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308 <main id="main" class="rbc-site-main composer-main"> 309 <div id="uid_868170343" class="rbc-row rbc-content-section is-wrapper is-sidebar-right"><div class="rbc-container rb-p20-gutter"><div class="rbc-wrap"><div class="rbc-content"> <div id="uid_890516728" class="block-wrap fw-block block-heading none-margin is-center" > 310 <h2 class="hbox-title">MANGA</h2> 311 </div> <div id="uid_510558b22" class="block-wrap ct-block ct-grid-1" data-uuid="uid_510558b22" data-name="ct_grid_1" data-page_max="160" data-page_current="1" data-category="2487" data-categories="0,2487" data-order="date_post" data-posts_per_page="10" > 312 <div class="content-wrap"><div class="content-inner rb-row rb-n20-gutter"> 313 <div class="p-outer rb-p20-gutter rb-col-t6 rb-col-m12"> <div class="p-wrap p-grid p-grid-1 post-82961 no-avatar"> 314 <div class="p-feat-holder"> 315 <div class="p-feat"> 316 <a class="p-flink" href="https://nanoda.com/2026-04-kotteri-e-yudori-a-comicon-napoli-2026/" title="Kotteri e Yudori a Comicon Napoli 2026"> 317 <span class="rb-iwrap"><img loading="lazy" decoding="async" width="370" height="250" src="data:image/gif;base64,R0lGODdhAQABAPAAAMPDwwAAACwAAAAAAQABAAACAkQBADs=" data-src="https://i0.wp.com/nanoda.com/wp-content/uploads/2026/04/YUDORI-Kotteri-Comicon.jpg?resize=370%2C250&ssl=1" class="rb-lazyload rb-autosize attachment-pixwell_370x250 size-pixwell_370x250 wp-post-image" alt="Ospiti del Comicon sezione fumetti" data-srcset="https://i0.wp.com/nanoda.com/wp-content/uploads/2026/04/YUDORI-Kotteri-Comicon.jpg?resize=370%2C250&ssl=1 370w, https://i0.wp.com/nanoda.com/wp-content/uploads/2026/04/YUDORI-Kotteri-Comicon.jpg?resize=740%2C500&ssl=1 740w" data-sizes="(max-width: 370px) 100vw, 370px" /></span> 318 </a> 319 <aside class="p-cat-info is-absolute"> 320 <a class="cat-info-el cat-info-id-8" href="https://nanoda.com/category/convention/" rel="category">Convention</a><a class="cat-info-el cat-info-id-2745" href="https://nanoda.com/category/manga/j-pop/" rel="category">J-Pop</a> </aside> 321 </div> 322 </div> 323 <div class="p-header"><h3 class="entry-title"> <a class="p-url" href="https://nanoda.com/2026-04-kotteri-e-yudori-a-comicon-napoli-2026/" rel="bookmark" title="Kotteri e Yudori a Comicon Napoli 2026">Kotteri e Yudori a Comicon Napoli 2026</a> 324 </h3></div> 325 <p class="entry-summary">Una mangaka giapponese e una fumettista coreana ospiti della casa editrice J-Pop <span class="summary-dot">...</span></p> 326 <div class="p-footer"> 327 <aside class="p-meta-info"> <span class="meta-info-el meta-info-author"> 328 <span class="screen-reader-text">Posted by</span> 329 <em class="meta-label">by </em> 330 <a href="https://nanoda.com/author/silvio-franceschinelli/">Silvio Franceschinelli (DJ Shiru)</a> 331 </span> 332 <span class="meta-info-el meta-info-date"> 333 <i class="rbi rbi-clock"></i> <abbr class="date published" title="2026-04-03T12:15:30+02:00">3 Aprile 2026</abbr> 334 <abbr class="updated" title="2026-04-03T12:25:21+02:00">3 Aprile 2026</abbr> 335 </span> 336 </aside> <a class="btn p-link" href="https://nanoda.com/2026-04-kotteri-e-yudori-a-comicon-napoli-2026/"><span>LEGGI</span><i class="rbi rbi-arrow-right"></i></a> 337 </div> 338 </div> 339 </div><div class="p-outer rb-p20-gutter rb-col-t6 rb-col-m12"> <div class="p-wrap p-grid p-grid-1 post-82954 no-avatar"> 340 <div class="p-feat-holder"> 341 <div class="p-feat"> 342 <a class="p-flink" href="https://nanoda.com/2026-02-b7klan-j-rock-festival/" title="B7KLAN J-Rock Festival"> 343 <span class="rb-iwrap"><img loading="lazy" decoding="async" width="370" height="250" src="data:image/gif;base64,R0lGODdhAQABAPAAAMPDwwAAACwAAAAAAQABAAACAkQBADs=" data-src="https://i0.wp.com/nanoda.com/wp-content/uploads/2026/02/B7Klan-rock-fest.jpg?resize=370%2C250&ssl=1" class="rb-lazyload rb-autosize attachment-pixwell_370x250 size-pixwell_370x250 wp-post-image" alt="B7Klan Rock Fest" data-srcset="https://i0.wp.com/nanoda.com/wp-content/uploads/2026/02/B7Klan-rock-fest.jpg?resize=370%2C250&ssl=1 370w, https://i0.wp.com/nanoda.com/wp-content/uploads/2026/02/B7Klan-rock-fest.jpg?resize=740%2C500&
343ssl=1 740w" data-sizes="(max-width: 370px) 100vw, 370px" /></span> 344 </a> 345 <aside class="p-cat-info is-absolute"> 346 <a class="cat-info-el cat-info-id-2745" href="https://nanoda.com/category/manga/j-pop/" rel="category">J-Pop</a> </aside> 347 </div> 348 </div> 349 <div class="p-header"><h3 class="entry-title"> <a class="p-url" href="https://nanoda.com/2026-02-b7klan-j-rock-festival/" rel="bookmark" title="B7KLAN J-Rock Festival">B7KLAN J-Rock Festival</a> 350 </h3></div> 351 <p class="entry-summary">Nasce a Parigi il primo grande festival europeo dedicato a Visual <span class="summary-dot">...</span></p> 352 <div class="p-footer"> 353 <aside class="p-meta-info"> <span class="meta-info-el meta-info-author"> 354 <span class="screen-reader-text">Posted by</span> 355 <em class="meta-label">by </em> 356 <a href="https://nanoda.com/author/silvio-franceschinelli/">Silvio Franceschinelli (DJ Shiru)</a> 357 </span> 358 <span class="meta-info-el meta-info-date"> 359 <i class="rbi rbi-clock"></i> <abbr class="date published" title="2026-02-01T22:01:29+01:00">1 Febbraio 2026</abbr> 360 <abbr class="updated" title="2026-02-01T22:17:28+01:00">1 Febbraio 2026</abbr> 361 </span> 362 </aside> <a class="btn p-link" href="https://nanoda.com/2026-02-b7klan-j-rock-festival/"><span>LEGGI</span><i class="rbi rbi-arrow-right"></i></a> 363 </div> 364 </div> 365 </div><div class="p-outer rb-p20-gutter rb-col-t6 rb-col-m12"> <div class="p-wrap p-grid p-grid-1 post-82919 no-avatar"> 366 <div class="p-feat-holder"> 367 <div class="p-feat"> 368 <a