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388</li>
389	<li class="cat-item cat-item-7"><a href="https://filmcolors.org/cat/chromogenic-monopack/">Chromogenic monopack</a>
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478        
479                
480        
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482					
483	
484	<div class='post' id="post-id-40532">
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486			<div class="column column-1">
487				<div class="column-inner">
488					<div class="post-header">
489
490						<h2 class='post-title'>
491							<a href='https://filmcolors.org/timeline-entry/40532/'>Kodak Professional Ektapress Films</a>
492						</h2>
493
494						<div class="post-meta group">
495							<div class="meta year">ca. 1988</div>
496
497							 | <div class='meta inventor'>Eastman Kodak Company</div>													</div>
498						<div class="meta principle">
499							Subtractive 3 color: chromogenic monopack, still photography						</div>
500
501					</div>
502
503											<div class="textblock">
504
505							Kodak Professional Ektapress is a product line of professional color negative films for 35 mm photography that is designed for exposure with daylight or electronic flash. The line comprises three films of different speeds: PJ100 (ISO 100), PJ400 (ISO ...						</div>
506					
507
508
509					<ul class="detail-links">
510													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40532/">Access detailed information</a> ›</li>
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512
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518
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522					
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526							<ul class='images'>
527								
528									
529
530									<li class="">
531										<!--<a title="" data-id="40533" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/09/e116-5.png'>
532                                                <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" fetchpriority="high" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="(max-width: 700px) 100v
532w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e116-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e116-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5.png 935w" data-sizes="auto" />                                            </a>-->
533
534										<a title="" data-id="40533" class="" href='https://filmcolors.org/timeline-entry/40532/'>
535											<img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="(max-width: 700px) 100vw, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e116-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e116-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e116-5.png 935w" data-sizes="auto" />										</a>
536
537										<span class="hidden caption">Eastman Kodak Company (2003): <em>Technical Data, Color Negative Film. Kodak Professional Ektapress Films</em> (E-116), 04.2003, p. 5.</span>
538									</li>
539								
540									
541
542									<li class="hidden">
543										<!--<a title="" data-id="40534" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2026/09/e116-6.png'>
544                                                                                            </a>-->
545
546										<a title="" data-id="40534" class="hidden" href='https://filmcolors.org/timeline-entry/40532/'>
547																					</a>
548
549										<span class="hidden caption">Eastman Kodak Company (2003): <em>Technical Data, Color Negative Film. Kodak Professional Ektapress Films</em> (E-116), 04.2003, p. 6.</span>
550									</li>
551								
552									
553
554									<li class="hidden">
555										<!--<a title="" data-id="40536" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2026/09/e116-8.png'>
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557
558										<a title="" data-id="40536" class="hidden" href='https://filmcolors.org/timeline-entry/40532/'>
559																					</a>
560
561										<span class="hidden caption">Eastman Kodak Company (2003): <em>Technical Data, Color Negative Film. Kodak Professional Ektapress Films</em> (E-116), 04.2003, p. 8.</span>
562									</li>
563															</ul>
564							<h3>
565								<a href='https://filmcolors.org/timeline-entry/40532/'>
566																		3 Images
567									
568								</a>
569
570
571							</h3>
572						</div>
573					
574
575
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584	<div class='post' id="post-id-40544">
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588					<div class="post-header">
589
590						<h2 class='post-title'>
591							<a href='https://filmcolors.org/timeline-entry/40544/'>Kodak Pro 100T Film / PRT</a>
592						</h2>
593
594						<div class="post-meta group">
595							<div class="meta year"></div>
596
597							 | <div class='meta inventor'>Eastman Kodak Company </div>													</div>
598						<div class="meta principle">
599							Subtractive 3 color: chromogenic monopack, still photography						</div>
600
601					</div>
602
603											<div class="textblock">
604
605							Kodak Pro 100T Film [PRT] is a tungsten-balanced color negative film. With an ISO speed of 100, it is designed for exposure under tungsten lighting (3200 K). It replaced Kodak Vericolor II Professional Film [VPL], and its successor is Kodak ...						</div>
606					
607
608
609					<ul class="detail-links">
610													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40544/">Access detailed information</a> ›</li>
611											</ul><!-- detail-links -->
612
613
614					<div class='edit-links'>
615																	</div>
616				</div><!-- column-inner -->
617			</div><!-- column -->
618
619			
620			<div class="column column-2">
621				<div class="column-inner">
622					
623					
624						
625						<div class="imagebox">
626							<ul class='images'>
627								
628									
629
630									<li class="">
631										<!--<a title="" data-id="40545" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/09/e29-4.png'>
632                                                <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="(max-width: 700px) 100vw, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e29-4-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e29-4-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4.png 935w" data-sizes="auto" />                                            </a>-->
633
634										<a title="" data-id="40545" class="" href='https://filmcolors.org/timeline-entry/40544/'>
635											<img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
635w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e29-4-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e29-4-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e29-4.png 935w" data-sizes="auto" />										</a>
636
637										<span class="hidden caption">Eastman Kodak Company (1999): <em>Technical Data, Color Negative Film. Kodak Pro 100T Film / PRT</em>, 04.1999 (E-29), p. 4.</span>
638									</li>
639															</ul>
640							<h3>
641								<a href='https://filmcolors.org/timeline-entry/40544/'>
642																		1 Image
643									
644								</a>
645
646
647							</h3>
648						</div>
649					
650
651
652				</div><!-- column-inner -->
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655			
656		</div><!-- post-inner -->
657	</div><!-- post -->
658					
659	
660	<div class='post' id="post-id-40502">
661		<div class='post-inner group'>
662			<div class="column column-1">
663				<div class="column-inner">
664					<div class="post-header">
665
666						<h2 class='post-title'>
667							<a href='https://filmcolors.org/timeline-entry/40502/'>Kodak Ektachrome P1600  Professional Film</a>
668						</h2>
669
670						<div class="post-meta group">
671							<div class="meta year">ca. 1992</div>
672
673							 | <div class='meta inventor'>Eastman Kodak Company</div>													</div>
674						<div class="meta principle">
675							Subtractive 3 color: chromogenic monopack, reversal, 35 mm						</div>
676
677					</div>
678
679											<div class="textblock">
680
681							Kodak Ektachrome P1600 Professional Film is a daylight-balanced color reversal film designed for push processing. Its optimal effective speed is EI 1600, achieved through a two-stop push with Process E-6P.
682						</div>
683					
684
685
686					<ul class="detail-links">
687													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40502/">Access detailed information</a> ›</li>
688											</ul><!-- detail-links -->
689
690
691					<div class='edit-links'>
692																	</div>
693				</div><!-- column-inner -->
694			</div><!-- column -->
695
696			
697			<div class="column column-2">
698				<div class="column-inner">
699					
700					
701						
702						<div class="imagebox">
703							<ul class='images'>
704								
705									
706
707									<li class="">
708										<!--<a title="" data-id="40501" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/09/e147-5.png'>
709                                                <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
709w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e147-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e147-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5.png 1870w" data-sizes="auto" />                                            </a>-->
710
711										<a title="" data-id="40501" class="" href='https://filmcolors.org/timeline-entry/40502/'>
712											<img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
712w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e147-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e147-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e147-5.png 1870w" data-sizes="auto" />										</a>
713
714										<span class="hidden caption">Eastman Kodak Company (2007): <i>Technical Data, Color Transparency Film. Kodak Ektachrome P1600 Professional Film</i> (E-147), 05.2007, p. 5.</span>
715									</li>
716															</ul>
717							<h3>
718								<a href='https://filmcolors.org/timeline-entry/40502/'>
719																		1 Image
720									
721								</a>
722
723
724							</h3>
725						</div>
726					
727
728
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730			</div><!-- column -->
731
732			
733		</div><!-- post-inner -->
734	</div><!-- post -->
735					
736	
737	<div class='post' id="post-id-40506">
738		<div class='post-inner group'>
739			<div class="column column-1">
740				<div class="column-inner">
741					<div class="post-header">
742
743						<h2 class='post-title'>
744							<a href='https://filmcolors.org/timeline-entry/40506/'>Kodak Ektachrome 400X Professional Film</a>
745						</h2>
746
747						<div class="post-meta group">
748							<div class="meta year">ca. 1992</div>
749
750							 | <div class='meta inventor'>Eastman Kodak Company</div>													</div>
751						<div class="meta principle">
752							Subtractive 3 color: chromogenic monopack, reversal						</div>
753
754					</div>
755
756											<div class="textblock">
757
758							Kodak Ektachrome 400X Professional Film is a color reversal film. With an ISO speed of 400, it is designed for exposure with daylight or electronic flash.
