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.elementor-element.elementor-element-d132a1d{text-align:center;}.elementor-2175 .elementor-element.elementor-element-1331b3a{text-align:start;}.elementor-2175 .elementor-element.elementor-element-354b9e5 > .elementor-widget-container{margin:0px 0px 0px 10px;padding:0px 0px 0px 0px;}.elementor-2175 .elementor-element.elementor-element-354b9e5{text-align:start;}.elementor-2175 .elementor-element.elementor-element-0275b47 > .elementor-widget-container{margin:0px 0px 0px 10px;padding:0px 0px 0px 0px;}.elementor-2175 .elementor-element.elementor-element-0275b47{text-align:start;}.elementor-2175 .elementor-element.elementor-element-78d8413{--divider-border-style:solid;--divider-color:#000;--divider-border-width:1px;}.elementor-2175 .elementor-element.elementor-element-78d8413 .elementor-divider-separator{width:100%;}.elementor-2175 .elementor-element.elementor-element-78d8413 .elementor-divider{padding-block-start:15px;padding-block-end:15px;}.elementor-2175 .elementor-element.elementor-element-5642d2d{text-align:center;}.elementor-2175 .elementor-element.elementor-element-5642d2d .elementor-heading-title{font-family:"Montserrat", Sans-serif;font-weight:600;}.elementor-2175 .elementor-element.elementor-element-77d9f7e{text-align:center;}.elementor-2175 .elementor-element.elementor-element-8420e39{text-align:start;}.elementor-2175 .elementor-element.elementor-element-afd61fa > .elementor-widget-container{margin:0px 0px 0px 10px;padding:0px 0px 0px 0px;}.elementor-2175 .elementor-element.elementor-element-afd61fa{text-align:start;}.elementor-2175 .elementor-element.elementor-element-117d288 > .elementor-widget-container{margin:0px 0px 0px 10px;padding:0px 0px 0px 0px;}.elementor-2175 .elementor-element.elementor-element-117d288{text-align:start;}.elementor-2175 .elementor-element.elementor-element-b6691f7{--divider-border-style:solid;--divider-color:#000;--divider-border-width:1px;}.elementor-2175 .elementor-element.elementor-element-b6691f7 .elementor-divider-separator{width:100%;}.elementor-2175 .elementor-element.elementor-element-b6691f7 .elementor-divider{padding-block-start:15px;padding-block-end:15px;}.elementor-2175 .elementor-element.elementor-element-442c294{text-align:center;}.elementor-2175 .elementor-element.elementor-element-442c294 .elementor-heading-title{font-family:"Montserrat", Sans-serif;font-weight:600;}.elementor-2175 .elementor-element.elementor-element-c3a571a{text-align:center;}.elementor-2175 .elementor-element.elementor-element-a60d62f{text-align:start;}.elementor-2175 .elementor-element.elementor-element-80ecdd4 > .elementor-widget-container{margin:0px 0px 0px 10px;padding:0px 0px 0px 0px;}.elementor-2175 .elementor-element.elementor-element-80ecdd4{text-align:start;}.elementor-2175 .elementor-element.elementor-element-e9b8edc{--divider-border-style:solid;--divider-color:#000;--divider-border-width:1px;}.elementor-2175 .elementor-element.elementor-element-e9b8edc .elementor-divider-separator{width:100%;}.elementor-2175 .elementor-element.elementor-element-e9b8edc .elementor-divider{padding-block-start:15px;padding-block-end:15px;}.elementor-2175 .elementor-element.elementor-element-ee42888{text-align:center;}.elementor-2175 .elementor-element.elementor-element-ee42888 .elementor-heading-title{font-family:"Montserrat", Sans-serif;font-weight:600;}.elementor-2175 .elementor-element.elementor-element-ea7941d{text-align:center;}.elementor-2175 .elementor-element.elementor-element-591b5c6{text-align:start;}.elementor-2175 .elementor-element.elementor-element-9cafdc3 > .elementor-widget-container{margin:0px 0px 0px 10px;padding:0px 0px 0px 0px;}.elementor-2175 .elementor-element.elementor-element-9cafdc3{text-align:start;}:root{--page-title-display:none;}@media(max-width:1024px){.elementor-widget-heading .elementor-heading-title{font-size:var( --e-global-typography-primary-font-size );}}@media(max-width:767px){.elementor-widget-heading .elementor-heading-title{font-size:var( --e-global-typography-primary-font-size );}}
71.elementor-669 .elementor-element.elementor-element-af09647:not(.elementor-motion-effects-element-type-background), .elementor-669 .elementor-element.elementor-element-af09647 > .elementor-motion-effects-container > .elementor-motion-effects-layer{background-color:#FFFFFF;}.elementor-669 .elementor-element.elementor-element-af09647{transition:background 0.3s, border 0.3s, border-radius 0.3s, box-shadow 0.3s;margin-top:0px;margin-bottom:0px;z-index:25;}.elementor-669 .elementor-element.elementor-element-af09647 > .elementor-background-overlay{transition:background 0.3s, border-radius 0.3s, opacity 0.3s;}.elementor-669 .elementor-element.elementor-eleme
71nt-0cf2718:not(.elementor-motion-effects-element-type-background) > .elementor-widget-wrap, .elementor-669 .elementor-element.elementor-element-0cf2718 > .elementor-widget-wrap > .elementor-motion-effects-container > .elementor-motion-effects-layer{background-color:#FFFFFF00;}.elementor-669 .elementor-element.elementor-element-0cf2718 > .elementor-element-populated{transition:background 0.3s, border 0.3s, border-radius 0.3s, box-shadow 0.3s;}.elementor-669 .elementor-element.elementor-element-0cf2718 > .elementor-element-populated > .elementor-background-overlay{transition:background 0.3s, border-radius 0.3s, opacity 0.3s;}.elementor-bc-flex-widget .elementor-669 .elementor-element.elementor-element-49d23fe.elementor-column .elementor-widget-wrap{align-items:center;}.elementor-669 .elementor-element.elementor-element-49d23fe.elementor-column.elementor-element[data-element_type="column"] > .elementor-widget-wrap.elementor-element-populated{align-content:center;align-items:center;}.elementor-669 .elementor-element.elementor-element-49d23fe.elementor-column > .elementor-widget-wrap{justify-content:center;}.elementor-widget-theme-site-logo .widget-image-caption{color:var( --e-global-color-text );font-family:var( --e-global-typography-text-font-family ), Sans-serif;font-weight:var( --e-global-typography-text-font-weight );}.elementor-669 .elementor-element.elementor-element-a64023f{width:var( --container-widget-width, 94.444% );max-width:94.444%;--container-widget-width:94.444%;--container-widget-flex-grow:0;text-align:start;}.elementor-669 .elementor-element.elementor-element-a64023f.elementor-element{--flex-grow:0;--flex-shrink:0;}.elementor-bc-flex-widget .elementor-669 .elementor-element.elementor-element-aa18f73.elementor-column .elementor-widget-wrap{align-items:center;}.elementor-669 .elementor-element.elementor-element-aa18f73.elementor-column.elementor-element[data-element_type="column"] > .elementor-widget-wrap.elementor-element-populated{align-content:center;align-items:center;}.elementor-widget-nav-menu .elementor-nav-menu .elementor-item{font-family:var( --e-global-typography-primary-font-family ), Sans-serif;font-size:var( --e-global-typography-primary-font-size );font-weight:var( --e-global-typography-primary-font-weight );}.elementor-widget-nav-menu .elementor-nav-menu--main .elementor-item{color:var( --e-global-color-text );fill:var( --e-global-color-text );}.elementor-widget-nav-menu .elementor-nav-menu--main .elementor-item:hover,
72					.elementor-widget-nav-menu .elementor-nav-menu--main .elementor-item.elementor-item-active,
73					.elementor-widget-nav-menu .elementor-nav-menu--main .elementor-item.highlighted,
74					.elementor-widget-nav-menu .elementor-nav-menu--main .elementor-item:focus{color:var( --e-global-color-accent );fill:var( --e-global-color-accent );}.elementor-widget-nav-menu .elementor-nav-menu--main:not(.e--pointer-framed) .elementor-item:before,
75					.elementor-widget-nav-menu .elementor-nav-menu--main:not(.e--pointer-framed) .elementor-item:after{background-color:var( --e-global-color-accent );}.elementor-widget-nav-menu .e--pointer-framed .elementor-item:before,
76					.elementor-widget-nav-menu .e--pointer-framed .elementor-item:after{border-color:var( --e-global-color-accent );}.elementor-widget-nav-menu{--e-nav-menu-divider-color:var( --e-global-color-text );}.elementor-widget-nav-menu .elementor-nav-menu--dropdown .elementor-item, .elementor-widget-nav-menu .elementor-nav-menu--dropdown  .elementor-sub-item{font-family:var( --e-global-typography-accent-font-family ), Sans-serif;font-weight:var( --e-global-typography-accent-font-weight );}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-menu-toggle{margin-left:auto;background-color:#D5D5D5;}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu .elementor-item{font-family:var( --e-global-typography-2131f59-font-family ), Sans-serif;font-size:var( --e-global-typography-2131f59-font-size );text-transform:var( --e-global-typography-2131f59-text-transform );}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--main .elementor-item{color:#1E1E1E;fill:#1E1E1E;}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--main .elementor-item:hover,
77					.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--main .elementor-item.elementor-item-active,
78					.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--main .elementor-item.highlighted,
79					.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--main .elementor-item:focus{color:#CE9761;fill:#CE9761;}.elementor-669 .elementor-element.elementor-element-b35e74b{--e-nav-menu-horizontal-menu
79-item-margin:calc( 0px / 2 );}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--main:not(.elementor-nav-menu--layout-horizontal) .elementor-nav-menu > li:not(:last-child){margin-bottom:0px;}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown a, .elementor-669 .elementor-element.elementor-element-b35e74b .elementor-menu-toggle{color:#FFFFFF;fill:#FFFFFF;}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown{background-color:#000000;border-style:solid;border-width:5px 0px 5px 0px;}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown a:hover,
80					.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown a:focus,
81					.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown a.elementor-item-active,
82					.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown a.highlighted,
83					.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-menu-toggle:hover,
84					.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-menu-toggle:focus{color:#CE9761;}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown a:hover,
85					.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown a:focus,
86					.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown a.elementor-item-active,
87					.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown a.highlighted{background-color:#87878700;}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown a.elementor-item-active{background-color:#02010100;}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown .elementor-item, .elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown  .elementor-sub-item{font-family:var( --e-global-typography-2131f59-font-family ), Sans-serif;font-size:var( --e-global-typography-2131f59-font-size );text-transform:var( --e-global-typography-2131f59-text-transform );}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown a{padding-left:15px;padding-right:15px;padding-top:5px;padding-bottom:5px;}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown li:not(:last-child){border-style:solid;border-color:#000000;}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--main > .elementor-nav-menu > li > .elementor-nav-menu--dropdown, .elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu__container.elementor-nav-menu--dropdown{margin-top:6px !important;}.elementor-669 .elementor-element.elementor-element-b35e74b div.elementor-menu-toggle{color:#0C0C0C;}.elementor-669 .elementor-element.elementor-element-b35e74b div.elementor-menu-toggle svg{fill:#0C0C0C;}.elementor-bc-flex-widget .elementor-669 .elementor-element.elementor-element-b671819.elementor-column .elementor-widget-wrap{align-items:center;}.elementor-669 .elementor-element.elementor-element-b671819.elementor-column.elementor-element[data-element_type="column"] > .elementor-widget-wrap.elementor-element-populated{align-content:center;align-items:center;}.elementor-669 .elementor-element.elementor-element-b9d5662 .elementor-nav-menu--main .elementor-item{padding-left:6px;padding-right:6px;padding-top:18px;padding-bottom:18px;}.elementor-669 .elementor-element.elementor-element-b9d5662{--e-nav-menu-horizontal-menu-item-margin:calc( 0px / 2 );}.elementor-669 .elementor-element.elementor-element-b9d5662 .elementor-nav-menu--main:not(.elementor-nav-menu--layout-horizontal) .elementor-nav-menu > li:not(:last-child){margin-bottom:0px;}.elementor-theme-builder-content-area{height:400px;}.elementor-location-header:before, .elementor-location-footer:before{content:"";display:table;clear:both;}@media(max-width:1024px){.elementor-widget-nav-menu .elementor-nav-menu .elementor-item{font-size:var( --e-global-typography-primary-font-size );}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu .elementor-item{font-size:var( --e-global-typography-2131f59-font-size );}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--main .elementor-item{padding-left:5px;padding-right:5px;}.elementor-669 .elementor-element.elementor-element-b35e74b{--e-nav-menu-horizontal-menu
87-item-margin:calc( 0px / 2 );}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--main:not(.elementor-nav-menu--layout-horizontal) .elementor-nav-menu > li:not(:last-child){margin-bottom:0px;}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown .elementor-item, .elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown  .elementor-sub-item{font-size:var( --e-global-typography-2131f59-font-size );}.elementor-669 .elementor-element.elementor-element-b9d5662 .elementor-nav-menu--main .elementor-item{padding-left:-22px;padding-right:-22px;padding-top:-22px;padding-bottom:-22px;}.elementor-669 .elementor-element.elementor-element-b9d5662{--e-nav-menu-horizontal-menu-item-margin:calc( -25px / 2 );}.elementor-669 .elementor-element.elementor-element-b9d5662 .elementor-nav-menu--main:not(.elementor-nav-menu--layout-horizontal) .elementor-nav-menu > li:not(:last-child){margin-bottom:-25px;}}@media(min-width:768px){.elementor-669 .elementor-element.elementor-element-49d23fe{width:29.034%;}.elementor-669 .elementor-element.elementor-element-aa18f73{width:52.039%;}.elementor-669 .elementor-element.elementor-element-b671819{width:18.194%;}}@media(max-width:767px){.elementor-669 .elementor-element.elementor-element-49d23fe{width:50%;}.elementor-669 .elementor-element.elementor-element-a64023f{text-align:end;}.elementor-669 .elementor-element.elementor-element-aa18f73{width:50%;}.elementor-widget-nav-menu .elementor-nav-menu .elementor-item{font-size:var( --e-global-typography-primary-font-size );}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu .elementor-item{font-size:var( --e-global-typography-2131f59-font-size );}.elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown .elementor-item, .elementor-669 .elementor-element.elementor-element-b35e74b .elementor-nav-menu--dropdown  .elementor-sub-item{font-size:var( --e-global-typography-2131f59-font-size );}}
88.elementor-5998 .elementor-element.elementor-element-cc3c1a3{--display:flex;--min-height:65vh;--flex-direction:column;--container-widget-width:100%;--container-widget-height:initial;--container-widget-flex-grow:0;--container-widget-align-self:initial;--flex-wrap-mobile:wrap;--gap:0px 0px;--row-gap:0px;--column-gap:0px;--overlay-opacity:0.51;border-style:solid;--border-style:solid;border-width:5px 0px 0px 0px;--border-top-width:5px;--border-right-width:0px;--border-bottom-width:0px;--border-left-width:0px;border-color:#FFFFFF;--border-color:#FFFFFF;}.elementor-5998 .elementor-element.elementor-element-cc3c1a3:not(.elementor-motion-effects-element-type-background), .elementor-5998 .elementor-element.elementor-element-cc3c1a3 > .elementor-motion-effects-container > .elementor-motion-effects-layer{background-image:url("https://picturehouse.com/wp-content/uploads/2026/04/footer_bg3.webp");background-position:center left;background-size:cover;}.elementor-5998 .elementor-element.elementor-element-cc3c1a3::before, .elementor-5998 .elementor-element.elementor-element-cc3c1a3 > .elementor-background-video-container::before, .elementor-5998 .elementor-element.elementor-element-cc3c1a3 > .e-con-inner > .elementor-background-video-container::before, .elementor-5998 .elementor-element.elementor-element-cc3c1a3 > .elementor-background-slideshow::before, .elementor-5998 .elementor-element.elementor-element-cc3c1a3 > .e-con-inner > .elementor-background-slideshow::before, .elementor-5998 .elementor-element.elementor-element-cc3c1a3 > .elementor-motion-effects-container > .elementor-motion-effects-layer::before{background-color:#000000;--background-overlay:'';}.elementor-5998 .elementor-element.elementor-element-834106e{--display:flex;--margin-top:0px;--margin-bottom:0px;--margin-left:0px;--margin-right:0px;--padding-top:45px;--padding-bottom:0px;--padding-left:0px;--padding-right:0px;}.elementor-5998 .elementor-element.elementor-element-834106e.e-con{--align-self:flex-end;}.elementor-widget-nav-menu .elementor-nav-menu .elementor-item{font-family:var( --e-global-typography-primary-font-family ), Sans-serif;font-size:var( --e-global-typography-primary-font-size );font-weight:var( --e-global-typography-primary-font-weight );}.elementor-widget-nav-menu .elementor-nav-menu--main .elementor-item{color:var( --e-global-color-text );
88fill:var( --e-global-color-text );}.elementor-widget-nav-menu .elementor-nav-menu--main .elementor-item:hover,
89					.elementor-widget-nav-menu .elementor-nav-menu--main .elementor-item.elementor-item-active,
90					.elementor-widget-nav-menu .elementor-nav-menu--main .elementor-item.highlighted,
91					.elementor-widget-nav-menu .elementor-nav-menu--main .elementor-item:focus{color:var( --e-global-color-accent );fill:var( --e-global-color-accent );}.elementor-widget-nav-menu .elementor-nav-menu--main:not(.e--pointer-framed) .elementor-item:before,
92					.elementor-widget-nav-menu .elementor-nav-menu--main:not(.e--pointer-framed) .elementor-item:after{background-color:var( --e-global-color-accent );}.elementor-widget-nav-menu .e--pointer-framed .elementor-item:before,