class="p-flink" href="https://nanoda.com/2026-01-tank-chair/" title="Tank Chair"> 369 <span class="rb-iwrap"><img loading="lazy" decoding="async" width="370" height="250" src="data:image/gif;base64,R0lGODdhAQABAPAAAMPDwwAAACwAAAAAAQABAAACAkQBADs=" data-src="https://i0.wp.com/nanoda.com/wp-content/uploads/2026/01/tankchairbanner.jpg?resize=370%2C250&ssl=1" class="rb-lazyload rb-autosize attachment-pixwell_370x250 size-pixwell_370x250 wp-post-image" alt="" /></span> 370 </a> 371 <aside class="p-cat-info is-absolute"> 372 <a class="cat-info-el cat-info-id-2487" href="https://nanoda.com/category/manga/" rel="category">Manga</a><a class="cat-info-el cat-info-id-27" href="https://nanoda.com/category/manga/planet-manga/" rel="category">Planet Manga</a> </aside> 373 </div> 374 </div> 375 <div class="p-header"><h3 class="entry-title"> <a class="p-url" href="https://nanoda.com/2026-01-tank-chair/" rel="bookmark" title="Tank Chair">Tank Chair</a> 376 </h3></div> 377 <p class="entry-summary">Tank Chair Manga Francamente dalla copertina non avevo davvero idea di <span class="summary-dot">...</span></p> 378 <div class="p-footer"> 379 <aside class="p-meta-info"> <span class="meta-info-el meta-info-author"> 380 <span class="screen-reader-text">Posted by</span> 381 <em class="meta-label">by </em> 382 <a href="https://nanoda.com/author/shinji-kakaroth/">Shinji Kakaroth</a> 383 </span> 384 <span class="meta-info-el meta-info-date"> 385 <i class="rbi rbi-clock"></i> <abbr class="date published" title="2026-01-04T07:00:32+01:00">4 Gennaio 2026</abbr> 386 <abbr class="updated" title="2026-01-04T07:48:59+01:00">4 Gennaio 2026</abbr> 387 </span> 388 </aside> <a class="btn p-link" href="https://nanoda.com/2026-01-tank-chair/"><span>LEGGI</span><i class="rbi rbi-arrow-right"></i></a> 389 </div> 390 </div> 391 </div><div class="p-outer rb-p20-gutter rb-col-t6 rb-col-m12"> <div class="p-wrap p-grid p-grid-1 post-82913 no-avatar"> 392 <div class="p-feat-holder"> 393 <div class="p-feat"> 394 <a class="p-flink" href="https://nanoda.com/2025-12-i-gatti-di-ulthar-e-altre-storie/" title="I gatti di Ulthar e altre storie"> 395 <span class="rb-iwrap"><img loading="lazy" decoding="async" width="370" height="250" src="data:image/gif;base64,R0lGODdhAQABAPAAAMPDwwAAACwAAAAAAQABAAACAkQBADs=" data-src="https://i0.wp.com/nanoda.com/wp-content/uploads/2025/12/gatti-ulthar-string.jpg?resize=370%2C250&ssl=1" class="rb-lazyload rb-autosize attachment-pixwell_370x250 size-pixwell_370x250 wp-post-image" alt="" /></span> 396 </a> 397 <aside class="p-cat-info is-absolute"> 398 <a class="cat-info-el cat-info-id-2745" href="https://nanoda.com/category/manga/j-pop/" rel="category">J-Pop</a><a class="cat-info-el cat-info-id-2487" href="https://nanoda.com/category/manga/" rel="category">Manga</a> </aside> 399 </div> 400 </div> 401 <div class="p-header"><h3 class="entry-title"> <a class="p-url" href="https://nanoda.com/2025-12-i-gatti-di-ulthar-e-altre-storie/" rel="bookmark" title="I gatti di Ulthar e altre storie">I gatti di Ulthar e altre storie</a> 402 </h3></div> 403 <p class="entry-summary">I gatti di Ulthar e altre storie Manga Se conoscete Gou <span class="summary-dot">...</span></p> 404 <div class="p-footer"> 405 <aside class="p-meta-info"> <span class="meta-info-el meta-info-author"> 406 <span class="screen-reader-text">Posted by</span> 407 <em class="meta-label">by </em> 408 <a href="https://nanoda.com/author/shinji-kakaroth/">Shinji Kakaroth</a> 409 </span> 410 <span class="meta-info-el meta-info-date"> 411 <i class="rbi rbi-clock"></i> <abbr class="date published" title="2025-12-27T07:00:13+01:00">27 Dicembre 2025</abbr>
412 <abbr class="updated" title="2025-12-26T13:32:30+01:00">26 Dicembre 2025</abbr> 413 </span> 414 </aside> <a class="btn p-link" href="https://nanoda.com/2025-12-i-gatti-di-ulthar-e-altre-storie/"><span>LEGGI</span><i class="rbi rbi-arrow-right"></i></a> 415 </div> 416 </div> 417 </div><div class="p-outer rb-p20-gutter rb-col-t6 rb-col-m12"> <div class="p-wrap p-grid p-grid-1 post-82908 no-avatar"> 418 <div class="p-feat-holder"> 419 <div class="p-feat"> 420 <a class="p-flink" href="https://nanoda.com/2025-12-il-buio-oltre-la-finestra-triangolare-di-tomoko-yamashita/" title="Il buio oltre la finestra triangolare di Tomoko Yamashita"> 421 <span class="rb-iwrap"><img loading="lazy" decoding="async" width="370" height="250" src="data:image/gif;base64,R0lGODdhAQABAPAAAMPDwwAAACwAAAAAAQABAAACAkQBADs=" data-src="https://i0.wp.com/nanoda.com/wp-content/uploads/2025/12/Il-buio-oltre-la-finestra-triangolare-di-Tomoko-Yamashita.jpg?resize=370%2C250&ssl=1" class="rb-lazyload rb-autosize attachment-pixwell_370x250 size-pixwell_370x250 wp-post-image" alt="Il buio oltre la finestra triangolare di Tomoko Yamashita" data-srcset="https://i0.wp.com/nanoda.com/wp-content/uploads/2025/12/Il-buio-oltre-la-finestra-triangolare-di-Tomoko-Yamashita.jpg?resize=370%2C250&ssl=1 370w, https://i0.wp.com/nanoda.com/wp-content/uploads/2025/12/Il-buio-oltre-la-finestra-triangolare-di-Tomoko-Yamashita.jpg?resize=740%2C500&ssl=1 740w" data-sizes="(max-width: 370px) 100vw, 370px" /></span> 422 </a> 423 <aside class="p-cat-info is-absolute"> 424 <a class="cat-info-el cat-info-id-23" href="https://nanoda.com/category/manga/magic-press/" rel="category">Magic Press</a> </aside> 425 </div> 426 </div> 427 <div class="p-header"><h3 class="entry-title"> <a class="p-url" href="https://nanoda.com/2025-12-il-buio-oltre-la-finestra-triangolare-di-tomoko-yamashita/" rel="bookmark" title="Il buio oltre la finestra triangolare di Tomoko Yamashita">Il buio oltre la finestra triangolare di Tomoko Yamashita</a> 428 </h3></div> 429 <p class="entry-summary">Mikado, da sempre capace di vedere gli spiriti, fa di tutto <span class="summary-dot">...