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115<a href="https://willkempartschool.com/how-to-paint-a-whistler-nocturne-in-oils/"  rel="bookmark">How to Paint a Whistler Nocturne in Oils</a></h2></header><ul class="meta clr"><li class="meta-author" itemprop="name">By <a href="https://willkempartschool.com/author/will-kemp/" rel="author"  itemprop="author" itemscope="itemscope" itemtype="https://schema.org/Person">Will Kemp</a></li>
116<a href="https://willkempartschool.com/category/painting/" rel="category tag">painting</a><li class="meta-cat"></li><li class="meta-comments"><a href="https://willkempartschool.com/how-to-paint-a-whistler-nocturne-in-oils/#comments" class="comments-link" >10 Comments</a></li></ul><div class="blog-entry-summary clr" itemprop="text"><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53688" src="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-nocturne-chelsea.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-nocturne-chelsea.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-nocturne-chelsea-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-nocturne-chelsea-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-nocturne-chelsea-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><blockquote><p>James McNeil Whistler, Nocturne Blue and Silver &#8211; Chelsea, 1871, Oil paint on wood</p></blockquote><p>After visiting the <a href="https://willkempartschool.com/james-mcneill-whistler-at-tate-britain-exhibition-review/"><strong>Whistler exhibition</strong> at Tate Britan, </a>the Nocturne series really captivated my attention, and I thought it would be an interesting subject for looking at compressed tonal ranges.</p><p>This painting demo is based on Whistler&#8217;s <a href="https://www.tate.org.uk/art/artworks/whistler-nocturne-blue-and-silver-chelsea-t01571">Nocturne Blue and Silver &#8211; Chelsea</a>, 1871, Oil paint on wood.</p><p>For this study, I’m going to use a grey tear-off palette rather than white. This will give us a more neutral reference when mixing our colours, making it much easier to judge how light or dark each mixture really is.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53652">
117<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/wooden-oil-painting-panel.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/wooden-oil-painting-panel-300x208.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/wooden-oil-painting-panel-768x533.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/wooden-oil-painting-panel-600x416.jpg.webp 600w" sizes="(max-width: 1000px) 100v
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118<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/wooden-oil-painting-panel.jpg" alt="" width="1000" height="694" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/wooden-oil-painting-panel.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/wooden-oil-painting-panel-300x208.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/wooden-oil-painting-panel-768x533.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/wooden-oil-painting-panel-600x416.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
119</picture></p><p>I’m also going to prepare the wooden painting surface with a dark grey-toned ground. Whistler worked on a wooden panel, so this will be a similar smooth surface.</p><p>I want the ground to sit somewhere in the middle-to-dark range of the finished painting. Starting on a toned surface immediately removes the glare of bare white canvas or wood tone and makes it much easier to judge the subtle lights and darks so important in Whistler’s Nocturnes.</p><p>You can use canvas instead of plywood, but a smooth panel is particularly useful because it encourages thin, fluid paint applications.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53649">
120<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/acrylic-underpainting.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/acrylic-underpainting-205x300.jpg.webp 205w, https://willkempartschool.com/wp-content/uploads/2026/09/acrylic-underpainting-699x1024.jpg.webp 699w, https://willkempartschool.com/wp-content/uploads/2026/09/acrylic-underpainting-768x1125.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/acrylic-underpainting-600x879.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
121<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/acrylic-underpainting.jpg" alt="acrylic-underpainting" width="1000" height="1465" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/acrylic-underpainting.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/acrylic-underpainting-205x300.jpg 205w, https://willkempartschool.com/wp-content/uploads/2026/09/acrylic-underpainting-699x1024.jpg 699w, https://willkempartschool.com/wp-content/uploads/2026/09/acrylic-underpainting-768x1125.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/acrylic-underpainting-600x879.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
122</picture></p><p>For the dark grey ground colour, I’m mixing Raw Umber with Ivory Black.</p><ul><li>2 parts Raw Umber</li><li>1 part Ivory Black</li></ul><p>I&#8217;m using Winsor and Newton student grade paint for this because it&#8217;s got a smoother consistency than the golden heavy bodied acrylic or oil paint, so you don&#8217;t need to dilute it as much with water for applying it on.</p><p>The exact colour isn’t critical; what matters more is getting it dark enough.</p><p>I then lighten the mix slightly with a white acrylic gesso and paint this on the board in a couple of thin layers.</p><h3>Drawing Out</h3><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53650">
123<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-grey-ground-01.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-grey-ground-01-300x225.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-grey-ground-01-768x576.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-grey-ground-01-600x450.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
124<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-grey-ground-01.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-grey-ground-01.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-grey-groun
124d-01-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-grey-ground-01-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-grey-ground-01-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
125</picture>
126<br />
127I want the board to be dark enough that I can still see my drawing, but it&#8217;s more of a stain-thin application than a solid covering.</p><p>You can see some of the board showing through.</p><p>Once the ground is dry, I lightly indicate the basic structure of the composition using a <a href="https://daler-rowney.com/product/fw-refillable-paint-markers-set-102/"><strong>FW Refillable paint marker</strong></a>, from Daler-Rowney.</p><p>I&#8217;ve filled it with high flow Raw Umber from Golden paints. (High Flow paint is a similar consistency to an ink) This gives me a fine, controllable line without introducing a heavy dark drawing underneath the painting.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53651">
128<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/paint-marker-daler.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/paint-marker-daler-300x164.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/paint-marker-daler-768x420.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/paint-marker-daler-600x328.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
129<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/paint-marker-daler.jpg" alt="" width="1000" height="547" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/paint-marker-daler.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/paint-marker-daler-300x164.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/paint-marker-daler-768x420.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/paint-marker-daler-600x328.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
130</picture></p><p>What I really like about the FW paint markers is that they have interchangeable nibs, and you can put different inks or acrylics into them.</p><p>Whistler would not necessarily have approached the painting with this kind of clearly drawn construction. His working method was often much more fluid and painterly. I’m introducing the drawing stage because it makes the progression easier to follow in a tutorial.</p><p>Keep the drawing extremely simple.</p><p>Look for the main horizontal divisions, the shoreline, the distant architecture, the larger masses.</p><p>At this stage, you are creating a framework for the tonal arrangement, so I&#8217;m avoiding drawing every detail.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53665">
131<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-drawing-small.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-drawing-small-300x225.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-drawing-small-768x577.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-drawing-small-600x451.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
132<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-drawing-small.jpg" alt="" width="1000" height="751" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-drawing-small.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-drawing-small-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-drawing-small-768x577.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-drawing-small-600x451.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
133</picture></p><h3>Oil Paints</h3><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53653">
134<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/oil-painting-demo-colours.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/oil-painting-demo-colours-225x300.jpg.webp 225w, https://willkempartschool.com/wp-content/uploads/2026/09/oil-painting-demo-colours-768x1024.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/oil-painting-demo-colours-600x800.jpg.webp 600w" sizes="(max-width: 1000px) 100v
134w, 1000px"/>
135<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/oil-painting-demo-colours.jpg" alt="oil-painting-demo-colours" width="1000" height="1333" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/oil-painting-demo-colours.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/oil-painting-demo-colours-225x300.jpg 225w, https://willkempartschool.com/wp-content/uploads/2026/09/oil-painting-demo-colours-768x1024.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/oil-painting-demo-colours-600x800.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
136</picture></p><p>I found this article listing the pigments identified in the Nocturne paintings, which was a brilliant reference point.</p><blockquote><p><strong>Lead white</strong> and <strong>bone black</strong> are found everywhere, with traces of <strong>vermilion</strong>, <strong>madder</strong> and a <strong>dull red ochre</strong>. <strong>Synthetic ultramarine</strong>, <strong>Prussian blue</strong> and madder were added to make the imprimatura that forms the cool blue foreground, but there is Prussian blue alone in the paint of the sky. The water includes <strong>cobalt blue</strong> and a distinct red lake from the madder, this blue giving it a greener tone.<br />
137The lights on the farther shore were applied with a pale cream paint made from lead white and <strong>yellow ochre</strong>, with added red lake, possibly that used for the water, a transparent red ochre, and possibly <strong>gamboge</strong>, a transparent yellow pigment use in oil paints at this time, but previously more used for watercolour painting.</p><p><a href="https://www.whistlerpaintings.gla.ac.uk/catalogue/display/?mid=y103&amp;xml=tec#y103hyc-back"><strong>Whistlerpaintings &#8211; Technique</strong></a></p></blockquote><ul><li>Lead white</li><li>Yellow Ochre</li><li>Gamboge</li><li>Vermilion</li><li>Madder Lake</li><li>Red Ochre</li><li>Cobalt Blue</li><li>Ultramarine Blue</li><li>Cobalt Blue</li><li>Bone black</li></ul><p>These are the equivalent colours  I already had in the studio:</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53654">
138<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/oil-paint-palette-whistler.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/oil-paint-palette-whistler-300x185.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/oil-paint-palette-whistler-768x475.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/oil-paint-palette-whistler-600x371.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
139<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/oil-paint-palette-whistler.jpg" alt="" width="1000" height="618" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/oil-paint-palette-whistler.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/oil-paint-palette-whistler-300x185.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/oil-paint-palette-whistler-768x475.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/oil-paint-palette-whistler-600x371.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
140</picture></p><p>From L to R: Titanium White, Yellow Ochre, Indian Yellow Red Shade, Permanent Alizarin Crimson, Cobalt Blue, Prussian Blue, Ultramarine Blue, Ivory Black</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53656" src="https://willkempartschool.com/wp-content/uploads/2026/09/COLOUR-PALETTE-WHISTLER-e1790511557967.jpg" alt="" width="1000" height="387" /></p><p>Some are quick-drying oils, but at this scale, it won&#8217;t really matter if I intermix them.</p><h3>Brushes</h3><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53103" src="https://willkempartschool.com/wp-content/uploads/2026/08/IMG_1702-e1785943993417.jpg" alt="" width="1000" height="737" /></p><blockquote><p>Here are a collection of some of Whistler&#8217;s actual brushes in the exhibition</p></blockquote><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53663">
141<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-brushes-hog.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-brushes-hog-300x143.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-brushes-hog-768x366.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-brushes-hog-600x286.jpg.webp 600w" sizes="(max-width: 1000px) 100v
141w, 1000px"/>
142<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-brushes-hog.jpg" alt="" width="1000" height="477" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-brushes-hog.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-brushes-hog-300x143.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-brushes-hog-768x366.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-brushes-hog-600x286.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
143</picture></p><p>I used a hog brush from <a href="https://www.cornelissen.com/brushes/oil-painting-brushes/cornelissen-series-44-hog-filbert.html"><strong>Cornelissen, series 44 size 6</strong></a>. A softer synthetic from <a href="https://www.rosemaryandco.com/evergreen-filberts"><strong>Rosemary &amp; Co, Evergreen Filbert Size 6</strong></a>. And a super small 2/0 <a href="https://www.jacksonsart.com/jackson-s-studio-synthetic-brush-sets"><strong>studio synthetic from Jacksons</strong></a>.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53662">
144<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/wash-brush-whistler.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/wash-brush-whistler-300x133.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/wash-brush-whistler-768x340.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/wash-brush-whistler-600x266.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
145<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/wash-brush-whistler.jpg" alt="" width="1000" height="443" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/wash-brush-whistler.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/wash-brush-whistler-300x133.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/wash-brush-whistler-768x340.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/wash-brush-whistler-600x266.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
146</picture></p><p>I also have a wider goat hair brush, usually used for watercolour, but any larger flat brush would work.</p><h3>Establish the large tonal masses</h3><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53660">
147<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/IMG_2731.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/IMG_2731-300x193.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/IMG_2731-768x493.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/IMG_2731-600x385.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
148<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/IMG_2731.jpg" alt="limited palette oils" width="1000" height="642" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/IMG_2731.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/IMG_2731-300x193.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/IMG_2731-768x493.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/IMG_2731-600x385.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
149</picture></p><blockquote><p>From L to R: Titanium White, Indian Yellow Red Shade, Prussian Blue, Ivory Black</p></blockquote><p>Before thinking about individual objects, I&#8217;m going to simplify the scene into a few broad areas of light and dark.</p><p>I start with a limited palette, just using 4 of the colours.</p><ul><li>Titanium White</li><li>Indian Yellow Red Shade</li><li>Prussian Blue</li><li>Ivory Black</li></ul><p>I use Ivory black, a touch of Prussian Blue and White to mix a cool, muted blue-grey and begin laying in the sky and water with thin paint. It&#8217;s surprising how differently the colours read when you paint onto a darker ground than when you work on white or even a lighter grey surface.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53666">
150<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-01.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-01-300x169.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-01-768x432.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-01-800x450.jpg.webp 800w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-01-600x337.jpg.webp 600w" sizes="(max-width: 1000px) 100v
150w, 1000px"/>
151<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-01.jpg" alt="" width="1000" height="562" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-01.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-01-300x169.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-01-768x432.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-01-800x450.jpg 800w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-01-600x337.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
152</picture></p><p>I&#8217;m using the hog brush to paint in a scrubby, thin layer.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53667">
153<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-02.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-02-300x200.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-02-768x513.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-02-600x401.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
154<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-02.jpg" alt="" width="1000" height="668" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-02.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-02-300x200.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-02-768x513.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-step-02-600x401.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
155</picture></p><p>You can start to see, in the reflection in the paint on the bottom half of the painting, how I&#8217;ve now introduced more medium to thin out the paint. I&#8217;m using a odourless mineral spirit (OMS) called Gamsol from Gamblin to dilute the paint.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53668">
156<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/gamsol-sauce-diluant.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/gamsol-sauce-diluant-300x225.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/gamsol-sauce-diluant-768x576.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/gamsol-sauce-diluant-600x450.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
157<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/gamsol-sauce-diluant.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/gamsol-sauce-diluant.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/gamsol-sauce-diluant-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/gamsol-sauce-diluant-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/gamsol-sauce-diluant-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
158</picture></p><blockquote><p>Gamsol Odourless Mineral Spirit (OMS)</p></blockquote><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53670">
159<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-block-in.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-block-in-300x223.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-block-in-768x571.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-block-in-600x446.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
160<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-block-in.jpg" alt="whistler-block-in" width="1000" height="744" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-block-in.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-block-in-300x223.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-block-in-768x571.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-block-in-600x446.jpg 600w" sizes="(max-width: 1000px) 100v
160w, 1000px"/>
161</picture></p><p>Try squinting at the reference. You should begin to see the subject less as buildings and water, and more as connected abstract shapes. I bring the fluid wash down to the main areas of the water.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53672">
162<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-shadow.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-shadow-300x225.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-shadow-768x576.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-shadow-600x450.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
163<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-shadow.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-shadow.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-shadow-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-shadow-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-shadow-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
164</picture></p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53671">
165<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/first-mixes-whistler.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/first-mixes-whistler-300x225.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/first-mixes-whistler-768x576.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/first-mixes-whistler-600x450.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
166<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/first-mixes-whistler.jpg" alt="first-mixes-whistler" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/first-mixes-whistler.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/first-mixes-whistler-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/first-mixes-whistler-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/first-mixes-whistler-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
167</picture></p><p>Here&#8217;s a quick shot of how my palette looks.</p><p>Working from the dark values on the right to this brighter turquoise colour on the left, which is going to be more for the water area where there&#8217;s a lighter value, and here it shifts slightly more towards a turquoise. For this, I add a small amount of the Indian Yellow Red Shade, which is a really highly tinting transparent pigment, so you only need a small amount for it to shift the colour quite a lot.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53673">
168<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/layering-whistler.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/layering-whistler-300x169.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/layering-whistler-768x432.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/layering-whistler-800x450.jpg.webp 800w, https://willkempartschool.com/wp-content/uploads/2026/09/layering-whistler-600x338.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
169<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/layering-whistler.jpg" alt="" width="1000" height="563" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/layering-whistler.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/layering-whistler-300x169.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/layering-whistler-768x432.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/layering-whistler-800x450.jpg 800w, https://willkempartschool.com/wp-content/uploads/2026/09/layering-whistler-600x338.jpg 600w" sizes="(max-width: 1000px) 100v
169w, 1000px"/>
170</picture></p><p>You can see this thicker paint building up on top of the more fluid paint underneath.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53675">
171<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/value-map-whislter.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/value-map-whislter-300x225.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/value-map-whislter-768x576.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/value-map-whislter-600x450.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
