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278/* Generated with Clay, http://fvisser.nl/clay */</style><style type="text/css">@page{margin: 3cm;}</style></head><body><div id="headerWrapper"><header class="navbar"><section class="navbar-section"><a class="navbar-brand" href>Jonathan Reeve: <span>Computational Literary Analysis</span></a></section><section class="navbar-section"><ul class="nav"><li class="nav-item"><a href>posts</a></li><li class="nav-item"><a href="cv">cv</a></li><li class="nav-item"><a href='/tags'>tags</a></li><li class="nav-item"><a href="feed.xml">feed</a></li></ul></section></header></div><div class="container"><h1>Tags</h1><div><a id="annotation"></a><h2>annotation</h2><ul><li class="pages"><b><a href="2016/01/non-linear-garden-party">Tag, Catalog, Iterate: A Non-Linear Analysis of Katherine Mansfield’s
279“The Garden Party”
280</a></b></li><li class="pages"><b><a href="2015/04/a-bookmarklet-for-creating-annotags">A Bookmarklet For Creating Annotags
281</a></b></li><li class="pages"><b><a href="2014/09/annotag-calculator">Annotag Calculator 1.0
282</a></b></li><li class="pages"><b><a href="2013/05/announcing-annotags">Announcing Annotags: A Concept for a Decentralized Literary Annotation
283Protocol
284</a></b></li></ul><a id="Austen"></a><h2>Austen</h2><ul><li class="pages"><b><a href="2019/02/workshop-word-embeddings">Workshop Notebook: Advanced Topics in Word Embeddings
285</a></b></li></ul><a id="BASH"></a><h2>BASH</h2><ul><li class="pages"><b><a href="2015/03/imperial-voices">Imperial Voices: Gender and Social Class among Shakespeare’s Characters,
286a Stylometric Approach
287</a></b></li></ul><a id="calendar"></a><h2>calendar</h2><ul><li class="pages"><b><a href="2020/09/calendar-reform">A Proposal for a New Calendar
288</a></b></li></ul><a id="Chaucer"></a><h2>Chaucer</h2><ul><li class="pages"><b><a href="2017/06/macro-etymological-canterbury-tales">A Macro-Etymological Analysis of The Canterbury Tales
289</a></b></li></ul><a id="corpora"></a><h2>corpora</h2><ul><li class="pages"><b><a href="2017/12/similar-documents-in-project-gutenberg">Computationally Identifying Similar Books in Project Gutenberg
290</a></b></li><li class="pages"><b><a href="2017/06/project-gutenberg-the-database">A Project Gutenberg Database for Text Mining
291</a></b></li><li class="pages"><b><a href="2015/09/introducing-git-lit">Introducing Git-Lit
292</a></b></li><li class="pages"><b><a href="2015/03/proposal-for-a-corpus-protocol">A Proposal for a Corpus Sharing Protocol
293</a></b></li></ul><a id="corpus linguistics"></a><h2>corpus linguistics</h2><ul><li class="pages"><b><a href="2015/09/introducing-git-lit">Introducing Git-Lit
294</a></b></li><li class="pages"><b><a href="2015/03/proposal-for-a-corpus-protocol">A Proposal for a Corpus Sharing Protocol
295</a></b></li></ul><a id="corpus-db"></a><h2>
295corpus-db</h2><ul><li class="pages"><b><a href="2018/03/fingerprinting-the-chapter">Fingerprinting the Chapter
296</a></b></li></ul><a id="dissertation"></a><h2>dissertation</h2><ul><li class="pages"><b><a href="2022/03/best-practices-dissertation">Best Practices for Dissertations in the 21st Century
297</a></b></li></ul><a id="early moderns"></a><h2>early moderns</h2><ul><li class="pages"><b><a href="2016/07/paradise-lost-macroetymology">A Macro-Etymological Analysis of Milton’s Paradise Lost