759						</div>
760					
761
762
763					<ul class="detail-links">
764													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40506/">Access detailed information</a> ›</li>
765											</ul><!-- detail-links -->
766
767
768					<div class='edit-links'>
769																	</div>
770				</div><!-- column-inner -->
771			</div><!-- column -->
772
773			
774			<div class="column column-2">
775				<div class="column-inner">
776					
777					
778						
779						<div class="imagebox">
780							<ul class='images'>
781								
782									
783
784									<li class="">
785										<!--<a title="" data-id="40504" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/09/e161-5.png'>
786                                                <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
786w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e161-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e161-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5.png 1870w" data-sizes="auto" />                                            </a>-->
787
788										<a title="" data-id="40504" class="" href='https://filmcolors.org/timeline-entry/40506/'>
789											<img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
789w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e161-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e161-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e161-5.png 1870w" data-sizes="auto" />										</a>
790
791										<span class="hidden caption">Eastman Kodak Company (2007): <em>Technical Data, Color Transparency Film. Kodak Ektachrome 400X Professional Film </em>(E-161), 09.2005, p. 5.</span>
792									</li>
793															</ul>
794							<h3>
795								<a href='https://filmcolors.org/timeline-entry/40506/'>
796																		1 Image
797									
798								</a>
799
800
801							</h3>
802						</div>
803					
804
805
806				</div><!-- column-inner -->
807			</div><!-- column -->
808
809			
810		</div><!-- post-inner -->
811	</div><!-- post -->
812					
813	
814	<div class='post' id="post-id-39345">
815		<div class='post-inner group'>
816			<div class="column column-1">
817				<div class="column-inner">
818					<div class="post-header">
819
820						<h2 class='post-title'>
821							<a href='https://filmcolors.org/timeline-entry/39345/'>Condax-Dytrol</a>
822						</h2>
823
824						<div class="post-meta group">
825							<div class="meta year">ca. 1940</div>
826
827							 | <div class='meta inventor'>Louis M. Condax, Condax-Speck, Inc., New York, Robert P. Speck</div>													</div>
828						<div class="meta principle">
829							Subtractive 3 color: dye imbibition process, still photography						</div>
830
831					</div>
832
833											<div class="textblock">
834
835							&#8220;Around 1940, Condax-Speck, Inc., of New York started to market dyes and mordant for the Condax-Dytrol system of dye imbibition printing (Fig. 4.19). The system, developed by company owners Louis M. Condax (1897–1971) and Robert P. Speck, ...						</div>
836					
837
838
839					<ul class="detail-links">
840													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/39345/">Access detailed information</a> ›</li>
841											</ul><!-- detail-links -->
842
843
844					<div class='edit-links'>
845																	</div>
846				</div><!-- column-inner -->
847			</div><!-- column -->
848
849			
850			<div class="column column-2">
851				<div class="column-inner">
852					
853					
854
855
856				</div><!-- column-inner -->
857			</div><!-- column -->
858
859			
860		</div><!-- post-inner -->
861	</div><!-- post -->
862					
863	
864	<div class='post' id="post-id-40554">
865		<div class='post-inner group'>
866			<div class="column column-1">
867				<div class="column-inner">
868					<div class="post-header">
869
870						<h2 class='post-title'>
871							<a href='https://filmcolors.org/timeline-entry/40554/'>Kodak Professional Supra Films</a>
872						</h2>
873
874						<div class="post-meta group">
875							<div class="meta year">?</div>
876
877							 | <div class='meta inventor'>Eastman Kodak Company</div>													</div>
878						<div class="meta principle">
879							Subtractive 3 color: chromogenic monopack, still photography						</div>
880
881					</div>
882
883											<div class="textblock">
884
885							Kodak Professional Supra is a product line of professional color negative films for commercial photography, designed for exposure with daylight or electronic flash. The line includes films of different speeds: Supra 100 (ISO 100), Supra 200 (ISO ...						</div>
886					
887
888
889					<ul class="detail-links">
890													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40554/">Access detailed information</a> ›</li>
891											</ul><!-- detail-links -->
892
893
894					<div class='edit-links'>
895																	</div>
896				</div><!-- column-inner -->
897			</div><!-- column -->
898
899			
900			<div class="column column-2">
901				<div class="column-inner">
902					
903					
904						
905						<div class="imagebox">
906							<ul class='images'>
907								
908									
909
910									<li class="">
911										<!--<a title="" data-id="40550" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/09/e2519-7.png'>
912                                                <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100vw, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7.png 935w" data-sizes="auto" />                                            </a>-->
913
914										<a title="" data-id="40550" class="" href='https://filmcolors.org/timeline-entry/40554/'>
915											<img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
915w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e2519-7.png 935w" data-sizes="auto" />										</a>
916
917										<span class="hidden caption">Eastman Kodak Company (2003): <em>Technical Data, Color Negative Film. Kodak Professional Supra</em> (E-2519), 05.2003, p. 7.</span>
918									</li>
919								
920									
921
922									<li class="hidden">
923										<!--<a title="" data-id="40555" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2026/09/e4029-7.png'>
924                                                                                            </a>-->
925
926										<a title="" data-id="40555" class="hidden" href='https://filmcolors.org/timeline-entry/40554/'>
927																					</a>
928
929										<span class="hidden caption">Eastman Kodak Company (2003): <em>Technical Data, Color Negative Film. Kodak Professional Supra Color Negative Films</em> (E-4029), 05.2003, p. 7.</span>
930									</li>
931															</ul>
932							<h3>
933								<a href='https://filmcolors.org/timeline-entry/40554/'>
934																		2 Images
935									
936								</a>
937
938
939							</h3>
940						</div>
941					
942
943
944				</div><!-- column-inner -->
945			</div><!-- column -->
946
947			
948		</div><!-- post-inner -->
949	</div><!-- post -->
950					
951	
952	<div class='post' id="post-id-39680">
953		<div class='post-inner group'>
954			<div class="column column-1">
955				<div class="column-inner">
956					<div class="post-header">
957
958						<h2 class='post-title'>
959							<a href='https://filmcolors.org/timeline-entry/39680/'>Raylo</a>
960						</h2>
961
962						<div class="post-meta group">
963							<div class="meta year">ca. 1922</div>
964
965							 | <div class='meta inventor'>Hiram Codd Joseph Deeks (American Raylo Corporation)</div>													</div>
966						<div class="meta principle">
967							Subtractive 3 color: pigment process, still photography						</div>
968
969					</div>
970
971											<div class="textblock">
972
973							&#8220;Raylo was a material developed by Hiram Codd Joseph Deeks (1880−1952) of the American Raylo Corporation, New York. It was introduced in 1922 for a printing service for users of the Raylo Camera, a one-shot camera that made three negatives ...						</div>
974					
975
976
977					<ul class="detail-links">
978													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/39680/">Access detailed information</a> ›</li>
979											</ul><!-- detail-links -->
980
981
982					<div class='edit-links'>
983																	</div>
984				</div><!-- column-inner -->
985			</div><!-- column -->
986
987			
988			<div class="column column-2">
989				<div class="column-inner">
990					
991					
992						
993						<div class="imagebox">
994							<ul class='images'>
995								
996									
997
998									<li class="">
999										<!--<a title="" data-id="39682" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2.jpg'>
1000                                                <img width="700" height="643" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1000w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-131.jpg 131w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-1024.jpg 1024w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2.jpg 1224w" data-sizes="auto" />                                            </a>-->
1001
1002										<a title="" data-id="39682" class="" href='https://filmcolors.org/timeline-entry/39680/'>
1003											<img width="700" height="643" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1003w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-131.jpg 131w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2-1024.jpg 1024w, https://filmcolors.org/wp-content/uploads/2024/11/Penichon_Raylo_2013_2.jpg 1224w" data-sizes="auto" />										</a>
1004
1005										<span class="hidden caption">Pénichon, Sylvie (2013): <i>Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation.</i> London, Los Angeles: Thames & Hudson, p. 87.</span>