172<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/value-map-whislter.jpg" alt="value-map-whistler" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/value-map-whislter.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/value-map-whislter-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/value-map-whislter-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/value-map-whislter-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
173</picture></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53676" src="https://willkempartschool.com/wp-content/uploads/2026/09/gamsol-dilutant-whistler.jpg" alt="" width="1000" height="502" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/gamsol-dilutant-whistler.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/gamsol-dilutant-whistler-300x151.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/gamsol-dilutant-whistler-768x386.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/gamsol-dilutant-whistler-600x301.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p>I then decided to push the paint&#8217;s fluidity a little further. Whistler often used his own medium recipes that became known as  his “sauce”, It was a mixture of turpentine, linseed oil and varnish, a medium that helped him create those very thin, translucent paint surfaces.</p><p>So I added plenty of Gamsol to the mixture and brushed it on quite freely. If you were concerned about the strength of the paint film, you could add a couple of drops of oil as well. Here, though, I was really just experimenting to see what effect that extra fluidity would give.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53677" src="https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-dripping-paint.jpg" alt="" width="1000" height="602" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-dripping-paint.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-dripping-paint-300x181.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-dripping-paint-768x462.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-dripping-paint-600x361.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p>You can now start to see the paint running down the surface. I’ve probably pushed the mixture a little too far, but sometimes that’s useful. By taking it beyond the ideal consistency, you get a much clearer sense of where that balance actually is.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53678" src="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-block-in-complete.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-block-in-complete.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-block-in-complete-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-block-in-complete-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-block-in-complete-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p>I’ve now worked over the surface a little more and blended some of those colours together. I stepped away for a while to let some of the odourless mineral spirits evap
173orate from the surface, then came back in with the softer Eclipse brush to soften a few of the edges.</p><p>I still want to retain that sense of translucency, with glimpses of the grey ground showing through in the water, but I’m getting a much clearer idea of how the value structure sits within the painting.</p><p>At this stage, I’m going to leave it to dry and come back tomorrow to continue working on it.</p><h3>Day two</h3><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53679" src="https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-paint-swatches.jpg" alt="" width="1000" height="329" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-paint-swatches.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-paint-swatches-300x99.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-paint-swatches-768x253.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whisterl-paint-swatches-600x197.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p>For today’s session, I&#8217;m continuing with this limited palette because I&#8217;m really enjoying working with it.</p><p>I’ve pre-mixed a few values to make things a little easier. Starting on the left is the lightest colour for the water, and over on the far right is the darker shadow colour for the buildings in the distance.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53683" src="https://willkempartschool.com/wp-content/uploads/2026/09/painterly-block-in-whistler.jpg" alt="" width="1000" height="735" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/painterly-block-in-whistler.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/painterly-block-in-whistler-300x221.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/painterly-block-in-whistler-768x564.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/painterly-block-in-whistler-600x441.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p>As I start to build the surface, it feels a bit blocky; it has too many individual marks rather than that lovely translucent quality Whistler&#8217;s painting surface has got.</p><p>I swap to the wider brush and start to blend that over, with quite a light application, to blend some of those surfaces together.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53682" src="https://willkempartschool.com/wp-content/uploads/2026/09/blending-whistler-painting.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/blending-whistler-painting.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/blending-whistler-painting-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/blending-whistler-painting-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/blending-whistler-painting-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53686" src="https://willkempartschool.com/wp-content/uploads/2026/09/loading-values-whistler.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/loading-values-whistler.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/loading-values-whistler-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/loading-values-whistler-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/loading-values-whistler-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p>This feels so much better, the colours are working together so I can now go in with some of the details. I start with the figure in the foreground, then build up the reflected lights in the water.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53685" src="https://willkempartschool.com/wp-content/uploads/2026/09/painting-figure-whistler.jpg" alt="" width="1000" height="667" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/painting-figure-whistler.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/painting-figure-whistler-300x200.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/painting-figure-whistler-768x512.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/painting-figure-whistler-600x400.jpg 600w" sizes="(max-width: 1000px) 100v
173w, 1000px" /></p><p>Here I&#8217;m using the small round. I&#8217;ve added more Indian Yellow to the mix and introduced Yellow Ochre as the fifth colour to the palette.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53690" src="https://willkempartschool.com/wp-content/uploads/2026/09/adding-details-lights-whistler-1.jpg" alt="" width="1000" height="674" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/adding-details-lights-whistler-1.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/adding-details-lights-whistler-1-300x202.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/adding-details-lights-whistler-1-768x518.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/adding-details-lights-whistler-1-600x404.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p>With the same small brush, I’m now painting in the highlights. I’ve added more white to the mix, along with Indian Yellow and just a tiny touch of Yellow Ochre, which creates this lovely warm colour.</p><p>The key here is to vary the paint handling. I want a slightly thicker, more solid mark for the lights on the buildings, then a softer, more translucent mark directly underneath to suggest the reflections in the water.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53691" src="https://willkempartschool.com/wp-content/uploads/2026/09/painting-sun-whistler-1.jpg" alt="" width="1000" height="562" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/painting-sun-whistler-1.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/painting-sun-whistler-1-300x169.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/painting-sun-whistler-1-768x432.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/painting-sun-whistler-1-800x450.jpg 800w, https://willkempartschool.com/wp-content/uploads/2026/09/painting-sun-whistler-1-600x337.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p>The reflection of the sun is a mix of Indian yellow-Red Shade with white, and it has become such a great colour for this painting. I didn&#8217;t think I&#8217;d be able to get the highlights and a lot of the other green shifts, just with this one yellow, but it&#8217;s got this nice golden glow to it.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53680" src="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-copy-will-kemp.jpg" alt="" width="1000" height="741" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/whistler-copy-will-kemp.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-copy-will-kemp-300x222.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-copy-will-kemp-768x569.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/whistler-copy-will-kemp-600x445.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p>So here’s my finished version of the Whistler!</p><p>I’ve added a few final highlights, including the small light in the water and a few touches along the edge of the buildings.</p><p>Looking at it now, I still don’t feel I quite captured that sense of softness and haze to the paint surface.</p><p>If I painting it again, I might experiment with Zinc White rather than Titanium White.</p><p>Zinc is more translucent, so it could be useful for laying a very thin veil over parts of the painting and gently knocking things back. That might help create more of that misty, luminous quality without losing the underlying colour and value structure. What was interesting was that I found that I painted 90% of it with just those four original colours.</p><p>That’s also part of the value of doing a study like this.</p><p>You start to understand not only what the painting looks like, but how the paint handling contributes to the mood. And I think that subtle, veiled quality is one of the things that makes Whistler’s Nocturnes so beautiful.</p><p>I really hope you enjoyed the lesson and found it useful to see how the painting developed, including some of the experiments along the way.</p><p>Hopefully it’s given you a few ideas to try in your own work, particularly with limited palettes, translucent layers and keeping the value structure simple.</p></div><div class="blog-entry-readmore clr">
174<a href="https://willkempartschool.com/how-to-paint-a-whistler-nocturne-in-oils/"
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176Continue Reading<span class="screen-reader-text">How to Paint a Whistler Nocturne in Oils</span><i class=" fa fa-angle-right" aria-hidden="true" role="img"></i></a></div></div></article><article id="post-53469" class="blog-entry clr large-entry post-53469 post type-post status-publish format-standard has-post-thumbnail hentry category-drawing entry has-media owp-thumbs-layout-horizontal owp-btn-big owp-tabs-layout-horizontal has-no-thumbn
176ails has-product-nav circle-sale"><div class="blog-entry-inner clr"><header class="blog-entry-header clr"><h2 class="blog-entry-title entry-title">
177<a href="https://willkempartschool.com/7-reasons-why-beginners-fail-at-drawing/"  rel="bookmark">7 Reasons Why Beginners Fail at Drawing</a></h2></header><ul class="meta clr"><li class="meta-author" itemprop="name">By <a href="https://willkempartschool.com/author/will-kemp/" rel="author"  itemprop="author" itemscope="itemscope" itemtype="https://schema.org/Person">Will Kemp</a></li>
178<a href="https://willkempartschool.com/category/drawing/" rel="category tag">drawing</a><li class="meta-cat"></li><li class="meta-comments"><a href="https://willkempartschool.com/7-reasons-why-beginners-fail-at-drawing/#comments" class="comments-link" >8 Comments</a></li></ul><div class="blog-entry-summary clr" itemprop="text"><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53483">
179<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/beginner-drawing-problems-1000.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/beginner-drawing-problems-1000-300x201.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/09/beginner-drawing-problems-1000-768x515.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/09/beginner-drawing-problems-1000-600x402.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
180<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/09/beginner-drawing-problems-1000.jpg" alt="beginner drawing problems" width="1000" height="670" srcset="https://willkempartschool.com/wp-content/uploads/2026/09/beginner-drawing-problems-1000.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/09/beginner-drawing-problems-1000-300x201.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/09/beginner-drawing-problems-1000-768x515.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/09/beginner-drawing-problems-1000-600x402.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
181</picture></p><p>If you’ve been learning to draw and feel like you’re not getting anywhere, it’s very easy to assume you simply don’t have the talent for it.</p><p>But in my experience, talent is rarely what holds you back.</p><p>More often, it comes down to how you’re practising, what you’re expecting from yourself, and whether you’re giving your eye enough time to catch up with your hand.</p><p>Here are seven of the most common reasons why beginners fail at drawing.</p><h3>1. Never actually starting</h3><p>This sounds obvious, but it’s surprisingly common.</p><p>You buy a new sketchbook. You sharpen the pencils. You watch a few tutorials, save some reference images and spend half an hour deciding whether you really need a 2B or a 4B.</p><p>And somehow, no drawing actually happens.</p><p>There’s a feeling that if you can just get the right materials, understand the technique a little better or find the perfect subject, you’ll be more prepared.</p><p>But drawing doesn’t really work like that.</p><p>Your first few drawings are supposed to feel awkward. You’re learning a new visual language and your hand hasn’t caught up yet. You’ll make the same mistakes over and over and get frustrated at your lack of progress. That’s 100% normal.</p><p>The sketchbook only becomes useful once it has marks in it.</p><h3>2. Quitting too soon</h3><p>One of the strange things about learning to draw is that your taste often develops faster than your ability.</p><p>You can look at your drawing and immediately see that something isn’t quite right, but you don’t yet have the skills to fix it.</p><p>That gap can be frustrating.</p><p>Someone might spend three weeks drawing, compare their work with an artist who has been practising for twenty years and decide, “I’m just not very good at this.”</p><p>But three weeks is hardly any time.</p><p>When students send me a drawing from when they first started alongside something they’ve made a year later, the difference can be enormous.</p><p>You just have to keep drawing long enough to see it your progress</p><h3>3. Not doing enough drawings</h3><p>We can become very precious about a drawing.</p><p>You choose a nice sheet of paper, carefully measure everything out and then spend hours trying not to make a mistake.</p><p>But you often learn much more from ten quick drawings than you do from one drawing you’re frightened of ruining.</p><p>Small studies are brilliant for this.</p><p>Five-minute sketches. Value studies. Simple shapes. Drawing the same object from three different angles.</p><p>You’re removing some of the pressure and increasing the number of visual problems you have to solve.</p><p>And that’s really what practice is.</p><p>The more drawings you make, the less important any individual drawing becomes.</p><p>
181Mistakes stop feeling like failures and start becoming useful information.</p><h3>4. Not drawing consistently enough</h3><p>A long drawing session every couple of weeks can feel productive, but shorter and more regular practice is usually much more useful.</p><p>Drawing relies heavily on observation, and your memory for learning relies on the<a href="https://willkempartschool.com/dont-let-your-drawing-skills-fade-away-understanding-the-forgetting-curve-for-artists/"><strong> forgetting curve.</strong></a></p><p>You’re training yourself to notice angles, proportions, shapes, values and relationships that you might previously have ignored.</p><p>And by drawing regularly, you stop yourself having to relearn everything from scratch.</p><p>Sometimes keeping the habit going is enough.</p><h3>5. Trying to learn everything at once</h3><p>Portraits. Perspective. Figure drawing. Landscapes. Charcoal. Coloured pencils. Ink.</p><p>There’s nothing wrong with being curious, but beginners can sometimes jump between subjects and materials so quickly that they never stay with one problem long enough to understand it.</p><p>If you spend a few weeks drawing simple still lifes, for example, you begin to recognise the same problems appearing again and again.</p><p>How wide is this compared with that?</p><p>What angle is that line?</p><p>Where is the darkest dark?</p><p>Why does my ellipse look out?</p><p>That repetition is incredibly valuable.</p><p>You don’t need less enthusiasm. You just need to focus it for a little longer.</p><h3>6. Only choosing subjects you know you can draw</h3><p>There’s a balance here.</p><p>You don’t want every drawing to feel impossible, but you also don’t want to spend all your time repeating things that already feel comfortable.</p><p>A slightly more difficult subject forces you to look harder.</p><p>Perhaps you normally draw single objects, so you try a simple still life.</p><p>Perhaps you always work small, so you make a larger drawing.</p><p>Perhaps you avoid hands because they look complicated, so you spend a week drawing nothing but hands.</p><p>You don’t need a huge leap.</p><p>Just choose something that feels slightly beyond where you are now.</p><h3>7. Drawing what you think you see</h3><p>This might be the biggest one of all.</p><p>When beginners draw an eye, they often draw their idea of an eye.</p><p>When they draw a tree, they draw their symbol for a tree.</p><p>A cup becomes two parallel sides with an oval on top because that’s what we know a cup looks like.</p><p>But drawing improves when you stop naming things and start looking at shapes.</p><p>Instead of thinking, “I’m drawing a nose,” you start noticing the angle of one edge, the shape of the shadow underneath it and how far it sits from the eye.</p><p>Instead of drawing a tree, you notice the particular silhouette of that tree.</p><p>This is why drawing can feel surprisingly difficult at first.</p><p>You’re not really learning how to move a pencil.</p><p>You’re learning how to see.</p><p>Most of the skills that make someone “good at drawing” aren’t mysterious gifts. They’re habits of observation that can be practised as a learnable skill.</p><p>Keep turning up, keep looking carefully and keep making drawings.</p><p>The improvement often happens more quietly than you expect.</p><h4>What should you work on next?</h4><p>You might be reading through this list and nodding along, recognising yourself in one or two of these points.</p><p>But that still leaves the difficult question: what should you actually work on next?</p><p>That’s where a structured course can be so useful.</p><p>Not because it will magically turn you into a drawing master, but because it gives your practice a clear direction. It helps you know what to focus on, what to practise, and in what order, so that good habits can form and your knowledge, confidence and skills can build on each other.</p><p>You still have to do the drawing.</p><p>But instead of wondering whether you’re practising the right thing, you have a path to follow.</p><p>
181And often, that little bit of structure is what turns good intentions into real progress!</p><p><a href="https://willkempartschool.com/product/absolute-beginners-drawing-course/"><strong>Absolute Beginners Drawing Course</strong></a><br />
182<a href="https://willkempartschool.com/product/light-shadow-drawing-course/"><strong>Light and Shadow Drawing Course</strong></a><br />
183<a href="https://willkempartschool.com/product/urban-sketching-course/"><strong>Urban Sketching Drawing Course</strong></a><br />
184<a href="https://willkempartschool.com/product/landscape-sketching-course/"><strong>Landscape Sketching Drawing Course</strong></a></p></div><div class="blog-entry-readmore clr">
185<a href="https://willkempartschool.com/7-reasons-why-beginners-fail-at-drawing/"
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187Continue Reading<span class="screen-reader-text">7 Reasons Why Beginners Fail at Drawing</span><i class=" fa fa-angle-right" aria-hidden="true" role="img"></i></a></div></div></article><article id="post-53290" class="blog-entry clr large-entry post-53290 post type-post status-publish format-standard has-post-thumbnail hentry category-colour-mixing category-painting entry has-media owp-thumbs-layout-horizontal owp-btn-big owp-tabs-layout-horizontal has-no-thumbnails has-product-nav circle-sale"><div class="blog-entry-inner clr"><header class="blog-entry-header clr"><h2 class="blog-entry-title entry-title">
188<a href="https://willkempartschool.com/the-materials-list-is-the-end-of-the-story-why-i-prefer-to-discover-a-colour-palette-as-the-painting-develops/"  rel="bookmark">The Materials List Is the End of the Story &#8211; To Process Behind a Painting Palette</a></h2></header><ul class="meta clr"><li class="meta-author" itemprop="name">By <a href="https://willkempartschool.com/author/will-kemp/" rel="author"  itemprop="author" itemscope="itemscope" itemtype="https://schema.org/Person">Will Kemp</a></li>
189<a href="https://willkempartschool.com/category/colour-mixing/" rel="category tag">colour theory</a> / <a href="https://willkempartschool.com/category/painting/" rel="category tag">painting</a><li class="meta-cat"></li><li class="meta-comments"><a href="https://willkempartschool.com/the-materials-list-is-the-end-of-the-story-why-i-prefer-to-discover-a-colour-palette-as-the-painting-develops/#comments" class="comments-link" >35 Comments</a></li></ul><div class="blog-entry-summary clr" itemprop="text"><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53293">
190<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/choosing-paint-palette.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/choosing-paint-palette-300x200.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/08/choosing-paint-palette-768x511.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/08/choosing-paint-palette-600x399.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
191<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/08/choosing-paint-palette.jpg" alt="choosing artist colour palette" width="1000" height="665" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/choosing-paint-palette.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/choosing-paint-palette-300x200.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/choosing-paint-palette-768x511.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/choosing-paint-palette-600x399.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
192</picture></p><p>In many of my paintings, I’ll often start with just a couple of colours and perhaps one brush.</p><p>Yet if you look at the materials list I ended up using, you’ll see a much larger range.</p><p>And that process of how I got there can be slightly misleading.</p><p>It can look as though I sat down before starting the painting, carefully selected the perfect palette, laid all the colours out and then simply followed the plan.</p><p>That usually isn’t what happened.</p><p>The materials list is a record of the colours I discovered I <em>needed</em> during the painting journey.</p><p>If I repainted the same subject again from scratch, I may take a slightly different route, based on what I learnt. I might find I don’t need one of those colours at all. I might discover that a mixture I struggled with could have been achieved much more simply.</p><p>I often finish a painting on the first attempt and think:</p><p><em>Why on earth did I start with that colour?</em></p><p>But that is part of the process.</p><h4>Building without predicting</h4><p>It reminds me of an article Derek Sivers wrote about when designing an off-grid house in New Zealand.</p><p>His idea was essentially building without predicting. (You can read the article here: <a href="https://sive.rs/fit"><strong>Building Without Predicting</strong></a>)</p><p>Rather than designing a house around everything he imagined he and his son might possibly need, they started by living very simply in a bare cabin.</p><p>Then they added things when they discovered they actually needed them.</p><p>
