According to the records of that meeting (Maxwell, 1890c, ... </div> 1877 1878 1879 1880 <ul class="detail-links"> 1881 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/1320/">Access detailed information</a> âº</li> 1882 </ul><!-- detail-links --> 1883 1884 1885 <div class='edit-links'> 1886 </div> 1887 </div><!-- column-inner --> 1888 </div><!-- column --> 1889 1890 1891 <div class="column column-2"> 1892 <div class="column-inner"> 1893 1894 1895 1896 <div class="imagebox"> 1897 <ul class='images'> 1898 1899 1900 1901 <li class=""> 1902 <!--<a title="" data-id="2887" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell.jpg'> 1903 <img width="700" height="677" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1903w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-124.jpg 124w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell.jpg 787w" data-sizes="auto" /> </a>--> 1904 1905 <a title="" data-id="2887" class="" href='https://filmcolors.org/timeline-entry/1320/'> 1906 <img width="700" height="677" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1906w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-124.jpg 124w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell.jpg 787w" data-sizes="auto" /> </a> 1907 1908 <span class="hidden caption">Source: Coe, Brian (1981): The History of Movie Photography. Westfield, N.J.: Eastview Editions.</span> 1909 </li> 1910 </ul> 1911 <h3> 1912 <a href='https://filmcolors.org/timeline-entry/1320/'> 1913 1 Image 1914 1915 </a> 1916 1917 1918 </h3> 1919 </div> 1920 1921 1922 1923 </div><!-- column-inner --> 1924 </div><!-- column --> 1925 1926 1927 </div><!-- post-inner --> 1928 </div><!-- post --> 1929 1930 1931 <div class='post' id="post-id-1321"> 1932 <div class='post-inner group'> 1933 <div class="column column-1"> 1934 <div class="column-inner"> 1935 <div class="post-header"> 1936 1937 <h2 class='post-title'> 1938 <a href='https://filmcolors.org/timeline-entry/1321/'>Proposal of a variety of processes of three-color photography</a> 1939 </h2> 1940 1941 <div class="post-meta group"> 1942 <div class="meta year">1869</div> 1943 1944 | <div class='meta inventor'>Louis Ducos du Hauron</div> </div> 1945 <div class="meta principle"> 1946 Theory: still photography </div> 1947 1948 </div> 1949 1950 <div class="textblock"> 1951 1952 “Louis Ducos du Hauron is reported to have become interested in the reproduction of colors by photography in 1859, when he was twentyone years old (Potonniée, 1939). In 1862 he submitted to a friend of his family, M. Lelut, a paper embodying ... </div> 1953 1954 1955 1956 <ul class="detail-links"> 1957 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/1321/">Access detailed information</a> âº</li> 1958 </ul><!-- detail-links --> 1959 1960 1961 <div class='edit-links'> 1962 </div> 1963 </div><!-- column-inner --> 1964 </div><!-- column --> 1965 1966 1967 <div class="column column-2"> 1968 <div class="column-inner"> 1969 1970 1971 1972 <div class="imagebox"> 1973 <ul class='images'> 1974 1975 1976 1977 <li class=""> 1978 <!--<a title="" data-id="3160" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope.jpg'> 1979 <img width="700" height="840" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1979w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-100.jpg 100w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope.jpg 736w" data-sizes="auto" /> </a>--> 1980 1981 <a title="" data-id="3160" class="" href='https://filmcolors.org/timeline-entry/1321/'> 1982 <img width="700" height="840" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1982w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-100.jpg 100w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope.jpg 736w" data-sizes="auto" /> </a> 1983 1984 <span class="hidden caption">"Du Hauron invented his Chromographoscope in 1874. It could be used either as a camera or an additive viewer." Source: Coote, Jack H. (1993): <i>The Illustrated History of Colour Photography.