1<!DOCTYPE html> 2<html lang="en" dir="ltr"> 3 <head> 4 <meta charset="utf-8" /> 5<link rel="preconnect" href="https://www.google-analytics.com" crossorigin="crossorigin" /> 6<link rel="shortcut icon" href="https://bioacoustics.info/files/favicon.ico" type="image/vnd.microsoft.icon" /> 7<meta name="viewport" content="width=device-width, initial-scale=1" /> 8<link rel="canonical" href="https://bioacoustics.info/about" /> 9<meta name="Generator" content="Backdrop CMS 1 (https://backdropcms.org)" /> 10 <title>About | Bioacoustics journal</title> 11 <link rel="stylesheet" href="https://bioacoustics.info/sites/default/files/css/css_IoR0G2Gr_6XoSlmLnisLZWBZkba70EZ26b-7ygdYat8.css" media="all" /> 12<link rel="stylesheet" href="https://bioacoustics.info/sites/default/files/css/css_xaJU72jAuGdwaW-AT8DAVp4DqDeKRUXAJArM-ju9zyk.css" media="all" /> 13<link rel="stylesheet" href="https://bioacoustics.info/sites/default/files/css/css_8xj2c0pD0cfKaXF-gnfu9GOv7N1owDVzQW1p3DLVzfw.css" media="all" /> 14<link rel="stylesheet" href="https://bioacoustics.info/sites/default/files/css/css_B59XdPA2cULwSfeF4a4_zfHGzqDZZ3n1equnxT1wBVY.css" media="all" /> 15<link rel="stylesheet" href="https://bioacoustics.info/sites/default/files/css/css_W3FKZh6btw5nsSinDmqVxP6uve6YRw9yZ7dA8Q6T_Zw.css" media="all" /> 16<link rel="stylesheet" href="https://bioacoustics.info/sites/default/files/css/css_0eZQSmrBVncL2ojLkzX8FrtwKHG4Qm5zZQvJwpMBhwk.css" media="print" /> 17
17<script>window.Backdrop = {settings: {"basePath":"\/","pathPrefix":"","drupalCompatibility":true,"ajaxPageState":{"theme":"bartik_tbio","theme_token":"_Z8JaoICCCwufEGDva6r9XEBeIgTkZu4S1Ebzutpabw","css":{"core\/misc\/normalize.css":1,"core\/modules\/system\/css\/system.css":1,"core\/modules\/system\/css\/system.theme.css":1,"core\/modules\/system\/css\/messages.theme.css":1,"core\/modules\/layout\/css\/grid-flexbox.css":1,"core\/modules\/field\/css\/field.css":1,"core\/modules\/search\/search.theme.css":1,"core\/modules\/user\/css\/user.css":1,"core\/modules\/views\/css\/views.css":1,"core\/layouts\/moscone\/moscone.css":1,"core\/modules\/system\/css\/menu-dropdown.theme.css":1,"core\/modules\/system\/css\/menu-toggle.theme.css":1,"themes\/bartik_tbio\/css\/style.css":1,"themes\/bartik_tbio\/css\/colors.css":1,"themes\/bartik_tbio\/css\/print.css":1},"js":{"core\/misc\/jquery.js":1,"core\/misc\/jquery.once.js":1,"core\/misc\/backdrop.js":1,"core\/modules\/layout\/js\/grid-fallback.js":1,"core\/misc\/form.js":1,"core\/modules\/system\/js\/menus.js":1,"modules\/googleanalytics\/js\/googleanalytics.js":1,"https:\/\/www.googletagmanager.com\/gtag\/js?id=G-8DRJ991FNW":1,"0":1}},"urlIsAjaxTrusted":{"\/about":true},"googleanalytics":{"account":["G-8DRJ991FNW"],"trackOutbound":1,"trackMailto":1,"trackDownload":1,"trackDownloadExtensions":"7z|aac|arc|arj|asf|asx|avi|bin|csv|doc(x|m)?|dot(x|m)?|exe|flv|gif|gz|gzip|hqx|jar|jpe?g|js|mp(2|3|4|e?g)|mov(ie)?|msi|msp|pdf|phps|png|ppt(x|m)?|pot(x|m)?|pps(x|m)?|ppam|sld(x|m)?|thmx|qtm?|ra(m|r)?|sea|sit|tar|tgz|torrent|txt|wav|wma|wmv|wpd|xls(x|m|b)?|xlt(x|m)|xlam|xml|z|zip"},"color":{"logo":null}}};</script>
vendor: 1 bytes, line 17
17
18<script src="https://bioacoustics.info/sites/default/files/js/js_qcuQasNlfIq7236oVf0NRWYeUUrasWXW4qABbJzWJEo.js"></script>
vendor: 1 bytes, line 18
18
19<script src="https://bioacoustics.info/sites/default/files/js/js_C_kchasJfd32ta_Hx065ByVMWqi8ehgDcwzX1Iw1WQA.js"></script>
vendor: 1 bytes, line 19
19
20<script src="https://bioacoustics.info/sites/default/files/js/js_5NMDQztRFwe72WB30pM6l5cEyBGqO2zK7oSg2u2W4pk.js"></script>
vendor: 58 bytes, lines 20-21
20 21<script src="https://www.googletagmanager.com/gtag/js?id=
21G-8DRJ991FNW
vendor: 12 bytes, line 21
21"></script>