298</a></b></li><li class="pages"><b><a href="2015/03/imperial-voices">Imperial Voices: Gender and Social Class among Shakespeare’s Characters,
299a Stylometric Approach
300</a></b></li></ul><a id="etymology"></a><h2>etymology</h2><ul><li class="pages"><b><a href="2017/06/macro-etymological-canterbury-tales">A Macro-Etymological Analysis of The Canterbury Tales
301</a></b></li><li class="pages"><b><a href="2016/07/paradise-lost-macroetymology">A Macro-Etymological Analysis of Milton’s Paradise Lost
302</a></b></li><li class="pages"><b><a href="2016/06/introducing-macroetym-cli">Macroetym: a Command-Line Tool for Macro-Etymological Textual Analysis
303</a></b></li><li class="pages"><b><a href="2015/05/macroetymology-of-portrait-paper">A Macro-Etymological Analysis of James Joyce’s A Portrait of the Artist
304as a Young Man
305</a></b></li><li class="pages"><b><a href="2014/10/macroetymology-of-the-waves">A Macro-Etymological Analysis of Character Dialog in Virginia Woolf’s
306The Waves
307</a></b></li><li class="pages"><b><a href="2014/09/macroetymology-of-whitman-editions">A Comparative Macro-Etymology of Whitman Editions
308</a></b></li><li class="pages"><b><a href="2013/11/introducing-the-macro-etymological-analyzer">Introducing the Macro-Etymological Analyzer
309</a></b></li></ul><a id="gender"></a><h2>gender</h2><ul><li class="pages"><b><a href="2014/10/macroetymology-of-the-waves">A Macro-Etymological Analysis of Character Dialog in Virginia Woolf’s
310The Waves
311</a></b></li></ul><a id="generation"></a><h2>generation</h2><ul><li class="pages"><b><a href="2016/02/cantos-generator">A Programmatic Generator for Pound’s Cantos
312</a></b></li></ul><a id="genre"></a><h2>genre</h2><ul><li class="pages"><b><a href="2019/10/experiments-with-literary-genre">Adventures in Reproducing 19th Century Digital Humanities Projects
313</a></b></li></ul><a id="haskell"></a><h2>haskell</h2><ul><li class="pages"><b><a href="2020/09/type-safe-blog">My Type-Safe Blog in Haskell
314</a></b></li></ul><a id="James"></a><h2>James</h2><ul><li class="pages"><b><a href="2017/06/henry-james-sentence">The Henry James Sentence: New Quantitative Approaches
315</a></b></li></ul><a id="Joyce"></a><h2>Joyce</h2><ul><li class="pages"><b><a href="2015/05/macroetymology-of-portrait-paper">A Macro-Etymological Analysis of James Joyce’s A Portrait of the Artist
316as a Young Man
317</a></b></li></ul><a id="Mansfield"></a><h2>Mansfield</h2><ul><li class="pages"><b><a href="2016/01/non-linear-garden-party">Tag, Catalog, Iterate: A Non-Linear Analysis of Katherine Mansfield’s
318“The Garden Party”
319</a></b></li></ul><a id="media"></a><h2>media</h2><ul><li class="pages"><b><a href="2021/05/stop-making-pdfs">The Case Against PDFs
320</a></b></li><li class="pages"><b><a href="2021/05/rethinking-mla-papers">Rethinking the MLA Style Research Paper
321</a></b></li></ul><a id="medieval"></a><h2>medieval</h2><ul><li class="pages"><b><a href="2017/06/macro-etymological-canterbury-tales">A Macro-Etymological Analysis of The Canterbury Tales
322</a></b></li></ul><a id="modernism"></a><h2>modernism</h2><ul><li class="pages"><b><a href="2017/01/character-voice">Probabilistic Detection of Character Voices in Fiction
323</a></b></li><li class="pages"><b><a href="2016/02/cantos-generator">A Programmatic Generator for Pound’s Cantos
324</a></b></li><li class="pages"><b><a href="2016/01/non-linear-garden-party">Tag, Catalog, Iterate: A Non-Linear Analysis of Katherine Mansfield’s