</span></p> 430 <div class="p-footer"> 431 <aside class="p-meta-info"> <span class="meta-info-el meta-info-author"> 432 <span class="screen-reader-text">Posted by</span> 433 <em class="meta-label">by </em> 434 <a href="https://nanoda.com/author/mara-cotticelli/">Mara Cotticelli</a> 435 </span> 436 <span class="meta-info-el meta-info-date"> 437 <i class="rbi rbi-clock"></i> <abbr class="date published" title="2025-12-21T09:27:47+01:00">21 Dicembre 2025</abbr> 438 <abbr class="updated" title="2025-12-21T09:27:47+01:00">21 Dicembre 2025</abbr> 439 </span> 440 </aside> <a class="btn p-link" href="https://nanoda.com/2025-12-il-buio-oltre-la-finestra-triangolare-di-tomoko-yamashita/"><span>LEGGI</span><i class="rbi rbi-arrow-right"></i></a> 441 </div> 442 </div> 443 </div><div class="p-outer rb-p20-gutter rb-col-t6 rb-col-m12"> <div class="p-wrap p-grid p-grid-1 post-82879 no-avatar"> 444 <div class="p-feat-holder"> 445 <div class="p-feat"> 446 <a class="p-flink" href="https://nanoda.com/2025-12-killer-shark-in-another-world/" title="Killer Shark in Another World"> 447 <span class="rb-iwrap"><img loading="lazy" decoding="async" width="370" height="250" src="data:image/gif;base64,R0lGODdhAQABAPAAAMPDwwAAACwAAAAAAQABAAACAkQBADs=" data-src="https://i0.wp.com/nanoda.com/wp-content/uploads/2025/12/Killer-Shark-1.jpg?resize=370%2C250&ssl=1" class="rb-lazyload rb-autosize attachment-pixwell_370x250 size-pixwell_370x250 wp-post-image" alt="" data-srcset="https://i0.wp.com/nanoda.com/wp-content/uploads/2025/12/Killer-Shark-1.jpg?resize=370%2C250&ssl=1 370w, https://i0.wp.com/nanoda.com/wp-content/uploads/2025/12/Killer-Shark-1.jpg?resize=740%2C500&ssl=1 740w" data-sizes="(max-width: 370px) 100vw, 370px" /></span> 448 </a> 449 <aside class="p-cat-info is-absolute"> 450 <a class="cat-info-el cat-info-id-2487" href="https://nanoda.com/category/manga/" rel="category">Manga</a> </aside> 451 </div> 452 </div> 453 <div class="p-header"><h3 class="entry-title"> <a class="p-url" href="https://nanoda.com/2025-12-killer-shark-in-another-world/" rel="bookmark" title="Killer Shark in Another World">Killer Shark in Another World</a> 454 </h3></div> 455 <p class="entry-summary">
455Killer Shark in Another World Manga Prendiamo due cose completamente opposte, <span class="summary-dot">...</span></p> 456 <div class="p-footer"> 457 <aside class="p-meta-info"> <span class="meta-info-el meta-info-author"> 458 <span class="screen-reader-text">Posted by</span> 459 <em class="meta-label">by </em> 460 <a href="https://nanoda.com/author/shinji-kakaroth/">Shinji Kakaroth</a> 461 </span> 462 <span class="meta-info-el meta-info-date"> 463 <i class="rbi rbi-clock"></i> <abbr class="date published" title="2025-12-03T15:49:35+01:00">3 Dicembre 2025</abbr> 464 <abbr class="updated" title="2025-12-03T15:49:35+01:00">3 Dicembre 2025</abbr> 465 </span> 466 </aside> <a class="btn p-link" href="https://nanoda.com/2025-12-killer-shark-in-another-world/"><span>LEGGI</span><i class="rbi rbi-arrow-right"></i></a> 467 </div> 468 </div> 469 </div><div class="p-outer rb-p20-gutter rb-col-t6 rb-col-m12"> <div class="p-wrap p-grid p-grid-1 post-82873 no-avatar"> 470 <div class="p-feat-holder"> 471 <div class="p-feat"> 472 <a class="p-flink" href="https://nanoda.com/2025-11-jealousy-di-scarlet-beriko/" title="Jealousy di Scarlet Beriko"> 473 <span class="rb-iwrap"><img loading="lazy" decoding="async" width="370" height="250" src="data:image/gif;base64,R0lGODdhAQABAPAAAMPDwwAAACwAAAAAAQABAAACAkQBADs=" data-src="https://i0.wp.com/nanoda.com/wp-content/uploads/2025/11/Jealousy-manga-yakuza-Scarlet-Beriko.png?resize=370%2C250&ssl=1" class="rb-lazyload rb-autosize attachment-pixwell_370x250 size-pixwell_370x250 wp-post-image" alt="Il manga Jealousy di Scarlet Beriko" data-srcset="https://i0.wp.com/nanoda.com/wp-content/uploads/2025/11/Jealousy-manga-yakuza-Scarlet-Beriko.png?resize=370%2C250&ssl=1 370w, https://i0.wp.com/nanoda.com/wp-content/uploads/2025/11/Jealousy-manga-yakuza-Scarlet-Beriko.png?resize=740%2C500&ssl=1 740w" data-sizes="(max-width: 370px) 100vw, 370px" /></span> 474 </a> 475 <aside class="p-cat-info is-absolute"> 476 <a class="cat-info-el cat-info-id-2745" href="https://nanoda.com/category/manga/j-pop/" rel="category">J-Pop</a> </aside> 477 </div> 478 </div> 479 <div class="p-header"><h3 class="entry-title"> <a class="p-url" href="https://nanoda.com/2025-11-jealousy-di-scarlet-beriko/" rel="bookmark" title="Jealousy di Scarlet Beriko">Jealousy di Scarlet Beriko</a> 480 </h3></div> 481 <p class="entry-summary">Il Rogi Uichi del presente è una persona fredda, spietata, mostra <span class="summary-dot">...</span></p> 482 <div class="p-footer"> 483 <aside class="p-meta-info"> <span class="meta-info-el meta-info-author"> 484 <span class="screen-reader-text">Posted by</span> 485 <em class="meta-label">by </em> 486 <a href="https://nanoda.com/author/mara-cotticelli/">Mara Cotticelli</a> 487 </span> 488 <span class="meta-info-el meta-info-date"> 489 <i class="rbi rbi-clock"></i> <abbr class="date published" title="2025-11-30T10:12:37+01:00">30 Novembre 2025</abbr> 490 <abbr class="updated" title="2025-11-30T10:12:37+01:00">30 Novembre 2025</abbr> 491 </span> 492 </aside> <a class="btn p-link" href="https://nanoda.com/2025-11-jealousy-di-scarlet-beriko/"><span>LEGGI</span><i class="rbi rbi-arrow-right"></i></a> 493 </div> 494 </div> 495 </div><div class="p-outer rb-p20-gutter rb-col-t6 rb-col-m12"> <div class="p-wrap p-grid p-grid-1 post-82852 no-avatar"> 496 <div class="p-feat-holder"> 497 <div class="p-feat"> 498 <a class="p-flink" href="https://nanoda.com/2025-11-tower-dungeon/" title="Tower Dungeon"> 499 <span class="rb-iwrap"><img loading="lazy" decoding="async" width="370" height="250" src="data:image/gif;base64,R0lGODdhAQABAPAAAMPDwwAAACwAAAAAAQABAAACAkQBADs=" data-src="https://i0.wp.com/nanoda.com/wp-content/uploads/2025/11/Tower_Dungeon_screen.jpg?resize=370%2C250&ssl=1" class="rb-lazyload rb-autosize attachment-pixwell_370x250 size-pixwell_370x250 wp-post-image" alt="" data-srcset="https://i0.wp.com/nanoda.com/wp-content/uploads/2025/11/Tower_Dungeon_screen.jpg?resize=370%2C250&ssl=1 370w, https://i0.wp.com/nanoda.com/wp-content/uploads/2025/11/Tower_Dungeon_screen.jpg?resize=740%2C500&ssl=1 740w, https://i0.wp.com/nanoda.com/wp-content/uploads/2025/11/Tower_Dungeon_screen.jpg?zoom=3&resize=370%2C250&