93					.elementor-widget-nav-menu .e--pointer-framed .elementor-item:after{border-color:var( --e-global-color-accent );}.elementor-widget-nav-menu{--e-nav-menu-divider-color:var( --e-global-color-text );}.elementor-widget-nav-menu .elementor-nav-menu--dropdown .elementor-item, .elementor-widget-nav-menu .elementor-nav-menu--dropdown  .elementor-sub-item{font-family:var( --e-global-typography-accent-font-family ), Sans-serif;font-weight:var( --e-global-typography-accent-font-weight );}.elementor-5998 .elementor-element.elementor-element-0917cbd .elementor-nav-menu .elementor-item{font-family:"Fira Sans", Sans-serif;font-size:2rem;font-weight:600;text-transform:lowercase;text-decoration:none;line-height:0.7em;}.elementor-5998 .elementor-element.elementor-element-0917cbd .elementor-nav-menu--main .elementor-item{color:#FFFFFF;fill:#FFFFFF;}.elementor-5998 .elementor-element.elementor-element-caa7021{--grid-template-columns:repeat(0, auto);--icon-size:15px;--grid-column-gap:5px;--grid-row-gap:0px;}.elementor-5998 .elementor-element.elementor-element-caa7021 .elementor-widget-container{text-align:right;}.elementor-5998 .elementor-element.elementor-element-caa7021 > .elementor-widget-container{margin:0px 15px 0px 0px;}.elementor-5998 .elementor-element.elementor-element-caa7021 .elementor-social-icon{background-color:#FFF6F6;}.elementor-5998 .elementor-element.elementor-element-caa7021 .elementor-social-icon i{color:#000000;}.elementor-5998 .elementor-element.elementor-element-caa7021 .elementor-social-icon svg{fill:#000000;}.elementor-5998 .elementor-element.elementor-element-caa7021 .elementor-icon{border-radius:47px 47px 47px 47px;}.elementor-widget-text-editor{font-family:var( --e-global-typography-text-font-family ), Sans-serif;font-weight:var( --e-global-typography-text-font-weight );color:var( --e-global-color-text );}.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:var( --e-global-color-primary );}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap, .elementor-widget-text-editor.elementor-drop-cap-view-default .elementor-drop-cap{color:var( --e-global-color-primary );border-color:var( --e-global-color-primary );}.elementor-5998 .elementor-element.elementor-element-3fde4dd > .elementor-widget-container{margin:0px 15px 0px 0px;}.elementor-5998 .elementor-element.elementor-element-3fde4dd.elementor-element{--align-self:flex-end;}.elementor-5998 .elementor-element.elementor-element-3fde4dd{text-align:end;font-family:"Roboto", Sans-serif;font-size:11px;font-weight:400;color:#FDFDFD;}.elementor-5998 .elementor-element.elementor-element-3fde4dd a{color:#B9B9B9;}.elementor-5998 .elementor-element.elementor-element-dc921d0{--display:flex;--justify-content:flex-end;--align-items:flex-end;--container-widget-width:calc( ( 1 - var( --container-widget-flex-grow ) ) * 100% );--margin-top:10px;--margin-bottom:0px;--margin-left:0px;--margin-right:0px;}.elementor-5998 .elementor-element.elementor-element-dc921d0.e-con{--align-self:flex-end;}.elementor-theme-builder-content-area{height:400px;}.elementor-location-header:before, .elementor-location-footer:before{content:"";display:table;clear:both;}@media(max-width:1024px){.elementor-widget-nav-menu .elementor-nav-menu .elementor-item{font-size:var( --e-global-typography-primary-font-size );}}@media(max-width:767px){.elementor-widget-nav-menu .elementor-nav-menu .elementor-item{font-size:var( --e-global-typography-primary-font-size );}}
93/* Start custom CSS for container, class: .elementor-element-dc921d0 */margin-top: auto;/* End custom CSS */
94/*# sourceURL=elementor-frontend-inline-css */
95</style>
96<link rel='stylesheet' id='widget-image-css' href='https://picturehouse.com/wp-content/plugins/elementor/assets/css/widget-image.min.css?ver=4.3.3' media='all' />
97<link rel='stylesheet' id='widget-nav-menu-css' href='https://picturehouse.com/wp-content/plugins/elementor-pro/assets/css/widget-nav-menu.min.css?ver=4.3.1' media='all' />
98<link rel='stylesheet' id='e-animation-grow-css' href='https://picturehouse.com/wp-content/plugins/elementor/assets/lib/animations/styles/e-animation-grow.min.css?ver=4.3.3' media='all' />
99<link rel='stylesheet' id='widget-social-icons-css' href='https://picturehouse.com/wp-content/plugins/elementor/assets/css/widget-social-icons.min.css?ver=4.3.3' media='all' />
100<link rel='stylesheet' id='e-apple-webkit-css' href='https://picturehouse.com/wp-content/plugins/elementor/assets/css/conditionals/apple-webkit.min.css?ver=4.3.3' media='all' />
101<link rel='stylesheet' id='font-awesome-5-all-css' href='https://picturehouse.com/wp-content/plugins/elementor/assets/lib/font-awesome/css/all.min.css?ver=4.11.110' media='all' />
102<link rel='stylesheet' id='font-awesome-4-shim-css' href='https://picturehouse.com/wp-content/plugins/elementor/assets/lib/font-awesome/css/v4-shims.min.css?ver=4.3.3' media='all' />
103<link rel='stylesheet' id='widget-heading-css' href='https://picturehouse.com/wp-content/plugins/elementor/assets/css/widget-heading.min.css?ver=4.3.3' media='all' />
104<link rel='stylesheet' id='widget-divider-css' href='https://picturehouse.com/wp-content/plugins/elementor/assets/css/widget-divider.min.css?ver=4.3.3' media='all' />
105<link rel='stylesheet' id='elementor-gf-alegreyasans-css' href='https://fonts.googleapis.com/css?family=Alegreya+Sans:100,100italic,200,200italic,300,300italic,400,400italic,500,500italic,600,600italic,700,700italic,800,800italic,900,900italic&#038;display=auto' media='all' />
106<link rel='stylesheet' id='elementor-gf-local-playfairdisplay-css' href='https://picturehouse.com/wp-content/uploads/elementor/google-fonts/css/playfairdisplay.css?ver=1756928105' media='all' />
107<link rel='stylesheet' id='elementor-gf-local-roboto-css' href='https://picturehouse.com/wp-content/uploads/elementor/google-fonts/css/roboto.css?ver=1756928111' media='all' />
108<link rel='stylesheet' id='elementor-gf-local-montserrat-css' href='https://picturehouse.com/wp-content/uploads/elementor/google-fonts/css/montserrat.css?ver=1756928103' media='all' />