</i> Surbiton, Surrey: Fountain Press.</span> 1985 </li> 1986 1987 1988 1989 <li class="hidden"> 1990 <!--<a title="" data-id="3159" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2013/05/Duhauron1877.jpg'> 1991 </a>--> 1992 1993 <a title="" data-id="3159" class="hidden" href='https://filmcolors.org/timeline-entry/1321/'> 1994 </a> 1995 1996 <span class="hidden caption">An early three-color print by Louis Ducros Du Hauron, 1877.</span> 1997 </li> 1998 </ul> 1999 <h3> 2000 <a href='https://filmcolors.org/timeline-entry/1321/'> 2001 2 Images 2002 2003 </a> 2004 2005 2006 </h3> 2007 </div> 2008 2009 2010 2011 </div><!-- column-inner --> 2012 </div><!-- column --> 2013 2014 2015 </div><!-- post-inner --> 2016 </div><!-- post --> 2017 2018 2019 <div class='post' id="post-id-1322"> 2020 <div class='post-inner group'> 2021 <div class="column column-1"> 2022 <div class="column-inner"> 2023 <div class="post-header"> 2024 2025 <h2 class='post-title'> 2026 <a href='https://filmcolors.org/timeline-entry/1322/'>Proposal of a variety of processes of three-color photography</a> 2027 </h2> 2028 2029 <div class="post-meta group"> 2030 <div class="meta year">1869</div> 2031 2032 | <div class='meta inventor'>Charles Cros</div> </div> 2033 <div class="meta principle"> 2034 Theory </div> 2035 2036 </div> 2037 2038 <div class="textblock"> 2039 2040 Description of a variety of color processes, even for images in motion by the use of a rotary shutter. 2041 </div> 2042 2043 2044 2045 <ul class="detail-links"> 2046 <li><a class="single-link" href="https://filmcolors.org/timeline-entry/1322/">Access detailed information</a> âº</li> 2047 </ul><!-- detail-links --> 2048 2049 2050 <div class='edit-links'> 2051 </div> 2052 </div><!-- column-inner --> 2053 </div><!-- column --> 2054 2055 2056 <div class="column column-2"> 2057 <div class="column-inner"> 2058 2059 2060 2061 2062 </div><!-- column-inner --> 2063 </div><!-- column --> 2064 2065 2066 </div><!-- post-inner --> 2067 </div><!-- post --> 2068 2069 2070 <div class='post' id="post-id-40069"> 2071 <div class='post-inner group'> 2072 <div class="column column-1"> 2073 <div class="column-inner"> 2074 <div class="post-header"> 2075 2076 <h2 class='post-title'> 2077 <a href='https://filmcolors.org/timeline-entry/40069/'>Heliochromy color separation</a> 2078 </h2> 2079 2080 <div class="post-meta group"> 2081 <div class="meta year">1869</div> 2082 2083 | <div class='meta inventor'>Louis Ducos de Hauron</div> </div> 2084 <div class="meta principle"> 2085 Subtractive 3 color: assembly process, pigment process, still photography </div> 2086 2087 </div> 2088 2089 <div class="textblock"> 2090 2091 “Carbon printing was originally a monochrome process. It was invented and patented by Alphonse Poitevin (1819â82) in 1855 and was the first practical printing method with pigments. After Poitevin, the carbon process was patented extensively ... </div> 2092 2093 2094 2095 <ul class="detail-links"> 2096 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40069/">Access detailed information</a> âº</li> 2097 </ul><!-- detail-links --> 2098 2099 2100 <div class='edit-links'> 2101 </div>
2102 </div><!-- column-inner --> 2103 </div><!-- column --> 2104 2105 2106 <div class="column column-2"> 2107 <div class="column-inner"> 2108 2109 2110 2111 2112 </div><!-- column-inner --> 2113 </div><!-- column --> 2114 2115 2116 </div><!-- post-inner --> 2117 </div><!