499ssl=1 1110w" data-sizes="(max-width: 370px) 100vw, 370px" /></span> 500 </a> 501 <aside class="p-cat-info is-absolute"> 502 <a class="cat-info-el cat-info-id-2487" href="https://nanoda.com/category/manga/" rel="category">Manga</a><a class="cat-info-el cat-info-id-27" href="https://nanoda.com/category/manga/planet-manga/" rel="category">Planet Manga</a> </aside> 503 </div> 504 </div> 505 <div class="p-header"><h3 class="entry-title"> <a class="p-url" href="https://nanoda.com/2025-11-tower-dungeon/" rel="bookmark" title="Tower Dungeon">Tower Dungeon</a> 506 </h3></div> 507 <p class="entry-summary">Tower Dungeon Manga Torna il sensei Tsutomu Nihei, autore di capolavori <span class="summary-dot">...</span></p> 508 <div class="p-footer"> 509 <aside class="p-meta-info"> <span class="meta-info-el meta-info-author"> 510 <span class="screen-reader-text">Posted by</span> 511 <em class="meta-label">by </em> 512 <a href="https://nanoda.com/author/shinji-kakaroth/">Shinji Kakaroth</a> 513 </span> 514 <span class="meta-info-el meta-info-date"> 515 <i class="rbi rbi-clock"></i> <abbr class="date published" title="2025-11-28T07:12:13+01:00">28 Novembre 2025</abbr> 516 <abbr class="updated" title="2025-11-28T07:58:55+01:00">28 Novembre 2025</abbr> 517 </span> 518 </aside> <a class="btn p-link" href="https://nanoda.com/2025-11-tower-dungeon/"><span>LEGGI</span><i class="rbi rbi-arrow-right"></i></a> 519 </div> 520 </div> 521 </div><div class="p-outer rb-p20-gutter rb-col-t6 rb-col-m12"> <div class="p-wrap p-grid p-grid-1 post-82842 no-avatar"> 522 <div class="p-feat-holder"> 523 <div class="p-feat"> 524 <a class="p-flink" href="https://nanoda.com/2025-11-my-genderless-boyfriend-di-tamekou/" title="My genderless boyfriend di Tamekou"> 525 <span class="rb-iwrap"><img loading="lazy" decoding="async" width="370" height="250" src="data:image/gif;base64,R0lGODdhAQABAPAAAMPDwwAAACwAAAAAAQABAAACAkQBADs=" data-src="https://i0.wp.com/nanoda.com/wp-content/uploads/2025/11/genderless-boyfriend.jpg?resize=370%2C250&ssl=1" class="rb-lazyload rb-autosize attachment-pixwell_370x250 size-pixwell_370x250 wp-post-image" alt="Genderless Boyfriend, manga di Tamekou" data-srcset="https://i0.wp.com/nanoda.com/wp-content/uploads/2025/11/genderless-boyfriend.jpg?resize=370%2C250&ssl=1 370w, https://i0.wp.com/nanoda.com/wp-content/uploads/2025/11/genderless-boyfriend.jpg?resize=740%2C500&ssl=1 740w" data-sizes="(max-width: 370px) 100vw, 370px" /></span> 526 </a> 527 <aside class="p-cat-info is-absolute"> 528 <a class="cat-info-el cat-info-id-30" href="https://nanoda.com/category/manga/star-comics-news/" rel="category">Star Comics News</a> </aside> 529 </div> 530 </div> 531 <div class="p-header"><h3 class="entry-title"> <a class="p-url" href="https://nanoda.com/2025-11-my-genderless-boyfriend-di-tamekou/" rel="bookmark" title="My genderless boyfriend di Tamekou">My genderless boyfriend di Tamekou</a> 532 </h3></div> 533 <p class="entry-summary">Meguru, protagonista di My genderless boyfriend di Tamekou, è un ragazzo <span class="summary-dot">...</span></p> 534 <div class="p-footer"> 535 <aside class="p-meta-info"> <span class="meta-info-el meta-info-author"> 536 <span class="screen-reader-text">Posted by</span> 537 <em class="meta-label">by </em> 538 <a href="https://nanoda.com/author/mara-cotticelli/">Mara Cotticelli</a> 539 </span> 540 <span class="meta-info-el meta-info-date"> 541 <i class="rbi rbi-clock"></i> <abbr class="date published" title="2025-11-23T08:48:47+01:00">23 Novembre 2025</abbr> 542 <abbr class="updated" title="2025-11-23T08:48:47+01:00">23 Novembre 2025</abbr> 543 </span> 544 </aside> <a class="btn p-link" href="https://nanoda.com/2025-11-my-genderless-boyfriend-di-tamekou/"><span>LEGGI</span><i class="rbi rbi-arrow-right"></i></a> 545 </div> 546 </div> 547 </div><div class="p-outer rb-p20-gutter rb-col-t6 rb-col-m12"> <div class="p-wrap p-grid p-grid-1 post-82790 no-avatar"> 548 <div class="p-feat-holder"> 549 <div class="p-feat"> 550 <a class="p-flink" href="https://nanoda.com/2025-11-kings-maker-di-haga-e-ji-young-kang/" title="Kingâs Maker di Haga e Ji-Young Kang"> 551 <span class="rb-iwrap"><img loading="lazy" decoding="async" width="370" height="250" src="data:image/gif;base64,R0lGODdhAQABAPAAAMPDwwAAACwAAAAAAQABAAACAkQBADs=" data-src="https://i0.wp.com/nanoda.com/wp-content/uploads/2025/11/Kings-Maker-Haga-Ji-Young-Kang.jpg?resize=370%2C250&ssl=1" class="rb-lazyload rb-autosize attachment-pixwell_370x250 size-pixwell_370x250 wp-post-image" alt="Kingâs Maker di Haga e Ji-Young Kang" data-srcset="https://i0.wp.com/nanoda.com/wp-content/uploads/2025/11/Kings-Maker-Haga-Ji-Young-Kang.jpg?resize=370%2C250&ssl=1 370w, https://i0.wp.com/nanoda.com/wp-content/uploads/2025/11/Kings-Maker-Haga-Ji-Young-Kang.jpg?resize=740%2C500&ssl=1 740w, https://i0.wp.com/nanoda.com/wp-content/uploads/2025/11/Kings-Maker-Haga-Ji-Young-Kang.jpg?zoom=3&resize=370%2C250&