192I love that idea.</p><p>We took a similar approach when renovating our house and studio. We lived in it for a year before making some of the bigger decisions.</p><p>That meant we could follow the seasons. We could see where the morning light came through in Winter, where we naturally sat in Summer, which rooms we actually used and where we tended to end up during the day.</p><p>Instead of trying to predict how we would live in the house, we let living in the house tell us what it needed.</p><p>A comment at the end of Sivers’ article particularly struck me. He described a neighbour visiting and being horrified by some of the choices they had made.</p><blockquote><p>A neighbor came by for the first time and really hated it, getting all upset and yelling, saying I was crazy for not having his preferred comforts. I love that this home feels wrong for others, and just right for us &#8211; Derek Sivers</p></blockquote><p>His conclusion was essentially that he loved the fact the house felt wrong for someone else, but exactly right for them.</p><p>And I think there’s something really useful in that when developing a colour palette.</p><p>Your palette doesn’t have to look right to somebody else.</p><h3>Developing a personal palette</h3><p>There’s a temptation when painting to think there must be a correct palette.</p><p>You see another artist using Burnt Umber, Ultramarine Blue, Cadmium Red and Titanium White, so you feel as though you should have those colours too.</p><p>Or you look at the reference and think:</p><p>There’s a bright red there, so I need a bright red.</p><p>There’s a pale colour there, so I need white.</p><p>There’s green in the landscape, so I need a green.</p><p>But you might not.</p><p>A palette should develop from the problems the painting actually presents.</p><p>Not from the problems you imagine it <em>might present. </em>And that leads to a really useful painting exercise.</p><h4>Start with one colour</h4><p>Find a subject you’d like to paint.</p><p>Then choose one colour.</p><p>Not five colours.</p><p>Not your normal palette.</p><p>One.</p><p>Start painting and see how long you can survive with it. Really push it, thin it, use it thickly, let the colour of the ground show through, change the pressure of the brush, scrub it in.</p><p>Use the paint opaquely in one area and almost like a stain somewhere else.</p><p>Your aim isn’t to produce a perfect finished painting with one colour; your aim is to discover the exact moment when the painting genuinely asks you for something else.</p><h4>A palette developed by questions</h4><p>Before adding another colour, ask another question.</p><p>Suppose you reach an area that needs to be lighter.</p><p>Your immediate reaction might be: I need white.</p><p>But do you?</p><p>Could you thin the paint and allow the lighter ground underneath to create the light?</p><p>Could you leave that area unpainted?</p><p>Could you make the surrounding shapes darker instead?</p><p>A colour doesn’t exist independently; it alters enormously depending on what surrounds it.</p><p>So sometimes the answer isn’t another tube of paint.</p><p>The answer is changing the relationship between the colours you already have.</p><h4>Limitations make you notice more</h4><p>This is where a limited palette becomes much more than a colour-mixing exercise.</p><p>If you have twenty colours sitting next to you, every problem can appear to have the same solution:</p><p>Reach for another tube.</p><p>Take those options away, and you have to become more inventive. You start paying much closer attention to value and notice how dark one shape really is compared with another. You become more sensitive to warm and cool relationships, and to how much paint thickness can affect colour.</p><p>You also become more aware of the surface underneath. Your brush handling improves because you’re trying to make the same paint behave in several different ways, rather than immediately reaching for another tube.</p><p>Perhaps most importantly, you start looking at the painting as a whole. Rather than asking, What colour is that object? You start asking, what does this area need in relation to everything around it?</p><p>I think that’s a much more useful question.</p><p>
192The finished palette is evidence, not instructions.</p><p>So when you look at one of my course materials lists and see six, eight or ten colours, try not to think of them as the recipe for the painting. Think of them as a record of the decisions I made while working through several versions of the piece.</p><p>I will have made a few small colour studies and swapped brands to get the right hue. I might have started with a couple of colours, then encountered a problem that made me introduce another. A mixture could have almost worked, but needed something slightly cooler, so another colour found its way onto the palette.</p><p>By the end, there&#8217;s a finished palette sitting there.</p><p>But the palette came out of the painting.</p><p>The painting didn’t come out of the palette.</p></div><div class="blog-entry-readmore clr">
193<a href="https://willkempartschool.com/the-materials-list-is-the-end-of-the-story-why-i-prefer-to-discover-a-colour-palette-as-the-painting-develops/"
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195Continue Reading<span class="screen-reader-text">The Materials List Is the End of the Story &#8211; To Process Behind a Painting Palette</span><i class=" fa fa-angle-right" aria-hidden="true" role="img"></i></a></div></div></article><article id="post-53088" class="blog-entry clr large-entry post-53088 post type-post status-publish format-standard has-post-thumbnail hentry category-painting entry has-media owp-thumbs-layout-horizontal owp-btn-big owp-tabs-layout-horizontal has-no-thumbnails has-product-nav circle-sale"><div class="blog-entry-inner clr"><header class="blog-entry-header clr"><h2 class="blog-entry-title entry-title">
196<a href="https://willkempartschool.com/james-mcneill-whistler-at-tate-britain-exhibition-review/"  rel="bookmark">James McNeill Whistler at Tate Britain &#8211; Exhibition Review</a></h2></header><ul class="meta clr"><li class="meta-author" itemprop="name">By <a href="https://willkempartschool.com/author/will-kemp/" rel="author"  itemprop="author" itemscope="itemscope" itemtype="https://schema.org/Person">Will Kemp</a></li>
197<a href="https://willkempartschool.com/category/painting/" rel="category tag">painting</a><li class="meta-cat"></li><li class="meta-comments"><a href="https://willkempartschool.com/james-mcneill-whistler-at-tate-britain-exhibition-review/#comments" class="comments-link" >59 Comments</a></li></ul><div class="blog-entry-summary clr" itemprop="text"><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53094">
198<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/surrounding-whistlers-mother.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/surrounding-whistlers-mother-300x225.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/08/surrounding-whistlers-mother-768x576.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/08/surrounding-whistlers-mother-600x450.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
199<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/08/surrounding-whistlers-mother.jpg" alt="surrounding-whistlers-mother" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/surrounding-whistlers-mother.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/surrounding-whistlers-mother-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/surrounding-whistlers-mother-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/surrounding-whistlers-mother-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
200</picture></p><blockquote><p>&#8216;To say to the painter, that Nature is to be taken as she is, is to say to the player, that he may sit on the piano.&#8221;<br />
201James McNeill Whistler</p></blockquote><p><span style="font-weight: 400;">
201James McNeill <span style="box-sizing: border-box; margin: 0px; padding: 0px;">Whistler (1834- 1903<span style="color: #000000;">) was </span>a</span> remarkably modern painter for his time. </span><span style="font-weight: 400;">His paintings are carefully designed, tonal and strikingly contemporary. </span></p><p>Opinionated, rebellious and a natural showman, Whistler helped prepare the way for abstraction. <span style="font-weight: 400;">His opposition to the art establishment was both part of his genius and, ultimately, part of his downfall.</span></p><p>I&#8217;ve always had a particular fondness for Whistler, and living in St Ives means I&#8217;m often reminded of him whenever I walk past the house where he lodged, overlooking the sea, now known as Whistler&#8217;s View. In January 1884, Whistler came to St Ives with his pupil and studio assistant Walter Sickert, along with the artist Mortimer Menpes.</p><p data-block-key="3oh2p">Tate Britain, London, has the first major European exhibition of Whistler’s work in 30 years, a retrospective devoted to the American-born artist. It brings together his world-famous portraits and nocturnes, alongside rarely or never-seen works, and I was fortunate enough to catch it last week.</p><p data-block-key="3oh2p"><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53100">
202<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/sun-dappled-thames.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/sun-dappled-thames-225x300.jpg.webp 225w, https://willkempartschool.com/wp-content/uploads/2026/08/sun-dappled-thames-768x1024.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/08/sun-dappled-thames-600x800.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
203<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/08/sun-dappled-thames.jpg" alt="sun dappled-thames" width="1000" height="1333" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/sun-dappled-thames.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/sun-dappled-thames-225x300.jpg 225w, https://willkempartschool.com/wp-content/uploads/2026/08/sun-dappled-thames-768x1024.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/sun-dappled-thames-600x800.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
204</picture></p><p>I walked to Tate Britain from Pimlico Station, approaching along the banks of the Thames. It is a lovely way to arrive because you begin to notice the reflected light on the water and some of the same atmospheric subjects that Whistler explored in his paintings.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53093">
205<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/thames-whistler.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/thames-whistler-300x225.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/08/thames-whistler-768x577.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/08/thames-whistler-600x451.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
206<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/08/thames-whistler.jpg" alt="thames-whistler" width="1000" height="751" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/thames-whistler.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/thames-whistler-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/thames-whistler-768x577.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/thames-whistler-600x451.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
207</picture></p><p><img loading="lazy" decoding="async" class="aligncenter wp-image-53095" src="https://willkempartschool.com/wp-content/uploads/2026/08/thames-tate-britain.jpg" alt="thames-tate-britain" width="1000" height="751" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/thames-tate-britain.jpg 3867w, https://willkempartschool.com/wp-content/uploads/2026/08/thames-tate-britain-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/thames-tate-britain-1024x769.jpg 1024w, https://willkempartschool.com/wp-content/uploads/2026/08/thames-tate-britain-768x577.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/thames-tate-britain-600x451.jpg 600w" sizes="(max-width: 1000px) 100v
207w, 1000px" /></p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53091">
208<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/tate-britain-exterior-2026.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/tate-britain-exterior-2026-225x300.jpg.webp 225w, https://willkempartschool.com/wp-content/uploads/2026/08/tate-britain-exterior-2026-769x1024.jpg.webp 769w, https://willkempartschool.com/wp-content/uploads/2026/08/tate-britain-exterior-2026-768x1023.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/08/tate-britain-exterior-2026-600x799.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
209<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/08/tate-britain-exterior-2026.jpg" alt="tate-britain-exterior-2026" width="1000" height="1332" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/tate-britain-exterior-2026.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/tate-britain-exterior-2026-225x300.jpg 225w, https://willkempartschool.com/wp-content/uploads/2026/08/tate-britain-exterior-2026-769x1024.jpg 769w, https://willkempartschool.com/wp-content/uploads/2026/08/tate-britain-exterior-2026-768x1023.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/tate-britain-exterior-2026-600x799.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
210</picture></p><p>There&#8217;s hoarding around the front of Tate Britain while the gallery redevelops its garden, so I wasn’t able to enter by the main steps. I&#8217;ve such a strong memory of sitting and sketching on those steps when I was a student, but this time the entrance was around the side of the building.</p><p><img loading="lazy" decoding="async" class="aligncenter wp-image-53101" src="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-poster.jpg" alt="whistler-poster" width="1000" height="1221" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-poster.jpg 1759w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-poster-246x300.jpg 246w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-poster-839x1024.jpg 839w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-poster-768x937.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-poster-600x732.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53092" src="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-exhibition-entrance-e1785926886124.jpg" alt="whistler-exhibition-entrance" width="1000" height="750" /></p><p>Before entering the exhibition, you can purchase an audio guide for £5. It offers short commentaries as you move through the galleries, although you&#8217;ll need to bring your own headphones, as these aren&#8217;t provided. Unfortunately, the batteries in my headphones had gone flat, so I didn&#8217;t listen to it during my visit. Instead, I enjoyed listening through it on the train journey home, where it was a great way to reflect on the exhibition after seeing the paintings in person.</p><h3>Whistler&#8217;s Studio</h3><p>The exhibition begins with Whistler’s studio. I had expected the display to be arranged more strictly chronologically, but the first room instead introduces his working environment, materials and artistic influences.</p><p>Immediately on the left is a greatly enlarged reproduction of a painting showing Whistler in his studio. Although it isn’t an original painting, the enlargement is very useful because you can get up close to it and study the character of the painted surface.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53098">
211<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-studio.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-studio-300x225.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-studio-768x576.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-studio-600x450.jpg.webp 600w" sizes="(max-width: 1000px) 100v
211w, 1000px"/>
212<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-studio.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-studio.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-studio-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-studio-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-studio-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
213</picture></p><p>You can really see the fluidity of Whistler&#8217;s brushstrokes.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53099">
214<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-his-studio.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-his-studio-300x225.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-his-studio-768x577.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-his-studio-600x451.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
215<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-his-studio.jpg" alt="" width="1000" height="751" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-his-studio.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-his-studio-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-his-studio-768x577.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-in-his-studio-600x451.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
216</picture></p><blockquote><p>The original painting is also on display.</p></blockquote><p>Having recently worked on the <a href="https://willkempartschool.com/new-vincents-sunflowers-acrylic-painting-course/"><strong>Van Gogh course,</strong></a> with its intense colour, thick marks and strong textural contrasts, it was fascinating to compare this with Whistler’s approach. His paint is often applied extremely thinly. The texture frequently comes from the surface beneath, with areas rubbed back and covered with delicate veils of colour. His palette is also much more muted and restrained.</p><p>In this first room, you can see examples of Whistler’s brushes, his wooden palette and his easel. Unfortunately, there is no paint remaining on the palette, but the brushes are particularly interesting because some have exceptionally long handles.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53102" src="https://willkempartschool.com/wp-content/uploads/2026/08/IMG_1697-e1785943954818.jpg" alt="whistler's wooden palette" width="1000" height="686" /></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53103" src="https://willkempartschool.com/wp-content/uploads/2026/08/IMG_1702-e1785943993417.jpg" alt="" width="1000" height="737" /></p><blockquote><p>Whistler&#8217;s Brushes &#8211; notice the extended handle length</p></blockquote><p>A long-handled brush allows the artist to stand further back, making it easier to observe the subject and the canvas at the same time. It also encourages freer, more fluid arm movement.</p><p><strong>Pro tip:</strong> The brushes reminded me of the long-handled brushes used by <a href="https://willkempartschool.com/sorolla-museum-exhibition/"><strong>Joaquín Sorolla,</strong></a> which are displayed in his studio in Madrid.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53104" src="https://willkempartschool.com/wp-content/uploads/2026/08/IMG_1703-e1785944021308.jpg" alt="" width="1000" height="1334" /></p><p>One detail that is easy to miss is a small drawing tucked away in a corner of the room. It formed part of a series of sketches Whistler made in an area of London with a busy dock. The series focu
216ses on views of city life, rather than depicting London&#8217;s famous monuments, he chose to celebrate the everyday beauty of working docks, warehouses and shipping.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53109" src="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-etching-black-wharf.jpg" alt="whistler-etching-black-wharf" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-etching-black-wharf.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-etching-black-wharf-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-etching-black-wharf-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-etching-black-wharf-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><blockquote><div>Black Lion Wharf, Etching<br />
217James McNeill Whistler, 1859</div></blockquote><p>In the drawing, a man is shown in profile, looking across the composition rather than towards us. This becomes particularly interesting later in the exhibition when you encounter Whistler’s Mother, <span style="font-weight: 400;">Black Lion Wharf </span>is thought to be the framed image hanging on the wall behind her. <span style="font-weight: 400;">Interestingly, the profile figure within that print echoes the pose of his mother, quietly linking the two works.</span></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53107" src="https://willkempartschool.com/wp-content/uploads/2026/08/black-lion-wharf-detail.png" alt="" width="1000" height="645" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/black-lion-wharf-detail.png 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/black-lion-wharf-detail-300x194.png 300w, https://willkempartschool.com/wp-content/uploads/2026/08/black-lion-wharf-detail-768x495.png 768w, https://willkempartschool.com/wp-content/uploads/2026/08/black-lion-wharf-detail-600x387.png 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p>There is a note about this connection in the gallery, but it would be very easy to overlook. It is worth spending a little time with the drawing before moving on.</p><p>The first room also contains objects that Whistler kept in his studio, including a collection of porcelain.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53114" src="https://willkempartschool.com/wp-content/uploads/2026/08/P1510011-2-e1785948249848.jpg" alt="" width="1000" height="750" /></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53113" src="https://willkempartschool.com/wp-content/uploads/2026/08/P1510005-3-e1785948123785.jpg" alt="whistler porcelain" width="1000" height="1333" /></p><p>These pieces reflect Whistler&#8217;s deep interest in Japanese art, Asian ceramics and Japanese prints, influences that became integral to his sense of composition and design.</p><p>There are interesting parallels here with Van Gogh, who was also profoundly influenced by Japanese printmaking.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53126" src="https://willkempartschool.com/wp-content/uploads/2026/08/japanese-print-whistler.jpg" alt="" width="1000" height="1530" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/japanese-print-whistler.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/japanese-print-whistler-196x300.jpg 196w, https://willkempartschool.com/wp-content/uploads/2026/08/japanese-print-whistler-669x1024.jpg 669w, https://willkempartschool.com/wp-content/uploads/2026/08/japanese-print-whistler-768x1175.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/japanese-print-whistler-600x918.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><blockquote><p>Sakurajima Volcano c.1856, Woodblock Print on Paper<br />
218Utagawa Hiroshige 1797 &#8211; 1858</p></blockquote><p>In many Japanese prints, the composition is organised into flattened planes, with unusual cropping and simplified areas of tone. You can see how these ideas helped Whistler develop the modern, highly structured compositions for which he became famous. He helped promote Hiroshige amongst his London and Paris circles. <span style="font-weight: 400;">Even his famous butterfly signature reflects this interest in Japanese aesthetics.</span></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53132" src="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-butterfly-motif.jpg" alt="" width="1000" height="751" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-butterfly-motif.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-butterfly-motif-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-butterfly-motif-768x577.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-butterfly-motif-600x451.jpg 600w" sizes="(max-width: 1000px) 100v
218w, 1000px" /></p><blockquote><p>Whistler chose the butterfly motif as a signature in the 1860&#8217;s. The &#8216;J&#8217; was the body of the butterfly, and the &#8216;W&#8217; the wings.</p></blockquote><h3>The Early Years</h3><p><span style="font-weight: 400;">By the age of fourteen, James McNeill Whistler already knew he wanted to become a painter.</span></p><p><span style="font-weight: 400;">Born in Lowell, Massachusetts, in 1834, he was a temperamental child, and his mother, Anna, recognised that drawing helped calm his mood.</span></p><p><span style="font-weight: 400;">Taking private art lessons, James enrolled in the Imperial Academy of Arts at age eleven, where he followed a classical curriculum of drawing from casts and live models and studied other artists&#8217; techniques. </span></p><p><span style="font-weight: 400;">Shortly afterwards, when his father died from cholera, his mother had to raise two sons, </span><span style="font-weight: 400;">living frugally on a very limited income. </span><span style="font-weight: 400;">Although Anna recognised Whistler&#8217;s artistic ability and understood his ambition, she was determined that he should develop discipline and a strong work ethic, so she sent him into military training, following in his father’s footsteps.</span></p><p><span style="font-weight: 400;">It proved to be a poor fit. Whistler regularly broke the rules and was eventually dismissed.</span></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53144" src="https://willkempartschool.com/wp-content/uploads/2026/08/etching-e1785970290944.jpeg" alt="" width="1000" height="539" /></p><blockquote><p>Sketches on the Coast Survey Plate, 1854<br />