-- post --> 2118 2119 2120 <div class='post' id="post-id-1346"> 2121 <div class='post-inner group'> 2122 <div class="column column-1"> 2123 <div class="column-inner"> 2124 <div class="post-header"> 2125 2126 <h2 class='post-title'> 2127 <a href='https://filmcolors.org/timeline-entry/1346/'>Orthochromatic stock</a> 2128 </h2> 2129 2130 <div class="post-meta group"> 2131 <div class="meta year">1873</div> 2132 2133 | <div class='meta inventor'>Hermann Wilhelm Vogel</div> </div> 2134 <div class="meta principle"> 2135 b/w photography: orthochromatic b/w stock, still photography </div> 2136 2137 </div> 2138 2139 <div class="textblock"> 2140 2141 “In 1873 Dr Vogel discovered that by adding dyes to the sensitive material, its sensitivity could be extended, so that it would record green as well as blue. The new ‘orthochromatic’ plates were available commercially from 1882. The ... </div> 2142 2143 2144 2145 <ul class="detail-links"> 2146 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/1346/">Access detailed information</a> âº</li> 2147 </ul><!-- detail-links --> 2148 2149 2150 <div class='edit-links'> 2151 </div> 2152 </div><!-- column-inner --> 2153 </div><!-- column --> 2154 2155 2156 <div class="column column-2"> 2157 <div class="column-inner"> 2158 2159 2160 2161 <div class="imagebox"> 2162 <ul class='images'> 2163 2164 2165 2166 <li class=""> 2167 <!--<a title="" data-id="3163" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique.jpg'> 2168 <img width="700" height="530" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
2168w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-158.jpg 158w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique.jpg 919w" data-sizes="auto" /> </a>--> 2169 2170 <a title="" data-id="3163" class="" href='https://filmcolors.org/timeline-entry/1346/'> 2171 <img width="700" height="530" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
2171w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-158.jpg 158w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique.jpg 919w" data-sizes="auto" /> </a> 2172 2173 <span class="hidden caption">âFilm orthochromatique (film négatif Pathé Standard)â (orthochromatic stock). Source: Didiée, L. (1926): Le Film vierge Pathé. Manuel de développement et de tirage. Paris: Pathé. </span> 2174 </li> 2175 2176 2177 2178 <li class="hidden"> 2179 <!--<a title="" data-id="3162" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_NonChromatique.jpg'> 2180 </a>--> 2181 2182 <a title="" data-id="3162" class="hidden" href='https://filmcolors.org/timeline-entry/1346/'> 2183 </a> 2184 2185 <span class="hidden caption">âFilm ordinaire (non orthochromatique)â (Normal, non-orthochromatic stock). Source: Didiée, L. (1926): Le Film vierge Pathé. Manuel de développement et de tirage. Paris: Pathé.</span> 2186 </li> 2187 </ul> 2188 <h3> 2189 <a href='https://filmcolors.org/timeline-entry/1346/'> 2190 2 Images 2191 2192 </a> 2193 2194 2195 </h3> 2196 </div> 2197 2198 2199 2200 </div><!-- column-inner --> 2201 </div><!-- column --> 2202 2203 2204 </div><!-- post-inner --> 2205 </div><!-- post --> 2206 2207 2208 <div class='post' id="post-id-9200"> 2209 <div class='post-inner group'> 2210 <div class="column column-1"> 2211 <div class="column-inner"> 2212 <div class="post-header"> 2213 2214 <h2 class='post-title'> 2215 <a href='https://filmcolors.org/timeline-entry/9200/'>Dye Imbibition Process</a> 2216 </h2> 2217 2218 <div class="post-meta group"> 2219 <div class="meta year">1875</div> 2220 2221 | <div class='meta inventor'>Ernest Edwards</div> </div> 2222 <div class="meta principle"> 2223 </div> 2224 2225 </div> 2226 2227 2228 2229 2230 <ul class="detail-links"> 2231 <li><a class="single-link" href="https://filmcolors.org/timeline-entry/9200/">Access detailed information</a> âº</li> 2232 </ul><!-- detail-links --> 2233 2234 2235 <div class='edit-links'> 2236 </div> 2237 </div><!-- column-inner --> 2238 </div><!-- column --> 2239 2240 2241 <div class="column column-2"> 2242 <div class="column-inner"> 2243 2244 2245 2246 <div class="imagebox"> 2247 <ul class='images'> 2248 2249 2250 2251 <li class=""> 2252 <!--<a title="" data-id="9201" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web.jpg'> 2253 <img width="621" height="1031" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 621px) 100vw, 621px" data-src="https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web.jpg 621w, https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web-72.jpg 72w, https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web-256.jpg 256w" data-sizes="auto" /> </a>-->