109<link rel='stylesheet' id='elementor-gf-cormorantgaramond-css' href='https://fonts.googleapis.com/css?family=Cormorant+Garamond:100,100italic,200,200italic,300,300italic,400,400italic,500,500italic,600,600italic,700,700italic,800,800italic,900,900italic&#038;display=auto' media='all' />
110<link rel='stylesheet' id='elementor-gf-alegreya-css' href='https://fonts.googleapis.com/css?family=Alegreya:100,100italic,200,200italic,300,300italic,400,400italic,500,500italic,600,600italic,700,700italic,800,800italic,900,900italic&#038;display=auto' media='all' />
111<link rel='stylesheet' id='elementor-gf-firasans-css' href='https://fonts.googleapis.com/css?family=
111Fira+Sans:100,100italic,200,200italic,300,300italic,400,400italic,500,500italic,600,600italic,700,700italic,800,800italic,900,900italic&#038;display=auto' media='all' />
112<script id="jquery-core-js" src="https://picturehouse.com/wp-includes/js/jquery/jquery.min.js?ver=3.7.1"></script>
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112
113<script id="jquery-migrate-js" src="https://picturehouse.com/wp-includes/js/jquery/jquery-migrate.min.js?ver=3.4.1"></script>
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113
114<script id="jquery.prettyphoto-js" src="https://picturehouse.com/wp-content/plugins/wp-video-lightbox/js/jquery.prettyPhoto.js?ver=3.1.6"></script>
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114
115<script id="video-lightbox-js-extra">
116var vlpp_vars = {"prettyPhoto_rel":"wp-video-lightbox","animation_speed":"fast","slideshow":"5000","autoplay_slideshow":"false","opacity":"0.80","show_title":"true","allow_resize":"true","allow_expand":"true","default_width":"640","default_height":"480","counter_separator_label":"/","theme":"pp_default","horizontal_padding":"20","hideflash":"false","wmode":"opaque","autoplay":"false","modal":"false","deeplinking":"false","overlay_gallery":"true","overlay_gallery_max":"30","keyboard_shortcuts":"true","ie6_fallback":"true"};
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118</script>
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119
120<script async data-wp-strategy="async" id="tp-tools-js" src="//picturehouse.com/wp-content/plugins/revslider/public/js/libs/tptools.js?ver=6.7.58"></script>
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120
121<script async data-wp-strategy="async" id="sr7-js" src="//picturehouse.com/wp-content/plugins/revslider/public/js/sr7.js?ver=6.7.58"></script>
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121
122<script id="font-awesome-4-shim-js" src="https://picturehouse.com/wp-content/plugins/elementor/assets/lib/font-awesome/js/v4-shims.min.js?ver=4.3.3"></script>
122
123<link rel="https://api.w.org/" href="https://picturehouse.com/wp-json/" /><link rel="alternate" title="JSON" type="application/json" href="https://picturehouse.com/wp-json/wp/v2/pages/2175" /><link rel="EditURI" type="application/rsd+xml" title="RSD" href="https://picturehouse.com/xmlrpc.php?rsd" />
124<meta name="generator" content="WordPress 7.0.4" />
125<link rel="canonical" href="https://picturehouse.com/news/" />
126<link rel='shortlink' href='https://picturehouse.com/?p=2175' />
127<script>
128            WP_VIDEO_LIGHTBOX_VERSION="1.9.12";
129            WP_VID_LIGHTBOX_URL="https://picturehouse.com/wp-content/plugins/wp-video-lightbox";
130                        function wpvl_paramReplace(name, string, value) {
131                // Find the param with regex
132                // Grab the first character in the returned string (should be ? or &)
133                // Replace our href string with our new value, passing on the name and delimeter
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135                var re = new RegExp("[\?&]" + name + "=([^&#]*)");
136                var matches = re.exec(string);
137                var newString;
138
139                if (matches === null) {
140                    // if there are no params, append the parameter
141                    newString = string + '?' + name + '=' + value;
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143                    var delimeter = matches[0].charAt(0);
144                    newString = string.replace(re, delimeter + name + "=" + value);
145                }
146                return newString;
147            }
148            </script>
148<meta name="generator" content="Elementor 4.3.3; features: e_font_icon_svg; settings: css_print_method-internal, google_font-enabled, font_display-auto">
149<script>
150	jQuery(document).ready(function() { jQuery("body").on("click", ".click-child", function() { var href = jQuery(this).find("a").attr('href'); window.location = href; }); });
151</script>
151
152			<style>
153				.e-con.e-parent:nth-of-type(n+4):not(.e-lazyloaded):not(.e-no-lazyload),
154				.e-con.e-parent:nth-of-type(n+4):not(.e-lazyloaded):not(.e-no-lazyload) * {
155					background-image: none !important;
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157				@media screen and (max-height: 1024px) {
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160						background-image: none !important;
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163				@media screen and (max-height: 640px) {
164					.e-con.e-parent:nth-of-type(n+2):not(.e-lazyloaded):not(.e-no-lazyload),
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169			</style>
170			<link rel="preconnect" href="https://fonts.googleapis.com">
171<link rel="preconnect" href="https://fonts.gstatic.com/" crossorigin>
172<meta name="generator" content="Powered by Slider Revolution 6.7.58 - responsive, Mobile-Friendly Slider Plugin for WordPress with comfortable drag and drop interface." />
173<link rel="icon" href="https://picturehouse.com/wp-content/uploads/2022/01/1643308521.jpg" sizes="32x32" />
174<link rel="icon" href="https://picturehouse.com/wp-content/uploads/2022/01/1643308521.jpg" sizes="192x192" />
175<link rel="apple-touch-icon" href="https://picturehouse.com/wp-content/uploads/2022/01/1643308521.jpg" />
176<meta name="msapplication-TileImage" content="https://picturehouse.com/wp-content/uploads/2022/01/1643308521.jpg" />