219James McNeill Whistler</p></blockquote><p><span style="font-weight: 400;">He found work drawing maps; it was here he learned the etching technique that later proved invaluable to his career. But to his mother&#8217;s frustration, he struggled to settle and a</span><span style="font-weight: 400;">t the age of twenty-one, eager to escape his mother&#8217;s guidance, Whistler moved to Paris to study art. </span></p><p><span style="font-weight: 400;">He left America and never returned.</span></p><h3>Paris</h3><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53110" src="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-drawing-self-portrait.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-drawing-self-portrait.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-drawing-self-portrait-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-drawing-self-portrait-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-drawing-self-portrait-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><blockquote><p>Whistler Self-portrait, 1859</p></blockquote><p>Paris allowed Whistler to embrace a bohemian lifestyle, surround himself with artists including Gustave Courbet, Édouard Manet and Henri Fantin-Latour, and immerse himself in the lively cafés and studios of the French capital.</p><p><span style="font-weight: 400;">These artists were starting to turn away from classical sentimental painting subjects, instead depicting ordinary life and observing working people.</span></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53115" src="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-early-portraits.jpg" alt="" width="1000" height="751" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-early-portraits.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-early-portraits-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-early-portraits-768x577.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-early-portraits-600x451.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><blockquote><p>La Mère Gérard,1858 &#8211; 1859<br />
220James McNeill Whistler</p></blockquote><p><span style="font-weight: 400;">Among them, realist painter Courbet had perhaps the greatest influence on the young Whistler. His celebration of everyday subjects and the removal of unnecessary detail strongly appealed to him.</span></p><p><span style="font-weight: 400;">Above, La Mère Gérard, an elderly woman who sold flowers on the streets of Paris, regards the viewer with one penetrating eye, the other sightless. The varied brushwork in this painting shows an influence of 17th-century masters, and Courbet admired this work.</span></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53116" src="https://willkempartschool.com/wp-content/uploads/2026/08/IMG_1740-e1785948502577.jpg" alt="" width="1000" height="667" /></p><blockquote><p>You can see the small scale of La Mère Gérard, in the gold frame on the left.</p></blockquote><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53123" src="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-piano.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-piano.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-piano-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-piano-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-piano-600x450.jpg 600w" sizes="(max-width: 1000px) 100v
220w, 1000px" /></p><blockquote><p><span style="font-weight: 400;">At the Piano, 1859<br />
221</span>James McNeill Whistler</p></blockquote><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53122" src="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-piano-close-up.jpg" alt="" width="1000" height="751" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-piano-close-up.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-piano-close-up-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-piano-close-up-768x577.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-piano-close-up-600x451.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53121" src="https://willkempartschool.com/wp-content/uploads/2026/08/frame-within-frame.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/frame-within-frame.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/frame-within-frame-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/frame-within-frame-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/frame-within-frame-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p><span style="font-weight: 400;">Hung opposite Whistler’s Mother is an earlier painting centred around a piano. Here, you can already see several of the ideas that would continue to interest him. The figure is shown in profile at the piano, while a framed picture hangs on the wall behind. His interest in flat perspectives, framing devices and carefully organised shapes was already beginning to emerge.</span><span style="font-weight: 400;"> Some of these earlier works have a more visibly textured surface than his later pictures. </span></p><p><span style="font-weight: 400;">Although &#8216;</span><span style="font-weight: 400;">At the Piano&#8217;</span><span style="font-weight: 400;"> was rejected by the Paris Salon for being too modern, it marked an important step in Whistler&#8217;s development.</span></p><h3>London</h3><p><span style="font-weight: 400;">Seeking a less conservative artistic environment, Whistler moved to London, settling in Chelsea among fellow artists and writers, including <a href="https://en.wikipedia.org/wiki/Dante_Gabriel_Rossetti"><strong>Dante Gabriel Rossetti.</strong></a></span></p><p><span style="font-weight: 400;">By this point, he was an accomplished socialite and dandy. He was witty, charismatic and often argumentative. Rossetti even joked about his sharp tongue in verse.</span></p><p><span style="font-weight: 400;">Whistler had little interest in society&#8217;s expectations of how an artist should live or paint. He lived openly with his mistress and favourite model, Joanna &#8220;Jo&#8221; Hiffernan, who became the subject of his celebrated painting </span><span style="font-weight: 400;">The White Girl</span><span style="font-weight: 400;">.</span></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53134" src="https://willkempartschool.com/wp-content/uploads/2026/08/1280px-Whistler_James_Symphony_in_White_no_1_The_White_Girl_1862-e1785969453372.jpg" alt="" width="1000" height="2005" /></p><blockquote><p><span style="font-weight: 400;">Symphony in White, No. 1: The White Girl, 1861-63 (Not in the exhibition)<br />
222</span>James McNeill Whistler</p></blockquote><p><span style="font-weight: 400;">Unlike the sentimental narrative paintings that dominated the Royal Academy, </span><span style="font-weight: 400;">The White Girl</span><span style="font-weight: 400;"> was intended as a study of colour, arrangement and harmony. Rather than a traditional portrait. </span></p><p><span style="font-weight: 400;">Joanna&#8217;s distant expression unsettled critics who searched unsuccessfully for a story within the painting, and the</span><span style="font-weight: 400;"> Royal Academy rejected it.</span></p><p><span style="font-weight: 400;">Instead, the painting was accepted for the famous Salon des Refusés in Paris in 1863, where it caused a sensation. Whistler, never one to miss an opportunity, capitalised on the controversy by hiring men to walk the streets carrying sandwich boards advertising:</span></p><p><i><span style="font-weight: 400;">&#8220;Go and see The White Girl, the great scandal of the Royal Academy.&#8221;</span></i></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53137" src="https://willkempartschool.com/wp-content/uploads/2026/08/symphony-display-2.jpg" alt="" width="1000" height="667" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/symphony-display-2.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/symphony-display-2-300x200.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/symphony-display-2-768x512.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/symphony-display-2-600x400.jpg 600w" sizes="(max-width: 1000px) 100v
222w, 1000px" /></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53136" src="https://willkempartschool.com/wp-content/uploads/2026/08/symphony-in-white-2.jpg" alt="" width="1000" height="1312" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/symphony-in-white-2.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/symphony-in-white-2-229x300.jpg 229w, https://willkempartschool.com/wp-content/uploads/2026/08/symphony-in-white-2-780x1024.jpg 780w, https://willkempartschool.com/wp-content/uploads/2026/08/symphony-in-white-2-768x1008.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/symphony-in-white-2-600x787.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><blockquote><p><span style="font-weight: 400;">Symphony in White, No. 2: The Little White Girl, 1864<br />
223</span>James McNeill Whistler</p></blockquote><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53138" src="https://willkempartschool.com/wp-content/uploads/2026/08/IMG_1746-e1785969586620.jpg" alt="" width="1000" height="667" /></p><p>Here Whistler paints Jo Hifferman leaning on the fireplace of their home in Chelsea.</p><p>I especially enjoyed studying the way he painted lace and delicate fabrics. He used very thin veils of paint, with small touches and dabs of more opaque colour placed over the top. The effect is understated but remarkably convincing.</p><p>To create these fluid layers, Whistler used a painting medium he referred to as his “sauce”. It was a mixture of turpentine, linseed oil and varnish.</p><p>Traditional turpentine was needed to dissolve the varnish and combine the ingredients. The resulting medium had a fluid, watercolour-like consistency, but contained enough turpentine to allow the paint to move freely. The (over) use of turpentine means some areas have sunken into the canvas surface and can create a particularly tricky painting for conservation.</p><div data-fullscreen="disabled" data-mode="normal" data-oembed="1" data-provider="youtube" data-reset-after-played id="arve-youtube-6dmcqc1eh8c" style="max-width:720px;" class="arve aligncenter"><div class="arve-inner"><div class="arve-embed arve-embed--has-aspect-ratio"><div class="arve-ar" style="padding-top:56.250000%"></div>
224<iframe allow="accelerometer &apos;none&apos;;autoplay &apos;none&apos;;bluetooth &apos;none&apos;;browsing-topics &apos;none&apos;;camera &apos;none&apos;;clipboard-read &apos;none&apos;;clipboard-write;display-capture &apos;none&apos;;encrypted-media &apos;none&apos;;gamepad &apos;none&apos;;geolocation &apos;none&apos;;gyroscope &apos;none&apos;;hid &apos;none&apos;;identity-credentials-get &apos;none&apos;;idle-detection &apos;none&apos;;keyboard-map &apos;none&apos;;local-fonts;magnetometer &apos;none&apos;;microphone &apos;none&apos;;midi &apos;none&apos;;otp-credentials &apos;none&apos;;payment &apos;none&apos;;picture-in-picture;publickey-credentials-create &apos;none&apos;;publickey-credentials-get &apos;none&apos;;screen-wake-lock &apos;none&apos;;serial &apos;none&apos;;summarizer &apos;none&apos;;sync-xhr;usb &apos;none&apos;;web-share;window-management &apos;none&apos;;xr-spatial-tracking &apos;none&apos;;" allowfullscreen="" class="arve-iframe fitvidsignore" credentialless data-arve="arve-youtube-6dmcqc1eh8c" data-lenis-prevent="" data-src-no-ap="https://www.youtube.com/embed/6DmCqc1Eh8c?feature=oembed&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;autohide=1&amp;playsinline=0&amp;autoplay=0&amp;enablejsapi=1" frameborder="0" height="405" loading="lazy" name="" referrerpolicy="strict-origin-when-cross-origin" sandbox="allow-scripts allow-same-origin allow-presentation allow-popups allow-popups-to-escape-sandbox" scrolling="no" src="https://www.youtube.com/embed/6DmCqc1Eh8c?feature=oembed&#038;iv_load_policy=3&#038;modestbranding=1&#038;rel=0&#038;autohide=1&#038;playsinline=0&#038;autoplay=0&#038;enablejsapi=1" title="What&apos;s under the surface of a Whistler painting?" width="720"></iframe></div></div> 
224<script type="application/ld+json">{"@context":"http:\/\/schema.org\/","@id":"https:\/\/willkempartschool.com\/james-mcneill-whistler-at-tate-britain-exhibition-review\/#arve-youtube-6dmcqc1eh8c","@type":"VideoObject","author":{"@type":"Organization","name":"Tate"},"embedURL":"https:\/\/www.youtube.com\/embed\/6DmCqc1Eh8c?feature=oembed&iv_load_policy=3&modestbranding=1&rel=0&autohide=1&playsinline=0&autoplay=0&enablejsapi=1","name":"What's under the surface of a Whistler painting?","thumbnailUrl":"https:\/\/i.ytimg.com\/vi\/6DmCqc1Eh8c\/hqdefault.jpg","uploadDate":"2026-07-02T07:30:31Z","description":"Don't always take a painting at face value. Join Rachel Scott in our Paintings Conservation Studio as she removes layers of old varnish to reveal the original colours of James McNeill Whistler's painting of Miss May Alexander (1874\u20135).\n\nSee this painting and more masterpieces by Whistler in the new survey of his work, now open at Tate Britain until 27 September 2026: \n\n00:00 Intro to Whistler, an unconventional Victorian\n00:42 Music and painting\n00:59 Portrait of Miss May Alexander\n01:36 Challenges of conserving Whistler's works\n03:01 Using a new method of varnish removal\n04:20 Before and after conservation\n\nSubscribe for more stories from behind the scenes at Tate: \n\nTo license Tate films please email"}</script>
224 </div><p>This enabled Whistler to apply thin, watery-looking washes that still held together on the canvas. When working with such delicate layers of oil paint, that sense of flow would have been essential to achieving the softness, subtlety and tonal unity of his finished paintings.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53141" src="https://willkempartschool.com/wp-content/uploads/2026/08/IMG_1749.jpg" alt="" width="1000" height="763" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/IMG_1749.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/IMG_1749-300x229.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/IMG_1749-768x586.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/IMG_1749-600x458.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><blockquote><p><span style="font-weight: 400;">Symphony in White, No. 3, 1865- 1867<br />
225</span>James McNeill Whistler</p></blockquote><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53139" src="https://willkempartschool.com/wp-content/uploads/2026/08/IMG_1750-e1785969606867.jpg" alt="" width="1000" height="750" /></p><p>Jo wears the same white dress as in the portrait before. Seated on the floor is model Milly Jones. Whistler intended this to be a study of colour, an experiment in white on white.</p><p>This is the first time he gave portraits a musical title.</p><p>He gave many of his paintings musical titles, including <em>Nocturne</em>, <em>Symphony</em> and <em>Arrangement; this was to </em>encourage viewers to appreciate his paintings for their handling of paint, balance of colour and abstract design, rather than searching for a narrative.</p><h3>Nocturnes</h3><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-53211">
226<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-gold-painting-2.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-gold-painting-2-300x214.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-gold-painting-2-768x548.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-gold-painting-2-600x428.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
227<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-gold-painting-2.jpg" alt="" width="1000" height="714" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-gold-painting-2.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-gold-painting-2-300x214.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-gold-painting-2-768x548.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-gold-painting-2-600x428.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
228</picture></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53146" src="https://willkempartschool.com/wp-content/uploads/2026/08/nocturnes-entrance.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/nocturnes-entrance.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/nocturnes-entrance-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/nocturnes-entrance-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/nocturnes-entrance-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><blockquote><p>Nocturne: Blue and Gold, Old Battersea Bridge, 1872–1875<br />
229James McNeill Whistler</p></blockquote><p>Fascinated by the subdued hues of the sea, Whistler went further with a series of colour studies in London, called the Nocturnes.</p><p>Atmosphere rather than story. Beauty created through colour and line, harmonies of white and grey. Landscapes that seem to appear through a veil of smog and mist.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53145" src="https://willkempartschool.com/wp-content/uploads/2026/08/nocturne-painting-whistler.jpg" alt="" width="1000" height="714" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/nocturne-painting-whistler.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/nocturne-painting-whistler-300x214.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/nocturne-painting-whistler-768x548.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/nocturne-painting-whistler-600x428.jpg 600w" sizes="(max-width: 1000px) 100v
229w, 1000px" /></p><blockquote><p id="firstHeading" class="firstHeading mw-first-heading">Nocturne: Blue and Silver, Chelsea, 1871<br />
230James McNeill Whistler</p></blockquote><p>Whistler is said to have laid the canvases on the floor and soaked them in thin paint, to create these hazy mists, using long strokes and delicate light reflections on the water, looking across the Thames.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53147" src="https://willkempartschool.com/wp-content/uploads/2026/08/viewing-nocturnes.jpg" alt="" width="1000" height="1333" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/viewing-nocturnes.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/viewing-nocturnes-225x300.jpg 225w, https://willkempartschool.com/wp-content/uploads/2026/08/viewing-nocturnes-768x1024.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/viewing-nocturnes-600x800.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53150" src="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-nocturens-tate.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-nocturens-tate.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-nocturens-tate-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-nocturens-tate-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-nocturens-tate-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><blockquote><p class="TateUI-typography TateUI-typography__variant--h5 TateUI-typography__color--primary TateUI-typography__lineHeight--undefined TateUI-typography__align--undefined">Nocturne: Blue and Silver &#8211; Cremorne Lights, 1872<br />
231James McNeill Whistler</p></blockquote><p><span class="iNqyIf" data-sfc-cp="" data-sfc-root="ep" data-complete="true" data-copy-service-computed-style="font-family: &quot;Google Sans&quot;, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none solid rgb(22, 23, 26); border-bottom: 0px none rgb(22, 23, 26);">Objects blend into the darkness, leaving only a few glowing specs of lamplight or reflections on the water</span></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53155" src="https://willkempartschool.com/wp-content/uploads/2026/08/IMG_1782-e1785971040372.jpg" alt="" width="1000" height="750" /></p><blockquote><p>Nocturne: Blue and Gold &#8211; Southampton Water, 1872<br />
232James McNeill Whistler</p></blockquote><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53156" src="https://willkempartschool.com/wp-content/uploads/2026/08/IMG_1781-e1785971092169.jpg" alt="" width="1000" height="750" /></p><p>What amazed me about the nocturnes was just how compressed the tonal range was within the paintings. The gallery space lighting was low, but even with that, sometimes you really had to stare into the painting to see the differences in the subjects being depicted.</p><h3>Whistler&#8217;s Mother</h3><p><span style="font-weight: 400;">In the middle of his glamorous and unconventional life in London, everything changed. </span></p><p><span style="font-weight: 400;">E</span><span style="font-weight: 400;">scaping the American Civil War, his deeply religious mother, Anna, came to live with him. A</span><span style="font-weight: 400;">nything that might offend her disappeared, including Jo Hiffernan, who quietly moved out.</span></p><p><span style="font-weight: 400;">His studio remained firmly Whistler&#8217;s domain, but his flamboyant lifestyle now had to be conducted much more discreetly. </span><span style="font-weight: 400;">In one room Anna quietly read her prayers, while next door Whistler painted nudes and pursued his own creative ambitions.</span></p><p><span style="font-weight: 400;">During this period his</span><span style="font-weight: 400;"> fascination with realism had begun to fade, now, in his early thirties, Whistler was searching for a style that was unmistakably his own. </span><span style="font-weight: 400;">For almost three years he withdrew into the studio, studying the Old Masters and experimenting relentlessly with new techniques.</span></p><p><span style="font-weight: 400;">Then, quite by chance in 1871, his model failed to arrive for a sitting.</span></p><p><span style="font-weight: 400;">Whistler asked his sixty-seven-year-old mother to take her place.</span></p><p>She was initially posed standing, but was unable to hold the position for long, so she was seated within the studio. From this unexpected change of circumstances came one of the most recognisable portraits in the history of art.</p><p>This central room of the exhibition presents Whistler at the height of his powers. In Arrangement in Grey and Black No. 1, more commonly known as Whistler’s Mother, you can see his remarkable sense of geometry, the solemnity of his palette and the emotional weight he could achieve through a restrained composition.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53189" src="https://willkempartschool.com/wp-content/uploads/2026/08/1280px-Whistlers_Mother_high_res-e1786034946325.jpg" alt="" width="1000" height="890" /></p><blockquote><p>Arrangement in Grey and Black No. 1, 1871<br />
233James McNeill Whistler</p></blockquote><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53153" src="https://willkempartschool.com/wp-content/uploads/2026/08/IMG_1766-e1785971135701.jpg" alt="" width="1000" height="1333" /></p><p><span style="font-weight: 400;">Anna sits in profile against the restrained interior of Whistler&#8217;s studio. The simple wall, Japanese matting and framed print create an arrangement of carefully balanced shapes that felt remarkably modern for Victorian Britain, almost minimalist in its simplicity.</span></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53108" src="https://willkempartschool.com/wp-content/uploads/2026/08/whistlers-mother-detail.jpg" alt="" width="1000" height="666" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistlers-mother-detail.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/whistlers-mother-detail-300x200.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/whistlers-mother-detail-768x511.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistlers-mother-detail-600x400.jpg 600w" sizes="(max-width: 1000px) 100v
233w, 1000px" /></p><blockquote><p>Detail of Whistler&#8217;s mother, with the etching in the background. Look at the value shapes. See how similar it is to Black Wharf etching</p></blockquote><p>I have always loved Whistler’s drawings. They have a beautiful sense of tone and an elegant, fluid quality to the line. That same freedom can be seen in his paintings, particularly in the marks made with those long brushes.</p><p><span style="font-weight: 400;">While studying in Paris, Whistler had absorbed two lasting lessons from his teacher, the Swiss painter Charles Gleyre: black formed the foundation of tonal painting, and every colour should be carefully mixed before the brush touched the canvas.</span></p><p><span style="font-weight: 400;">Working on a grey-primed canvas, Whistler first established the drawing before beginning to paint.</span></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53157" src="https://willkempartschool.com/wp-content/uploads/2026/08/tate-britain-whistler-review.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/tate-britain-whistler-review.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/tate-britain-whistler-review-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/tate-britain-whistler-review-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/tate-britain-whistler-review-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p><span style="font-weight: 400;">One sitter described watching Whistler work with extraordinary speed and intensity during long sittings. </span><span style="font-weight: 400;">His long brushes allowed him to stand well back from both the canvas and the sitter, enabling him to judge the overall composition while painting. It is a technique very similar to sight-size.</span></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53131" src="https://willkempartschool.com/wp-content/uploads/2026/08/artist-mother-hands-detial.jpg" alt="" width="1000" height="667" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/artist-mother-hands-detial.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/artist-mother-hands-detial-300x200.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/artist-mother-hands-detial-768x512.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/artist-mother-hands-detial-600x400.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p><span style="font-weight: 400;">Anna&#8217;s portrait was completed in only four weeks, unusually fast for Whistler. </span><span style="font-weight: 400;">Anna wrote that she passed the long sittings quietly, often praying as she posed. I like her sense of clasping hands together and the way he&#8217;s got the broken colour showing the darker ground underneath the lace.</span></p><p><span style="font-weight: 400;">Whistler himself was delighted. He had achieved exactly what he wanted: a composition stripped back to its essentials, with nothing distracting from the sitter&#8217;s presence.</span></p><p>Confident that it would <span style="box-sizing: border-box; margin: 0px; padding: 0px;">be accepted into the Royal Academy Summer Exhibition of 1872, he was disappointed to find </span>that the committee strongly objected to the painting. Maybe his simplicity wasn&#8217;t in line with the committee&#8217;s expectations.</p><p><span style="font-weight: 400;">Despite its reception among critics, the public responded differently, r</span><span style="font-weight: 400;">eproductions sold in huge numbers and the portrait came to symbolise motherhood, virtue, and quiet dignity. </span></p><p><span style="font-weight: 400;">Four years later, Anna left London for the healthier air of Hastings, allowing Whistler to resume something closer to his former lifestyle.</span></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53128" src="https://willkempartschool.com/wp-content/uploads/2026/08/the-white-girl-whistler.jpg" alt="" width="1000" height="1435" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/the-white-girl-whistler.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/the-white-girl-whistler-209x300.jpg 209w, https://willkempartschool.com/wp-content/uploads/2026/08/the-white-girl-whistler-714x1024.jpg 714w, https://willkempartschool.com/wp-content/uploads/2026/08/the-white-girl-whistler-768x1102.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/the-white-girl-whistler-600x861.jpg 600w" sizes="(max-width: 1000px) 100v