1006									</li>
1007															</ul>
1008							<h3>
1009								<a href='https://filmcolors.org/timeline-entry/39680/'>
1010																		1 Image
1011									
1012								</a>
1013
1014
1015							</h3>
1016						</div>
1017					
1018
1019
1020				</div><!-- column-inner -->
1021			</div><!-- column -->
1022
1023			
1024		</div><!-- post-inner -->
1025	</div><!-- post -->
1026					
1027	
1028	<div class='post' id="post-id-38078">
1029		<div class='post-inner group'>
1030			<div class="column column-1">
1031				<div class="column-inner">
1032					<div class="post-header">
1033
1034						<h2 class='post-title'>
1035							<a href='https://filmcolors.org/timeline-entry/38078/'>Kodachrome used for duplication</a>
1036						</h2>
1037
1038						<div class="post-meta group">
1039							<div class="meta year">[1964]</div>
1040
1041																				</div>
1042						<div class="meta principle">
1043													</div>
1044
1045					</div>
1046
1047					
1048
1049
1050					<ul class="detail-links">
1051													<li><a class="single-link" href="https://filmcolors.org/timeline-entry/38078/">Access detailed information</a> ›</li>
1052											</ul><!-- detail-links -->
1053
1054
1055					<div class='edit-links'>
1056																	</div>
1057				</div><!-- column-inner -->
1058			</div><!-- column -->
1059
1060			
1061			<div class="column column-2">
1062				<div class="column-inner">
1063					
1064					
1065
1066
1067				</div><!-- column-inner -->
1068			</div><!-- column -->
1069
1070			
1071		</div><!-- post-inner -->
1072	</div><!-- post -->
1073					
1074	
1075	<div class='post' id="post-id-39408">
1076		<div class='post-inner group'>
1077			<div class="column column-1">
1078				<div class="column-inner">
1079					<div class="post-header">
1080
1081						<h2 class='post-title'>
1082							<a href='https://filmcolors.org/timeline-entry/39408/'>Finlay Positive Color Screen / Finlaychrome</a>
1083						</h2>
1084
1085						<div class="post-meta group">
1086							<div class="meta year">ca. 1933</div>
1087
1088							 | <div class='meta inventor'>Clare L. Finlay</div>													</div>
1089						<div class="meta principle">
1090							Additive 3 color: regular mosaic screen, combined system, still photography and film						</div>
1091
1092					</div>
1093
1094											<div class="textblock">
1095
1096							&#8220;The launching of a combined version of the product called Finlaychrome was announced in 1931 but was still unavailable three years later; it is unclear if it was ever marketed.28 Instead, it seems that the company produced a viewing screen ...						</div>
1097					
1098
1099
1100					<ul class="detail-links">
1101													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/39408/">Access detailed information</a> ›</li>
1102											</ul><!-- detail-links -->
1103
1104
1105					<div class='edit-links'>
1106																	</div>
1107				</div><!-- column-inner -->
1108			</div><!-- column -->
1109
1110			
1111			<div class="column column-2">
1112				<div class="column-inner">
1113					
1114					
1115						
1116						<div class="imagebox">
1117							<ul class='images'>
1118								
1119									
1120
1121									<li class="">
1122										<!--<a title="" data-id="17280" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1.jpg'>
1123                                                <img width="700" height="594" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1123w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-141.jpg 141w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1.jpg 800w" data-sizes="auto" />                                            </a>-->
1124
1125										<a title="" data-id="17280" class="" href='https://filmcolors.org/timeline-entry/39408/'>
1126											<img width="700" height="594" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1126w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-141.jpg 141w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/Penichon_Finlaychrome_2013_1.jpg 800w" data-sizes="auto" />										</a>
1127
1128										<span class="hidden caption">Source: Pénichon, Sylvie (2013): <i>Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification &amp; Preservation.</i> London, Los Angeles: Thames &amp; Hudson, p. 235.</span>
1129									</li>
1130								
1131									
1132
1133									<li class="hidden">
1134										<!--<a title="" data-id="39413" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2024/08/Penichon_Finlay_2013_2.jpg'>
1135                                                                                            </a>-->
1136
1137										<a title="" data-id="39413" class="hidden" href='https://filmcolors.org/timeline-entry/39408/'>
1138																					</a>
1139
1140										<span class="hidden caption">Pénichon, Sylvie (2013): <i>Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation.</i> London, Los Angeles: Thames & Hudson, p. 39.</span>
1141									</li>
1142								
1143									
1144
1145									<li class="hidden">
1146										<!--<a title="" data-id="39478" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2024/08/Penichon_Finlaychrome_1.jpg'>
1147                                                                                            </a>-->
1148
1149										<a title="" data-id="39478" class="hidden" href='https://filmcolors.org/timeline-entry/39408/'>
1150																					</a>
1151
1152										<span class="hidden caption">Pénichon, Sylvie (2013): <i>Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation.</i> London, Los Angeles: Thames & Hudson, p. 40.</span>
1153									</li>
1154															</ul>
1155							<h3>
1156								<a href='https://filmcolors.org/timeline-entry/39408/'>
1157																		3 Images
1158									
1159								</a>
1160
1161
1162							</h3>
1163						</div>
1164					
1165
1166
1167				</div><!-- column-inner -->
1168			</div><!-- column -->
1169
1170			
1171		</div><!-- post-inner -->
1172	</div><!-- post -->
1173					
1174	
1175	<div class='post' id="post-id-39148">
1176		<div class='post-inner group'>
1177			<div class="column column-1">
1178				<div class="column-inner">
1179					<div class="post-header">
1180
1181						<h2 class='post-title'>
1182							<a href='https://filmcolors.org/timeline-entry/39148/'>Autotype Dyebro</a>
1183						</h2>
1184
1185						<div class="post-meta group">
1186							<div class="meta year">ca. 1929</div>
1187
1188							 | <div class='meta inventor'>Owen Wheeler, Autotype Company</div>													</div>
1189						<div class="meta principle">
1190							Subtractive 3 color: dye imbibition process, still photography						</div>
1191
1192					</div>
1193
1194											<div class="textblock">
1195
1196							&#8220;Introduced around the same time as Colorsnap and Uvatype, Autotype Dyebro combined the three-color carbro and dye imbibition processes. The method was invented by Owen Wheeler (1859–1932) and commercialized by the Autotype Company in about ...						</div>
1197					
1198
1199
1200					<ul class="detail-links">
1201													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/39148/">Access detailed information</a> ›</li>
1202											</ul><!-- detail-links -->
1203
1204
1205					<div class='edit-links'>
1206																	</div>
1207				</div><!-- column-inner -->
1208			</div><!-- column -->
1209
1210			
1211			<div class="column column-2">
1212				<div class="column-inner">
1213					
1214					
1215
1216
1217				</div><!-- column-inner -->
1218			</div><!-- column -->
1219
1220			
1221		</div><!-- post-inner -->
1222	</div><!-- post -->
1223					
1224	
1225	<div class='post' id="post-id-39059">
1226		<div class='post-inner group'>
1227			<div class="column column-1">
1228				<div class="column-inner">
1229					<div class="post-header">
1230
1231						<h2 class='post-title'>
1232							<a href='https://filmcolors.org/timeline-entry/39059/'>Projection light</a>
1233						</h2>
1234
1235						<div class="post-meta group">
1236							<div class="meta year"></div>
1237
1238																				</div>
1239						<div class="meta principle">
1240							Theory						</div>
1241
1242					</div>
1243
1244					
1245
1246
1247					<ul class="detail-links">
1248													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/39059/">Access detailed information</a> ›</li>
1249											</ul><!-- detail-links -->
1250
1251
1252					<div class='edit-links'>
1253																	</div>
1254				</div><!-- column-inner -->
1255			</div><!-- column -->
1256
1257			
1258			<div class="column column-2">
1259				<div class="column-inner">
1260					
1261					
1262
1263
1264				</div><!-- column-inner -->
1265			</div><!-- column -->
1266
1267			
1268		</div><!-- post-inner -->
1269	</div><!-- post -->
1270					
1271	
1272	<div class='post' id="post-id-40377">
1273		<div class='post-inner group'>
1274			<div class="column column-1">
1275				<div class="column-inner">
1276					<div class="post-header">
1277
1278						<h2 class='post-title'>
1279							<a href='https://filmcolors.org/timeline-entry/40377/'>Fujichrome 64T Type II Professional [RTP II]</a>
1280						</h2>
1281
1282						<div class="post-meta group">
1283							<div class="meta year"></div>
1284
1285							 | <div class='meta inventor'>Fujifilm Corporation</div>							 | <div class='meta country'>Japan</div>						</div>
1286						<div class="meta principle">
1287							Subtractive 3 color: chromogenic monopack, reversal, 35 mm						</div>
1288
1289					</div>
1290
1291											<div class="textblock">
1292
1293							Fujichrome 64T Type II Professional [RTP II] is a tungsten-type color reversal film with a speed of ISO 64 by the Fujifilm Corporation. It is no longer in production.