177<script>
178	window._tpt			??= {};
179	window.SR7			??= {};
180	_tpt.R				??= {};
181	_tpt.R.fonts		??= {};
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190	SR7.E.nonce			= 'f8f39e0a3f';
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193	SR7.E.slug_path		= 'revslider/revslider.php';
194	SR7.E.slug			= 'revslider';
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196	SR7.E.wp_plugin_url = 'https://picturehouse.com/wp-content/plugins/';
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199	SR7.G.breakPoints 	= [1240,1024,778,480];
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203	SR7.E.css 			= ['csslp','cssbtns','cssfilters','cssnav','cssmedia'];
204	SR7.E.resources		= {};
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208
209
210   <style>
211		
212		.portfolio-post-2259 .portfolio-block-wrap {
213			margin: 0 calc( -0px/2 );
214		}
215
216		.portfolio-post-2259 .portfolio-block-wrap.swiper-wrapper {
217			margin: 0;
218		}
219
220		.portfolio-post-2259 .portfolio-block-wrap.justify {
221			margin: 0;
222		}
223
224		.portfolio-post-2259 .grid-template .portfolio-block-item .item-wrap,
225		.portfolio-post-2259 .grid-template .portfolio-block-item.item-wrap {
226			padding-right: calc( 0px/2 );
227			padding-left: calc( 0px/2 );
228			margin-bottom: 0px;
229		}
230
231					.portfolio-post-2259 #portfolio-filter {
232				text-align: left;
233			}
234		
235
236		
237		
238		
239		
240		
241					.portfolio-post-2259 .navigation-paging {
242				text-align: left;
243			}
244		
245		
246		
247		
248		
249		
250		
251		
252		
253		
254		
255		
256		
257		
258				
259		
260		
261						
262				
263				
264		
265		
266
267
268		
269		
270		
271		
272		
273		
274		
275		.portfolio-post-2259 [class^='imghvr-blocks'] figcaption, 
276		.portfolio-post-2259 [class*=' imghvr-blocks'] figcaption,
277		.portfolio-post-2259 [class^='imghvr-strip-shutter'] figcaption, 
278		.portfolio-post-2259 [class*=' imghvr-strip-shutter'] figcaption,
279		.portfolio-post-2259 [class^='imghvr-strip-horiz'] figcaption, 
280		.portfolio-post-2259 [class*=' imghvr-strip-horiz'] figcaption,
281		.portfolio-post-2259 [class^='imghvr-strip-vert'] figcaption, 
282		.portfolio-post-2259 [class*=' imghvr-strip-vert'] figcaption,
283		.portfolio-post-2259 [class^='imghvr-pixel'] figcaption, 
284		.portfolio-post-2259 [class*=' imghvr-pixel'] figcaption,
285		.portfolio-post-2259 [class^='imghvr-blinds'] figcaption, 
286		.portfolio-post-2259 [class*=' imghvr-blinds'] figcaption,
287		.portfolio-post-2259 [class^='imghvr-border-reveal'] figcaption, 
288		.portfolio-post-2259 [class*=' imghvr-border-reveal'] figcaption {
289			background-color: transparent;
290		}
291
292		
293		
294		
295		
296		
297		
298		
299		
300		
301
302		
303		.portfolio-post-2259 .filter-wraper {
304			margin-bottom: 0px;
305		}
306
307				
308		.portfolio-post-1133 .portfolio-block-wrap {
309			margin: 0 calc( -0px/2 );
310		}
311
312		.portfolio-post-1133 .portfolio-block-wrap.swiper-wrapper {
313			margin: 0;
314		}
315
316		.portfolio-post-1133 .portfolio-block-wrap.justify {
317			margin: 0;
318		}
319
320		.portfolio-post-1133 .grid-template .portfolio-block-item .item-wrap,
321		.portfolio-post-1133 .grid-template .portfolio-block-item.item-wrap {
322			padding-right: calc( 0px/2 );
323			padding-left: calc( 0px/2 );
324			margin-bottom: 0px;
325		}
326
327					.portfolio-post-1133 #portfolio-filter {
328				text-align: left;
329			}
330		
331
332		
333		
334		
335		
336		
337					.portfolio-post-1133 .navigation-paging {
338				text-align: left;
339			}
340		
341		
342		
343		
344		
345		
346		
347		
348		
349		
350		
351					.portfolio-post-1133 .fact-list li {
352				color: #FFFFFF;
353			}
354			.portfolio-post-1133 figcaption span {
355				color: #FFFFFF;
356			}
357
358			.portfolio-post-1133 .special-dua .slide__side {
359				color: #FFFFFF;
360			}
361			.portfolio-post-1133 .special-hiji .caption {
362				color: #FFFFFF;
363			}
364			.portfolio-post-1133 .slider-sabelas .grid__item--title {
365				color: #FFFFFF;
366			}
367		
368		
369		
370				
371		
372		
373						
374				
375				
376		
377		
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379
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384		
385		
386		
387		.portfolio-post-1133 [class^='imghvr-blocks'] figcaption, 
388		.portfolio-post-1133 [class*=' imghvr-blocks'] figcaption,
389		.portfolio-post-1133 [class^='imghvr-strip-shutter'] figcaption, 
390		.portfolio-post-1133 [class*=' imghvr-strip-shutter'] figcaption,
391		.portfolio-post-1133 [class^='imghvr-strip-horiz'] figcaption, 
392		.portfolio-post-1133 [class*=' imghvr-strip-horiz'] figcaption,
393		.portfolio-post-1133 [class^='imghvr-strip-vert'] figcaption, 
394		.portfolio-post-1133 [class*=' imghvr-strip-vert'] figcaption,
395		.portfolio-post-1133 [class^='imghvr-pixel'] figcaption, 
396		.portfolio-post-1133 [class*=' imghvr-pixel'] figcaption,
397		.portfolio-post-1133 [class^='imghvr-blinds'] figcaption, 
398		.portfolio-post-1133 [class*=' imghvr-blinds'] figcaption,
399		.portfolio-post-1133 [class^='imghvr-border-reveal'] figcaption, 
400		.portfolio-post-1133 [class*=' imghvr-border-reveal'] figcaption {
401			background-color: transparent;
402		}
403
404		
405		
406		
407		
408		
409		
410		
411		
412		
413
414		
415		.portfolio-post-1133 .filter-wraper {
416			margin-bottom: 0px;
417		}
418
419				
420		.portfolio-post-967 .portfolio-block-wrap {
421			margin: 0 calc( -0px/2 );
422		}
423
424		.portfolio-post-967 .portfolio-block-wrap.swiper-wrapper {
425			margin: 0;
426		}
427
428		.portfolio-post-967 .portfolio-block-wrap.justify {
429			margin: 0;
430		}
431
432		.portfolio-post-967 .grid-template .portfolio-block-item .item-wrap,
433		.portfolio-post-967 .grid-template .portfolio-block-item.item-wrap {
434			padding-right: calc( 0px/2 );
435			padding-left: calc( 0px/2 );
436			margin-bottom: 0px;
437		}
438
439					.portfolio-post-967 #portfolio-filter {
440				text-align: left;
441			}
442		
443
444		
445		
446		
447		
448		