22<script>window.dataLayer = window.dataLayer || [];function gtag(){dataLayer.push(arguments)};gtag("js", new Date());gtag("config", "G-8DRJ991FNW", []);</script>
22 23 </head> 24 <body class="page node-type-page"> 25 <div class="layout--moscone layout"> 26 <div id="skip-link"> 27 <a href="#main-content" class="element-invisible element-focusable">Skip to main content</a> 28 </div> 29 30 <header class="l-header" role="banner" aria-label="Site header"> 31 <div class="l-header-inner container container-fluid"> 32 <div class="rounded-tabs"><div class="rounded-tabs"><div class="block block-system-header"> 33 34 35 <div class="block-content"> 36 <a href="/" title="Home" rel="home" class="logo"> 37 <img src="https://bioacoustics.info/files/bioacoustics_logo_small2.gif" alt="Home" /> 38 </a> 39 40 <div class="name-and-slogan"> 41 <div class="site-name"><strong> 42 <a href="/" title="Home" rel="home"><span>Bioacoustics journal</span></a> 43 </strong></div> 44 </div> <!-- /#name-and-slogan --> 45 46 </div> 47</div> 48<div class="block block-system-main-menu block-menu" role="navigation"> 49 50 51 <div class="block-content"> 52 <input id="menu-toggle-state" class="menu-toggle-state element-invisible" type="checkbox" aria-controls="menu-toggle-state" /><label class="menu-toggle-button" for="menu-toggle-state"><span class="menu-toggle-button-icon"></span><span class="menu-toggle-button-text">Menu</span><span class="menu-toggle-assistive-text element-invisible">Toggle menu visibility</span></label><ul class="menu-tree menu" data-menu-style="tree" data-clickdown="" data-collapse="default" data-menu-toggle-id="menu-toggle-state"><li class="first leaf menu-mlid-198"><a href="/">Home</a></li> 53<li class="collapsed active-trail menu-mlid-385"><a href="/about" class="active-trail active" aria-current="page">About</a></li> 54<li class="last leaf menu-mlid-386"><a href="/for-authors">For authors</a></li> 55</ul> </div> 56</div> 57</div></div> </div> 58 </header> 59 60 <div class="l-wrapper"> 61 <div class="l-wrapper-inner container container-fluid"> 62 63 64 <div class="l-page-title"> 65 <a id="main-content"></a> 66 </div> 67 68 69 70 71 <div class="l-middle row"> 72 <main class="l-content col-md-9 col-md-push-3" role="main" aria-label="Main content"> 73 <div class="block block-system-title"> 74 75 76 <div class="block-content"> 77 78 <h1 class="page-title">About</h1> 79 80 81 </div> 82</div> 83<article id="node-137" class="node node-page view-mode-full clearfix"> 84 85 86 <div class="content clearfix"> 87 <div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even"><h2> 88 <a href="#editors">Editors</a><br /> 89 <a href="#board">Editorial Board</a><br /> 90 <a href="#publisher">Publisher and subscriptions</a><br /> 91 <a href="#oa">Open access policy</a><br /> 92 <a href="#citations">Citations and indexing</a><br /> 93 <a href="#scope">Journal scope</a> 94</h2> 95<p> 96  97</p> 98<p id="editors"> 99  100</p> 101<hr /> 102<h2> 103 <strong>Editors</strong> 104</h2> 105<p class="rteindent2"> 106 Academic Editor: <strong>Peter K. McGregor</strong>, ISPA University Institute, Lisbon, Portugal<br /> 107 American Editor: <strong>A. G. Horn</strong>, Dalhousie University, Canada<br /> 108 Managing Editor: <strong>Richard Ranft</strong>, The British Library Sound Archive, London, UK<br /> 109 Associate Editor: <strong>David Reby</strong>, Equipe NeuroEthologie Sensorielle, Université de Lyon/St Etienne, France 110</p> 111<h2> 112  113</h2> 114<hr id="board" /> 115<h2> 116 <strong>Editorial Board</strong> 117</h2> 118<p> 119 <strong>M.C.P Amorim</strong> University of Lisbon, Portugal<br /> 120 <strong>R. Balakrishnan</strong> Indian Institute of Science, Bangalore, India<br /> 121 <strong>M. A Bee</strong> University of Minnesota, USA<br /> 122 <strong>H. Brumm</strong> Max Planck Institute for Biological Intelligence, Germany<br /> 123 <strong>K. McComb</strong> University of Sussex, UK<br /> 124 <strong>R. D Magrath</strong> Australian National University, Australia<br /> 125 <strong>E. H. Miller</strong> Memorial University of Newfoundland, Canada<br /> 126 <strong>J. Sueur</strong> Muséum national d'Histoire naturelle, France 127</p> 128<hr id="publisher" /> 129<h2> 130 <strong>Publisher and subscriptions</strong> 131</h2> 132<p> 133 <strong>Bioacoustics</strong> is published by Taylor and Francis in association with The British Library Sound Archive 134</p> 135<p> 136 Print ISSN: 0952-4622<br /> 137 Online ISSN: 2165-0586 138</p> 139<p> 140 For details including subscriptions:<br /> 141 <a href="https://www.tandfonline.com/loi/tbio20">https://www.tandfonline.com/loi/tbio20</a> 142</p> 143<p> 144 Taylor & Francis Group, 4 Park Square, Milton Park, Abingdon, OX14 4RN, United Kingdom 145</p> 146<hr id="oa" /> 147<h2> 148  149</h2> 150<h2> 151 <strong>Open access policy</strong> 152</h2> 153<p> 154 See: <a href="https://www.tandfonline.com/action/authorSubmission?journalCode=tbi
154o20&page=instructions">https://www.tandfonline.com/action/authorSubmission?journalCode=tbio20&p...</a> 155</p> 156<p> 157 Authors can choose from three publication routes: 158</p> 159<ul> 160<li> 161 First, to publish as previously. The published paper will be available to subscribers, or via the Taylor & Francis website on payment of a reprint fee; there is no article publishing charge. Authors choosing this route can take up a form of open access by depositing their accepted manuscript in a repository after an embargo period (known as âGreen OAâ), as outlined in more detail below. 162 </li> 163<li> 164 Second, via Open Select. The published paper is open access via the Taylor & Francis website; Open Select involves payment of an article publishing charge (after the refereeing process has been completed), whereupon the article becomes freely available on line. It is referred to by RCUK as the âGold OAâ route, and RCUK and WT-funded authors must choose the Creative Commons Attribution (CC BY) licence to be compliant with RCUK and WT policy, which our journal does offer as a licence option. 165 </li> 166<li> 167 Third, the âGreen OAâ route. The final version of the accepted MS (the author accepted manuscript) can be deposited in an institutional or subject repository after a 12 month embargo period; there is no article publishing charge; there is no link from the Taylor & Francis website to the repository, but authors may wish to include a link to their final published paper (the version of record) within the accepted MS, to encourage usage and citation of the version of record. 168 </li> 169</ul> 170<p> 171 Since 1st April 2013 in the UK, open access publication has been mandatory if the research has been funded by the Research Council UK (RCUK) or Wellcome Trust (WT). Authors affected by this change will be pleased to know that <em>Bioacoustics </em>is part of the Taylor & Francis Open Select programme and therefore complies with RCUK and WT requirements. 172</p> 173<hr id="citations" /> 174<p> 175  176</p> 177<h2> 178 <strong>Citations and indexing</strong> 179</h2> 180<p> 181 The<strong> Bioacoustics journal</strong> impact factor for 2025 is 2.1 182</p> 183<p> 184 The<strong> Bioacoustics journal</strong> is abstracted and indexed by: 185</p> 186<p> 187 CSA: 188</p> 189<ul> 190<li> 191 Biological Sciences, Core 192 </li> 193<li> 194 CSA Neurosciences Abstracts (Online) (Cambridge Scientific Abstracts), Selective 195 </li> 196</ul> 197<p> 198 EBSCOhost: 199</p> 200<ul> 201<li> 202 Academic Search Complete 203 </li> 204<li> 205 Biological Abstracts (Online) 206 </li> 207<li> 208 Current Abstracts 209 </li> 210<li> 211 TOC Premier (Table of Contents) 212 </li> 213<li> 214 Wildlife & Ecology