1294						</div>
1295					
1296
1297
1298					<ul class="detail-links">
1299													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40377/">Access detailed information</a> ›</li>
1300											</ul><!-- detail-links -->
1301
1302
1303					<div class='edit-links'>
1304																	</div>
1305				</div><!-- column-inner -->
1306			</div><!-- column -->
1307
1308			
1309			<div class="column column-2">
1310				<div class="column-inner">
1311					
1312					
1313						
1314						<div class="imagebox">
1315							<ul class='images'>
1316								
1317									
1318
1319									<li class="">
1320										<!--<a title="" data-id="40446" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6.png'>
1321                                                <img width="700" height="934" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1321w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-1151.png 1151w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-90.png 90w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6.png 1157w" data-sizes="auto" />                                            </a>-->
1322
1323										<a title="" data-id="40446" class="" href='https://filmcolors.org/timeline-entry/40377/'>
1324											<img width="700" height="934" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1324w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-1151.png 1151w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-90.png 90w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/08/RTPIIAF3-024E_1-6.png 1157w" data-sizes="auto" />										</a>
1325
1326										<span class="hidden caption">Fujifilm: <em>Data Sheet, Color Reversal Films. Fujichrome 64T Type II Professional [RTP II]</em> (AF3-024E), p. 6.</span>
1327									</li>
1328															</ul>
1329							<h3>
1330								<a href='https://filmcolors.org/timeline-entry/40377/'>
1331																		1 Image
1332									
1333								</a>
1334
1335
1336							</h3>
1337						</div>
1338					
1339
1340
1341				</div><!-- column-inner -->
1342			</div><!-- column -->
1343
1344			
1345		</div><!-- post-inner -->
1346	</div><!-- post -->
1347					
1348	
1349	<div class='post' id="post-id-39483">
1350		<div class='post-inner group'>
1351			<div class="column column-1">
1352				<div class="column-inner">
1353					<div class="post-header">
1354
1355						<h2 class='post-title'>
1356							<a href='https://filmcolors.org/timeline-entry/39483/'>Fuji Dyecolor</a>
1357						</h2>
1358
1359						<div class="post-meta group">
1360							<div class="meta year">ca. 1975</div>
1361
1362							 | <div class='meta inventor'>(Fuji Photo Film Company)</div>													</div>
1363						<div class="meta principle">
1364							Subtractive 3 color: dye imbibition process, still photography						</div>
1365
1366					</div>
1367
1368											<div class="textblock">
1369
1370							&#8220;Around 1975, Fuji Photo Film Company introduced Fuji Dyecolor, a dye imbibition printing service available only in Japan. A feature of the process was that the transfer of the dyes was done automatically in a special rotary machine developed ...						</div>
1371					
1372
1373
1374					<ul class="detail-links">
1375													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/39483/">Access detailed information</a> ›</li>
1376											</ul><!-- detail-links -->
1377
1378
1379					<div class='edit-links'>
1380																	</div>
1381				</div><!-- column-inner -->
1382			</div><!-- column -->
1383
1384			
1385			<div class="column column-2">
1386				<div class="column-inner">
1387					
1388					
1389
1390
1391				</div><!-- column-inner -->
1392			</div><!-- column -->
1393
1394			
1395		</div><!-- post-inner -->
1396	</div><!-- post -->
1397					
1398	
1399	<div class='post' id="post-id-40571">
1400		<div class='post-inner group'>
1401			<div class="column column-1">
1402				<div class="column-inner">
1403					<div class="post-header">
1404
1405						<h2 class='post-title'>
1406							<a href='https://filmcolors.org/timeline-entry/40571/'>Kodak Professional Portra 100T Film / Tungsten</a>
1407						</h2>
1408
1409						<div class="post-meta group">
1410							<div class="meta year">?</div>
1411
1412							 | <div class='meta inventor'>Eastman Kodak Company</div>													</div>
1413						<div class="meta principle">
1414							Subtractive 3 color: chromogenic monopack, still photography						</div>
1415
1416					</div>
1417
1418											<div class="textblock">
1419
1420							Kodak Professional Portra 100T Film is a tungsten-balanced color negative film from the Portra product line. With an ISO speed of 100, it is designed for exposure with tungsten illumination (3200 K). 
1421						</div>
1422					
1423
1424
1425					<ul class="detail-links">
1426													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40571/">Access detailed information</a> ›</li>
1427											</ul><!-- detail-links -->
1428
1429
1430					<div class='edit-links'>
1431																	</div>
1432				</div><!-- column-inner -->
1433			</div><!-- column -->
1434
1435			
1436			<div class="column column-2">
1437				<div class="column-inner">
1438					
1439					
1440						
1441						<div class="imagebox">
1442							<ul class='images'>
1443								
1444									
1445
1446									<li class="">
1447										<!--<a title="" data-id="40570" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/09/e2468-5.png'>
1448                                                <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
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1449
1450										<a title="" data-id="40570" class="" href='https://filmcolors.org/timeline-entry/40571/'>
1451											<img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1451w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e2468-5.png 1870w" data-sizes="auto" />										</a>
1452
1453										<span class="hidden caption">Eastman Kodak Company (2006): <em>Technical Data, Color Negative Film. Kodak Professional Portra 100T Film / Tungsten</em> (E-2468), 10.2006, p. 5.</span>
1454									</li>
1455															</ul>
1456							<h3>
1457								<a href='https://filmcolors.org/timeline-entry/40571/'>
1458																		1 Image
1459									
1460								</a>
1461
1462
1463							</h3>
1464						</div>
1465					
1466
1467
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1470
1471			
1472		</div><!-- post-inner -->
1473	</div><!-- post -->
1474					
1475	
1476	<div class='post' id="post-id-40483">
1477		<div class='post-inner group'>
1478			<div class="column column-1">
1479				<div class="column-inner">
1480					<div class="post-header">
1481
1482						<h2 class='post-title'>
1483							<a href='https://filmcolors.org/timeline-entry/40483/'>Kodak Professional Elite Chrome Extra Color 100  Film</a>
1484						</h2>
1485
1486						<div class="post-meta group">
1487							<div class="meta year">ca. 1994</div>
1488
1489							 | <div class='meta inventor'>Eastman Kodak Company</div>													</div>
1490						<div class="meta principle">
1491							Subtractive 3 color: chromogenic monopack, reversal						</div>
1492
1493					</div>
1494
1495											<div class="textblock">
1496
1497							Kodak Professional Elite Chrome Extra Color 100 Film is a color reversal film from Kodak&#8217;s Elite Chrome product line. With an ISO speed of 100, it is designed for exposure with daylight or electronic flash.
1498						</div>
1499					
1500
1501
1502					<ul class="detail-links">
1503													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40483/">Access detailed information</a> ›</li>
1504											</ul><!-- detail-links -->
1505
1506
1507					<div class='edit-links'>
1508																	</div>
1509				</div><!-- column-inner -->
1510			</div><!-- column -->
1511
1512			
1513			<div class="column column-2">
1514				<div class="column-inner">
1515					
1516					
1517						
1518						<div class="imagebox">
1519							<ul class='images'>
1520								
1521									
1522
1523									<li class="">
1524										<!--<a title="" data-id="40482" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/09/e126e-5.png'>
1525                                                <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1525w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5.png 1870w" data-sizes="auto" />                                            </a>-->
1526
1527										<a title="" data-id="40482" class="" href='https://filmcolors.org/timeline-entry/40483/'>
1528											<img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1528w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e126e-5.png 1870w" data-sizes="auto" />										</a>
1529
1530										<span class="hidden caption">Eastman Kodak Company (2005): <i>Technical Data, Color Reversal Film. Kodak Professional Elite Chrome Extra Color 100  Film</i> (E-126E), 04.2005, p. 5.</span>
1531									</li>
1532															</ul>
1533							<h3>
1534								<a href='https://filmcolors.org/timeline-entry/40483/'>
1535																		1 Image
1536									
1537								</a>
1538
1539
1540							</h3>
1541						</div>
1542					
1543
1544
1545				</div><!-- column-inner -->
1546			</div><!-- column -->
1547
1548			
1549		</div><!-- post-inner -->
1550	</div><!-- post -->
1551					
1552	
1553	<div class='post' id="post-id-39308">
1554		<div class='post-inner group'>
1555			<div class="column column-1">
1556				<div class="column-inner">
1557					<div class="post-header">
1558
1559						<h2 class='post-title'>
1560							<a href='https://filmcolors.org/timeline-entry/39308/'>Belcolor</a>
1561						</h2>
1562
1563						<div class="post-meta group">
1564							<div class="meta year">ca. 1935</div>
1565
1566							 | <div class='meta inventor'>George Murphy</div>													</div>
1567						<div class="meta principle">
1568							Subtractive 3 color: pigment process, still photography						</div>
1569
1570					</div>
1571
1572											<div class="textblock">
1573
1574							&#8220;Introduced in the mid-1930s by George Murphy, Inc., of New York City, Belcolor was considered one of the simplest ways to obtain color transparencies, as it required no special equipment or expert technique and could be used successfully ...						</div>
1575					
1576
1577
1578					<ul class="detail-links">
1579													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/39308/">Access detailed information</a> ›</li>
1580											</ul><!-- detail-links -->
1581
1582
1583					<div class='edit-links'>
1584																	</div>
1585				</div><!-- column-inner -->
1586			</div><!-- column -->
1587
1588			
1589			<div class="column column-2">
1590				<div class="column-inner">
1591					
1592					
1593
1594
1595				</div><!-- column-inner -->
1596			</div><!-- column -->
1597
1598			
1599		</div><!-- post-inner -->
1600	</div><!-- post -->
1601					
1602	
1603	<div class='post' id="post-id-40491">
1604		<div class='post-inner group'>
1605			<div class="column column-1">
1606				<div class="column-inner">
1607					<div class="post-header">
1608
1609						<h2 class='post-title'>
1610							<a href='https://filmcolors.org/timeline-entry/40491/'>Kodak Ektachrome 320T Professional Film</a>
1611						</h2>
1612
1613						<div class="post-meta group">
1614							<div class="meta year">ca. 1992</div>
1615
1616							 | <div class='meta inventor'>Eastman Kodak Company</div>													</div>
1617						<div class="meta principle">
1618							Subtractive 3 color: chromogenic monopack, reversal, 35 mm						</div>
1619
1620					</div>
1621
1622											<div class="textblock">
1623
1624							Kodak Ektachrome 320T Professional Film is a color reversal film. With an ISO speed of 320, it is balanced for exposure with tungsten illumination.