325“The Garden Party”
326</a></b></li><li class="pages"><b><a href="2015/05/macroetymology-of-portrait-paper">A Macro-Etymological Analysis of James Joyce’s A Portrait of the Artist
327as a Young Man
328</a></b></li></ul><a id="natural language processing"></a><h2>natural language processing</h2><ul><li class="pages"><b><a href="2017/01/character-voice">Probabilistic Detection of Character Voices in Fiction
329</a></b></li><li class="pages"><b><a href="2016/10/socratic-dialogue-generator">A Generator of Socratic Dialogues
330</a></b></li><li class="pages"><b><a href="2016/08/chapterize">Chapterize: a Tool for Automatically Splitting Electronic Texts into
331Chapters
332</a></b></li><li class="pages"><b><a href="2014/06/hacking-at-the-open-syllabus-project-collocations-by-subject">Hacking at the Open Syllabus Project: Collocations by Subject
333</a></b></li></ul><a id="NLTK"></a><h2>NLTK</h2><ul><li class="pages"><b><a href="2015/03/detecting-literary-chiaroscuro">Detecting Literary Chiaroscuro in Eliot, Dickens, and other Victorian
334Novelists
335</a></b></li></ul><a id="notetaking"></a><h2>notetaking</h2><ul><li class="pages"><b><a href="2021/05/notetaking-in-semantic-triples">Notetaking In Semantic Triples
336</a></b></li><li class="pages"><b><a href="2020/12/my-notetaking-system">My Notetaking System
337</a></b></li></ul><a id="open source"></a><h2>open source</h2><ul><li class="pages"><b><a href="2015/09/introducing-git-lit">Introducing Git-Lit
338</a></b></li><li class="pages"><b><a href="2015/04/a-bookmarklet-for-creating-annotags">A Bookmarklet For Creating Annotags
339</a></b></li><li class="pages"><b><a href="2015/03/proposal-for-a-corpus-protocol">A Proposal for a Corpus Sharing Protocol
340</a></b></li></ul><a id="paper"></a><h2>paper</h2><ul><li class="pages"><b><a href="2016/07/paradise-lost-macroetymology">A Macro-Etymological Analysis of Milton’s Paradise Lost
341</a></b></li><li class="pages"><b><a href="2015/05/macroetymology-of-portrait-paper">A Macro-Etymological Analysis of James Joyce’s A Portrait of the Artist
342as a Young Man
343</a></b></li><li class="pages"><b><a href="2015/03/imperial-voices">Imperial Voices: Gender and Social Class among Shakespeare’s Characters,
344a Stylometric Approach
345</a></b></li></ul><a id="PCA"></a><h2>PCA</h2><ul><li class="pages"><b><a href="2017/01/character-voice">Probabilistic Detection of Character Voices in Fiction
346</a></b></li><li class="pages"><b><a href="2015/03/imperial-voices">Imperial Voices: Gender and Social Class among Shakespeare’s Characters,
347a Stylometric Approach
348</a></b></li></ul><a id="pedagogy"></a><h2>pedagogy</h2><ul><li class="pages"><b><a href="2020/09/teaching-online">Notes on My Online Teaching Methodology
349</a></b></li></ul><a id="PHP"></a><h2>PHP</h2><ul><li class="pages"><b><a href="2013/11/introducing-the-macro-etymological-analyzer">Introducing the Macro-Etymological Analyzer
350</a></b></li></ul><a id="poetry"></a><h2>poetry</h2><ul><li class="pages"><b><a href="2016/07/paradise-lost-macroetymology">A Macro-Etymological Analysis of Milton’s Paradise Lost
351</a></b></li><li class="pages"><b><a href="2016/02/cantos-generator">A Programmatic Generator for Pound’s Cantos
352</a></b></li></ul><a id="python"></a><h2>python</h2><ul><li class="pages"><b><a href="2019/02/workshop-word-embeddings">Workshop Notebook: Advanced Topics in Word Embeddings