551ssl=1 1110w" data-sizes="(max-width: 370px) 100vw, 370px" /></span> 552 </a> 553 <aside class="p-cat-info is-absolute"> 554 <a class="cat-info-el cat-info-id-2487" href="https://nanoda.com/category/manga/" rel="category">Manga</a> </aside> 555 </div> 556 </div> 557 <div class="p-header"><h3 class="entry-title"> <a class="p-url" href="https://nanoda.com/2025-11-kings-maker-di-haga-e-ji-young-kang/" rel="bookmark" title="Kingâs Maker di Haga e Ji-Young Kang">Kingâs Maker di Haga e Ji-Young Kang</a> 558 </h3></div> 559 <p class="entry-summary">Oggi vi parlo di uno dei manhwa che apprezzo di più: <span class="summary-dot">...</span></p> 560 <div class="p-footer"> 561 <aside class="p-meta-info"> <span class="meta-info-el meta-info-author"> 562 <span class="screen-reader-text">Posted by</span> 563 <em class="meta-label">by </em> 564 <a href="https://nanoda.com/author/mara-cotticelli/">Mara Cotticelli</a> 565 </span> 566 <span class="meta-info-el meta-info-date"> 567 <i class="rbi rbi-clock"></i> <abbr class="date published" title="2025-11-15T17:06:18+01:00">15 Novembre 2025</abbr> 568 <abbr class="updated" title="2025-11-15T17:06:18+01:00">15 Novembre 2025</abbr> 569 </span> 570 </aside> <a class="btn p-link" href="https://nanoda.com/2025-11-kings-maker-di-haga-e-ji-young-kang/"><span>LEGGI</span><i class="rbi rbi-arrow-right"></i></a> 571 </div> 572 </div> 573 </div> </div> 574 </div> 575 <div class="pagination-wrap pagination-nextprev clearfix"> 576 <a href="#" class="pagination-link ajax-link ajax-prev is-disable" data-type="prev"><i class="rbi rbi-arrow-left"></i><span>Precedente</span></a> 577 <a href="#" class="pagination-link ajax-link ajax-next" data-type="next"><span>Prossimo</span><i class="rbi rbi-arrow-right"></i></a> 578 </div> 579 </div> <div id="uid_76a883699" class="block-wrap fw-block raw-html none-margin" > 580 <div class="content-wrap"><div class="content-inner"> 581 <div class="block"> 582 <h3>Un manga è un fumetto.</h3> 583 <hr> 584 <p><img loading="lazy" data-recalc-dims="1" decoding="async" style="float:left;margin: 10px 15px 15px 0;padding: 5px;background: #DDD;border: 1px solid #CCC;" title="Manga" src="https://i0.wp.com/nanoda.com/wp-content/uploads/2020/10/manga.png?resize=125%2C125&ssl=1" alt="Manga" width="125" height="125"></p> 585 <p>Nella fattispecie, un <a href="https://web.archive.org/web/20170629002949/http://it.wikipedia.org/wiki/Fumetto" target="_blank">fumetto giapponese</a>.</p> 586 <p>Anche se in <a title="Giappone" href="https://web.archive.org/web/20170629002949/http://www.nanoda.com/category/giappone/">Giappone</a> questa parola è usata per indicare ogni tipo di fumetto, senza distinzioni, in Occidente la usiamo per indicare tutti e solo i fumetti provenienti dal Giappone. Fumetti disegnati con uno stile simile a quello degli autori giapponesi, ma creati in Europa o in America non sono manga. Viceversa, tutti i fumetti prodotti in Giappone sono manga, anche se hanno uno stile di disegno molto diverso dagli standard cui siamo abituati e anche se il loro autore non è giapponese.</p> 587 <p><img data-recalc-dims="1" fetchpriority="high" decoding="async" style="float:right;" title="Manga: Fumetto" src="https://i0.wp.com/nanoda.com/wp-content/uploads/2020/10/manga-fumetto.png?resize=260%2C400&ssl=1" alt="Manga: Fumetto" width="260" height="400"></p> 588 <p>Un fumetto, essenzialmente, è un <a href="https://web.archive.org/web/20170629002949/http://it.wikipedia.org/wiki/Medium" target="_blank">medium</a>. Medium è una parola latina, forse un po’ difficile, ma molto importante. Un medium è un “mezzo” di espressione (ideologica, artistica, culturale) o di informazione. Il cinema, la musica, i libri, le riviste, sono tutti dei media (il plurale di medium).</p> 589 <p><strong>Quindi il fumetto è il mezzo</strong> con cui un autore si esprime e comunica coi suoi lettori. Perché un medium esista, sono ugualmente necessari gli autori che il loro pubblico. Capito? Senza di voi i fumetti non ci sarebbero.</p> 590 <p><strong>La caratteristica propria che distingue il fumetto dagli altri media</strong> è quello di presentare una narrazione che è costituita dalla giustapposizione di immagini in sequenza. A tal proposito, la definizione di fumetto ritenuta quasi universalmente la migliore, è quella coniata dal grandissimo maestro americano <a href="https://web.archive.org/web/20170629002949/http://it.wikipedia.org/wiki/Will_Eisner" target="_blank">Will Eisner</a>: <a href="https://web.archive.org/web/20170629002949/http://en.wikipedia.org/wiki/Sequential_art" target="_blank"><em>arte sequenziale</em></a>.</p> 591 <p><br class="spacer_"></p> 592 <p><br class="spacer_"></p> 593 </div> 594 <br></br> 595 <br></br> 596<div class="block"> 597 <h3><em>Manga</em> è la parola giapponese utilizzata per indicare i fumetti.</h3>
598 <hr> 599 <p><img loading="lazy" data-recalc-dims="1" decoding="async" style="float:left;margin: 10px 15px 15px 0;padding: 5px;background: #DDD;border: 1px solid #CCC;" title="Manga: Definizione" src="https://i0.wp.com/nanoda.com/wp-content/uploads/2020/10/manga-kanji.png?resize=125%2C125&ssl=1" alt="Manga: Definizione" width="125" height="125"></p> 600 <p><strong>In Giappone è utilizzata per indicare tutti i fumetti</strong>, non solo quelli giapponesi, ma anche quelli americani, francesi, coreani eccetera.</p> 601 <p><em>Manga</em> è una parola utilizzata da tutta la gente comune. Molti addetti ai lavori, però, rifiutano l’uso della parola <em>manga</em>, e utilizzano, al suo posto, il termine <em>komikku</em>, nipponizzazione dell’inglese <a href="https://web.archive.org/web/20170629002949/http://en.wikipedia.org/wiki/Comics" target="_blank"><em>comic</em></a>. Perché tutto questo? Cosa vorrà dire esattamente la parola <em>Manga</em>?</p> 602 <p><strong>Prima di tutto una premessa.