1625						</div>
1626					
1627
1628
1629					<ul class="detail-links">
1630													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40491/">Access detailed information</a> ›</li>
1631											</ul><!-- detail-links -->
1632
1633
1634					<div class='edit-links'>
1635																	</div>
1636				</div><!-- column-inner -->
1637			</div><!-- column -->
1638
1639			
1640			<div class="column column-2">
1641				<div class="column-inner">
1642					
1643					
1644						
1645						<div class="imagebox">
1646							<ul class='images'>
1647								
1648									
1649
1650									<li class="">
1651										<!--<a title="" data-id="40490" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2026/09/e145-4.png'>
1652                                                <img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1652w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e145-4-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e145-4-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4.png 1870w" data-sizes="auto" />                                            </a>-->
1653
1654										<a title="" data-id="40490" class="" href='https://filmcolors.org/timeline-entry/40491/'>
1655											<img width="700" height="906" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1655w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2026/09/e145-4-700.png" data-srcset="https://filmcolors.org/wp-content/uploads/2026/09/e145-4-700.png 700w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1545.png 1545w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-200.png 200w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-768.png 768w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1187.png 1187w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1583.png 1583w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-93.png 93w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-128.png 128w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-256.png 256w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1024.png 1024w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4-1280.png 1280w, https://filmcolors.org/wp-content/uploads/2026/09/e145-4.png 1870w" data-sizes="auto" />										</a>
1656
1657										<span class="hidden caption">Eastman Kodak Company (2007): <i>Technical Data, Color Reversal Film. Kodak Ektachrome 320T Professional Film</i> (E-145), 05.2007, p. 4.</span>
1658									</li>
1659															</ul>
1660							<h3>
1661								<a href='https://filmcolors.org/timeline-entry/40491/'>
1662																		1 Image
1663									
1664								</a>
1665
1666
1667							</h3>
1668						</div>
1669					
1670
1671
1672				</div><!-- column-inner -->
1673			</div><!-- column -->
1674
1675			
1676		</div><!-- post-inner -->
1677	</div><!-- post -->
1678					
1679	
1680	<div class='post' id="post-id-35973">
1681		<div class='post-inner group'>
1682			<div class="column column-1">
1683				<div class="column-inner">
1684					<div class="post-header">
1685
1686						<h2 class='post-title'>
1687							<a href='https://filmcolors.org/timeline-entry/35973/'>Kingston Process</a>
1688						</h2>
1689
1690						<div class="post-meta group">
1691							<div class="meta year">191?</div>
1692
1693							 | <div class='meta inventor'>Arthur Kingston</div>							 | <div class='meta country'>England</div>						</div>
1694						<div class="meta principle">
1695							Additive three color process: rotary filters						</div>
1696
1697					</div>
1698
1699											<div class="textblock">
1700
1701							Three black-and-white color separations were printed consecutively on one film strip and projected through the corresponding color filters, thus combining to one color image on screen.
1702						</div>
1703					
1704
1705
1706					<ul class="detail-links">
1707													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/35973/">Access detailed information</a> ›</li>
1708											</ul><!-- detail-links -->
1709
1710
1711					<div class='edit-links'>
1712																	</div>
1713				</div><!-- column-inner -->
1714			</div><!-- column -->
1715
1716			
1717			<div class="column column-2">
1718				<div class="column-inner">
1719					
1720					
1721
1722
1723				</div><!-- column-inner -->
1724			</div><!-- column -->
1725
1726			
1727		</div><!-- post-inner -->
1728	</div><!-- post -->
1729					
1730	
1731	<div class='post' id="post-id-1319">
1732		<div class='post-inner group'>
1733			<div class="column column-1">
1734				<div class="column-inner">
1735					<div class="post-header">
1736
1737						<h2 class='post-title'>
1738							<a href='https://filmcolors.org/timeline-entry/1319/'>Trichromatic vision</a>
1739						</h2>
1740
1741						<div class="post-meta group">
1742							<div class="meta year">1802</div>
1743
1744							 | <div class='meta inventor'>Thomas Young</div>													</div>
1745						<div class="meta principle">
1746							Theory: Color vision						</div>
1747
1748					</div>
1749
1750											<div class="textblock">
1751
1752							Theory of trichromatic vision proposed by Thomas Young.
1753						</div>
1754					
1755
1756
1757					<ul class="detail-links">
1758													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/1319/">Access detailed information</a> ›</li>
1759											</ul><!-- detail-links -->
1760
1761
1762					<div class='edit-links'>
1763																	</div>
1764				</div><!-- column-inner -->
1765			</div><!-- column -->
1766
1767			
1768			<div class="column column-2">
1769				<div class="column-inner">
1770					
1771					
1772
1773
1774				</div><!-- column-inner -->
1775			</div><!-- column -->
1776
1777			
1778		</div><!-- post-inner -->
1779	</div><!-- post -->
1780					
1781	
1782	<div class='post' id="post-id-40063">
1783		<div class='post-inner group'>
1784			<div class="column column-1">
1785				<div class="column-inner">
1786					<div class="post-header">
1787
1788						<h2 class='post-title'>
1789							<a href='https://filmcolors.org/timeline-entry/40063/'>Heliochromy direct positive</a>
1790						</h2>
1791
1792						<div class="post-meta group">
1793							<div class="meta year">1855</div>
1794
1795							 | <div class='meta inventor'>Claude Félix Abel Niépce de Saint-Victor</div>													</div>
1796						<div class="meta principle">
1797							Direct color photography: still photography						</div>
1798
1799					</div>
1800
1801					
1802
1803
1804					<ul class="detail-links">
1805													<li><a class="single-link" href="https://filmcolors.org/timeline-entry/40063/">Access detailed information</a> ›</li>
1806											</ul><!-- detail-links -->
1807
1808
1809					<div class='edit-links'>
1810																	</div>
1811				</div><!-- column-inner -->
1812			</div><!-- column -->
1813
1814			
1815			<div class="column column-2">
1816				<div class="column-inner">
1817					
1818					
1819						
1820						<div class="imagebox">
1821							<ul class='images'>
1822								
1823									
1824
1825									<li class="">
1826										<!--<a title="" data-id="40065" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1.jpg'>
1827                                                <img width="700" height="942" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100vw, 700px" data-src="https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-89.jpg 89w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1.jpg 875w" data-sizes="auto" />                                            </a>-->
1828
1829										<a title="" data-id="40065" class="" href='https://filmcolors.org/timeline-entry/40063/'>
1830											<img width="700" height="942" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1830w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-89.jpg 89w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2025/10/Penichon_Heliochromy-direct-positiv_2013.1.jpg 875w" data-sizes="auto" />										</a>