Studies Worldwide 215 </li> 216</ul> 217<p> 218 Elsevier BV: 219</p> 220<ul> 221<li> 222 GEOBASE 223 </li> 224<li> 225 Scopus, 1990-ongoing 226 </li> 227</ul> 228<p> 229 OCLC: 230</p> 231<ul> 232<li> 233 ArticleFirst, vol.1, no.1, 1988-vol.20, no.1, 2010 234 </li> 235<li> 236 PsycFIRST, vol.11, no.3, 2001-vol.18, no.2, 2008 237 </li> 238</ul> 239<p> 240 Thomson Reuters: 241</p> 242<ul> 243<li> 244 Biological Abstracts (Online) 245 </li> 246<li> 247 BIOSIS Previews 248 </li> 249<li> 250 Current Contents 251 </li> 252<li> 253 Science Citation Index Expanded 254 </li> 255<li> 256 Web of Science 257 </li> 258<li> 259 Zoological Record Online 260 </li> 261</ul> 262<p> 263 VINITI RAN: 264</p> 265<ul> 266<li> 267 Referativnyi Zhurnal 268 </li> 269</ul> 270<p> 271 Wildlife Review Abstracts 272</p> 273<p> 274  275</p> 276<ul type="disc"> 277<li> 278 A cumulative index to <strong>Bioacoustics </strong>volumes 1-5 (1988-1994) was published in vol 6, 89-99. 279 </li> 280<li> 281 A cumulative index to <strong>Bioacoustics </strong>volumes 6-10 (1995-1999) was published in vol 12, 83-91. 282 </li> 283<li> 284 A cumulative index to <strong>Bioacoustics </strong>volumes 11-15 (2000-2006) was published in vol 16, 91-98. 285 </li> 286</ul> 287<p> 288  289</p> 290<hr id="scope" /> 291<h2> 292 <strong>Journal scope</strong> 293</h2> 294<h3> 295 Research papers 296</h3> 297<p> 298 The Bioacoustics journal primarily publishes reports of original research and review articles on animal sound communication. 299</p> 300<h3> 301 Conference papers 302</h3> 303<p> 304 The journal occasionally includes reports and abstracts or full papers from conferences, in particular those organised by the <a href="http://www.ibac.info/">International Bioacoustics Council (IBAC)</a>, as follows: 305</p> 306<table align="center" border="0" cellpadding="1" cellspacing="1" style="width:95%;"> 307<tbody> 308<tr> 309<td style="width:70%;"> 310<p> 311 11th IBAC Symposium. Cambridge, UK, 14-17 September 1989 312 </p> 313</td> 314<td style="width:30%;"> 315<p> 316 <a href="/volume/2"><em>Bioacoustics</em> 2(2): 163-170</a> 317 </p> 318</td> 319</tr> 320<tr> 321<td> 322<p> 323 12th IBAC Symposium. Osnabrück, Germany, 5-8 September 1991 324 </p> 325</td> 326<td> 327<p> 328 <a href="/volume/4"><em>Bioacoustics</em> 4(1): 59-75</a> 329 </p> 330</td> 331</tr> 332<tr> 333<td> 334<p> 335 13th IBAC Symposium, Møls, Denmark, 7-10 April 1994 336 </p> 337</td> 338<td> 339<p> 340 <a href="/volume/6"><em>Bioacoustics</em> 6(1): 69-82</a> 341 </p> 342</td> 343</tr> 344<tr> 345<td> 346<p> 347 Society for Experimental Biology Biological Acoustics conference. St Andrews, UK, 3 April 1995 348 </p> 349</td> 350<td> 351<p> 352 <a href="/volume/6"><em>Bioacoustics </em>6(3): 215-220</a> 353 </p> 354</td> 355</tr> 356<tr> 357<td> 358<p> 359 14th IBAC Symposium. Potsdam, Germany, 19-22 October 1995, 360 </p> 361</td> 362<td> 363<p> 364 <a href="/volume/6"><em>Bioacoustics</em> 6(4): 297-324</a> 365 </p> 366</td> 367</tr> 368<tr> 369<td> 370<p> 371 Association for Research in Otolaryngology, Cetacean acoustics workshop. Florida, USA, 1996 372 </p> 373</td> 374<td> 375<p> 376 <a href="/volume/8"><em>Bioacoustics</em> 8 (1-2): 1-182</a> 377 </p> 378</td> 379</tr> 380<tr> 381<td> 382<p>