233w, 1000px" /></p><blockquote><p><span style="font-weight: 400;">Harmony in Grey and Green, Miss Cicely Alexander, 1872- 1874<br />
234</span>James McNeill Whistler</p></blockquote><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53129" src="https://willkempartschool.com/wp-content/uploads/2026/08/the-white-girl-whistler-detail.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/the-white-girl-whistler-detail.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/the-white-girl-whistler-detail-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/the-white-girl-whistler-detail-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/the-white-girl-whistler-detail-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53130" src="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-figure-brushwork.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-figure-brushwork.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-figure-brushwork-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-figure-brushwork-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-figure-brushwork-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p>The room also contains a striking full-length portrait of a standing girl. It is a wonderful painting in its own right, but it is also particularly useful for studying Whistler’s recurring visual motifs.</p><p>You can begin to spot his butterfly signature, which appears in different forms across his paintings and decorative work. The portrait also demonstrates his confident handling of greys. Although the palette is highly muted, the figure still feels alive and present.</p><h3>Whistler vs Ruskin</h3><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53152" src="https://willkempartschool.com/wp-content/uploads/2026/08/P1510059-2.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/P1510059-2.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/P1510059-2-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/08/P1510059-2-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/P1510059-2-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p><span style="font-weight: 400;">In 1877, Whistler exhibited his painting </span><i><span style="font-weight: 400;">Nocturne in Black and Gold: The Falling Rocket</span></i><span style="font-weight: 400;"> at London&#8217;s </span><span style="font-weight: 400;">Gr</span><span style="font-weight: 400;">osvenor Gallery</span><span style="font-weight: 400;">. </span></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53163" src="https://willkempartschool.com/wp-content/uploads/2026/08/1280px-Whistler-Nocturne_in_black_and_gold-e1785972109560.jpg" alt="" width="1000" height="1329" /></p><blockquote><p id="ucc-0" class="tE7R7 indIKd Vupnbd N1Vcuc pb3iw">Nocturne in Black and Gold, The Falling Rocket,1875<br />
235James McNeill Whistler</p></blockquote><p><span style="font-weight: 400;">The painting was a nearly abstract depiction of a fireworks display over Cremorne Gardens.</span></p><p><span style="font-weight: 400;"><a href="https://the-ruskin.co.uk/about/about-john-ruskin/"><strong>Ruskin</strong></a>, a revered art critic and advocate for realism, was deeply offended by its lack of traditional detail. </span></p><p><span style="font-weight: 400;">Writing in his monthly publication </span><i><span style="font-weight: 400;">Fors Clavigera</span></i><span style="font-weight: 400;">
235, Ruskin criticised Whistler, famously stating that he: </span></p><blockquote><p><span style="font-weight: 400;">&#8220;never expected to hear a coxcomb ask two hundred guineas for </span>flinging a pot of paint in the public&#8217;s face<span style="font-weight: 400;">&#8220;.</span></p></blockquote><p><span style="font-weight: 400;">Whistler sued for libel to defend his reputation; the case became a legendary debate over the definition and value of art</span></p><p><span style="font-weight: 400;">When asked if he charged 200 guineas for a few days&#8217; work, Whistler famously replied, </span></p><blockquote><p><span style="font-weight: 400;">&#8220;No, </span>I ask it for the knowledge of a lifetime.&#8221;</p></blockquote><p><span style="font-weight: 400;">The jury ruled in Whistler&#8217;s favour but awarded him the lowest possible payout: one farthing </span><span style="font-weight: 400;">(a quarter of a penny) in damages. </span></p><p><span style="font-weight: 400;">The judge didn&#8217;t award court costs to Whistler, and the mounting legal expenses ultimately forced him into </span><span style="font-weight: 400;">bankruptcy by 1879</span><span style="font-weight: 400;">. </span></p><p><span style="font-weight: 400;">Despite the financial ruin it caused, the trial is now seen as a turning point in the history of art. It helped shift the focus away from judging a painting by the number of hours it took to create, and towards valuing the artist&#8217;s ideas, vision, and originality, an important step on the path to modern and abstract art.</span></p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53162" src="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-vs-ruskin.jpg" alt="" width="1000" height="1334" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/whistler-vs-ruskin.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-vs-ruskin-225x300.jpg 225w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-vs-ruskin-768x1025.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/08/whistler-vs-ruskin-600x800.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p>This is the first booklet Whistler published to defend his ideas. He also published <em>&#8216;The Gentle Art of Making Enemies</em>&#8216; based on his various disagreements over the years!</p><h3>Later Years</h3><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53166" src="https://willkempartschool.com/wp-content/uploads/2026/08/Screen-Shot-2026-08-06-at-13.17.28-e1786018837958.png" alt="" width="1000" height="719" /></p><blockquote><p>Little Venice (The Little Venice), 1879 -1880<br />
236James McNeill Whistler</p></blockquote><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-53192" src="https://willkempartschool.com/wp-content/uploads/2026/08/Screen-Shot-2026-08-06-at-18.10.28-e1786036289515.png" alt="" width="1000" height="605" /></p><blockquote><p>Fish Shop, Venice, 1879 -1880<br />
237James McNeill Whistler</p></blockquote><p>After the trial against John Ruskin, Whistler, now 45 and bankrupt, had to give up his home and studio in London. (incidentally, this was on Tite Street, the same road that <a href="https://willkempartschool.com/woven-stories-singer-sargent-exhibition-review/">Singer Sargent</a> had a studio on)</p><p>The Fine Art Society, London,<span class="italic"> commissioned Whistler to complete a Series of Twelve Etchings </span>of Venice (the &#8216;First Venice Set&#8217;), enabling Whistler to re-establish his reputation and creativity.</p><p>Returning to etching and working with pastels on brown paper, he captured what he described as “<em>Venice in Venice</em>”. He created atmospheric effects, detailing the back lanes of the city, gloomy passageways and doorways occupied by ordinary working people.</p><p>Whistler arrived in Venice in September 1879 on an intended three-month trip but, enchanted with the city, returned 14 months later with over 200 drawings and etchings. (I can see why, Venice is such an amazingly sketchable place &#8211; <a href="https://willkempartschool.com/sketching-light-landscape-in-venice/"><strong>Sketching the Light and landscape in Venice</strong></a>)</p><p>For the rest of his life, Whistler travelled through Europe, painting small landscapes and constantly exploring new effects in oils, watercolours, and etchings.</p><p class="content-block--dates__item">
237The exhibition runs at <a href="https://www.tate.org.uk/whats-on/tate-britain/whistler"><strong>Tate Britain until 27 September 2026</strong></a>. Not only can you immerse yourself in Whistler&#8217;s atmospheric paintings, but you can appreciate how James McNeill Whistler fundamentally changed the way we think about, value, and create art.<br /></p><div class="Fsg96" data-sfc-cp="" data-sfc-root="ep" data-complete="true" data-processed="true" data-sfc-inited="2" data-copy-service-computed-style="font-family: &quot;Google Sans&quot;, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 0px; text-decoration: none solid rgb(22, 23, 26); border-bottom: 0px none rgb(22, 23, 26);"></div><div class="Fsg96" data-sfc-cp="" data-sfc-root="ep" data-complete="true" data-processed="true" data-sfc-inited="2" data-copy-service-computed-style="font-family: &quot;Google Sans&quot;, Arial, sans-serif; font-size: 14px; font-weight: 400; margin: 0px; text-decoration: none solid rgb(22, 23, 26); border-bottom: 0px none rgb(22, 23, 26);"></div><h3>Further Notes on Whistler&#8217;s Mother</h3><p><span style="box-sizing: border-box; margin: 0px; padding: 0px;">Shortly after his return to London, in 1880, his mother, Anna, died, and up until this point Whistler had refused to sell the portrait of her.</span></p><p><span style="font-weight: 400;">However, when his portrait of <a href="https://www.npg.org.uk/collections/search/portrait/mw137671/Thomas-Carlyle">Thomas Carlyle</a> was purchased by the Glasgow Corporation for one thousand guineas, Whistler decided to go one step further with</span><span style="font-weight: 400;"> his mother&#8217;s portrait.</span></p><p>Together with his friend, the poet Stéphane Mallarmé, Whistler arranged for the painting to be sold to the French government. It arrived in Paris in October 1891 and, although the price was negotiated down significantly, Whistler was still thrilled. More important than the money was the recognition that it would enter the Musée du Luxembourg.</p><p>His paintings were pioneering and on the edge of the artistic conventions of the day. In the end, he stayed true to his own vision, and his determination to secure his reputation ultimately paid off.</p><p>When he later found it hanging in an obscure room within the gallery, he wrote to the museum&#8217;s director:</p><blockquote><p><i><span style="font-weight: 400;">&#8220;If this goes on, I&#8217;m afraid I shall have to take my mummy away from your hotel.&#8221;</span></i></p></blockquote><p><span style="font-weight: 400;">Whistler died in 1903.</span></p><p><span style="font-weight: 400;">In 1932 the painting returned to America for a major exhibition at the Museum of Modern Art in New York.  It was in the midst of the Great Depression, and the painting struck a chord, becoming a symbol of mothers bearing hardship. </span></p><p><span style="font-weight: 400;">More than fifty thousand visitors saw it within the first two weeks, before it was exhibited throughout the United States.</span></p><p><span style="font-weight: 400;">By then, </span><i><span style="font-weight: 400;">Whistler&#8217;s Mother</span></i><span style="font-weight: 400;"> had </span>become one of the most recognisable paintings in the world.</p><p>He would have been thrilled!</p><h3>And if you can&#8217;t make the show..</h3><p><a href="https://seventh-art.com/product/j-m-whistler/"><picture loading="lazy" decoding="async" class="aligncenter wp-image-53233 size-full">
238<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/exhibition-on-screen-whistler.png.webp 1748w, https://willkempartschool.com/wp-content/uploads/2026/08/exhibition-on-screen-whistler-300x272.png.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/08/exhibition-on-screen-whistler-1024x927.png.webp 1024w, https://willkempartschool.com/wp-content/uploads/2026/08/exhibition-on-screen-whistler-768x695.png.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/08/exhibition-on-screen-whistler-1536x1390.png.webp 1536w, https://willkempartschool.com/wp-content/uploads/2026/08/exhibition-on-screen-whistler-600x543.png.webp 600w" sizes="(max-width: 1748px) 100vw, 1748px"/>
239<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/08/exhibition-on-screen-whistler.png" alt="" width="1748" height="1582" srcset="https://willkempartschool.com/wp-content/uploads/2026/08/exhibition-on-screen-whistler.png 1748w, https://willkempartschool.com/wp-content/uploads/2026/08/exhibition-on-screen-whistler-300x272.png 300w, https://willkempartschool.com/wp-content/uploads/2026/08/exhibition-on-screen-whistler-1024x927.png 1024w, https://willkempartschool.com/wp-content/uploads/2026/08/exhibition-on-screen-whistler-768x695.png 768w, https://willkempartschool.com/wp-content/uploads/2026/08/exhibition-on-screen-whistler-1536x1390.png 1536w, https://willkempartschool.com/wp-content/uploads/2026/08/exhibition-on-screen-whistler-600x543.png 600w" sizes="(max-width: 1748px) 100vw, 1748px"/>
240</picture>
241</a></p><p><a href="https://seventh-art.com/product/j-m-whistler/"><strong>Exhibitions on Screen</strong></a> is running a film about the show. They have screenings across the country on 15th September</p></div><div class="blog-entry-readmore clr">
242<a href="https://willkempartschool.com/james-mcneill-whistler-at-tate-britain-exhibition-review/"
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244Continue Reading<span class="screen-reader-text">James McNeill Whistler at Tate Britain &#8211; Exhibition Review</span><i class=" fa fa-angle-right" aria-hidden="true" role="img"></i></a></div></div></article><article id="post-52545" class="blog-entry clr large-entry post-52545 post type-post status-publish format-standard has-post-thumbnail hentry category-acrylic-painting category-painting entry has-media owp-thumbs-layout-horizontal owp-btn-big owp-tabs-layout-horizontal has-no-thumbn
244ails has-product-nav circle-sale"><div class="blog-entry-inner clr"><header class="blog-entry-header clr"><h2 class="blog-entry-title entry-title">
245<a href="https://willkempartschool.com/new-vincents-sunflowers-acrylic-painting-course/"  rel="bookmark">NEW! Vincent&#8217;s Sunflower&#8217;s Acrylic Painting Course</a></h2></header><ul class="meta clr"><li class="meta-author" itemprop="name">By <a href="https://willkempartschool.com/author/will-kemp/" rel="author"  itemprop="author" itemscope="itemscope" itemtype="https://schema.org/Person">Will Kemp</a></li>
246<a href="https://willkempartschool.com/category/acrylic-painting/" rel="category tag">acrylic painting</a> / <a href="https://willkempartschool.com/category/painting/" rel="category tag">painting</a><li class="meta-cat"></li><li class="meta-comments"><a href="https://willkempartschool.com/new-vincents-sunflowers-acrylic-painting-course/#respond" class="comments-link" >0 Comments</a></li></ul><div class="blog-entry-summary clr" itemprop="text"><div style="padding: 56.25% 0 0 0; position: relative;"><iframe style="position: absolute; top: 0; left: 0; width: 100%; height: 100%;" title="How to Paint Vincent's Sunflowers" src="https://player.vimeo.com/video/1207870586?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479" frameborder="0"></iframe></div><p>
246<script src="https://player.vimeo.com/api/player.js"></script>
246<br />
247Morning class, I’d like to introduce you to a new Acrylics Course.</p><p>Welcome to <a href="https://willkempartschool.com/product/vincents-sunflowers-in-acrylics/"><strong>Vincent’s Sunflowers in Acrylics.</strong></a></p><h4>Over 4+ hours of tuition</h4><p>This is a simple, easy-to-follow downloadable video course with over 4 hours of tuition.</p><p>It’s a one-time payment with lifetime access to the lessons.</p><p>The course is a self-study video course for beginners exploring Van Gogh&#8217;s palette, methods and techniques. It has been designed as a step-by-step, rounded learning experience that brings together all my knowledge as a student, painter, and teacher.</p><h3>What’s in the Course?</h3><ul><li>1 x Van Gogh-inspired Sunflowers painting from start to finish, based in the studio, working from a reference image.</li><li>13-lesson curriculum: <strong>Downloadable Video Lessons</strong> (with lifetime access to these recordings)</li><li>Step-by-step acrylic painting lessons that you can follow at your own pace.</li><li>A clear, easy-to-follow process for building the painting in stages.</li><li>A drawing template to help you overcome the blank canvas and get started with confidence.</li><li>LIFETIME ACCESS to video lessons, download on separate devices, keep forever.</li><li>Over 4+ hrs of detailed video instruction.</li><li>(I demonstrate the course with acrylics, using gels and thicker paint to create texture, but you could also adapt the approach to water-mixable oils or traditional oils if you prefer.)</li></ul><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-52432" src="https://willkempartschool.com/wp-content/uploads/2026/06/SUNFLOWERS.png" alt="VAN GOGH sunflower course" width="1191" height="1194" srcset="https://willkempartschool.com/wp-content/uploads/2026/06/SUNFLOWERS.png 1191w, https://willkempartschool.com/wp-content/uploads/2026/06/SUNFLOWERS-300x300.png 300w, https://willkempartschool.com/wp-content/uploads/2026/06/SUNFLOWERS-1021x1024.png 1021w, https://willkempartschool.com/wp-content/uploads/2026/06/SUNFLOWERS-290x290.png 290w, https://willkempartschool.com/wp-content/uploads/2026/06/SUNFLOWERS-768x770.png 768w, https://willkempartschool.com/wp-content/uploads/2026/06/SUNFLOWERS-600x602.png 600w, https://willkempartschool.com/wp-content/uploads/2026/06/SUNFLOWERS-100x100.png 100w" sizes="(max-width: 1191px) 100vw, 1191px" /></p><p>In this course, we’ll observe one of the most expressive painters in art history: Vincent van Gogh.</p><p>Best known for his bold use of colour, thick impasto brushwork, and paintings filled with emotion and movement, Van Gogh transformed simple subjects into something unforgettable.</p><p>And few subjects capture that better than his Sunflowers.</p><p>Van Gogh painted his Sunflowers series after moving to Arles in the South of France in 1888. It was a period of hope, ambition, uncertainty, and intense creative energy. He was searching for his own voice as an artist, and in these paintings we can see his brushwork becoming looser, his colour choices bolder, and his style more personal than ever before.</p><p>I’ve chosen this particular version of the Sunflowers, ‘<em>Three Sunflowers in a Vase</em>‘ because it beautifully captures the warmth, optimism, and intensity of that moment.</p><p>At first glance, it looks like a simple vase of flowers.</p><p>But when you look closer, there’s so much to learn.</p><p>Thick paint. Directional marks. Broken edges. Subtle yellows. Muted greens. A background that shifts and glows. Brushstrokes that don’t just describe the subject, they become part of the experience.</p><p>You’ll learn how to build a painting in stages, starting with a simple grid drawing and moving through the background, tabletop, vase, leaves, and sunflower heads.</p><p>We’ll look at how Van Gogh used colour relationships to create impact, how small areas of contrast can bring a painting to life, and how to use thicker acrylic paint and gels to suggest the texture and energy of impasto brushwork.</p><p>If you’re unsure of your drawing, no worries. We use a simple grid method to help keep everything in proportion and make the subject feel much more approachable.</p><p>And if you’ve ever looked at Van Gogh’s paintings and thought, “I’d love to paint with that kind of freedom, but I wouldn’t know where to start,” this course will guide you through it step by step.</p><p>So grab a brew, maybe a straw hat, and let’s paint Vincent’s Sunflowers!</p><h3>Is this course for me?</h3><h4><em>“I’m not good enough.”</em></h4><p>Van Gogh often felt the same way. He compared himself to other artists, questioned his abilities, and struggled to achieve what he saw in his mind. Yet he kept painting. Every brushstroke was a step forward.</p><h4>“I’ve left it too late.”</h4><p>Van Gogh didn’t dedicate himself fully to art until he was 27. Art doesn’t ask when you started. It asks whether you’re willing to start.</p><h4><em>“What if I never develop my own style?”</em></h4><p>Your style isn’t hiding somewhere waiting to be discovered. It grows through practice. Van Gogh’s famous Sunflowers weren’t the beginning of his journey. They were the result of years of observation, experimentation, and changing. The same process is available to every artist who is willing to pick up a brush and begin.</p><h4><em>“I don’t know if I have talent.”</em></h4><p>Talent is overrated. Before you write yourself off, ask yourself a different question: have you actually given yourself the chance to learn? Van Gogh certainly didn’t look like a genius when he started. His early drawings were awkward, his paintings were dark and heavy. Most people decide they don’t have talent long before they’ve given themselves enough time to improve.</p><p>This course isn’t about proving you’re talented. It’s about discovering what happens when you stop judging yourself and start painting.</p><p>You can join here: <a href="https://willkempartschool.com/product/vincents-sunflowers-in-acrylics/"><strong>Vincent’s Sunflowers in Acrylics.</strong></a></p></div><div class="blog-entry-readmore clr">
248<a href="https://willkempartschool.com/new-vincents-sunflowers-acrylic-painting-course/"
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250Continue Reading<span class="screen-reader-text">NEW! Vincent&#8217;s Sunflower&#8217;s Acrylic Painting Course</span><i class=" fa fa-angle-right" aria-hidden="true" role="img"></i></a></div></div></article><article id="post-52376" class="blog-entry clr large-entry post-52376 post type-post status-publish format-standard has-post-thumbnail hentry category-painting entry has-media owp-thumbs-layout-horizontal owp-btn-big owp-tabs-layout-horizontal has-no-thumbn
250ails has-product-nav circle-sale"><div class="blog-entry-inner clr"><header class="blog-entry-header clr"><h2 class="blog-entry-title entry-title">
251<a href="https://willkempartschool.com/how-to-overcome-the-ugly-stage-in-your-paintings/"  rel="bookmark">How to Overcome the Ugly Stage in Your Paintings</a></h2></header><ul class="meta clr"><li class="meta-author" itemprop="name">By <a href="https://willkempartschool.com/author/will-kemp/" rel="author"  itemprop="author" itemscope="itemscope" itemtype="https://schema.org/Person">Will Kemp</a></li>
252<a href="https://willkempartschool.com/category/painting/" rel="category tag">painting</a><li class="meta-cat"></li><li class="meta-comments"><a href="https://willkempartschool.com/how-to-overcome-the-ugly-stage-in-your-paintings/#comments" class="comments-link" >31 Comments</a></li></ul><div class="blog-entry-summary clr" itemprop="text"><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52377">
253<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/06/ugly-stage-painting.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/06/ugly-stage-painting-300x240.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/06/ugly-stage-painting-768x614.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/06/ugly-stage-painting-600x480.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
254<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/06/ugly-stage-painting.jpg" alt="ugly-stage-painting" width="1000" height="800" srcset="https://willkempartschool.com/wp-content/uploads/2026/06/ugly-stage-painting.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/06/ugly-stage-painting-300x240.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/06/ugly-stage-painting-768x614.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/06/ugly-stage-painting-600x480.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