353</a></b></li><li class="pages"><b><a href="2018/03/fingerprinting-the-chapter">Fingerprinting the Chapter
354</a></b></li><li class="pages"><b><a href="2017/12/similar-documents-in-project-gutenberg">Computationally Identifying Similar Books in Project Gutenberg
355</a></b></li><li class="pages"><b><a href="2016/06/introducing-macroetym-cli">Macroetym: a Command-Line Tool for Macro-Etymological Textual Analysis
356</a></b></li><li class="pages"><b><a href="2016/02/cantos-generator">A Programmatic Generator for Pound’s Cantos
357</a></b></li><li class="pages"><b><a href="2015/03/imperial-voices">Imperial Voices: Gender and Social Class among Shakespeare’s Characters,
358a Stylometric Approach
359</a></b></li><li class="pages"><b><a href="2015/03/detecting-literary-chiaroscuro">Detecting Literary Chiaroscuro in Eliot, Dickens, and other Victorian
360Novelists
361</a></b></li><li class="pages"><b><a href="2014/06/hacking-at-the-open-syllabus-project-collocations-by-subject">Hacking at the Open Syllabus Project: Collocations by Subject
362</a></b></li></ul><a id="Queneau"></a><h2>Queneau</h2><ul><li class="pages"><b><a href="2019/09/exercises-in-style">Isolating Literary Style with Raymond Queneau
363</a></b></li></ul><a id="Richardson"></a><h2>Richardson</h2><ul><li class="pages"><b><a href="2017/01/character-voice">Probabilistic Detection of Character Voices in Fiction
364</a></b></li></ul><a id="semantic web"></a><h2>semantic web</h2><ul><li class="pages"><b><a href="2021/05/notetaking-in-semantic-triples">Notetaking In Semantic Triples
365</a></b></li></ul><a id="sentences"></a><h2>
365sentences</h2><ul><li class="pages"><b><a href="2017/06/henry-james-sentence">The Henry James Sentence: New Quantitative Approaches
366</a></b></li></ul><a id="Shakespeare"></a><h2>Shakespeare</h2><ul><li class="pages"><b><a href="2015/03/imperial-voices">Imperial Voices: Gender and Social Class among Shakespeare’s Characters,
367a Stylometric Approach
368</a></b></li></ul><a id="statistics"></a><h2>statistics</h2><ul><li class="pages"><b><a href="2017/01/character-voice">Probabilistic Detection of Character Voices in Fiction
369</a></b></li></ul><a id="style"></a><h2>style</h2><ul><li class="pages"><b><a href="2019/09/exercises-in-style">Isolating Literary Style with Raymond Queneau
370</a></b></li></ul><a id="syntax"></a><h2>syntax</h2><ul><li class="pages"><b><a href="2017/06/henry-james-sentence">The Henry James Sentence: New Quantitative Approaches
371</a></b></li></ul><a id="text analysis"></a><h2>text analysis</h2><ul><li class="pages"><b><a href="2019/02/workshop-word-embeddings">Workshop Notebook: Advanced Topics in Word Embeddings
372</a></b></li><li class="pages"><b><a href="2018/03/fingerprinting-the-chapter">Fingerprinting the Chapter
373</a></b></li><li class="pages"><b><a href="2017/01/character-voice">Probabilistic Detection of Character Voices in Fiction
374</a></b></li><li class="pages"><b><a href="2016/07/paradise-lost-macroetymology">A Macro-Etymological Analysis of Milton’s Paradise Lost
375</a></b></li><li class="pages"><b><a href="2016/06/introducing-macroetym-cli">Macroetym: a Command-Line Tool for Macro-Etymological Textual Analysis
376</a></b></li><li class="pages"><b><a href="2016/02/cantos-generator">A Programmatic Generator for Pound’s Cantos