383 15th IBAC Symposium. Pavia ,Italy, 24-26 October 1996 384 </p> 385</td> 386<td> 387<p> 388 <a href="/volume/8"><em>Bioacoustics </em>8(3-4): 249-279</a> 389 </p> 390</td> 391</tr> 392<tr> 393<td> 394<p> 395 16th IBAC Symposium.Texas, USA, 14-18 October 1997 396 </p> 397</td> 398<td> 399<p> 400 <a href="/volume/9"><em>Bioacoustics</em> 9(2): 149-163</a> 401 </p> 402</td> 403</tr> 404<tr> 405<td> 406<p> 407 Institute of Acoustics Symposium, Underwater bio-sonar systems and bioacoustics. Loughborough, UK, 16-17 December 1997 408 </p> 409</td> 410<td> 411<p> 412 <a href="/volume/9"><em>Bioacoustics</em> 9(3): 213-235</a> 413 </p> 414</td> 415</tr> 416<tr> 417<td> 418<p> 419 Fish Bioacoustics: Sensory Biology, Behavior and Practical Applications. May 30-June 2 2001, Illinois, USA 420 </p> 421</td> 422<td> 423<p> 424 <a href="/volume/12"><em>Bioacoustics</em> 12(2-3):97-341</a> 425 </p> 426</td> 427</tr> 428<tr> 429<td> 430<p> 431 17th IBAC Symposium. Chartres, France, 6-11 April 1999 432 </p> 433</td> 434<td> 435<p> 436 <a href="/volume/13"><em>Bioacoustics</em> 13(1): 77-102</a> 437 </p> 438</td> 439</tr> 440<tr> 441<td> 442<p> 443 18th IBAC Symposium. Cogne , Italy, 3-6 September 2001 444 </p> 445</td> 446<td> 447<p> 448 <a href="/volume/13"><em>Bioacoustics </em>13(2): 175-207</a> 449 </p> 450</td> 451</tr> 452<tr> 453<td> 454<p> 455 International Conference on the Effects of Noise on Aquatic Life. Nyborg, Denmark, August 13-17, 2007 456 </p> 457</td> 458<td> 459<p> 460 <a href="/volume/17"><em>Bioacoustics</em> 17(1-3): 1-350</a> 461 </p> 462</td> 463</tr> 464<tr> 465<td> 466<p> 467 21st IBAC Congress. Pavia, Italy, 15-18 September 2007 468 </p> 469</td> 470<td> 471<p> 472 <a href="/volume/20"><em>Bioacoustics </em>20(3):215-368</a> 473 </p> 474</td> 475</tr> 476<tr> 477<td> 478<p> 479 22nd IBAC Conference. Lisbon, Portugal, 14-18 September 2009 480 </p> 481</td> 482<td> 483<p> 484 <a href="/volume/21"><em>Bioacoustics</em> 21(1): 3-85</a> 485 </p> 486</td> 487</tr> 488</tbody> 489</table> 490<p> 491  492</p> 493<h3> 494 Other articles 495</h3> 496<p> 497 While academic papers form the bulk of the journal, from time to time we have published items which are intended to be of interest to the bioacoustics community in a somewhat broader sense than research papers. These sections are briefly described below. If you would like to comment on these developments or to suggest contributors, please <a href="/contact">email the Editor</a>. 498</p> 499<ul> 500<li> 501 <strong>Reviews</strong> The journal regularly publishes articles and news on techniques and equipment for bioacoustics recording and analysis, reviews of bioacoustics books, CDs and other audio publications, and news of bioacoustics conferences. 502 </li> 503<li> 504 <strong>Recent Bioacoustic Publications</strong> The journal has published lists of publications in the field of bioacoustics. <a href="/subject-category/publications-lists">These lists</a> were compiled by Poul Hansen of The Natural History Museum, à rhus, Denmark. References from 1993-2006 are <a href="/recent-bioacoustics-publications">available online</a> on this site, divided into taxonomic or topic groupings as well as in a combined list. 505 </li> 506<li> 507 <strong>Personal Perspectives</strong> Although bioacoustics is a relatively young discipline, we have a number of senior investigators who have seen, and in many cases been responsible for, rapid changes in the field. This section of the journal allows such individuals pretty much free reign to reminisce, advise on future directions and strategies, and comment on current trends and fashions. William N. Tavolga contributed the first such section in Vol. 6 No. 4, followed by Arthur Myrberg (Vol. 7 No. 2), David Pye (Vol. 7 No. 3) and Murray Littlejohn (Vol. 9 No 1). 508 </li> 509<li> 510 <strong>Bioacoustics Research Groups</strong> This section is designed to identify active labs around the world so that the rest of the bioacoustics community can discover what they are doing and who is based in the group. The Centre for Sound Communication in Denmark is featured in Vol. 6 No 4, the bioacoustics research group at the University of Maryland featured in Vol. 7 No 1, and The Borror Laboratory of Bioacoustics in vol 8 Nos 3-4. 