</strong> A differenza dell’italiano e delle lingue occidentali, la lingua giapponese non ha un sistema di scrittura alfabetico, ma ideografico. Qual è la differenza? Un sistema di scrittura alfabetico associa un simbolo grafico (le lettere dell’alfabeto) a ogni suono, e le parole si compongono unendo fra loro diverse lettere.</p> 603 <p>Un sistema di scrittura ideografico, invece, associa un simbolo grafico non solo a un suono ma anche a un significato. Questo vuol dire che, ad esempio, mentre in italiano la lettera <em>c</em> non ha nessun significato oltre al suono <em>c</em>, in giapponese l’ideogramma <em>inu ç¬</em>, oltre al suono <em>inu</em>, ha anche un significato, nella fattispecie <em>cane</em>.</p> 604 <p>Ma torniamo alla parola <em>manga</em>. <em>Manga</em> si scrive con due ideogrammi, <em>man 漫</em> e <em>ga ç»</em>, che significano rispettivamente <em>gioco, capriccio, burla</em> e <em>immagine</em>. La loro unione avrà quindi il senso di <em>immagini giocose</em> <em>immagini [che esprimono] burle spiritose</em>.</p> 605 <p><br class="spacer_"></p> 606 <p><br class="spacer_"></p> 607 </div> 608 609 <div class="block"> 610 <h3>Ci sono tante interpretazioni, ma non esiste una data ufficiale.</h3> 611 <hr> 612 <p><strong>Alcuni studiosi si sono spinti indietro nel tempo</strong> fino al medioevo alla ricerca di antenati dei manga. Quel che è certo, è che la cultura e la letteratura giapponese sono sempre state molto legate a forme di scrittura integrate da disegni.</p> 613 <p><img data-recalc-dims="1" loading="lazy" decoding="async" style="float:right;" title="Hokusai Manga" src="https://i0.wp.com/nanoda.com/wp-content/uploads/2020/10/hokusai-manga.png?resize=260%2C400&ssl=1" alt="Hokusai Manga" width="260" height="400"></p> 614 <p>In ogni caso, semplificando un po’, possiamo contare tre momenti fondamentali per la nascita dei manga come oggi li conosciamo.</p> 615 <ol> 616 <li><strong>Il primo</strong> è verso l’inizio del diciannovesimo secolo, e più precisamente fra il 1814 e il 1834, periodo nel quale il famosissimo pittore <a title="Katsushika Hokusai" href="https://web.archive.org/web/20170629002949/http://it.wikipedia.org/wiki/Hokusai" target="_blank">Katsushika Hokusai</a> disegnò 15 rotoli di immagini buffe e caricaturali che battezzò <a title="Hokusai Manga" href="https://web.archive.org/web/20170629002949/http://en.wikipedia.org/wiki/Hokusai_Manga" target="_blank"><em>Hokusai manga</em></a>. Anche se alcuni ritengono che non fu proprio lui l’inventore della parola “manga”, fu sicuramente lui quello che dobbiamo ringraziare per la sua diffusione.</li> 617 <li><strong>La seconda tappa</strong> fu nel 1901, quando fra le pagine del quotidiano <em>Jiji shinpo</em> cominciarono a venire pubblicate le vignette satiriche di <a title="Kitazawa Rakuten" href="https://web.archive.org/web/20170629002949/http://en.wikipedia.org/wiki/Rakuten_Kitazawa" target="_blank">Kitazawa Rakuten</a>, il primo vero fumettista professionista giapponese.</li> 618 <li><strong>Il terzo momento</strong>, probabilmente il più importante di tutti, è datato 1951, l’anno in cui venne pubblicata <em>La nuova isola del tesoro</em> (<a href="https://web.archive.org/web/20170629002949/http://search.japantimes.c
618o.jp/cgi-bin/nn20081119f1.html" target="_blank"><em>Shin-Takarajima</em></a>) di <a href="https://web.archive.org/web/20170629002949/http://it.wikipedia.org/wiki/Osamu_Tezuka" target="_blank">Osamu Tezuka</a>. </li> 619 </ol> 620 <p><strong>Ricordatevelo sempre</strong>: qualunque manga leggiate e vi appassioni oggi non sarebbe esistito senza Tezuka.</p> 621 <br></br> 622 <h3>Cos’ha fatto di così importante Osamu Tezuka?</h3> 623 <hr> 624 <p><img data-recalc-dims="1" loading="lazy" decoding="async" style="float:right;" title="Osamu Tezuka" src="https://i0.wp.com/nanoda.com/wp-content/uploads/2020/10/osamu-tezuka.jpg?resize=260%2C400&ssl=1" alt="Osamu Tezuka" width="260" height="400"></p> 625 <p>Tanto per farvi capire la portata del personaggio: In Giappone <a title="Tezuka" href="https://web.archive.org/web/20170629002949/http://www.osamushi.it/" target="_blank">Tezuka</a> è chiamato “il dio del fumetto”, e in seguito alla sua scomparsa, nel 1989, è stato addirittura eretto un tempio in suo onore.</p> 626 <p><strong>Ma, tornando alla nostra domanda</strong>, Tezuka fu il primo ad applicare al fumetto tecniche e meccanism
626i propri del cinema, nonché il primo a introdurre tematiche e sceneggiature complesse e sviluppate e personaggi molto approfonditi e credibili, inventando il cosiddetto <a title="story manga" href="https://web.archive.org/web/20170629002949/http://en.wikipedia.org/wiki/Story_manga" target="_blank">story manga</a>.</p> 627 <p>In quel periodo il Giappone, uscito in ginocchio dalla Seconda Guerra Mondiale, stava affrontando la ricostruzione: e per ricostruire il Paese era necessario rimboccarsi le mani e lavorare alacremente. Ma erano necessari anche altri elementi: un forte sentimento di unità nazionale e un modo per tutti i Giapponesi di sentirsi “vicini” e solidali.</p> 628 <p>Per sentirsi vicini era indispensabile poter “comunicare” con ogni capo dell’arcipelago: questa necessità fu la spinta che rese possibile, in quel periodo, la grande diffusione dei “mass media”, i mezzi di comunicazione di massa.</p> 629 <p><strong>E Tezuka, creando lo “story manga”</strong>, diede al manga gli strumenti necessari per affrontare la diffusione nel mercato di massa, e, anzi, per imporvisi, rendendolo oggi uno dei prodotti culturali maggiormente rappresentativi del Giappone nel mondo.</p> 630 <p>Sembra che, nella sua lunga e luminosa carriera, Tezuka disegnò qualcosa come ottantamila pagine di fumetto, per un totale di circa 400 albi a fumetti. Inoltre, cosa ancor più straordinaria, di fatto “inventò” tutti i generi che caratterizzano i manga oggi.