255</picture></p><p>The underpainting is fresh, just tone and shadow.</p><p>A faint suggestion of something emerging.</p><p>And in that moment, before any colour hits the canvas, the painting is perfect.</p><p>Not because it’s complete but because it’s got potential.</p><p>Nothing has gone wrong. There are no mistakes to fix. The best work you&#8217;ve ever made might be a few brushstrokes away.</p><p>Then you start to add the first touches of colour.</p><p>It’s genuinely exciting; you&#8217;re making decisions. Things are beginning to take shape, and as the painting progresses, you’re feeling confident.</p><p>And then, somewhere in the middle, it happens.</p><p>The ugly stage arrives.</p><h4>A Series of Stages</h4><p>A painting is not created all at once. It develops through a series of stages, and almost every stage temporarily sacrifices one quality, in order to build another.</p><p>You lose simplicity to gain structure.</p><p>You lose freshness to gain form.</p><p>But this stage, this stage feels like everything has hit you at once.</p><p>Last week I received an email from Samantha, who has been following the <a href="https://willkempartschool.com/product/market-day-peaches-acrylic-still-life-course/"><strong>Market Day Peaches Still Life Course</strong></a> with her children (Aged 9 and 13).</p><blockquote><p>&#8220;During Lesson 2, my son was saying how ugly his work looked, but as we later sat on the couch and looked at his painting&#8230; it looked so good! Haha.&#8221;</p></blockquote><p>I love this so much. Not just because it&#8217;s a lovely image, the three of them on the sofa, looking at the painting with fresh eyes, but because it captures something I genuinely believe is one of the most important things to understand about making art.</p><h4>The Obstacle is the Way</h4><p>There’s a coding school in Paris called 42, founded by French entrepreneur Xavier Niel.</p><p>Applicants spend weeks working through problems they’ve never encountered before. They’re given challenges that leave them stuck. The school isn’t testing whether someone can code. It’s testing what happens when they hit a wall.</p><p>Do they keep going?</p><p>Do they break the problem into smaller pieces?</p><p>Do they ask for help?</p><p>Do they come back the next day and try again?</p><p>If a student gets stuck, they’ll often seek out someone who struggled with the exact same problem a week earlier. The solution isn’t always finding the answer immediately. It’s learning how to work through uncertainty.</p><p>What struck me when I first heard about this is how familiar it sounded. Because painting works exactly the same way.</p><p>Every painter encounters walls. A colour mixture that won’t work. A drawing that looks wrong. A painting that suddenly loses all sense of form halfway through. The difference is that when you’re painting alone, it’s easy to assume that getting stuck means you’re failing.</p><p>It doesn’t.</p><p>It means you’ve reached the next problem to solve.</p><p>This is one reason following a structured course can be so powerful. The path has already been laid out.</p><p>You know the painting has an ending because someone else has already walked the route before you. You know that the awkward middle stage eventually leads somewhere.</p><p>The challenge isn’t completing the entire painting in one leap. It’s identifying the next problem.</p><p>What often discourages painters isn’t the difficulty of the task itself. It’s imagining all the future problems they haven’t solved yet.</p><p>The ugly stage isn’t a sign you’ve taken a wrong turn.</p><p>It’s often proof that you’re exactly where you’re supposed to be.</p><p>And what happened to Sam&#8217;s children and their paintings?</p><p>They finished them.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52378">
256<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/06/gessa-still-life-nine.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/06/gessa-still-life-nine-300x225.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/06/gessa-still-life-nine-768x576.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/06/gessa-still-life-nine-600x450.jpg.webp 600w" sizes="(max-width: 1000px) 100v
256w, 1000px"/>
257<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/06/gessa-still-life-nine.jpg" alt="" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/06/gessa-still-life-nine.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/06/gessa-still-life-nine-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/06/gessa-still-life-nine-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/06/gessa-still-life-nine-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
258</picture></p><blockquote><p>Gessa &#8211; Age 9</p></blockquote><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52379">
259<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/06/joseph-still-life-thirteen.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/06/joseph-still-life-thirteen-300x228.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/06/joseph-still-life-thirteen-768x584.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/06/joseph-still-life-thirteen-600x456.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
260<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/06/joseph-still-life-thirteen.jpg" alt="" width="1000" height="760" srcset="https://willkempartschool.com/wp-content/uploads/2026/06/joseph-still-life-thirteen.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/06/joseph-still-life-thirteen-300x228.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/06/joseph-still-life-thirteen-768x584.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/06/joseph-still-life-thirteen-600x456.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
261</picture></p><blockquote><p>Joseph &#8211; Age 13</p></blockquote><p>With some encouragement and a reminder that the goal wasn&#8217;t perfection, it was the experience of working through the process.</p><blockquote><p>&#8220;This project was one of our favourites this past school year.&#8221;</p></blockquote><p>Paintings rarely reveal themselves all at once.</p><p>They unfold gradually, layer by layer, decision by decision.</p><p>Experienced painters have learned not to panic when the middle gets dark.</p><p>They recognise the ugly stage for what it is: not failure, but evidence that the painting is still in progress.</p><p>If you&#8217;re judging something that isn&#8217;t finished yet. It&#8217;s like reading half a novel and deciding whether the story was worth telling before you&#8217;ve reached the final chapter.</p><p>So keep going. Add the next brushstroke. Solve the next problem. Give the painting a chance.</p><p>Because until you&#8217;ve reached the end, you don&#8217;t know what you might create.</p><p>&nbsp;</p></div><div class="blog-entry-readmore clr">
262<a href="https://willkempartschool.com/how-to-overcome-the-ugly-stage-in-your-paintings/"
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264Continue Reading<span class="screen-reader-text">How to Overcome the Ugly Stage in Your Paintings</span><i class=" fa fa-angle-right" aria-hidden="true" role="img"></i></a></div></div></article><article id="post-52258" class="blog-entry clr large-entry post-52258 post type-post status-publish format-standard has-post-thumbnail hentry category-oil-painting category-painting entry has-media owp-thumbs-layout-horizontal owp-btn-big owp-tabs-layout-horizontal has-no-thumbnails has-product-nav circle-sale"><div class="blog-entry-inner clr"><header class="blog-entry-header clr"><h2 class="blog-entry-title entry-title">
265<a href="https://willkempartschool.com/how-to-use-schmincke-medium-w-as-an-oil-painter/"  rel="bookmark">How to Use Schmincke &#8216;Medium-W&#8217; as an Oil Painter</a></h2></header><ul class="meta clr"><li class="meta-author" itemprop="name">By <a href="https://willkempartschool.com/author/will-kemp/" rel="author"  itemprop="author" itemscope="itemscope" itemtype="https://schema.org/Person">Will Kemp</a></li>
266<a href="https://willkempartschool.com/category/oil-painting/" rel="category tag">oil painting</a> / <a href="https://willkempartschool.com/category/painting/" rel="category tag">painting</a><li class="meta-cat"></li><li class="meta-comments"><a href="https://willkempartschool.com/how-to-use-schmincke-medium-w-as-an-oil-painter/#comments" class="comments-link" >25 Comments</a></li></ul><div class="blog-entry-summary clr" itemprop="text"><p><picture loading="lazy" decoding="async" class="aligncenter wp-image-52261 size-full">
267<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/schminke-medium-w-gel.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/schminke-medium-w-gel-300x195.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/05/schminke-medium-w-gel-768x499.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/schminke-medium-w-gel-600x390.jpg.webp 600w" sizes="(max-width: 1000px) 100v
267w, 1000px"/>
268<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/schminke-medium-w-gel.jpg" alt="Schmincke &#039;Medium-W&#039;" width="1000" height="650" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/schminke-medium-w-gel.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/schminke-medium-w-gel-300x195.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/schminke-medium-w-gel-768x499.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/schminke-medium-w-gel-600x390.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
269</picture></p><h4>The Oil Painting Medium Nobody Fully Explains</h4><p>If you&#8217;ve been searching for less toxic mediums to use with traditional oil paints, you may have come across a mysterious product by Schmincke, &#8216;Medium-W&#8217;.</p><p>It sounds more like a character from a Bond film than an artist’s medium, but it’s actually quite an ingenious solution for turning traditional oil paints into water-mixable ones.</p><p>Seems like magic?</p><p>In this guide, we’ll look at what Medium-W actually is, what it does to the handling of your paint, how much to add, the difference between the fluid and gel versions, and if it’s the right medium for you.</p><p><picture loading="lazy" decoding="async" class="aligncenter wp-image-52263 size-full">
270<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/smincke-medium-w.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/smincke-medium-w-300x201.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/05/smincke-medium-w-768x514.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/smincke-medium-w-600x401.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
271<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/smincke-medium-w.jpg" alt="Schmincke &#039;Medium-W&#039;" width="1000" height="669" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/smincke-medium-w.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/smincke-medium-w-300x201.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/smincke-medium-w-768x514.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/smincke-medium-w-600x401.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
272</picture></p><h3>What Is Medium-W?</h3><p>Medium-W is a <a href="https://www.schmincke.de/en/products/mediums/details/50043-medium-w"><strong>painting additive produced by Schmincke</strong></a>.</p><p>It’s a modified alkyd resin that&#8217;s been developed to transform traditional oil paints into water-mixable oils. It has been chemically adjusted to accept water into its structure, so instead of repelling water as conventional oils would, it can combine with and work alongside them.</p><p>The “W” stands for water, and at the moment I haven’t come across another manufacturer producing a product quite like this (if you have, let me know in the comments)</p><p>With traditional oils, you would typically use Turpentine or Odourless Mineral Spirits (OMS) to thin the paint. Medium-W offers an alternative approach for artists looking to reduce their reliance on more traditional solvents. By mixing the medium in with your oil paint, you can then use water as a way to dilute it further.</p><h4>The Control</h4><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52265">
273<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/mixing-watermixable-oil-paint.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/mixing-watermixable-oil-paint-300x200.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/05/mixing-watermixable-oil-paint-768x512.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/mixing-watermixable-oil-paint-600x400.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
274<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/mixing-watermixable-oil-paint.jpg" alt="old holland oil paint" width="1000" height="667" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/mixing-watermixable-oil-paint.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/mixing-watermixable-oil-paint-300x200.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/mixing-watermixable-oil-paint-768x512.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/mixing-watermixable-oil-paint-600x400.jpg 600w" sizes="(max-width: 1000px) 100v
274w, 1000px"/>
275</picture></p><blockquote><p>Here is some Old Holland traditional Oil paint. Old Holland is often thicker than other oil paints straight from the tube, so it will be a good paint to use when you&#8217;re adding another medium to dilute it.</p></blockquote><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52266">
276<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/diluted-with-gamsol-oil.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/diluted-with-gamsol-oil-200x300.jpg.webp 200w, https://willkempartschool.com/wp-content/uploads/2026/05/diluted-with-gamsol-oil-683x1024.jpg.webp 683w, https://willkempartschool.com/wp-content/uploads/2026/05/diluted-with-gamsol-oil-768x1152.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/diluted-with-gamsol-oil-600x900.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
277<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/diluted-with-gamsol-oil.jpg" alt="diluted-with-gamsol-oil" width="1000" height="1500" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/diluted-with-gamsol-oil.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/diluted-with-gamsol-oil-200x300.jpg 200w, https://willkempartschool.com/wp-content/uploads/2026/05/diluted-with-gamsol-oil-683x1024.jpg 683w, https://willkempartschool.com/wp-content/uploads/2026/05/diluted-with-gamsol-oil-768x1152.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/diluted-with-gamsol-oil-600x900.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
278</picture></p><p>Here, the <strong><a href="https://www.oldholland.com/">Old Holland</a></strong> traditional oil paint is diluted with a small amount of Odourless Mineral Spirits. In this example, I&#8217;
278m using <a href="https://gamblincolors.com/oil-painting/gamsol/"><strong>Gamsol from Gamblin</strong></a>.</p><p>Notice how the paint thins very easily and has smooth brushstrokes while still retaining a bit of texture. This is only with a small amount of OMS.</p><p><picture loading="lazy" decoding="async" class="aligncenter wp-image-52267">
279<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/water-vs-oil-dilution-paints.jpg.webp 1500w, https://willkempartschool.com/wp-content/uploads/2026/05/water-vs-oil-dilution-paints-300x205.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/05/water-vs-oil-dilution-paints-1024x701.jpg.webp 1024w, https://willkempartschool.com/wp-content/uploads/2026/05/water-vs-oil-dilution-paints-768x526.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/water-vs-oil-dilution-paints-600x411.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
280<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/water-vs-oil-dilution-paints.jpg" alt="water-vs-oil-dilution-paints" width="1000" height="685" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/water-vs-oil-dilution-paints.jpg 1500w, https://willkempartschool.com/wp-content/uploads/2026/05/water-vs-oil-dilution-paints-300x205.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/water-vs-oil-dilution-paints-1024x701.jpg 1024w, https://willkempartschool.com/wp-content/uploads/2026/05/water-vs-oil-dilution-paints-768x526.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/water-vs-oil-dilution-paints-600x411.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
281</picture></p><p>For experimental purposes only, I&#8217;ve also shown diluting the traditional oil paint with a small amount of water, and you can see how it&#8217;s kind of separating and not really holding a fluid film.</p><h4>Mixing 2 Parts Oil Paint: 1 Part Medium-W Fluid &#8211; (Recommended amount by <strong>Schmincke)</strong></h4><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52341">
282<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/2-1-ratio-mixed-mediumw-oilpaint.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/2-1-ratio-mixed-mediumw-oilpaint-236x300.jpg.webp 236w, https://willkempartschool.com/wp-content/uploads/2026/05/2-1-ratio-mixed-mediumw-oilpaint-805x1024.jpg.webp 805w, https://willkempartschool.com/wp-content/uploads/2026/05/2-1-ratio-mixed-mediumw-oilpaint-768x977.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/2-1-ratio-mixed-mediumw-oilpaint-600x763.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
283<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/2-1-ratio-mixed-mediumw-oilpaint.jpg" alt="" width="1000" height="1272" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/2-1-ratio-mixed-mediumw-oilpaint.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/2-1-ratio-mixed-mediumw-oilpaint-236x300.jpg 236w, https://willkempartschool.com/wp-content/uploads/2026/05/2-1-ratio-mixed-mediumw-oilpaint-805x1024.jpg 805w, https://willkempartschool.com/wp-content/uploads/2026/05/2-1-ratio-mixed-mediumw-oilpaint-768x977.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/2-1-ratio-mixed-mediumw-oilpaint-600x763.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
284</picture></p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52335">
285<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/2-part-oil-1-medium.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/2-part-oil-1-medium-300x200.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/05/2-part-oil-1-medium-768x512.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/2-part-oil-1-medium-600x400.jpg.webp 600w" sizes="(max-width: 1000px) 100v
285w, 1000px"/>
286<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/2-part-oil-1-medium.jpg" alt="" width="1000" height="667" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/2-part-oil-1-medium.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/2-part-oil-1-medium-300x200.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/2-part-oil-1-medium-768x512.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/2-part-oil-1-medium-600x400.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
287</picture></p><p>I&#8217;ve mixed the recommended 2 parts oil paint to 1 part Medium W. I found the easiest way to do this was to put out 2 blobs of oil paint, then a third blob of Medium W (roughly 50%)</p><p>Then mixed well together with a palette knife.</p><p><picture loading="lazy" decoding="async" class="aligncenter wp-image-52336">
288<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/further-diluted-water.jpg.webp 971w, https://willkempartschool.com/wp-content/uploads/2026/05/further-diluted-water-300x200.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/05/further-diluted-water-768x512.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/further-diluted-water-600x400.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
289<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/further-diluted-water.jpg" alt="" width="1000" height="666" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/further-diluted-water.jpg 971w, https://willkempartschool.com/wp-content/uploads/2026/05/further-diluted-water-300x200.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/further-diluted-water-768x512.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/further-diluted-water-600x400.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
290</picture></p><p>The photo above shows it further diluted with water.</p><p>Adding Medium-W to your paint changes several properties at once, which is why it can feel quite different from simply thinning paint with a mineral spirit.</p><p>Medium-W loosens the paint&#8217;s consistency and improves its flow across the surface. It will also add a bit of body to the paint compared to diluting it with OMS alone.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52343">
291<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/06/bristles-pink-watermixable-w.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/06/bristles-pink-watermixable-w-300x190.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/06/bristles-pink-watermixable-w-768x486.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/06/bristles-pink-watermixable-w-600x380.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
292<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/06/bristles-pink-watermixable-w.jpg" alt="" width="1000" height="633" srcset="https://willkempartschool.com/wp-content/uploads/2026/06/bristles-pink-watermixable-w.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/06/bristles-pink-watermixable-w-300x190.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/06/bristles-pink-watermixable-w-768x486.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/06/bristles-pink-watermixable-w-600x380.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
293</picture></p><p>The only drawback was that when I came to clean the brush with water, it still diluted it, but a lot of the oil paint was left in the bristles.</p><p>On the Schmincke website, it says, &#8216;if necessary, add more medium W,&#8217; and I&#8217;ve found from experience that using it at a slightly higher ratio makes it easier to clean brushes and adds a nice flow to the paint.</p><h4>Paint Film Integrity</h4><p>I must point out at this stage that increasing the amount of Medium W works if you&#8217;re working alla prima.</p><p><span class="T286Pc" data-sfc-cp="" data-sfc-root="c" data-sfc-cb="" data-complete="true" data-copy-service-computed-style="font-family: &quot;Google Sans&quot;, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none solid rgb(10, 10, 10); border-bottom: 0px none rgb(10, 10, 10);"><span class="yADgie" data-copy-service-computed-style="font-family: &quot;Google Sans&quot;, Arial, sans-serif; font-size: 16px; font-weight: 400; margin: 0px; text-decoration: none solid rgb(10, 10, 10); border-bottom: 0px none rgb(10, 10, 10);">If you&#8217;re working in layers, it adds a bit more complexity. The higher dilution is only recommended for the thin underpainting, always respecting the fat-over-lean approach.</span></span></p><p>If you are painting in thicker layers, keep your added medium W to the recommended ratio to preserve the structural integrity of the paint film.</p><h4>
293Mixing 1 Part Fluid Medium-W: 1 Part Oil Paint</h4><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52268">
294<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/adding-1-1-medium-w.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/adding-1-1-medium-w-300x200.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/05/adding-1-1-medium-w-768x513.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/adding-1-1-medium-w-600x401.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
295<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/adding-1-1-medium-w.jpg" alt="adding-1-1-medium-w" width="1000" height="668" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/adding-1-1-medium-w.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/adding-1-1-medium-w-300x200.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/adding-1-1-medium-w-768x513.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/adding-1-1-medium-w-600x401.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
296</picture></p><p>I’m now mixing 1 part Fluid Medium-W to 1 part oil paint, so they&#8217;re equal in volume.</p><p>I’m using a pipette to slowly add the medium to the paint, then thoroughly mixing everything together with a palette knife.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52269">
297<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-diluted.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-diluted-300x201.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-diluted-768x514.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-diluted-600x401.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
298<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-diluted.jpg" alt="medium-w-diluted" width="1000" height="669" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-diluted.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-diluted-300x201.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-diluted-768x514.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-diluted-600x401.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
299</picture></p><p>Here you can see the fluidity when fully mixed at a 1:1 ratio. Once mixed, the paint can be thinned further with water, and your brushes and palette can be cleaned with water as well.</p><p>Which brings us on to colour shift.</p><h3>The Colour Shift Issue With Water</h3><p>When traditional oils are mixed with Medium-W and then further thinned with water, you’ll often notice a visible colour shift between the wet and dry paint films. This shift is much more noticeable than when using a dedicated thinner or painting medium.</p><p>Colours dry lighter, flatter, and less saturated than they initially appear when first applied.</p><p>While wet, the paint can sometimes appear slightly milky or cloudy before drying back clear. The darker the pigment colour and the higher the water ratio, the more noticeable this shift becomes.</p><p>So, although Medium-W can seem like a perfect solution for making your existing oils water-mixable, it also introduces another variable you need to learn to compensate for while painting.</p><h4>Can you clean your brushes with water?</h4><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52274">