2253 2254 2255 <a title="" data-id="9201" class="" href='https://filmcolors.org/timeline-entry/9200/'> 2256 <img width="621" height="1031" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 621px) 100vw, 621px" data-src="https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web.jpg 621w, https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web-72.jpg 72w, https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web-256.jpg 256w" data-sizes="auto" /> </a> 2257 2258 <span class="hidden caption">Pénichon, Sylvie (2013): <i>Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation.</i> London, Los Angeles: Thames & Hudson.</span> 2259 </li> 2260 </ul> 2261 <h3> 2262 <a href='https://filmcolors.org/timeline-entry/9200/'> 2263 1 Image 2264 2265 </a> 2266 2267 2268 </h3> 2269 </div> 2270 2271 2272 2273 </div><!-- column-inner --> 2274 </div><!-- column --> 2275 2276 2277 </div><!-- post-inner --> 2278 </div><!-- post --> 2279 2280 2281 <div class='post' id="post-id-1354"> 2282 <div class='post-inner group'> 2283 <div class="column column-1"> 2284 <div class="column-inner"> 2285 <div class="post-header"> 2286 2287 <h2 class='post-title'> 2288 <a href='https://filmcolors.org/timeline-entry/1354/'>Hydrotypie / Hydrotype</a> 2289 </h2> 2290 2291 <div class="post-meta group"> 2292 <div class="meta year">1880</div> 2293 2294 | <div class='meta inventor'>Charles Cros</div> </div> 2295 <div class="meta principle"> 2296 Subtractive 3 color: dye transfer, still photography and film </div> 2297 2298 </div> 2299 2300 <div class="textblock"> 2301 2302 “In the imbibition process, a dye image is transferred from a gelatin relief image to a receiving layer made either of paper or film. Charles Cros described this method of ‘hydrotypie’ transfer printing in 1880 and suggested it ... </div> 2303 2304 2305 2306 <ul class="detail-links"> 2307 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/1354/">Access detailed information</a> âº</li> 2308 </ul><!-- detail-links --> 2309 2310 2311 <div class='edit-links'> 2312 </div> 2313 </div><!-- column-inner --> 2314 </div><!-- column --> 2315 2316 2317 <div class="column column-2"> 2318 <div class="column-inner"> 2319 2320 2321 2322 2323 </div><!-- column-inner --> 2324 </div><!-- column --> 2325 2326 2327 </div><!-- post-inner --> 2328 </div><!-- post --> 2329 2330 2331 <div class='post' id="post-id-1369"> 2332 <div class='post-inner group'> 2333 <div class="column column-1"> 2334 <div class="column-inner"> 2335 <div class="post-header"> 2336 2337 <h2 class='post-title'> 2338 <a href='https://filmcolors.org/timeline-entry/1369/'>Sensitizing theory</a> 2339 </h2> 2340 2341 <div class="post-meta group"> 2342 <div class="meta year">1885</div> 2343 2344 | <div class='meta inventor'>Hermann Wilhelm Vogel</div> </div> 2345 <div class="meta principle"> 2346 Color theory </div> 2347 2348 </div> 2349 2350 <div class="textblock"> 2351 2352 “Dr. H. W. Vogel, the discoverer of colour sensitizers, made three-colour photography possible, and has been the first to recognise the relation between colour sensitiveness of plate and printing colour in the following principle made known in ... </div> 2353 2354 2355 2356 <ul class="detail-links"> 2357 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/1369/">Access detailed information</a> âº</li> 2358 </ul><!-- detail-links --> 2359 2360 2361 <div class='edit-links'> 2362 </div>