1831
1832										<span class="hidden caption">Pénichon, Sylvie (2013): <i>Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification & Preservation.</i> London, Los Angeles: Thames & Hudson, p. 10.</span>
1833									</li>
1834															</ul>
1835							<h3>
1836								<a href='https://filmcolors.org/timeline-entry/40063/'>
1837																		1 Image
1838									
1839								</a>
1840
1841
1842							</h3>
1843						</div>
1844					
1845
1846
1847				</div><!-- column-inner -->
1848			</div><!-- column -->
1849
1850			
1851		</div><!-- post-inner -->
1852	</div><!-- post -->
1853					
1854	
1855	<div class='post' id="post-id-1320">
1856		<div class='post-inner group'>
1857			<div class="column column-1">
1858				<div class="column-inner">
1859					<div class="post-header">
1860
1861						<h2 class='post-title'>
1862							<a href='https://filmcolors.org/timeline-entry/1320/'>Color theory</a>
1863						</h2>
1864
1865						<div class="post-meta group">
1866							<div class="meta year">1861</div>
1867
1868							 | <div class='meta inventor'>James Clerk Maxwell</div>													</div>
1869						<div class="meta principle">
1870							Additive 3 color: Additive 3 color, still photography						</div>
1871
1872					</div>
1873
1874											<div class="textblock">
1875
1876							&#8220;In a lecture on the theory of three primary colors, given at the Royal Institution of Great Britain on May 17, 1861, Maxwell presented the first demonstration of a photograph in color. According to the records of that meeting (Maxwell, 1890c, ...						</div>
1877					
1878
1879
1880					<ul class="detail-links">
1881													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/1320/">Access detailed information</a> ›</li>
1882											</ul><!-- detail-links -->
1883
1884
1885					<div class='edit-links'>
1886																	</div>
1887				</div><!-- column-inner -->
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1889
1890			
1891			<div class="column column-2">
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1893					
1894					
1895						
1896						<div class="imagebox">
1897							<ul class='images'>
1898								
1899									
1900
1901									<li class="">
1902										<!--<a title="" data-id="2887" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell.jpg'>
1903                                                <img width="700" height="677" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1903w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-124.jpg 124w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell.jpg 787w" data-sizes="auto" />                                            </a>-->
1904
1905										<a title="" data-id="2887" class="" href='https://filmcolors.org/timeline-entry/1320/'>
1906											<img width="700" height="677" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1906w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-124.jpg 124w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Maxwell.jpg 787w" data-sizes="auto" />										</a>
1907
1908										<span class="hidden caption">Source: Coe, Brian (1981): The History of Movie Photography. Westfield, N.J.: Eastview Editions.</span>
1909									</li>
1910															</ul>
1911							<h3>
1912								<a href='https://filmcolors.org/timeline-entry/1320/'>
1913																		1 Image
1914									
1915								</a>
1916
1917
1918							</h3>
1919						</div>
1920					
1921
1922
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1925
1926			
1927		</div><!-- post-inner -->
1928	</div><!-- post -->
1929					
1930	
1931	<div class='post' id="post-id-1321">
1932		<div class='post-inner group'>
1933			<div class="column column-1">
1934				<div class="column-inner">
1935					<div class="post-header">
1936
1937						<h2 class='post-title'>
1938							<a href='https://filmcolors.org/timeline-entry/1321/'>Proposal of a variety of processes of three-color photography</a>
1939						</h2>
1940
1941						<div class="post-meta group">
1942							<div class="meta year">1869</div>
1943
1944							 | <div class='meta inventor'>Louis Ducos du Hauron</div>													</div>
1945						<div class="meta principle">
1946							Theory: still photography						</div>
1947
1948					</div>
1949
1950											<div class="textblock">
1951
1952							&#8220;Louis Ducos du Hauron is reported to have become interested in the reproduction of colors by photography in 1859, when he was twentyone years old (Potonniée, 1939). In 1862 he submitted to a friend of his family, M. Lelut, a paper embodying ...						</div>
1953					
1954
1955
1956					<ul class="detail-links">
1957													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/1321/">Access detailed information</a> ›</li>
1958											</ul><!-- detail-links -->
1959
1960
1961					<div class='edit-links'>
1962																	</div>
1963				</div><!-- column-inner -->
1964			</div><!-- column -->
1965
1966			
1967			<div class="column column-2">
1968				<div class="column-inner">
1969					
1970					
1971						
1972						<div class="imagebox">
1973							<ul class='images'>
1974								
1975									
1976
1977									<li class="">
1978										<!--<a title="" data-id="3160" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope.jpg'>
1979                                                <img width="700" height="840" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1979w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-100.jpg 100w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope.jpg 736w" data-sizes="auto" />                                            </a>-->
1980
1981										<a title="" data-id="3160" class="" href='https://filmcolors.org/timeline-entry/1321/'>
1982											<img width="700" height="840" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
1982w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-100.jpg 100w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/Coote_CP_DuHauron_Chromatographoscope.jpg 736w" data-sizes="auto" />										</a>
1983
1984										<span class="hidden caption">"Du Hauron invented his Chromographoscope in 1874. It could be used either as a camera or an additive viewer." Source: Coote, Jack H. (1993): <i>The Illustrated History of Colour Photography.</i> Surbiton, Surrey: Fountain Press.</span>
1985									</li>
1986								
1987									
1988
1989									<li class="hidden">
1990										<!--<a title="" data-id="3159" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2013/05/Duhauron1877.jpg'>
1991                                                                                            </a>-->
1992
1993										<a title="" data-id="3159" class="hidden" href='https://filmcolors.org/timeline-entry/1321/'>
1994																					</a>
1995
1996										<span class="hidden caption">An early three-color print by Louis Ducros Du Hauron, 1877.</span>
1997									</li>
1998															</ul>
1999							<h3>
2000								<a href='https://filmcolors.org/timeline-entry/1321/'>
2001																		2 Images
2002									
2003								</a>
2004
2005
2006							</h3>
2007						</div>
2008					
2009
2010
2011				</div><!-- column-inner -->
2012			</div><!-- column -->
2013
2014			
2015		</div><!-- post-inner -->
2016	</div><!-- post -->
2017					
2018	
2019	<div class='post' id="post-id-1322">
2020		<div class='post-inner group'>
2021			<div class="column column-1">
2022				<div class="column-inner">
2023					<div class="post-header">
2024
2025						<h2 class='post-title'>
2026							<a href='https://filmcolors.org/timeline-entry/1322/'>Proposal of a variety of processes of three-color photography</a>