449					.portfolio-post-967 .navigation-paging {
450				text-align: left;
451			}
452		
453		
454		
455		
456		
457		
458		
459		
460		
461		
462					.portfolio-post-967 .portfolio__content h3 {
463				color: #FCDA2C;
464			}
465
466			.portfolio-post-967 figcaption h3 {
467				color: #FCDA2C;
468			}
469
470			.portfolio-post-967 .special-dua .slide__title {
471				color: #FCDA2C;
472			}
473
474			.portfolio-post-967 .special-hiji .grid__item--title {
475				color: #FCDA2C;
476			}
477
478			body .portfolio-post-967 .slider__text-inner {
479				color: #FCDA2C;
480			}
481
482			body .portfolio-post-967 .slider__text-inner--stroke {
483				-webkit-text-stroke: 2px #FCDA2C;
484			    text-stroke: 2px #FCDA2C;
485			    -webkit-text-fill-color: transparent;
486			    text-fill-color: transparent;
487			    color: transparent;
488			}
489
490			@media screen and (min-width: 53em) {
491				body .portfolio-post-967 .demo5 .slider__text-inner--stroke {
492					-webkit-text-stroke: 3px #FCDA2C;
493    				text-stroke: 3px #FCDA2C;
494				}
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496
497			.portfolio-post-967 .slideshow-slider .slide__title {
498				color: #FCDA2C;
499			}
500
501			.portfolio-post-967 .slider-sabelas .grid__item--name {
502				color: #FCDA2C;
503			}
504		
505					.portfolio-post-967 .fact-list li {
506				color: #FFFFFF;
507			}
508			.portfolio-post-967 figcaption span {
509				color: #FFFFFF;
510			}
511
512			.portfolio-post-967 .special-dua .slide__side {
513				color: #FFFFFF;
514			}
515			.portfolio-post-967 .special-hiji .caption {
516				color: #FFFFFF;
517			}
518			.portfolio-post-967 .slider-sabelas .grid__item--title {
519				color: #FFFFFF;
520			}
521		
522		
523		
524				
525		
526		
527						
528				
529				
530		
531		
532
533
534		
535		
536		
537		
538		
539		
540		
541		.portfolio-post-967 [class^='imghvr-blocks'] figcaption, 
542		.portfolio-post-967 [class*=' imghvr-blocks'] figcaption,
543		.portfolio-post-967 [class^='imghvr-strip-shutter'] figcaption, 
544		.portfolio-post-967 [class*=' imghvr-strip-shutter'] figcaption,
545		.portfolio-post-967 [class^='imghvr-strip-horiz'] figcaption, 
546		.portfolio-post-967 [class*=' imghvr-strip-horiz'] figcaption,
547		.portfolio-post-967 [class^='imghvr-strip-vert'] figcaption, 
548		.portfolio-post-967 [class*=' imghvr-strip-vert'] figcaption,
549		.portfolio-post-967 [class^='imghvr-pixel'] figcaption, 
550		.portfolio-post-967 [class*=' imghvr-pixel'] figcaption,
551		.portfolio-post-967 [class^='imghvr-blinds'] figcaption, 
552		.portfolio-post-967 [class*=' imghvr-blinds'] figcaption,
553		.portfolio-post-967 [class^='imghvr-border-reveal'] figcaption, 
554		.portfolio-post-967 [class*=' imghvr-border-reveal'] figcaption {
555			background-color: transparent;
556		}
557
558		
559		
560		
561		
562		
563		
564		
565		
566		
567
568		
569		.portfolio-post-967 .filter-wraper {
570			margin-bottom: 0px;
571		}
572
573				
574		.portfolio-post-946 .portfolio-block-wrap {
575			margin: 0 calc( -0px/2 );
576		}
577
578		.portfolio-post-946 .portfolio-block-wrap.swiper-wrapper {
579			margin: 0;
580		}
581
582		.portfolio-post-946 .portfolio-block-wrap.justify {
583			margin: 0;
584		}
585
586		.portfolio-post-946 .grid-template .portfolio-block-item .item-wrap,
587		.portfolio-post-946 .grid-template .portfolio-block-item.item-wrap {
588			padding-right: calc( 0px/2 );
589			padding-left: calc( 0px/2 );
590			margin-bottom: 0px;
591		}
592
593					.portfolio-post-946 #portfolio-filter {
594				text-align: left;
595			}
596		
597
598		
599		
600		
601		
602		
603					.portfolio-post-946 .navigation-paging {
604				text-align: left;
605			}
606		
607		
608		
609		
610		
611		
612		
613		
614		
615		
616		
617					.portfolio-post-946 .fact-list li {
618				color: #FFFFFF;
619			}
620			.portfolio-post-946 figcaption span {
621				color: #FFFFFF;
622			}
623
624			.portfolio-post-946 .special-dua .slide__side {
625				color: #FFFFFF;
626			}
627			.portfolio-post-946 .special-hiji .caption {
628				color: #FFFFFF;
629			}
630			.portfolio-post-946 .slider-sabelas .grid__item--title {
631				color: #FFFFFF;
632			}
633		
634		
635		
636				
637		
638		
639						
640				
641				
642		
643		
644
645
646		
647		
648		
649		
650		
651		
652		
653		.portfolio-post-946 [class^='imghvr-blocks'] figcaption, 
654		.portfolio-post-946 [class*=' imghvr-blocks'] figcaption,
655		.portfolio-post-946 [class^='imghvr-strip-shutter'] figcaption, 
656		.portfolio-post-946 [class*=' imghvr-strip-shutter'] figcaption,
657		.portfolio-post-946 [class^='imghvr-strip-horiz'] figcaption, 
658		.portfolio-post-946 [class*=' imghvr-strip-horiz'] figcaption,
659		.portfolio-post-946 [class^='imghvr-strip-vert'] figcaption, 
660		.portfolio-post-946 [class*=' imghvr-strip-vert'] figcaption,
661		.portfolio-post-946 [class^='imghvr-pixel'] figcaption, 
662		.portfolio-post-946 [class*=' imghvr-pixel'] figcaption,
663		.portfolio-post-946 [class^='imghvr-blinds'] figcaption, 
664		.portfolio-post-946 [class*=' imghvr-blinds'] figcaption,
665		.portfolio-post-946 [class^='imghvr-border-reveal'] figcaption, 
666		.portfolio-post-946 [class*=' imghvr-border-reveal'] figcaption {
667			background-color: transparent;
668		}
669
670		
671		
672		
673		
674		
675		
676		
677		
678		
679
680		
681		.portfolio-post-946 .filter-wraper {
682			margin-bottom: 0px;
683		}
684
685					</style>
686
687	<style id="wp-custom-css">
688.fact-list {
689	padding-bottom: 25px;
690	line-height: 80%;
691	padding-left:10px;
692	padding-right:10px;
693}
694
695.caption-inside {
696	padding-left:10px;
697	padding-right: 10px;
698}
699
700.material-icons.md-dark { color: rgba(255, 255, 255, .50); }
701
702.portfolio-block-wrap.justify a {
703	cursor: unset;
704}
705
706body { overflow-x: hidden; }
707
708.page .entry-title {
709display: none;
710}
711
712.post .entry-title {
713display: none;
714}
715
716.page-id-5584 .elementor-location-header {
717    display: none;
718}   
719
720
721</style>
722</head>