2363 </div><!-- column-inner --> 2364 </div><!-- column --> 2365 2366 2367 <div class="column column-2"> 2368 <div class="column-inner"> 2369 2370 2371 2372 2373 </div><!-- column-inner --> 2374 </div><!-- column --> 2375 2376 2377 </div><!-- post-inner --> 2378 </div><!-- post --> 2379 2380 2381 <div class='post' id="post-id-1357"> 2382 <div class='post-inner group'> 2383 <div class="column column-1"> 2384 <div class="column-inner"> 2385 <div class="post-header"> 2386 2387 <h2 class='post-title'> 2388 <a href='https://filmcolors.org/timeline-entry/1357/'>Silver dye-bleach</a> 2389 </h2> 2390 2391 <div class="post-meta group"> 2392 <div class="meta year">1889</div> 2393 2394 | <div class='meta inventor'>Raphael E. Liesegang</div> </div> 2395 <div class="meta principle"> 2396 Subtractive 3 color: Dye-bleach </div> 2397 2398 </div> 2399 2400 <div class="textblock"> 2401 2402 âProbably the first use of the catalytic property of silver was in 1889, when E. Howard Farmer disclosed the action of a silver image upon strong dichromate solutions (Eng. P. 17773/89). When a plate or film, containing a silver image, is immersed ... </div> 2403 2404 2405 2406 <ul class="detail-links"> 2407 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/1357/">Access detailed information</a> âº</li> 2408 </ul><!-- detail-links --> 2409 2410 2411 <div class='edit-links'> 2412 </div> 2413 </div><!-- column-inner --> 2414 </div><!-- column --> 2415 2416 2417 <div class="column column-2"> 2418 <div class="column-inner"> 2419 2420 2421 2422 2423 </div><!-- column-inner --> 2424 </div><!-- column --> 2425 2426 2427 </div><!-- post-inner --> 2428 </div><!-- post --> 2429 2430 2431 <div class='post' id="post-id-1335"> 2432 <div class='post-inner group'> 2433 <div class="column column-1"> 2434 <div class="column-inner"> 2435 <div class="post-header"> 2436 2437 <h2 class='post-title'> 2438 <a href='https://filmcolors.org/timeline-entry/1335/'>Lippmann</a> 2439 </h2> 2440 2441 <div class="post-meta group"> 2442 <div class="meta year">1891</div> 2443 2444 | <div class='meta inventor'>Gabriel Lippmann</div> </div> 2445 <div class="meta principle"> 2446 Direct color photography: interference, still photography </div> 2447 2448 </div> 2449 2450 <div class="textblock"> 2451 2452 “In 1891, Professor Gabriel Lippmann demonstrated to the French Académie des Sciences interference colour photographs of the spectrum and of stained glass windows, taken by a modification of Wiener’s method. An exceedingly fine grained, ... </div> 2453 2454 2455 2456 <ul class="detail-links"> 2457 <li><a class="detail-link" href="https://filmcolors.org/timeline-entry/1335/">Access detailed information</a> âº</li> 2458 </ul><!-- detail-links --> 2459 2460 2461 <div class='edit-links'> 2462 </div> 2463 </div><!-- column-inner --> 2464 </div><!-- column --> 2465 2466 2467 <div class="column column-2"> 2468 <div class="column-inner"> 2469 2470 2471 2472 <div class="imagebox"> 2473 <ul class='images'> 2474 2475 2476 2477 <li class=""> 2478 <!--<a title="" data-id="2904" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann.jpg'> 2479 <img width="700" height="505" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
2479w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-166.jpg 166w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-1024.jpg 1024w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann.jpg 1078w" data-sizes="auto" /> </a>--> 2480 2481 <a title="" data-id="2904" class="" href='https://filmcolors.org/timeline-entry/1335/'> 2482 <img width="700" height="505" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