377</a></b></li><li class="pages"><b><a href="2016/01/non-linear-garden-party">Tag, Catalog, Iterate: A Non-Linear Analysis of Katherine Mansfield’s
378“The Garden Party”
379</a></b></li><li class="pages"><b><a href="2015/09/introducing-git-lit">Introducing Git-Lit
380</a></b></li><li class="pages"><b><a href="2015/03/proposal-for-a-corpus-protocol">A Proposal for a Corpus Sharing Protocol
381</a></b></li><li class="pages"><b><a href="2014/06/hacking-at-the-open-syllabus-project-collocations-by-subject">Hacking at the Open Syllabus Project: Collocations by Subject
382</a></b></li><li class="pages"><b><a href="2013/11/introducing-the-macro-etymological-analyzer">Introducing the Macro-Etymological Analyzer
383</a></b></li></ul><a id="titles archive"></a><h2>titles archive</h2><ul><li class="pages"><b><a href="2023/06/books-with-question-titles">Books with Question Titles
384</a></b></li></ul><a id="tools"></a><h2>tools</h2><ul><li class="pages"><b><a href="2016/08/chapterize">Chapterize: a Tool for Automatically Splitting Electronic Texts into
385Chapters
386</a></b></li><li class="pages"><b><a href="2016/06/introducing-macroetym-cli">Macroetym: a Command-Line Tool for Macro-Etymological Textual Analysis
387</a></b></li></ul><a id="tutorials"></a><h2>tutorials</h2><ul><li class="pages"><b><a href="2019/02/workshop-word-embeddings">Workshop Notebook: Advanced Topics in Word Embeddings
388</a></b></li><li class="pages"><b><a href="2016/10/socratic-dialogue-generator">A Generator of Socratic Dialogues
389</a></b></li></ul><a id="Whitman"></a><h2>Whitman</h2><ul><li class="pages"><b><a href="2014/09/macroetymology-of-whitman-editions">A Comparative Macro-Etymology of Whitman Editions
390</a></b></li></ul><a id="Woolf"></a><h2>Woolf</h2><ul><li class="pages"><b><a href="2017/01/character-voice">Probabilistic Detection of Character Voices in Fiction
391</a></b></li><li class="pages"><b><a href="2014/10/macroetymology-of-the-waves">A Macro-Etymological Analysis of Character Dialog in Virginia Woolf’s
392The Waves
393</a></b></li></ul><a id="word embeddings"></a><h2>word embeddings</h2><ul><li class="pages"><b><a href="2019/02/workshop-word-embeddings">Workshop Notebook: Advanced Topics in Word Embeddings
394</a></b></li></ul><a id="wordnet"></a><h2>wordnet</h2><ul><li class="pages"><b><a href="2015/03/detecting-literary-chiaroscuro">Detecting Literary Chiaroscuro in Eliot, Dickens, and other Victorian
395Novelists
396</a></b></li></ul><a id="writing"></a><h2>writing</h2><ul><li class="pages"><b><a href="2025/06/my-writing-workflow">My Writing Workflow
397</a></b></li></ul></div></div><footer><div class="container"><div class="columns"><div class="column col-8"><p>I believe in openness. This work is licensed under a <a
398href="https://creativecommons.org/licenses/by-nc-sa/4.0/">Creative
399Commons Attribution-NonCommercial-ShareAlike 4.0 International
400License</a>, unless otherwise stated. All content ©Jonathan Reeve 2023.
401Hand-coded with love, using exclusively free and open-source software,
402including <a href="https://github.com/srid/ema">Ema</a> and <a
403href="https://haskell.org/">Haskell</a>. Hosted on <a
404href="https://github.com">GitHub</a> and served with <a
405href="https://netlify.com">Netlify</a>. Icons by Nhor, via <a
406href="https://thenounproject.com">The Noun Project</a>. <a
407href="https://www.buymeacoffee.com/vaIVQZH">Buy me a coffee</a> or
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