2027						</h2>
2028
2029						<div class="post-meta group">
2030							<div class="meta year">1869</div>
2031
2032							 | <div class='meta inventor'>Charles Cros</div>													</div>
2033						<div class="meta principle">
2034							Theory						</div>
2035
2036					</div>
2037
2038											<div class="textblock">
2039
2040							Description of a variety of color processes, even for images in motion by the use of a rotary shutter.
2041						</div>
2042					
2043
2044
2045					<ul class="detail-links">
2046													<li><a class="single-link" href="https://filmcolors.org/timeline-entry/1322/">Access detailed information</a> ›</li>
2047											</ul><!-- detail-links -->
2048
2049
2050					<div class='edit-links'>
2051																	</div>
2052				</div><!-- column-inner -->
2053			</div><!-- column -->
2054
2055			
2056			<div class="column column-2">
2057				<div class="column-inner">
2058					
2059					
2060
2061
2062				</div><!-- column-inner -->
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2064
2065			
2066		</div><!-- post-inner -->
2067	</div><!-- post -->
2068					
2069	
2070	<div class='post' id="post-id-40069">
2071		<div class='post-inner group'>
2072			<div class="column column-1">
2073				<div class="column-inner">
2074					<div class="post-header">
2075
2076						<h2 class='post-title'>
2077							<a href='https://filmcolors.org/timeline-entry/40069/'>Heliochromy color separation</a>
2078						</h2>
2079
2080						<div class="post-meta group">
2081							<div class="meta year">1869</div>
2082
2083							 | <div class='meta inventor'>Louis Ducos de Hauron</div>													</div>
2084						<div class="meta principle">
2085							Subtractive 3 color: assembly process, pigment process, still photography						</div>
2086
2087					</div>
2088
2089											<div class="textblock">
2090
2091							&#8220;Carbon printing was originally a monochrome process. It was invented and patented by Alphonse Poitevin (1819–82) in 1855 and was the first practical printing method with pigments. After Poitevin, the carbon process was patented extensively ...						</div>
2092					
2093
2094
2095					<ul class="detail-links">
2096													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/40069/">Access detailed information</a> ›</li>
2097											</ul><!-- detail-links -->
2098
2099
2100					<div class='edit-links'>
2101																	</div>
2102				</div><!-- column-inner -->
2103			</div><!-- column -->
2104
2105			
2106			<div class="column column-2">
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2108					
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2110
2111
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2114
2115			
2116		</div><!-- post-inner -->
2117	</div><!-- post -->
2118					
2119	
2120	<div class='post' id="post-id-1346">
2121		<div class='post-inner group'>
2122			<div class="column column-1">
2123				<div class="column-inner">
2124					<div class="post-header">
2125
2126						<h2 class='post-title'>
2127							<a href='https://filmcolors.org/timeline-entry/1346/'>Orthochromatic stock</a>
2128						</h2>
2129
2130						<div class="post-meta group">
2131							<div class="meta year">1873</div>
2132
2133							 | <div class='meta inventor'>Hermann Wilhelm Vogel</div>													</div>
2134						<div class="meta principle">
2135							b/w photography: orthochromatic b/w stock, still photography						</div>
2136
2137					</div>
2138
2139											<div class="textblock">
2140
2141							&#8220;In 1873 Dr Vogel discovered that by adding dyes to the sensitive material, its sensitivity could be extended, so that it would record green as well as blue. The new &#8216;orthochromatic&#8217; plates were available commercially from 1882. The ...						</div>
2142					
2143
2144
2145					<ul class="detail-links">
2146													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/1346/">Access detailed information</a> ›</li>
2147											</ul><!-- detail-links -->
2148
2149
2150					<div class='edit-links'>
2151																	</div>
2152				</div><!-- column-inner -->
2153			</div><!-- column -->
2154
2155			
2156			<div class="column column-2">
2157				<div class="column-inner">
2158					
2159					
2160						
2161						<div class="imagebox">
2162							<ul class='images'>
2163								
2164									
2165
2166									<li class="">
2167										<!--<a title="" data-id="3163" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique.jpg'>
2168                                                <img width="700" height="530" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
2168w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-158.jpg 158w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique.jpg 919w" data-sizes="auto" />                                            </a>-->
2169
2170										<a title="" data-id="3163" class="" href='https://filmcolors.org/timeline-entry/1346/'>
2171											<img width="700" height="530" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
2171w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-158.jpg 158w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_Orthochromatique.jpg 919w" data-sizes="auto" />										</a>
2172
2173										<span class="hidden caption">„Film orthochromatique (film négatif Pathé Standard)“ (orthochromatic stock). Source: Didiée, L. (1926): Le Film vierge Pathé. Manuel de développement et de tirage. Paris: Pathé. </span>
2174									</li>
2175								
2176									
2177
2178									<li class="hidden">
2179										<!--<a title="" data-id="3162" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2013/05/ViergePathe_NonChromatique.jpg'>
2180                                                                                            </a>-->
2181
2182										<a title="" data-id="3162" class="hidden" href='https://filmcolors.org/timeline-entry/1346/'>
2183																					</a>
2184
2185										<span class="hidden caption">„Film ordinaire (non orthochromatique)“ (Normal, non-orthochromatic stock). Source: Didiée, L. (1926): Le Film vierge Pathé. Manuel de développement et de tirage. Paris: Pathé.</span>
2186									</li>
2187															</ul>
2188							<h3>
2189								<a href='https://filmcolors.org/timeline-entry/1346/'>
2190																		2 Images
2191									
2192								</a>
2193
2194
2195							</h3>
2196						</div>
2197					
2198
2199
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2207	
2208	<div class='post' id="post-id-9200">
2209		<div class='post-inner group'>
2210			<div class="column column-1">
2211				<div class="column-inner">
2212					<div class="post-header">
2213
2214						<h2 class='post-title'>
2215							<a href='https://filmcolors.org/timeline-entry/9200/'>Dye Imbibition Process</a>
2216						</h2>
2217
2218						<div class="post-meta group">
2219							<div class="meta year">1875</div>
2220
2221							 | <div class='meta inventor'>Ernest Edwards</div>													</div>
2222						<div class="meta principle">
2223													</div>
2224
2225					</div>
2226
2227					
2228
2229
2230					<ul class="detail-links">
2231													<li><a class="single-link" href="https://filmcolors.org/timeline-entry/9200/">Access detailed information</a> ›</li>
2232											</ul><!-- detail-links -->
2233
2234
2235					<div class='edit-links'>
2236																	</div>
2237				</div><!-- column-inner -->
2238			</div><!-- column -->
2239
2240			
2241			<div class="column column-2">
2242				<div class="column-inner">
2243					
2244					
2245						
2246						<div class="imagebox">
2247							<ul class='images'>
2248								
2249									
2250
2251									<li class="">
2252										<!--<a title="" data-id="9201" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web.jpg'>
2253                                                <img width="621" height="1031" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 621px) 100vw, 621px" data-src="https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web.jpg 621w, https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web-72.jpg 72w, https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web-256.jpg 256w" data-sizes="auto" />                                            </a>-->
2253
2254
2255										<a title="" data-id="9201" class="" href='https://filmcolors.org/timeline-entry/9200/'>
2256											<img width="621" height="1031" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 621px) 100vw, 621px" data-src="https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web.jpg 621w, https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web-72.jpg 72w, https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2016/03/Penichon_DyeImbitionProcess_2013_1-web-256.jpg 256w" data-sizes="auto" />										</a>
2257
2258										<span class="hidden caption">Pénichon, Sylvie (2013): <i>Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification &amp; Preservation.</i> London, Los Angeles: Thames &amp; Hudson.</span>
2259									</li>
2260															</ul>
2261							<h3>
2262								<a href='https://filmcolors.org/timeline-entry/9200/'>
2263																		1 Image
2264									
2265								</a>
2266
2267
2268							</h3>
2269						</div>
2270					
2271
2272
2273				</div><!-- column-inner -->
2274			</div><!-- column -->
2275
2276			
2277		</div><!-- post-inner -->
2278	</div><!-- post -->
2279					
2280	
2281	<div class='post' id="post-id-1354">
2282		<div class='post-inner group'>
2283			<div class="column column-1">
2284				<div class="column-inner">
2285					<div class="post-header">
2286
2287						<h2 class='post-title'>
2288							<a href='https://filmcolors.org/timeline-entry/1354/'>Hydrotypie / Hydrotype</a>
2289						</h2>
2290
2291						<div class="post-meta group">
2292							<div class="meta year">1880</div>
2293
2294							 | <div class='meta inventor'>Charles Cros</div>													</div>
2295						<div class="meta principle">
2296							Subtractive 3 color: dye transfer, still photography and film						</div>
2297
2298					</div>
2299
2300											<div class="textblock">
2301
2302							&#8220;In the imbibition process, a dye image is transferred from a gelatin relief image to a receiving layer made either of paper or film. Charles Cros described this method of &#8216;hydrotypie&#8217; transfer printing in 1880 and suggested it ...						</div>
2303					
2304
2305
2306					<ul class="detail-links">
2307													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/1354/">Access detailed information</a> ›</li>
2308											</ul><!-- detail-links -->
2309
2310
2311					<div class='edit-links'>
2312																	</div>
2313				</div><!-- column-inner -->
2314			</div><!-- column -->
2315
2316			
2317			<div class="column column-2">
2318				<div class="column-inner">
2319					
2320					
2321
2322
2323				</div><!-- column-inner -->
2324			</div><!-- column -->
2325
2326			
2327		</div><!-- post-inner -->
2328	</div><!-- post -->
2329					
2330	
2331	<div class='post' id="post-id-1369">
2332		<div class='post-inner group'>