</p> 631 <p><br class="spacer_"></p> 632 <p><br class="spacer_"></p> 633 </div> 634 635 <div class="block"> 636 <h3>Ce ne sono molte.</h3> 637 <hr> 638 <p><img data-recalc-dims="1" loading="lazy" decoding="async" style="float:left;margin-right:5px;" title="Manga: Caratteristiche" src="https://i0.wp.com/nanoda.com/wp-content/uploads/2020/10/manga-caratteristiche.gif?resize=176%2C400&ssl=1" alt="Manga: Caratterisitche" width="176" height="400"></p> 639 <ol> 640 <li><strong>La prima, la più visibile</strong>, è che <strong>i manga si leggono da destra verso sinistra</strong>, al contrario di quanto accade per i nostri fumetti, i nostri libri e i nostri giornali. Questo perché in Giappone si scrive da destra verso sinistra e dall’alto verso il basso. Per questo motivo, un’altra caratteristica giapponese è una forte verticalità nella costruzione delle tavole. Inoltre, un’altra caratteristica immediatamente riconoscibile dei manga è la loro grafica: una grafica simbolica, così come simbolica è la loro scrittura, come abbi
640amo visto parlando del significato della parola “manga”. Quindi, anziché cercare di “descrivere” o “riprodurre” la realtà (come fanno solitamente il fumetto americano e parte di quello europeo) i disegni dei manga la “indicano”, la richiamano mediante simboli non realistici ma spesso molto più efficaci di una grafica propriamente realistica.</li> 641 <li><strong>Un’altra caratteristica</strong> propria dei manga è che <strong>sono disegnati e, solitamente, sceneggiati dallo stesso autore dall’inizio fino alla loro conclusione</strong>. In Occidente ciò è possibile solo per i fumetti cosiddetti “d’autore”, ma sicuramente non per quelli industriali; in Giappone invece ciò è possibile grazie all’esistenza delle grandi riviste contenitore, settimanali, bimensili o mensili, dove i manga vengono serializzati a brevi episodi solitamente di 20 o 32 pagine; ma anche grazie all’esistenza degli assistenti, personale specializzato nei fondali, nelle chine, nei retini che affianca il sensei e lo aiuta nel completare le sue opere.</li> 642 <li><strong>L’ultima caratteristica</strong> assolutamente notevole dei manga è il suo differenziarsi in base al “target”, ovvero al pubblico di riferimento. Vignette satiriche e strisce umoristiche a parte, l’albo a fumetti, in Occidente, ha solitamente due pubblici di riferimento fondamentali: i ragazzini per i fumetti “industriali” e gli adulti di buona o media preparazione culturale per i fumetti “d’autore”. In Giappone, invece, esistono manga per qualunque tipo di pubblico, sesso ed età . In effetti, in nessun altro paese al mondo esiste un tale numero di fumetti per ragazze né di disegnatrici donne, se ci pensate bene. </li> 643 </ol> 644 <p><br class="spacer_"></p> 645 </div> 646<hr> 647 <p><br class="spacer_"></p> 648 <div class="block"> 649 <p><strong>In Giappone, solitamente,</strong> non si classificano i generi dei manga in base al contenuto, come in Occidente, ma in base al “target”
649 ovvero al pubblico di riferimento, come abbiamo appena visto.</p> 650 <p>Seguendo questo sistema, i “generi” principali del manga sono quattro (più uno… e mezzo).</p> 651 <ol> 652 <li><img data-recalc-dims="1" loading="lazy" decoding="async" style="float:left;margin: 10px 15px 15px 0;padding: 5px;background: #DDD;border: 1px solid #CCC;" title="Shonen Manga" src="https://i0.wp.com/nanoda.com/wp-content/uploads/2020/10/shonen-manga.png?resize=125%2C125&ssl=1" alt="Shonen Manga" width="125" height="125"><strong>1. Shonen manga</strong>: sono i più famosi, i leader del mercato. Assieme alla loro controparte femminile (gli shojo manga) costituiscono la grandissima maggioranza della produzione fumettistica giapponese. Questi fumetti “adolescenziali” hanno un target molto ampio che va dagli ultimi anni delle scuole elementari fino alla fine delle scuole superiori; e hanno in comune una forte tendenza all’eccesso, all’esagerazione. Negli shonen manga questa “esagerazione” è subito visibile, e riguarda l’impatto che il protagonista ha sul mondo esterno. Il personaggio principale di un manga potrebbe quindi essere il ninja più forte, il pirata più imbattibile, il ladro più inafferrabile, lo sportivo più abile, o il ragazzo più desiderato dalle fanciulle. Egli dimostrerà di essere il numero uno mettendosi in competizione con altri avversari sempre più temibili, sino a primeggiare. Cosa fondamentale è però che questa particolare forza o bravura non sia fine a sé sessa, indirizzata semplicemente alla realizzazione e alla felicità di chi la possiede; ma che serva a ottenere il bene di tutti, della comunità . Il protagonista degli shonen manga è quindi un ragazzo che cerca la sua identità , che cerca di emergere dalla comunità per il bene della stessa. </li> 653 <li><img data-recalc-dims="1" loading="lazy" decoding="async" style="float:left;margin: 10px 15px 15px 0;padding: 5px;background: #DDD;border: 1px solid #CCC;" title="Shojo Manga" src="https://i0.wp.com/nanoda.com/wp-content/uploads/2020/10/shojo-manga.png?resize=125%2C125&ssl=1" alt="Shojo Manga" width="125" height="125"><strong>2. Shojo manga</strong>: Anche i manga adolescenziali per femminucce presentano una forte “esagerazione”: esagerazione, stavolta, dei sentimenti, dell’impatto che il mondo esterno ha all’interno della protagonista. Come negli shonen manga, elemento fondamentale è la competizione. Competizione con rivali nello sport, nelle attività del club, in amore, con le compagne di classe o con le proprie stesse insicurezze: le protagoniste degli <a href="https://web.archive.org/web/20170629002949/http://www.shoujo-love.net/" target="_blank">shojo manga</a>, per coronare il loro sogno, dovranno affrontare un cammino non meno tortuoso dei colleghi degli