300<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/water-cleaning-oils.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/water-cleaning-oils-300x201.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/05/water-cleaning-oils-768x514.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/water-cleaning-oils-600x401.jpg.webp 600w" sizes="(max-width: 1000px) 100v
300w, 1000px"/>
301<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/water-cleaning-oils.jpg" alt="water-cleaning-oils" width="1000" height="669" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/water-cleaning-oils.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/water-cleaning-oils-300x201.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/water-cleaning-oils-768x514.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/water-cleaning-oils-600x401.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
302</picture></p><p>Kind of.</p><p>You can see above that I’m now cleaning out the brush, using the dilution of a 1:1  ratio. I’m then rinsing the brush in clean water to see how effectively the paint releases from the bristles.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52275">
303<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/cleaning-just-water.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/cleaning-just-water-300x201.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/05/cleaning-just-water-768x514.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/cleaning-just-water-600x401.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
304<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/cleaning-just-water.jpg" alt="cleaning-just-water-bristles-hog-brush" width="1000" height="669" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/cleaning-just-water.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/cleaning-just-water-300x201.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/cleaning-just-water-768x514.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/cleaning-just-water-600x401.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
305</picture></p><p>At this ratio, it’s removed most of the pigment quite well.</p><p>This pink is quite a staining colour, so it’s giving me a bit more of a challenge.</p><p>What I’m going to do now is place the brush into some odourless mineral spirits to see if there’s any remaining pigment still trapped in the bristles that can be lifted out.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52276">
306<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/removing-pigment-water-oils.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/removing-pigment-water-oils-300x201.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/05/removing-pigment-water-oils-768x514.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/removing-pigment-water-oils-600x401.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
307<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/removing-pigment-water-oils.jpg" alt="removing-pigment-water-oils" width="1000" height="669" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/removing-pigment-water-oils.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/removing-pigment-water-oils-300x201.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/removing-pigment-water-oils-768x514.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/removing-pigment-water-oils-600x401.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
308</picture></p><p>So on the right, you can see there was still some additional pigment left in the brush that I couldn’t fully remove with water alone. The odourless mineral spirits cut through the remaining oil residue a little more effectively.</p><h3>Schmincke Medium-W Gel</h3><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52277">
309<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-gel.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-gel-300x201.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-gel-768x514.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-gel-600x401.jpg.webp 600w" sizes="(max-width: 1000px) 100v
309w, 1000px"/>
310<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-gel.jpg" alt="medium-w-gel" width="1000" height="669" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-gel.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-gel-300x201.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-gel-768x514.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/medium-w-gel-600x401.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
311</picture></p><p>Schmincke Medium-W comes in two forms: Gel and Fluid. They both do similar things in terms of the chemistry, but have different handling properties. The gel medium offers greater viscosity and a thicker starting point for diluting the paints, so you don&#8217;t get as fluid or runny a consistency.</p><p><strong>Medium-W Fluid</strong></p><p>This is the standard version, a pourable, liquid medium. It has the consistency of oil, and it integrates smoothly and quickly into paint on the palette. It’s best to give the bottle a shake (with the lid on!) before using it.</p><p><strong>When to use it: </strong>Use Schmincke &#8216;Medium-W&#8217; Fluid to improve the flow of your paint while reducing its body. Use for any passage where you&#8217;re painting in thin-to-mid layers.</p><p><strong>Medium-W Gel</strong></p><p>The gel version has the consistency of a soft, translucent gel. It doesn&#8217;t pour; you squeeze it out from the tube.</p><p>The gel form does everything the fluid form does but has more body. When you mix it into paint, it increases the paint&#8217;s viscosity while simultaneously making it more workable.</p><p><strong>When to use it: </strong>Use Medium-W Gel when you&#8217;re after thicker marks, more textural, impasto-style effects.</p><p>If you&#8217;re trying to decide between the two, ask yourself what your paint needs to do:</p><ul><li>If you want paint to flow more easily and move smoothly, use the <strong>Fluid.</strong></li><li>If you want paint to hold its shape while becoming more responsive, use the <strong>Gel</strong></li></ul><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52347">
312<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/06/medium-gel-ratio.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/06/medium-gel-ratio-300x167.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/06/medium-gel-ratio-768x429.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/06/medium-gel-ratio-600x335.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
313<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/06/medium-gel-ratio.jpg" alt="" width="1000" height="558" srcset="https://willkempartschool.com/wp-content/uploads/2026/06/medium-gel-ratio.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/06/medium-gel-ratio-300x167.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/06/medium-gel-ratio-768x429.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/06/medium-gel-ratio-600x335.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
314</picture></p><blockquote><p>2 parts paint: 1 part Gel</p></blockquote><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52350">
315<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/06/2-part-oil-1-part-gel-mediumw.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/06/2-part-oil-1-part-gel-mediumw-300x165.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/06/2-part-oil-1-part-gel-mediumw-768x423.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/06/2-part-oil-1-part-gel-mediumw-600x331.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
316<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/06/2-part-oil-1-part-gel-mediumw.jpg" alt="" width="1000" height="551" srcset="https://willkempartschool.com/wp-content/uploads/2026/06/2-part
316-oil-1-part-gel-mediumw.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/06/2-part-oil-1-part-gel-mediumw-300x165.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/06/2-part-oil-1-part-gel-mediumw-768x423.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/06/2-part-oil-1-part-gel-mediumw-600x331.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
317</picture></p><p>Here is the consistency of the paint when mixed: 2 parts traditional oil paint to 1 part Medium-W gel, mixed with a palette knife.</p><p>So the gel is probably the version I tend to lean towards, unless you&#8217;re going to be using very sketchy, loose painting. Personally, it gives me better consistency for the type of paintings I&#8217;d be working with.</p><h4>Michael Harding&#8217;s Miracle Medium</h4><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-52294" src="https://willkempartschool.com/wp-content/uploads/2026/05/miracle-medium-michael-harding.jpg" alt="miracle-medium-michael-harding" width="1000" height="690" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/miracle-medium-michael-harding.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/miracle-medium-michael-harding-300x207.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/miracle-medium-michael-harding-768x530.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/miracle-medium-michael-harding-600x414.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><blockquote><p>Michael Harding <a href="https://www.michaelharding.co.uk/the-miracle-medium-range/"><strong>Miracle Medium </strong></a>for traditional oils</p><p>&#8220;Derived from renewable vegetable sources, the Miracle Medium&#x2122; range is odourless, solvent-free, and designed to provide a safer, cleaner studio environment&#8221;</p></blockquote><p>An alternative to working solvent-free and non-toxic with traditional oils is to use Michael Harding&#8217;s Miracle Medium.</p><p>I often use this in the studio, and you only need to add a small amount to increase flow and dilute the paint. You don’t get the same dramatic colour shift from wet to dry as you do when thinning heavily with water.</p><p>The drawback of this medium is that the recommended ratio for adding to your traditional oil paints is only 5 to 10%. This means you can&#8217;t really achieve a thin consistency for underpainting as you could with Odourless Mineral Spirit.</p><p>Also, it takes longer to dry than using Odourless Mineral Spirit.</p><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52338">
318<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/gamblin-solvent-free-gel.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/gamblin-solvent-free-gel-300x225.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/05/gamblin-solvent-free-gel-768x576.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/gamblin-solvent-free-gel-600x450.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
319<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/gamblin-solvent-free-gel.jpg" alt="gamblin-solvent-free-gel" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/gamblin-solvent-free-gel.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/gamblin-solvent-free-gel-300x225.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/gamblin-solvent-free-gel-768x576.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/gamblin-solvent-free-gel-600x450.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
320</picture></p><blockquote><p>A solvent-free alternative to the medium W gel is solvent-free gel from Gamblin</p></blockquote><p>You can also get solvent-free alternatives for traditional oil gels, like this one from Gamblin.</p><h4>Can you use linseed oil with the Medium-W</h4><p>No. The linseed oil will work against the water-mixability you’ve added with the gel/fluid.</p><h4>Can I use water-mixable Linseed Oil with Medium-W</h4><p>Yes, you can; the water-mixable linseed oil will mix well and is easier to clean when washed with water.</p><h4>How do Water-mixable Oils compare?</h4><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-52280" src="https://willkempartschool.com/wp-content/uploads/2026/05/cobra-watermixable-oil.jpg" alt="cobra-watermixable-oil" width="1000" height="669" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/cobra-watermixable-oil.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/cobra-watermixable-oil-300x201.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/cobra-watermixable-oil-768x514.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/cobra-watermixable-oil-600x401.jpg 600w" sizes="(max-width: 1000px) 100v
320w, 1000px" /></p><p>Here I&#8217;ve poured out a small amount of Pyrrole Red from Cobra water-mixable oils, and then I&#8217;m going to dilute it with a touch of water (about the same amount of OMS that I put in the first control dilution)</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-52281" src="https://willkempartschool.com/wp-content/uploads/2026/05/diluted-cobra-water.jpg" alt="diluted-cobra-water" width="1000" height="669" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/diluted-cobra-water.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/diluted-cobra-water-300x201.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/diluted-cobra-water-768x514.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/diluted-cobra-water-600x401.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p>You can see the flowing paint, just diluted with a dash of water, and it&#8217;s got a nice even consistency. Personally, I much prefer using a water-mixable thinner or medium instead of water.</p><p>Thinning heavily with water can still introduce some of the wet-to-dry colour shift issues discussed earlier, so there are always a few technical variables to learn and work around.</p><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-52296" src="https://willkempartschool.com/wp-content/uploads/2026/05/water-mixable-thinner-winsor-newton.jpg" alt="water-mixable-thinner-winsor-newton" width="1000" height="612" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/water-mixable-thinner-winsor-newton.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/water-mixable-thinner-winsor-newton-300x184.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/water-mixable-thinner-winsor-newton-768x470.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/water-mixable-thinner-winsor-newton-600x367.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><blockquote><p>Winsor &amp; Newton water mixable oils thinner. I often use this when working with water-mixable oils. Water is used for cleaning your brushes, but the thinner gives better flow control and feel when painting.</p></blockquote><h3>Would I Recommend Schmincke &#8216;Medium-W&#8217; ?</h3><p>Yes, in the right circumstances.<br />
321For certain situations, Medium-W can be super useful.</p><p>If you have an oil colour you love but can’t find in a water-mixable range, Medium-W can be a clever way to integrate that colour into your palette.</p><p>Also, if you’ve already got a studio full of expensive traditional oil paints, it might be worth experimenting with.</p><p>If you’re painting away from the studio and want a water-based cleanup, it can be great.</p><p>For fluid sketching and cleanup with water, Medium-W fluid provides flow without excessive solvent use. However, if your goal is to work with water as cleanup, I would recommend building your palette around water-mixable oil paints.</p><h4>Cost Comparison: Medium W to Water-mixable Oils.</h4><p>If you mix in the Medium W, this means that for every small squeeze of paint, you need to add half f as much fluid or gel medium.</p><p>When you scale that up across six or eight colours on your palette, you can end up using quite a lot of medium, which quickly adds to the cost.</p><ul><li>40ml of the Medium W gel works out at around £9.49</li><li>40ml of Cobra Yellow Ochre water-mixable oil paint (an earth colour and one of the more affordable pigments) is around £6.70</li><li>40ml of Cobra Cadmium Yellow Deep is around £13.50.</li></ul><p>If you’d like to explore these differences further, I have several free YouTube videos that compare water-mixable oils, traditional oils, mediums, and solvent-free approaches in greater depth.</p><p><a href="https://willkempartschool.com/water-mixable-oil-paint-vs-traditional-oils/"><strong>Water-mixable Oils vs Traditional Oils</strong></a><br />
322<a href="https://willkempartschool.com/what-is-the-difference-between-oils-vs-acrylic-paints/"><b>Differences between Acrylic and Oil Paint</b></a></p><h4>Further training</h4><p>And if you’d like a more structured introduction, I also have :</p><h4><a href="https://willkempartschool.com/product/absolute-beginners-water-mixable-oils-course/">Beginner’s Water-Mixable Oil Painting Course</a></h4><h4><a href="https://willkempartschool.com/product/absolute-beginners-oil-painting-course/">Beginner’s Traditional Oil Painting Course</a></h4><p>Both are designed to guide you step-by-step through the materials, techniques, and painting process from the ground up.</p><p>&nbsp;</p></div><div class="blog-entry-readmore clr">
323<a href="https://willkempartschool.com/how-to-use-schmincke-medium-w-as-an-oil-painter/"
324>
325Continue Reading<span class="screen-reader-text">How to Use Schmincke &#8216;Medium-W&#8217; as an Oil Painter</span><i class=" fa fa-angle-right" aria-hidden="true" role="img"></i></a></div></div></article><article id="post-52241" class="blog-entry clr large-entry post-52241 post type-post status-publish format-standard has-post-thumbnail hentry category-drawing entry has-media owp-thumbs-layout-horizontal owp-btn-big owp-tabs-layout-horizontal has-no-thumbn
325ails has-product-nav circle-sale"><div class="blog-entry-inner clr"><header class="blog-entry-header clr"><h2 class="blog-entry-title entry-title">
326<a href="https://willkempartschool.com/a-simpler-way-to-start-drawing-every-day/"  rel="bookmark">An Easier Way to Start Drawing Every Day</a></h2></header><ul class="meta clr"><li class="meta-author" itemprop="name">By <a href="https://willkempartschool.com/author/will-kemp/" rel="author"  itemprop="author" itemscope="itemscope" itemtype="https://schema.org/Person">Will Kemp</a></li>
327<a href="https://willkempartschool.com/category/drawing/" rel="category tag">drawing</a><li class="meta-cat"></li><li class="meta-comments"><a href="https://willkempartschool.com/a-simpler-way-to-start-drawing-every-day/#comments" class="comments-link" >4 Comments</a></li></ul><div class="blog-entry-summary clr" itemprop="text"><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52243">
328<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/sketching-daily-habits-small.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/sketching-daily-habits-small-300x200.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/05/sketching-daily-habits-small-768x512.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/sketching-daily-habits-small-600x400.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
329<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/sketching-daily-habits-small.jpg" alt="daily drawing habit" width="1000" height="667" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/sketching-daily-habits-small.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/sketching-daily-habits-small-300x200.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/05/sketching-daily-habits-small-768x512.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/05/sketching-daily-habits-small-600x400.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
330</picture></p><p>The moment you tell yourself, “I need to draw more,” the process can suddenly feel pressured, important, loaded with expectations… and strangely less enjoyable.</p><p>Drawing becomes “Art.”</p><p>The sketchbook becomes a test.</p><p>Every blank page starts quietly asking: <em>“Is this good enough?”</em></p><p>And often, that pressure arrives before the pencil has even touched the paper.</p><p>Recently, Kathy emailed me describing something very similar. She explained that once she actually begins drawing, she quickly loses herself in the process and enjoys it enormously. The challenge wasn’t really drawing itself; it was getting started.</p><p>The search for the “perfect” subject or composition had become so overwhelming that it was preventing the simple act of drawing in the first place.</p><p>So I’d like to suggest an alternative approach: stop thinking of it as drawing and start thinking of it as observing.</p><p>The moment you shift into observation, a lot of the pressure disappears. There’s no longer the expectation that something has to become a finished piece of art. You’re simply noticing things.</p><p>You might observe the colour shift within a shadow.</p><p>The way fabric folds across the arm of a chair.</p><p>The shape of a reflected highlight on a mug.</p><p>Or you might simply experiment with a new material or pencil without any expectation of producing something “good.”</p><p>There’s a freedom in that mindset because the work no longer feels as though it needs to be framed, judged, or critiqued. The sketchbook becomes a place for curiosity rather than performance.</p><p>And really, that’s what drawing has always been: observation made visible.</p><p>By reframing it this way, you quietly remove the weight of the capital “D” in Drawing.</p><p>Instead of thinking: “<em>I’m going to make a good drawing.</em>” Try thinking: “<em>I’m just going to fill one page with observations</em>.”</p><p>And then you get to unlock a sense of frictionless creating; some of the most valuable sketchbooks are visually messy but mentally free.</p></div><div class="blog-entry-readmore clr">
331<a href="https://willkempartschool.com/a-simpler-way-to-start-drawing-every-day/"
332>
333Continue Reading<span class="screen-reader-text">An Easier Way to Start Drawing Every Day</span><i class=" fa fa-angle-right" aria-hidden="true" role="img"></i></a></div></div></article><article id="post-52189" class="blog-entry clr large-entry post-52189 post type-post status-publish format-standard has-post-thumbnail hentry category-painting entry has-media owp-thumbs-layout-horizontal owp-btn-big owp-tabs-layout-horizontal has-no-thumbn
333ails has-product-nav circle-sale"><div class="blog-entry-inner clr"><header class="blog-entry-header clr"><h2 class="blog-entry-title entry-title">
334<a href="https://willkempartschool.com/on-the-wisdom-of-colour-schemes/"  rel="bookmark">On the Wisdom of Colour Schemes</a></h2></header><ul class="meta clr"><li class="meta-author" itemprop="name">By <a href="https://willkempartschool.com/author/will-kemp/" rel="author"  itemprop="author" itemscope="itemscope" itemtype="https://schema.org/Person">Will Kemp</a></li>
335<a href="https://willkempartschool.com/category/painting/" rel="category tag">painting</a><li class="meta-cat"></li><li class="meta-comments"><a href="https://willkempartschool.com/on-the-wisdom-of-colour-schemes/#comments" class="comments-link" >27 Comments</a></li></ul><div class="blog-entry-summary clr" itemprop="text"><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52215">
336<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/colour-palette-acrylic-exercises.png.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/colour-palette-acrylic-exercises-300x201.png.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/05/colour-palette-acrylic-exercises-768x515.png.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/05/colour-palette-acrylic-exercises-600x403.png.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
337<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/05/colour-palette-acrylic-exercises.png" alt="colour-palette-acrylic-exercises" width="1000" height="671" srcset="https://willkempartschool.com/wp-content/uploads/2026/05/colour-palette-acrylic-exercises.png 1000w, https://willkempartschool.com/wp-content/uploads/2026/05/colour-palette-acrylic-exercises-300x201.png 300w, https://willkempartschool.com/wp-content/uploads/2026/05/colour-palette-acrylic-exercises-768x515.png 768w, https://willkempartschool.com/wp-content/uploads/2026/05/colour-palette-acrylic-exercises-600x403.png 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
338</picture></p><p>A student emailed me last week (hey, Vicki!) with a problem I think most painters face.</p><p>She was stuck in that difficult space between wanting to paint and overthinking every decision about <em>what to actually</em> paint.</p><p>That uncertainty can easily stop your enthusiasm to get back to the easel.</p><p>To break the cycle, she decided on a simple idea&#8230;</p></div><div class="blog-entry-readmore clr">
339<a href="https://willkempartschool.com/on-the-wisdom-of-colour-schemes/"
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341Continue Reading<span class="screen-reader-text">On the Wisdom of Colour Schemes</span><i class=" fa fa-angle-right" aria-hidden="true" role="img"></i></a></div></div></article><article id="post-52094" class="blog-entry clr large-entry post-52094 post type-post status-publish format-standard has-post-thumbnail hentry category-painting entry has-media owp-thumbs-layout-horizontal owp-btn-big owp-tabs-layout-horizontal has-no-thumbnails has-product-nav circle-sale"><div class="blog-entry-inner clr"><header class="blog-entry-header clr"><h2 class="blog-entry-title entry-title">