511 </li> 512<li> 513 <strong>News from the Collections</strong> An opportunity for major sound archives to inform the bioacoustics community of their role, interesting new facilities, "wish lists" of species requiring recording, etc. A report from the Humboldt University Animal Sound Archive (Berlin) appeared in Vol. 6 No 4, the Wildlife Section of the British Library Sound Archive in Vol 7 No 4, and The Borror Laboratory of Bioacoustics in vol 8 Nos 3-4. 514 </li> 515<li> 516 <strong>Noticeboard</strong> Somewhat similar to News from the Collections, but concentrating on announcements of conferences and of products and services, for example tape recorders, microphones, spectrum analysers and tape recorder servicing. The section first appeared in Vol. 7. 517 </li> 518<li> 519 <strong>Techniques Articles</strong> Similar in style to articles we have run in the past, such as that on ultrasound by David Pye (1992, Vol. 4, pp. 7
5197-88). 520 </li> 521</ul> 522<p> 523 Â 524</p> 525<hr /> 526<p> 527 Â 528</p> 529<p> 530 Logo design by Robin Prytherch 531</p> 532<p> 533 <span>Website powered by </span><a href="https://backdropcms.org/"><span>Backdrop</span></a> 534</p> 535</div></div></div> </div> 536 537 538 539</article> 540<div class="block block-block-4"> 541 542 543 <div class="block-content"> 544 <p>Â </p> 545 </div> 546</div> 547 </main> 548 <div class="l-sidebar l-sidebar-first col-md-3 col-md-pull-9"> 549 <div class="block block-block-2"> 550 551 <h2 class="block-title">Table of contents</h2> 552 553 <div class="block-content"> 554 <p>By volume</p> 555<form name="guideform" id="guideform"> 556<select name="guidelinks" onchange="window.location=document.guideform.guidelinks.options[document.guideform.guidelinks.selectedIndex].value"><option selected="selected">--Choose volume--</option><option value="/volume/in-press">In Press</option><option value="/volume/35">Volume 35</option><option value="/volume/34">Volume 34</option><option value="/volume/33">Volume 33</option><option value="/volume/32">Volume 32</option><option value="/volume/31">Volume 31</option><option value="/volume/30">Volume 30</option><option value="/volume/29">Volume 29</option><option value="/volume/28">Volume 28</option><option value="/volume/27">Volume 27</option><option value="/volume/26">Volume 26</option><option value="/volume/25">Volume 25</option><option value="/volume/24">Volume 24</option><option value="/volume/23">Volume 23</option><option value="/volume/22">Volume 22</option><option value="/volume/21">Volume 21</option><option value="/volume/20">Volume 20</option><option value="/volume/19">Volume 19</option><option value="/volume/18">Volume 18</option><option value="/volume/17">Volume 17</option><option value="/volume/16">Volume 16</option><option value="/volume/15">Volume 15</option><option value="/volume/14">Volume 14</option><option value="/volume/13">Volume 13</option><option value="/volume/12">Volume 12</option><option value="/volume/11">Volume 11</option><option value="/volume/10">Volume 10</option><option value="/volume/9">Volume 9</option><option value="/volume/8">Volume 8</option><option value="/volume/7">Volume 7</option><option value="/volume/6">Volume 6</option><option value="/volume/5">Volume 5</option><option value="/volume/4">Volume 4</option><option value="/volume/3">Volume 3</option><option value="/volume/2">Volume 2</option><option value="/volume/1">Volume 1</option></select> 557</form> 558<p>Â </p> 559<p>By subject category</p> 560<form name="guideform2" id="guideform2"> 561<select name="guidelinks2" onchange="window.location=document.guideform2.guidelinks2.options[document.guideform2.guidelinks2.selectedIndex].value"><option selected="selected">--Choose category--</option><option value="/subject-category/mammals-general">mammals (general)</option><option value="/subject-category/bats">- bats (Chiroptera)</option><option value="/subject-category/carnivores">- carnivores</option><option value="/subject-category/cetaceans">- cetaceans</option><option value="/subject-category/primates">- primates</option><option value="/subject-category/rodents">- rodents</option><option value="/subject-category/ungulates">- ungulates</option><option value="/subject-category/birds-general">birds (general)</option><option value="/subject-category/non-passerine-birds">- non-passerine birds</option><option value="/subject-category/passerine-birds">- passerine birds</option><option value="/subject-category/amphibians">amphibians</option><option value="/subject-category/invertebrates-general">invertebrates (general)</option><option value="/subject-category/insects">- insects (general)</option><option value="/subject-category/cicadoidea">-- Cicadoidea</option><option value="/subject-category/orthoptera">-- Orthoptera</option><option value="/subject-category/fish">fish</option><option value="/subject-category/reptiles">reptiles</option><option value="/subject-category/techniques">techniques</option><option value="/subject-category/equipment-review">equipment review</option><option value="/subject-category/environmental-acoustics">environmental acoustics</option><option value="/subject-category/hearing">hearing</option><option value="/subject-category/sound-production">sound production</option><option value="/subject-category/underwater">underwater</option><option value="/subject-category/ultrasound">ultrasound</option><option value="/subject-category/publications-lists">publications lists</option><option value="/subject-category/audio-review">audio review</option><option value="/subject-category/book-review">book review</option><option value="/subject-category/general">general</option><option value="/subject-category/obituary">obituary</option><option value="/subject-category/personal-perspective">personal perspective</option><option value="/subject-category/research-group">research group</option><option value="/subject-category/sound-library">sound library</option></select> 562</form> 563 </div> 564</div> 565<div class="block block-search-form" role="search"> 566 567 <h2 class="block-title">Search</h2> 568 569 <div class="block-content"> 570 <form class="search-block-form search-box" action="/about" method="post" id="search-block-form" accept-charset="UTF-8"><div><div class="form-item form-type-search form-item-search-block-form"> 571 <label class="element-invisible" for="edit-search-block-form--2">Search </label>
572 <input title="Enter the keywords you wish to search for." type="search" id="edit-search-block-form--2" name="search_block_form" value="" size="15" maxlength="128" class="form-search" /> 573</div> 574<input type="hidden" name="form_build_id" value="form-b6TW57lYd-axc5H-EDjLdmJtmhsRzU1PFQXdPy176FU" /> 575<input type="hidden" name="form_id" value="search_block_form" /> 576<div class="form-actions" id="edit-actions"><input class="button-primary form-submit" type="submit" id="edit-submit" name="op" value="Search" /></div></div></form> </div> 577</div> 578<div class="block block-block-3"> 579 580 581 <div class="block-content"> 582 <p><a href="https://www.tandfonline.com/toc/tbio20/current">Bioacoustics at Taylor & Francis Online</a></p> 583 </div> 584</div> 585 </div> 586 </div><!-- /.l-middle --> 587 588 589 </div><!-- /.l-wrapper-inner --> 590 </div><!-- /.l-wrapper --> 591 592 <footer class="l-footer"> 593 <div class="l-footer-inner container container-fluid"> 594 <div class="block block-block-1"> 595 596 597 <div class="block-content"> 598 <p><a href="/links">LINKS</a></p> 599 </div> 600</div> 601 </div> 602 </footer> 603 </div><!-- /.layout--moscone --> 604 </body> 605</html>
Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.