shonen. Ma, come detto, gli ostacoli non vanno superati fuori, ma dentro al loro stesso cuore. Graficamente, mentre gli shonen manga presentano dei fisici, sia maschili che femminili, molto marcati e prorompenti, gli shojo manga tendono invece all’idealizzazione, mostrando protagonisti e protagoniste eterei, affusolati, quasi asessuati. Solo negli ultimi anni (grazie all’influenza di autrici come <a href="https://web.archive.org/web/20170629002949/http://en.wikipedia.org/wiki/Kyoko_Okazaki" target="_blank">Kyoko Okazaki</a> e <a title="Maki Kusumoto" href="https://web.archive.org/web/20170629002949/http://www.makikusumoto.jp/" target="_blank">Maki Kusumoto</a>), i visi infantilizzati tipici degli shojo stanno in parte lasciando posto a tratti più marcati, bocche larghe, fisici sensuali: l’esempio più famoso è Nana, manga campione di vendite in tutto il mondo. Altra caratteristica molto “visibile” degli shojo è l’eliminazione degli sfondi in favore di fiori o elementi decorativi. Questo serve, allo stesso tempo, ad “amplificare” le emozioni dei protagonisti e a trasportarli in uno “spazio ideale”, che può facilmente trasformarsi nella stanza i ogni lettrice. Di recente, è andata sviluppandosi anche una corrente di shojo manga, detta <a href="https://web.archive.org/web/20170629002949/http://www.nanoda.com/manga-generi/smut/">smut</a>, che presenta nelle storie anche una larga dose di erotismo. </li> 654 <li><img data-recalc-dims="1" loading="lazy" decoding="async" style="float:left;margin: 10px 15px 15px 0;padding: 5px;background: #DDD;border: 1px solid #CCC;" title="Seinen Manga" src="https://i0.wp.com/nanoda.com/wp-content/uploads/2020/10/seinen-manga.png?resize=125%2C125&ssl=1" alt="Seinen Manga" width="125" height="125"><strong>3. Seinen manga</strong>: I seinen manga, così come i ladies (o josei) manga, si possono facilmente distinguere dai manga adolescenziali perché, nelle loro edizioni giapponesi, gli ideogrammi sono privi della “lettura facilitata”, il cosiddetto <a href="https://web.archive.org/web/20170629002949/http://it.wikipedia.org/wiki/Furigana" target="_blank">furigana</a>. Sono realizzati per un pubblico molto variegato, che va dagli studenti universitari, agli impiegati, agli intellettuali, ai manager, agli appassionati di cucina o gioco d’azzardo eccetera: ogni tipo di pubblico avrà un fumetto adatto a lui. Graficamente, avremo un’impaginazione più sobria, con meno vignette oblique o spezzettate, e uno stile di disegno meno attento ai gusti del momento, meno legato alla ricerca del virtuosismo ostentato. </li> 655 <li><img data-recalc-dims="1" loading="lazy" decoding="async" style="float:left;margin: 10px 15px 15px 0;padding: 5px;background: #DDD;border: 1px solid #CCC;" title="Josei Manga" src="https://i0.wp.com/nanoda.com/wp-content/uploads/2020/10/josei-manga.png?resize=125%2C125&ssl=1" alt="Josei Manga" width="125" height="125"><strong>4. Josei manga</strong>: Ovvero i fumetti per giovani donne. Anche qui abbiamo molti pubblici possibili: studentesse, commesse, casalinghe, donne in carriera. La componente sentimentale la fa sempre da padrone; ma, privato dello sguardo innocente e idealizzato dell’
655adolescenza, il sentimento, qui, si fa ruvido, spigoloso, carnale, molto meno “pensato” e molto più diretto, compiuto, “realizzato”. Molte autrici di ladies manga prediligono una grafica molto scarna e una narrazione molto intensa, rendendo le loro opere, di fatto le eredi contemporanee del romanzo femminile giapponese </li> 656 </ol> 657 <p>Questi i quattro generi principali. E “l’uno e mezzo” in più di cui si accennava? Ecco qui:</p> 658 <ul> 659 <li><img data-recalc-dims="1" loading="lazy" decoding="async" style="float:left;margin: 10px 15px 15px 0;padding: 5px;background: #DDD;border: 1px solid #CCC;" title="Kodomo Manga" src="https://i0.wp.com/nanoda.com/wp-content/uploads/2020/10/kodomo-manga.png?resize=125%2C125&ssl=1" alt="Kodomo Manga" width="125" height="125"><strong>Kodomo manga</strong>: Sono i fumetti per bambini di età prescolare e primi anni delle elementari.<br> Grafiche molto semplici, temi molto giocosi e spesso didattici.<br> Scavando se ne possono trovare di molto interessanti anche per un pubblico più grandicello. </li> 660 <br> 661 <li><img data-recalc-dims="1" loading="lazy" decoding="async" style="float:left;margin: 10px 15px 15px 0;padding: 5px;background: #DDD;border: 1px solid #CCC;" title="Manga Erotici" src="https://i0.wp.com/nanoda.com/wp-content/uploads/2020/10/manga-erotici.png?resize=125%2C125&ssl=1" alt="Manga Erotici" width="125" height="125"><strong>Manga erotici</strong>: Ce ne sono sia per maschietti che per femminucce. Questo genere vale “mezzo” perché i manga erotici potrebbero essere anche considerati un sottoinsieme dei seinen e dei ladies. I manga erotici maschili vengono chiamati anch’essi seinen manga (ma scritto con ideogrammi diversi rispetto a seinen non erotici); i manga erotici femminili sono costituiti quasi esclusivamente da manga a sfondo omosessuale, per la maggior parte omosessuale maschile (<a title="yaoi" href="https://web.archive.org/web/20170629002949/http://www.nanoda.com/manga-generi/yaoi/">yaoi</a>) ma in una certa misura anche femminile (yuri). </li> 662 </ul> 663 <p><br class="spacer_"></p> 664 <p><br class="spacer_"></p> 665 </div> </div> 666 </div> 667 </div></div><aside class="rbc-sidebar sidebar-sticky" role="complementary"><div class="sidebar-inner"><div id="block-2" class="widget w-sidebar widget_block"><p>Errore nella chiamata API. Contattare l'amministratore.</p> 668</div><div id="pixwell_widget_facebook-3" class="widget w-sidebar widget-facebook"> <div class="fb-container"> 669 <div id="fb-root"></div> 670
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