342<a href="https://willkempartschool.com/the-surprisingly-simple-secret-to-rapid-progress-in-your-paintings/"  rel="bookmark">The Simple Secret to Rapid Progress in Your Paintings</a></h2></header><ul class="meta clr"><li class="meta-author" itemprop="name">By <a href="https://willkempartschool.com/author/will-kemp/" rel="author"  itemprop="author" itemscope="itemscope" itemtype="https://schema.org/Person">Will Kemp</a></li>
343<a href="https://willkempartschool.com/category/painting/" rel="category tag">painting</a><li class="meta-cat"></li><li class="meta-comments"><a href="https://willkempartschool.com/the-surprisingly-simple-secret-to-rapid-progress-in-your-paintings/#comments" class="comments-link" >8 Comments</a></li></ul><div class="blog-entry-summary clr" itemprop="text"><p><picture loading="lazy" decoding="async" class="aligncenter size-full wp-image-52144">
344<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/04/reflection-mirror.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/04/reflection-mirror-300x200.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/04/reflection-mirror-768x511.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/04/reflection-mirror-600x399.jpg.webp 600w" sizes="(max-width: 1000px) 100v
344w, 1000px"/>
345<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/04/reflection-mirror.jpg" alt="" width="1000" height="665" srcset="https://willkempartschool.com/wp-content/uploads/2026/04/reflection-mirror.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/04/reflection-mirror-300x200.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/04/reflection-mirror-768x511.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/04/reflection-mirror-600x399.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
346</picture></p><p>One of the fastest ways to improve as an artist is to get into the habit of checking your own work as you make it.</p><p>That might sound obvious, but it is one of the biggest differences between a beginner and a more experienced painter.</p><p>A beginner often keeps painting, hoping the piece will somehow come together. If anything, desperately picking up the pace when things start to go &#8216;out&#8217;.</p><p>A more experienced artist stops. Then checks, then adjusts.</p><p>That practice changes everything.</p><p>Progress in painting is not about learning new techniques. It is about learning to see. The more accurately you can judge your own work, the less dependent you are on guesswork or hoping for the best.</p><p>You start to spot small problems before they become big ones. You notice when a drawing is leaning, when a value is too light, when a shape is too wide.</p><p>And once you can see the problem, you can usually fix it.</p><p>That is why artists have always used simple checking tools to sharpen their eyes. Not because they lacked skill, but because they understood something important:</p><p>Your brain gets used to what it is looking at.</p><p>After staring at a painting for too long, mistakes can begin to disappear. The wonky ellipse looks normal. The portrait that is slightly &#8216;off&#8217; starts to feel convincing. The unbalanced landscape composition seems ok, because you&#8217;ve looked at it for an hour.</p><p>A mirror breaks that familiarity.</p><p>It reflects the painting back to you in a way your brain has not yet memorised.</p><p>And suddenly, you can see it again.</p></div><div class="blog-entry-readmore clr">
347<a href="https://willkempartschool.com/the-surprisingly-simple-secret-to-rapid-progress-in-your-paintings/"
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349Continue Reading<span class="screen-reader-text">The Simple Secret to Rapid Progress in Your Paintings</span><i class=" fa fa-angle-right" aria-hidden="true" role="img"></i></a></div></div></article><article id="post-52041" class="blog-entry clr large-entry post-52041 post type-post status-publish format-standard has-post-thumbnail hentry category-acrylic-painting category-painting entry has-media owp-thumbs-layout-horizontal owp-btn-big owp-tabs-layout-horizontal has-no-thumbnails has-product-nav circle-sale"><div class="blog-entry-inner clr"><header class="blog-entry-header clr"><h2 class="blog-entry-title entry-title">
350<a href="https://willkempartschool.com/how-to-paint-silver-reflections-in-acrylics-step-by-step/"  rel="bookmark">How To Paint Silver Reflections in Acrylics (Step-By-Step)</a></h2></header><ul class="meta clr"><li class="meta-author" itemprop="name">By <a href="https://willkempartschool.com/author/will-kemp/" rel="author"  itemprop="author" itemscope="itemscope" itemtype="https://schema.org/Person">Will Kemp</a></li>
351<a href="https://willkempartschool.com/category/acrylic-painting/" rel="category tag">acrylic painting</a> / <a href="https://willkempartschool.com/category/painting/" rel="category tag">painting</a><li class="meta-cat"></li><li class="meta-comments"><a href="https://willkempartschool.com/how-to-paint-silver-reflections-in-acrylics-step-by-step/#comments" class="comments-link" >22 Comments</a></li></ul><div class="blog-entry-summary clr" itemprop="text"><h3><img loading="lazy" decoding="async" class="aligncenter size-large wp-image-52044" src="https://willkempartschool.com/wp-content/uploads/2026/04/Silver-reflections-demo-with-acrylics-1024x764.png" alt="" width="1024" height="764" srcset="https://willkempartschool.com/wp-content/uploads/2026/04/Silver-reflections-demo-with-acrylics-1024x764.png 1024w, https://willkempartschool.com/wp-content/uploads/2026/04/Silver-reflections-demo-with-acrylics-300x224.png 300w, https://willkempartschool.com/wp-content/uploads/2026/04/Silver-reflections-demo-with-acrylics-768x573.png 768w, https://willkempartschool.com/wp-content/uploads/2026/04/Silver-reflections-demo-with-acrylics-600x448.png 600w, https://willkempartschool.com/wp-content/uploads/2026/04/Silver-reflections-demo-with-acrylics.png 1434w" sizes="(max-width: 1024px) 100vw, 1024px" /></h3><blockquote><p>Will Kemp, Tea with Nicholson, Acrylic on Canvas Board, 20 x 25cm</p></blockquote><h3>
351How to Paint Reflective Silver with a Limited Palette</h3><p><img loading="lazy" decoding="async" class="aligncenter size-full wp-image-52042" src="https://willkempartschool.com/wp-content/uploads/2026/04/nicholson-tea-caddy.webp" alt="nicholson-tea-caddy-pallant-house" width="1000" height="750" srcset="https://willkempartschool.com/wp-content/uploads/2026/04/nicholson-tea-caddy.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/04/nicholson-tea-caddy-300x225.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/04/nicholson-tea-caddy-768x576.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/04/nicholson-tea-caddy-600x450.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p>One of the highlights of seeing <a href="https://willkempartschool.com/a-painters-afternoon-william-nicholson-at-pallant-house-gallery-chichester/">William Nicholson’s still life paintings at Pallant House</a> last week, was discovering a small display plinth with the actual silver tea caddy he used in a few of his still life paintings.</p></div><div class="blog-entry-readmore clr">
352<a href="https://willkempartschool.com/how-to-paint-silver-reflections-in-acrylics-step-by-step/"
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354Continue Reading<span class="screen-reader-text">How To Paint Silver Reflections in Acrylics (Step-By-Step)</span><i class=" fa fa-angle-right" aria-hidden="true" role="img"></i></a></div></div></article><article id="post-51982" class="blog-entry clr large-entry post-51982 post type-post status-publish format-standard has-post-thumbnail hentry category-painting entry has-media owp-thumbs-layout-horizontal owp-btn-big owp-tabs-layout-horizontal has-no-thumbnails has-product-nav circle-sale"><div class="blog-entry-inner clr"><header class="blog-entry-header clr"><h2 class="blog-entry-title entry-title">
355<a href="https://willkempartschool.com/a-painters-afternoon-william-nicholson-at-pallant-house-gallery-chichester/"  rel="bookmark">A Painter’s Afternoon: William Nicholson at Pallant House Gallery, Chichester</a></h2></header><ul class="meta clr"><li class="meta-author" itemprop="name">By <a href="https://willkempartschool.com/author/will-kemp/" rel="author"  itemprop="author" itemscope="itemscope" itemtype="https://schema.org/Person">Will Kemp</a></li>
356<a href="https://willkempartschool.com/category/painting/" rel="category tag">painting</a><li class="meta-cat"></li><li class="meta-comments"><a href="https://willkempartschool.com/a-painters-afternoon-william-nicholson-at-pallant-house-gallery-chichester/#comments" class="comments-link" >45 Comments</a></li></ul><div class="blog-entry-summary clr" itemprop="text"><p><img loading="lazy" decoding="async" class="aligncenter wp-image-51983 size-full" src="https://willkempartschool.com/wp-content/uploads/2026/04/pallant-house-queen-anne-exterior.jpg" alt="pallant-house-chichester" width="1000" height="1167" srcset="https://willkempartschool.com/wp-content/uploads/2026/04/pallant-house-queen-anne-exterior.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/04/pallant-house-queen-anne-exterior-257x300.jpg 257w, https://willkempartschool.com/wp-content/uploads/2026/04/pallant-house-queen-anne-exterior-877x1024.jpg 877w, https://willkempartschool.com/wp-content/uploads/2026/04/pallant-house-queen-anne-exterior-768x896.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/04/pallant-house-queen-anne-exterior-600x700.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px" /></p><p>It’s always a pleasure to visit a gallery that feels so naturally in tune with the kind of paintings you already enjoy, and Pallant House in Chichester feels exactly like that.</p><p>The gallery is situated within a Grade I-listed Queen Anne townhouse, with an impressive modern extension. It creates a comfortable mix of the period beauty of a townhouse, built in 1712 for Henry Lisbon Peckham and his wife, Elizabeth Albery, and the contemporary galleries of the new wing.</p></div><div class="blog-entry-readmore clr">
357<a href="https://willkempartschool.com/a-painters-afternoon-william-nicholson-at-pallant-house-gallery-chichester/"
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359Continue Reading<span class="screen-reader-text">A Painter’s Afternoon: William Nicholson at Pallant House Gallery, Chichester</span><i class=" fa fa-angle-right" aria-hidden="true" role="img"></i></a></div></div></article><article id="post-51903" class="blog-entry clr large-entry post-51903 post type-post status-publish format-standard has-post-thumbnail hentry category-painting entry has-media owp-thumbs-layout-horizontal owp-btn-big owp-tabs-layout-horizontal has-no-thumbn
359ails has-product-nav circle-sale"><div class="blog-entry-inner clr"><header class="blog-entry-header clr"><h2 class="blog-entry-title entry-title">
360<a href="https://willkempartschool.com/a-few-kitchen-countertop-water-mixable-oil-sketches-from-the-week/"  rel="bookmark">A Few Kitchen Countertop Water Mixable Oil Sketches from the Week</a></h2></header><ul class="meta clr"><li class="meta-author" itemprop="name">By <a href="https://willkempartschool.com/author/will-kemp/" rel="author"  itemprop="author" itemscope="itemscope" itemtype="https://schema.org/Person">Will Kemp</a></li>
361<a href="https://willkempartschool.com/category/painting/" rel="category tag">painting</a><li class="meta-cat"></li><li class="meta-comments"><a href="https://willkempartschool.com/a-few-kitchen-countertop-water-mixable-oil-sketches-from-the-week/#respond" class="comments-link" >0 Comments</a></li></ul><div class="blog-entry-summary clr" itemprop="text"><p>Morning class,</p><p>This week, I&#8217;ve been focusing on the simplicity of set-up and essential techniques.</p><p>Sometimes you want to get painting quickly, so I&#8217;ve propped a blank canvas or board behind my subject on the kitchen countertop, where the light was streaming in.</p><p>I used Oil Paper from a pad, just a handful of water-mixable oils, one water-mixable thinner for dilution, and a couple of brushes.</p><h3>Eucalyptus Leaves</h3><p><picture loading="lazy" decoding="async" class="aligncenter size-large wp-image-51909">
362<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/04/eucalyptus-water-mixable-oils-768x1025.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/04/eucalyptus-water-mixable-oils-225x300.jpg.webp 225w, https://willkempartschool.com/wp-content/uploads/2026/04/eucalyptus-water-mixable-oils-600x800.jpg.webp 600w, https://willkempartschool.com/wp-content/uploads/2026/04/eucalyptus-water-mixable-oils.jpg.webp 1000w" sizes="(max-width: 768px) 100vw, 768px"/>
363<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/04/eucalyptus-water-mixable-oils-768x1024.jpg" alt="" width="768" height="1024" srcset="https://willkempartschool.com/wp-content/uploads/2026/04/eucalyptus-water-mixable-oils-768x1025.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/04/eucalyptus-water-mixable-oils-225x300.jpg 225w, https://willkempartschool.com/wp-content/uploads/2026/04/eucalyptus-water-mixable-oils-600x800.jpg 600w, https://willkempartschool.com/wp-content/uploads/2026/04/eucalyptus-water-mixable-oils.jpg 1000w" sizes="(max-width: 768px) 100vw, 768px"/>
364</picture></p></div><div class="blog-entry-readmore clr">
365<a href="https://willkempartschool.com/a-few-kitchen-countertop-water-mixable-oil-sketches-from-the-week/"
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367Continue Reading<span class="screen-reader-text">A Few Kitchen Countertop Water Mixable Oil Sketches from the Week</span><i class=" fa fa-angle-right" aria-hidden="true" role="img"></i></a></div></div></article><article id="post-51706" class="blog-entry clr large-entry post-51706 post type-post status-publish format-standard has-post-thumbnail hentry category-painting entry has-media owp-thumbs-layout-horizontal owp-btn-big owp-tabs-layout-horizontal has-no-thumbnails has-product-nav circle-sale"><div class="blog-entry-inner clr"><header class="blog-entry-header clr"><h2 class="blog-entry-title entry-title">
368<a href="https://willkempartschool.com/student-success-for-december-january-february-2026/"  rel="bookmark">Student Success for December, January &#038; February 2026 (Over 100+ artworks!)</a></h2></header><ul class="meta clr"><li class="meta-author" itemprop="name">By <a href="https://willkempartschool.com/author/will-kemp/" rel="author"  itemprop="author" itemscope="itemscope" itemtype="https://schema.org/Person">Will Kemp</a></li>
369<a href="https://willkempartschool.com/category/painting/" rel="category tag">painting</a><li class="meta-cat"></li></ul><div class="blog-entry-summary clr" itemprop="text"><div class="aju"><div></div><div class="aCi"><img loading="lazy" decoding="async" class="aligncenter wp-image-51727" src="https://willkempartschool.com/wp-content/uploads/2026/03/student-success-2026-jan-feb.jpg" alt="" width="800" height="614" srcset="https://willkempartschool.com/wp-content/uploads/2026/03/student-success-2026-jan-feb.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/03/student-success-2026-jan-feb-300x230.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/03/student-success-2026-jan-feb-768x590.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/03/student-success-2026-jan-feb-600x461.jpg 600w" sizes="(max-width: 800px) 100v
369w, 800px" /></div><div><p>Morning class!</p><p>What an incredibly creative few months it&#8217;s been for students working through the courses and lessons. From the first-ever paintings taking shape on the canvas, to one student revisiting the same lesson ten years later! And others are going on to win awards at exhibitions. Many of these successes are linked to free tutorials, so you can follow along yourself.</p><p>Even if you&#8217;re returning to something you&#8217;ve tried before, you&#8217;ll often spot something new the second time around.</p><p>Hope you enjoy the gallery.</p></div></div></div><div class="blog-entry-readmore clr">
370<a href="https://willkempartschool.com/student-success-for-december-january-february-2026/"
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372Continue Reading<span class="screen-reader-text">Student Success for December, January &#038; February 2026 (Over 100+ artworks!)</span><i class=" fa fa-angle-right" aria-hidden="true" role="img"></i></a></div></div></article><article id="post-51402" class="blog-entry clr large-entry post-51402 post type-post status-publish format-standard has-post-thumbnail hentry category-painting entry has-media owp-thumbs-layout-horizontal owp-btn-big owp-tabs-layout-horizontal has-no-thumbnails has-product-nav circle-sale"><div class="blog-entry-inner clr"><header class="blog-entry-header clr"><h2 class="blog-entry-title entry-title">
373<a href="https://willkempartschool.com/i-should-have-bought-this-years-ago/"  rel="bookmark">I Should Have Bought This Years Ago: Art Studio Storage Ideas</a></h2></header><ul class="meta clr"><li class="meta-author" itemprop="name">By <a href="https://willkempartschool.com/author/will-kemp/" rel="author"  itemprop="author" itemscope="itemscope" itemtype="https://schema.org/Person">Will Kemp</a></li>
374<a href="https://willkempartschool.com/category/painting/" rel="category tag">painting</a><li class="meta-cat"></li><li class="meta-comments"><a href="https://willkempartschool.com/i-should-have-bought-this-years-ago/#comments" class="comments-link" >48 Comments</a></li></ul><div class="blog-entry-summary clr" itemprop="text"><p><picture loading="lazy" decoding="async" class="aligncenter wp-image-51451 size-full">
375<source type="image/webp" srcset="https://willkempartschool.com/wp-content/uploads/2026/02/art-storage-solutions-s.jpg.webp 1000w, https://willkempartschool.com/wp-content/uploads/2026/02/art-storage-solutions-s-300x200.jpg.webp 300w, https://willkempartschool.com/wp-content/uploads/2026/02/art-storage-solutions-s-768x512.jpg.webp 768w, https://willkempartschool.com/wp-content/uploads/2026/02/art-storage-solutions-s-600x400.jpg.webp 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
376<img loading="lazy" decoding="async" src="https://willkempartschool.com/wp-content/uploads/2026/02/art-storage-solutions-s.jpg" alt="HB leads" width="1000" height="667" srcset="https://willkempartschool.com/wp-content/uploads/2026/02/art-storage-solutions-s.jpg 1000w, https://willkempartschool.com/wp-content/uploads/2026/02/art-storage-solutions-s-300x200.jpg 300w, https://willkempartschool.com/wp-content/uploads/2026/02/art-storage-solutions-s-768x512.jpg 768w, https://willkempartschool.com/wp-content/uploads/2026/02/art-storage-solutions-s-600x400.jpg 600w" sizes="(max-width: 1000px) 100vw, 1000px"/>
377</picture></p><p>I was looking for the replacement leads for my mechanical pencil.</p><p>Just leads.</p><p>I knew I had put them somewhere sensible. Somewhere memorable. Somewhere safe. I just had no idea where that somewhere was.</p><p>I asked Vanessa.</p><p><em>“Have you seen my 0.5mm Uni leads? Little plastic case. White top?”</em></p><p>Vanessa has an almost supernatural ability to locate the things I misplace. She seems to carry an internal map of my chaos, but even she looked doubtful this time.</p><p>I checked the drawers. Lifted sketchbooks. Opened tins.</p><p>I briefly wondered whether they had migrated to the kitchen, victims of one of my “<em>I’ll just put this here for a moment</em>” decisions.</p><p>Nothing.</p><p>Amazon offered hope. £4.19 for 24. One click, and the problem would disappear.</p><p>But I didn’t want tomorrow’s leads. I wanted the ones I already owned.</p><p>A small stick of lost graphite was the moment it caught up with me. The moment I had to admit that my art materials storage “system” was not a system at all. It was more like a leaning tower of creative good intentions, a stack of brushes and a precariously balanced tear-off palette.</p><p>It&#8217;s hard to be creative when you can&#8217;t find a pencil.</p></div><div class="blog-entry-readmore clr">
378<a href="https://willkempartschool.com/i-should-have-bought-this-years-ago/"
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380Continue Reading<span class="screen-reader-text">
380I Should Have Bought This Years Ago: Art Studio Storage Ideas</span><i class=" fa fa-angle-right" aria-hidden="true" role="img"></i></a></div></div></article></div><div class="oceanwp-pagination clr"><ul class='page-numbers'><li><span aria-label="Page 1" aria-current="page" class="page-numbers current">1</span></li><li><a aria-label="Page 2" class="page-numbers" href="https://willkempartschool.com/page/2/">2</a></li><li><a aria-label="Page 3" class="page-numbers" href="https://willkempartschool.com/page/3/">3</a></li><li><a aria-label="Page 4" class="page-numbers" href="https://willkempartschool.com/page/4/">4</a></li><li><span class="page-numbers dots">&hellip;</span></li><li><a aria-label="Page 17" class="page-numbers" href="https://willkempartschool.com/page/17/">17</a></li><li><a class="next page-numbers" href="https://willkempartschool.com/page/2/"><span class="screen-reader-text">Go to the next page</span><i class=" fa fa-angle-right" aria-hidden="true" role="img"></i></a></li></ul></div></div></div><aside id="right-sidebar" class="sidebar-container widget-area sidebar-primary" itemscope="itemscope" itemtype="https://schema.org/WPSideBar" role="complementary" aria-label="Primary Sidebar"><div id="right-sidebar-inner" class="clr"><div id="ocean_about_me-3" class="sidebar-box widget-oceanwp-about-me about-me-widget clr"><div class="oceanwp-about-me"><div class="oceanwp-about-me-avatar clr"><picture>
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382<img src="https://willkempartschool.com/wp-content/uploads/2018/05/will-at-easel-hello.jpg" alt=""/>
383</picture></div><div class="oceanwp-about-me-text clr">																I'm Will Kemp, I'm an award-winning professional artist and teacher.
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441<span class="sbi-screenreader">New free step-by-demo on the blog. This piece was</span>
442<svg style="color: rgba(255,255,255,1)" class="svg-inline--fa fa-play fa-w-14 sbi_playbtn" aria-label="Play" aria-hidden="true" data-fa-processed="" data-prefix="fa" data-icon="play" role="presentation" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512"><path fill="currentColor" d="M424.4 214.7L72.4 6.6C43.8-10.3 0 6.1 0 47.9V464c0 37.5 40.7 60.1 72.4 41.3l352-208c31.4-18.5 31.5-64.1 0-82.6z"></path></svg>			<img src="https://willkempartschool.com/wp-content/plugins/instagram-feed/img/placeholder.png" alt="New free step-by-demo on the blog. This piece was inspired by William Nicholson’s tea caddy on display @pallanthousegalleryThere is a downloadable reference image, line drawing and materials list. We only use a limited palette of five colours for the entire painting. Acrylic on canvas board. #beginnerartist #acrylicpainting" aria-hidden="true">
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448<span class="sbi-screenreader">I’ve just written a new article on the blog about</span>
449<svg class="svg-inline--fa fa-clone fa-w-16 sbi_lightbox_carousel_icon" aria-hidden="true" aria-label="Clone" data-fa-proƒcessed="" data-prefix="far" data-icon="clone" role="img" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 512 512">
450<path fill="currentColor" d="M464 0H144c-26.51 0-48 21.49-48 48v48H48c-26.51 0-48 21.49-48 48v320c0 26.51 21.49 48 48 48h320c26.51 0 48-21.49 48-48v-48h48c26.51 0 48-21.49 48-48V48c0-26.51-21.49-48-48-48zM362 464H54a6 6 0 0 1-6-6V150a6 6 0 0 1 6-6h42v224c0 26.51 21.49 48 48 48h224v42a6 6 0 0 1-6 6zm96-96H150a6 6 0 0 1-6-6V54a6 6 0 0 1 6-6h308a6 6 0 0 1 6 6v308a6 6 0 0 1-6 6z"></path>
451</svg>						<img src="https://willkempartschool.com/wp-content/plugins/instagram-feed/img/placeholder.png" alt="I’ve just written a new article on the blog about my recent visit to the William Nicholson exhibition at Pallant House in Chichester. @pallanthousegalleryExhibition runs for a couple more weeks until 10th May 2026
452 
453A Painter’s Afternoon: William Nicholson at Pallant House Gallery Chichesterhttps://willkempartschool.com/a-painters-afternoon-william-nicholson-at-pallant-house-gallery-chichester/" aria-hidden="true">
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459<span class="sbi-screenreader">Kitchen Countertop Watermixable Oil Painting Demo</span>
460<svg style="color: rgba(255,255,255,1)" class="svg-inline--fa fa-play fa-w-14 sbi_playbtn" aria-label="Play" aria-hidden="true" data-fa-processed="" data-prefix="fa" data-icon="play" role="presentation" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 448 512">
460<path fill="currentColor" d="M424.4 214.7L72.4 6.6C43.8-10.3 0 6.1 0 47.9V464c0 37.5 40.7 60.1 72.4 41.3l352-208c31.4-18.5 31.5-64.1 0-82.6z"></path></svg>			<img src="https://willkempartschool.com/wp-content/plugins/instagram-feed/img/placeholder.png" alt="Kitchen Countertop Watermixable Oil Painting DemoQuick Sketch Painting ProcessQuick painting sketch using water-mixable oils, focusing on simplicity and essential techniques.Setup &amp; Materials:
461Simple Setup: A moka pot on a kitchen countertop.Water-Mixable Oils:
462Winsor &amp; Newton Artisan range, Cobra and Holbein Duo AquaDilution: Use Winsor &amp; Newton water-mixable thinner for better flow; water alone doesn’t work as well for dilution.Brushes can still be cleaned with water in a larger pot.- No Extra Oil: Only thinner is used for dilution, I don’t add any extra oil medium.Painting Surface: Oil paper.Brushes: A a flat Aspen by Princeton#beginnerartist #watermixableoils #dailypaintings" aria-hidden="true">
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