2333			<div class="column column-1">
2334				<div class="column-inner">
2335					<div class="post-header">
2336
2337						<h2 class='post-title'>
2338							<a href='https://filmcolors.org/timeline-entry/1369/'>Sensitizing theory</a>
2339						</h2>
2340
2341						<div class="post-meta group">
2342							<div class="meta year">1885</div>
2343
2344							 | <div class='meta inventor'>Hermann Wilhelm Vogel</div>													</div>
2345						<div class="meta principle">
2346							Color theory						</div>
2347
2348					</div>
2349
2350											<div class="textblock">
2351
2352							&#8220;Dr. H. W. Vogel, the discoverer of colour sensitizers, made three-colour photography possible, and has been the first to recognise the relation between colour sensitiveness of plate and printing colour in the following principle made known in ...						</div>
2353					
2354
2355
2356					<ul class="detail-links">
2357													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/1369/">Access detailed information</a> ›</li>
2358											</ul><!-- detail-links -->
2359
2360
2361					<div class='edit-links'>
2362																	</div>
2363				</div><!-- column-inner -->
2364			</div><!-- column -->
2365
2366			
2367			<div class="column column-2">
2368				<div class="column-inner">
2369					
2370					
2371
2372
2373				</div><!-- column-inner -->
2374			</div><!-- column -->
2375
2376			
2377		</div><!-- post-inner -->
2378	</div><!-- post -->
2379					
2380	
2381	<div class='post' id="post-id-1357">
2382		<div class='post-inner group'>
2383			<div class="column column-1">
2384				<div class="column-inner">
2385					<div class="post-header">
2386
2387						<h2 class='post-title'>
2388							<a href='https://filmcolors.org/timeline-entry/1357/'>Silver dye-bleach</a>
2389						</h2>
2390
2391						<div class="post-meta group">
2392							<div class="meta year">1889</div>
2393
2394							 | <div class='meta inventor'>Raphael E. Liesegang</div>													</div>
2395						<div class="meta principle">
2396							Subtractive 3 color: Dye-bleach						</div>
2397
2398					</div>
2399
2400											<div class="textblock">
2401
2402							“Probably the first use of the catalytic property of silver was in 1889, when E. Howard Farmer disclosed the action of a silver image upon strong dichromate solutions (Eng. P. 17773/89). When a plate or film, containing a silver image, is immersed ...						</div>
2403					
2404
2405
2406					<ul class="detail-links">
2407													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/1357/">Access detailed information</a> ›</li>
2408											</ul><!-- detail-links -->
2409
2410
2411					<div class='edit-links'>
2412																	</div>
2413				</div><!-- column-inner -->
2414			</div><!-- column -->
2415
2416			
2417			<div class="column column-2">
2418				<div class="column-inner">
2419					
2420					
2421
2422
2423				</div><!-- column-inner -->
2424			</div><!-- column -->
2425
2426			
2427		</div><!-- post-inner -->
2428	</div><!-- post -->
2429					
2430	
2431	<div class='post' id="post-id-1335">
2432		<div class='post-inner group'>
2433			<div class="column column-1">
2434				<div class="column-inner">
2435					<div class="post-header">
2436
2437						<h2 class='post-title'>
2438							<a href='https://filmcolors.org/timeline-entry/1335/'>Lippmann</a>
2439						</h2>
2440
2441						<div class="post-meta group">
2442							<div class="meta year">1891</div>
2443
2444							 | <div class='meta inventor'>Gabriel Lippmann</div>													</div>
2445						<div class="meta principle">
2446							Direct color photography: interference, still photography						</div>
2447
2448					</div>
2449
2450											<div class="textblock">
2451
2452							&#8220;In 1891, Professor Gabriel Lippmann demonstrated to the French Académie des Sciences interference colour photographs of the spectrum and of stained glass windows, taken by a modification of Wiener&#8217;s method. An exceedingly fine grained, ...						</div>
2453					
2454
2455
2456					<ul class="detail-links">
2457													<li><a class="detail-link" href="https://filmcolors.org/timeline-entry/1335/">Access detailed information</a> ›</li>
2458											</ul><!-- detail-links -->
2459
2460
2461					<div class='edit-links'>
2462																	</div>
2463				</div><!-- column-inner -->
2464			</div><!-- column -->
2465
2466			
2467			<div class="column column-2">
2468				<div class="column-inner">
2469					
2470					
2471						
2472						<div class="imagebox">
2473							<ul class='images'>
2474								
2475									
2476
2477									<li class="">
2478										<!--<a title="" data-id="2904" class="imagelink " href='https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann.jpg'>
2479                                                <img width="700" height="505" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
2479w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-166.jpg 166w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-1024.jpg 1024w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann.jpg 1078w" data-sizes="auto" />                                            </a>-->
2480
2481										<a title="" data-id="2904" class="" href='https://filmcolors.org/timeline-entry/1335/'>
2482											<img width="700" height="505" class="attachment-medium size-medium lazyload lazy-fade" alt="" decoding="async" loading="lazy" srcset="data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==" sizes="auto, (max-width: 700px) 100v
2482w, 700px" data-src="https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-700.jpg" data-srcset="https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-700.jpg 700w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-200.jpg 200w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-768.jpg 768w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-166.jpg 166w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-128.jpg 128w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-256.jpg 256w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann-1024.jpg 1024w, https://filmcolors.org/wp-content/uploads/2013/05/CoePhotography_Lippmann.jpg 1078w" data-sizes="auto" />										</a>
2483
2484										<span class="hidden caption">Source: Coe, Brian (1978): Colour Photography. The First Hundred Years 1840-1940. London: Ash & Grant.</span>
2485									</li>
2486								
2487									
2488
2489									<li class="hidden">
2490										<!--<a title="" data-id="2905" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2013/05/Lavedrine_Lippmann.jpg'>
2491                                                                                            </a>-->
2492
2493										<a title="" data-id="2905" class="hidden" href='https://filmcolors.org/timeline-entry/1335/'>
2494																					</a>
2495
2496										<span class="hidden caption">Source: Lavédrine, Bertrand (2009): <em>Photographs of the Past. Process and Preservation.</em> Los Angeles: Getty Publications.</span>
2497									</li>
2498								
2499									
2500
2501									<li class="hidden">
2502										<!--<a title="" data-id="2906" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2013/05/Coote_Lippmann_StillLife.jpg'>
2503                                                                                            </a>-->
2504
2505										<a title="" data-id="2906" class="hidden" href='https://filmcolors.org/timeline-entry/1335/'>
2506																					</a>
2507
2508										<span class="hidden caption">Source: Coote, Jack H. (1993): <em>The Illustrated History of Colour Photography.</em> Surbiton, Surrey: Fountain Press.</span>
2509									</li>
2510								
2511									
2512
2513									<li class="hidden">
2514										<!--<a title="" data-id="9276" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2016/03/Penichon_Lippmann_2013_2-web.jpg'>
2515                                                                                            </a>-->
2516
2517										<a title="" data-id="9276" class="hidden" href='https://filmcolors.org/timeline-entry/1335/'>
2518																					</a>
2519
2520										<span class="hidden caption">Source: Pénichon, Sylvie (2013): <i>Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification &amp; Preservation.</i> London, Los Angeles: Thames &amp; Hudson, p. 19.</span>
2521									</li>
2522								
2523									
2524
2525									<li class="hidden">
2526										<!--<a title="" data-id="9275" class="imagelink hidden" href='https://filmcolors.org/wp-content/uploads/2016/03/Penichon_Lippmann_2013_1-web.jpg'>
2527                                                                                            </a>-->
2528
2529										<a title="" data-id="9275" class="hidden" href='https://filmcolors.org/timeline-entry/1335/'>
2530																					</a>
2531
2532										<span class="hidden caption">Source: Pénichon, Sylvie (2013): <i>Twentieth Century Colour Photographs. The Complete Guide to Processes, Identification &amp; Preservation.</i> London, Los Angeles: Thames &amp; Hudson, p. 235.</span>
2533									</li>
2534															</ul>
2535							<h3>
2536								<a href='https://filmcolors.org/timeline-entry/1335/'>
2537																		5 Images
2538									
2539								</a>
2540
2541
2542							</h3>
2543						</div>
2544					
2545
2546
2547				</div><!-- column-inner -->
2548			</div><!-- column -->
2549
2550			
2551		</div><!-- post-inner -->
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2556
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2561
2562
2563                                                <a title="Share this on Facebook" href="https://facebook.com/sharer.php?u=https%3A%2F%2Ffilmcolors.org%2Ftimeline-entry%2F1335%2F" target="_blank" class="genericon genericon-facebook facebook" alt="f203"></a>
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2571
2572                    <p><a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license"><img class="cc_image" style="border-width: 0;" src="https://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png" alt="Creative Commons License"></a>
2573<em>Timeline of Historical Film Colors</em> by&nbsp;<a href="http://zauberklang.ch/resume.html" target="_blank">Barbara Flueckiger</a> is licensed under a <a href="http://creativecommons.org/licenses/by-nc-nd/4.0/" rel="license">Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License</a>.</p>
2574			<p>&nbsp;</p>
2575			<p>Quote as Flueckiger, Barbara (2012 ff.): Timeline of Historical Film Colors. (= https://filmcolors.org/).<br><a href="/wp-content/uploads/misc/Timeline.bib" download>Download BibTex</a></p>
2576
2577					<br style="clear:both;" />
2578
2579
2580
2581				</div>
2582				<div class="column column-3">
2583					<!-- <p>
2584						<a class="invert label" href="##">Invert Colors</a>
2585					</p> -->
2586				</div>
2587			<br style="clear:both;" />
2588
2589
2590
2591		</div>
2592	</div><!-- #wrap -->
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