2482w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-166.jpg 166w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-1024.jpg 1024w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann.jpg 1078w" data-sizes="auto" /> </a> 2483 2484 <span class="hidden caption">Source: Coe, Brian (1978): Colour Photography. The First Hundred Years 1840-1940. London: Ash & Grant.</span> 2485 </li> 2486 2487 2488 2489 <li class="hidden"> 2490 <!--<a title="" data-id="2905" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2013/05/Lavedrine_Lippmann.jpg'> 2491 </a>--> 2492 2493 <a title="" data-id="2905" class="hidden" href='https://filmcolors.org/timeline-entry/1335/'> 2494 </a> 2495 2496 <span class="hidden caption">Source: Lavédrine, Bertrand (2009): <em>Photographs of the Past. Process and Preservation.</em> Los Angeles: Getty Publications.</span> 2497 </li> 2498 2499 2500 2501 <li class="hidden"> 2502 <!--<a title="" data-id="2906" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2013/05/Coote_Lippmann_StillLife.jpg'> 2503 </a>--> 2504 2505 <a title="" data-id="2906" class="hidden" href='https://filmcolors.org/timeline-entry/1335/'> 2506 </a> 2507 2508 <span class="hidden caption">Source: Coote, Jack H. (1993): <em>The Illustrated History of Colour Photography.</em> Surbiton, Surrey: Fountain Press.</span> 2509 </li> 2510 2511 2512 2513 <li class="hidden"> 2514 <!--<a title="" data-id="9276" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2016/03/Penichon_Lippmann_2013_2-web.jpg'> 2515 </a>--> 2516 2517 <a title="" data-id="9276" class="hidden" href='https://filmcolors.org/timeline-entry/1335/'> 2518 </a> 2519 2520 <span class="hidden caption">Source: Pénichon, Sylvie (2013): <i>Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation.</i> London, Los Angeles: Thames & Hudson, p. 19.</span> 2521 </li> 2522 2523 2524 2525 <li class="hidden"> 2526 <!--<a title="" data-id="9275" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2016/03/Penichon_Lippmann_2013_1-web.jpg'> 2527 </a>--> 2528 2529 <a title="" data-id="9275" class="hidden" href='https://filmcolors.org/timeline-entry/1335/'> 2530 </a> 2531 2532 <span class="hidden caption">Source: Pénichon, Sylvie (2013): <i>Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation.</i> London, Los Angeles: Thames & Hudson, p. 235.</span> 2533 </li> 2534 </ul> 2535 <h3> 2536 <a href='https://filmcolors.org/timeline-entry/1335/'> 2537 5 Images 2538 2539 </a> 2540 2541 2542 </h3> 2543 </div> 2544 2545 2546 2547 </div><!-- column-inner --> 2548 </div><!-- column --> 2549 2550 2551 </div><!-- post-inner --> 2552 </div><!-- post --> 2553 2554 </div><!-- list --> 2555 2556 2557 <div id="footer"> 2558 2559 <div class="column column-1"> 2560 <div class='social'> 2561 2562 2563 <a title="Share this on Facebook" href="https://facebook.com/sharer.php?u=https%3A%2F%2Ffilmcolors.org%2Ftimeline-entry%2F1335%2F" target="_blank" class="genericon genericon-facebook facebook" alt="f203"></a> 2564 <a href="https://www.pinterest.com/pin/create/button/"> 2565 <img src="//assets.pinterest.com/images/pidgets/pinit_fg_en_rect_gray_20.png" /> 2566 </a> 2567 </div>
2568 </div> 2569 2570 <div class="column column-2"> 2571 2572 <p><a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img class="cc_image" style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Creative Commons License"></a> 2573<em>Timeline of Historical Film Colors</em> by <a href="http://zauberklang.ch/resume.html" target="_blank">Barbara Flueckiger</a> is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>.</p> 2574 <p> </p> 2575 <p>Quote as Flueckiger, Barbara (2012 ff.): Timeline of Historical Film Colors. (= https://filmcolors.org/).<br><a href="/wp-content/uploads/misc/Timeline.bib" download>Download BibTex</a></p> 2576 2577 <br style="clear:both;" /> 2578 2579 2580 2581 </div> 2582 <div class="column column-3"> 2583 <!-- <p> 2584 <a class="invert label" href="##">Invert Colors</a> 2585 </p> --> 2586 </div> 2587 <br style="clear:both;" /> 2588 2589 2590 2591 </div> 2592 </div><!-- #wrap --> 2593 2594 <div class="modules"></div> 2595
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