723<body class="wp-singular page-template-default page page-id-2175 wp-custom-logo wp-embed-responsive wp-theme-hello-elementor hello-elementor-default elementor-default elementor-kit-6 elementor-page elementor-page-2175">
724
725
726<a class="skip-link screen-reader-text" href="#content">Skip to content</a>
727
728		<header data-elementor-type="header" data-elementor-id="669" class="elementor elementor-669 elementor-location-header" data-elementor-post-type="elementor_library">
729					<section class="elementor-section elementor-top-section elementor-element elementor-element-af09647 elementor-section-full_width elementor-section-height-default elementor-section-height-default" data-id="af09647" data-element_type="section" data-e-type="section" data-settings="{&quot;background_background&quot;:&quot;classic&quot;}">
730						<div class="elementor-container elementor-column-gap-default">
731					<div class="elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-0cf2718" data-id="0cf2718" data-element_type="column" data-e-type="column" data-settings="{&quot;background_background&quot;:&quot;classic&quot;}">
732			<div class="elementor-widget-wrap elementor-element-populated">
733						<section class="elementor-section elementor-inner-section elementor-element elementor-element-3809ed3 elementor-hidden-tablet elementor-hidden-mobile elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="3809ed3" data-element_type="section" data-e-type="section">
734						<div class="elementor-container elementor-column-gap-default">
735					<div class="elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-49d23fe" data-id="49d23fe" data-element_type="column" data-e-type="column">
736			<div class="elementor-widget-wrap elementor-element-populated">
737						<div class="elementor-element elementor-element-a64023f elementor-widget__width-initial elementor-widget elementor-widget-theme-site-logo elementor-widget-image" data-id="a64023f" data-element_type="widget" data-e-type="widget" data-widget_type="theme-site-logo.default">
738				<div class="elementor-widget-container">
739											<a href="https://picturehouse.com">
740			<img src="https://picturehouse.com/wp-content/uploads/elementor/thumbs/picturehouse-logo-web-rq369mnx5uesgumxly93onteurb2n5eal51gh4xv7e.png" title="picturehouse-logo-web" alt="picturehouse-logo-web" loading="lazy" />				</a>
741											</div>
742				</div>
743					</div>
744		</div>
745				<div class="elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-aa18f73" data-id="aa18f73" data-element_type="column" data-e-type="column">
746			<div class="elementor-widget-wrap elementor-element-populated">
747						<div class="elementor-element elementor-element-b35e74b elementor-nav-menu__align-end elementor-nav-menu--dropdown-mobile elementor-nav-menu--stretch elementor-nav-menu__text-align-center elementor-nav-menu--toggle elementor-nav-menu--burger elementor-widget elementor-widget-nav-menu" data-id="b35e74b" data-element_type="widget" data-e-type="widget" data-settings="{&quot;submenu_icon&quot;:{&quot;value&quot;:&quot;&lt;svg aria-hidden=\&quot;true\&quot; class=\&quot;fa-svg-chevron-down e-font-icon-svg e-fas-chevron-down\&quot; viewBox=\&quot;0 0 448 512\&quot; xmlns=\&quot;http:\/\/www.w3.org\/2000\/svg\&quot;&gt;&lt;path d=\&quot;M207.029 381.476L12.686 187.132c-9.373-9.373-9.373-24.569 0-33.941l22.667-22.667c9.357-9.357 24.522-9.375 33.901-.04L224 284.505l154.745-154.021c9.379-9.335 24.544-9.317 33.901.04l22.667 22.667c9.373 9.373 9.373 24.569 0 33.941L240.971 381.476c-9.373 9.372-24.569 9.372-33.942 0z\&quot;&gt;&lt;\/path&gt;&lt;\/svg&gt;&quot;,&quot;library&quot;:&quot;fa-solid&quot;},&quot;full_width&quot;:&quot;stretch&quot;,&quot;layout&quot;:&quot;horizontal&quot;,&quot;toggle&quot;:&quot;burger&quot;}" data-widget_type="nav-menu.default">
748				<div class="elementor-widget-container">
749								<nav aria-label="Menu" class="elementor-nav-menu--main elementor-nav-menu__container elementor-nav-menu--layout-horizontal e--pointer-text e--animation-grow">
750				<ul id="menu-1-b35e74b" class="elementor-nav-menu"><li class="menu-item menu-item-type-custom menu-item-object-custom menu-item-home menu-item-658"><a href="https://picturehouse.com/#aboutus" class="elementor-item elementor-item-anchor">ABOUT US</a></li>
751<li class="menu-item menu-item-type-post_type menu-item-object-page menu-item-5449"><a href="https://picturehouse.com/what-we-do/" class="elementor-item">WHAT WE DO</a></li>
752<li class="menu-item menu-item-type-post_type menu-item-object-page menu-item-3141"><a href="https://picturehouse.com/films/" class="elementor-item">FILMS</a></li>
753<li class="menu-item menu-item-type-custom menu-item-object-custom menu-item-home menu-item-659"><a href="https://picturehouse.com/#newssection" class="elementor-item elementor-item-anchor">NEWS</a></li>
754<li class="menu-item menu-item-type-custom menu-item-object-custom menu-item-661"><a target="_blank" href="mailto:[email protected]" class="elementor-item">CONTACT</a></li>
755</ul>			</nav>
756					<div class="elementor-menu-toggle" role="button" tabindex="0" aria-label="Menu Toggle" aria-expanded="false">
757			<svg aria-hidden="true" role="presentation" class="elementor-menu-toggle__icon--open e-font-icon-svg e-eicon-menu-bar" viewBox="0 0 1000 1000" xmlns="http://www.w3.org/2000/svg"><path d="M104 333H896C929 333 958 304 958 271S929 208 896 208H104C71 208 42 237 42 271S71 333 104 333ZM104 583H896C929 583 958 554 958 521S929 458 896 458H104C71 458 42 487 42 521S71 583 104 583ZM104 833H896C929 833 958 804 958 771S929 708 896 708H104C71 708 42 737 42 771S71 833 104 833Z"></path></svg><svg aria-hidden="true" role="presentation" class="elementor-menu-toggle__icon--close e-font-icon-svg e-eicon-close" viewBox="0 0 1000 1000" xmlns="http://www.w3.org/2000/svg"><path d="M742 167L500 408 258 167C246 154 233 150 217 150 196 150 179 158 167 167 154 179 150 196 150 212 150 229 154 242 171 254L408 500 167 742C138 771 138 800 167 829 196 858 225 858 254 829L496 587 738 829C750 842 767 846 783 846 800 846 817 842 829 829 842 817 846 804 846 783 846 767 842 750 829 737L588 500 833 258C863 229 863 200 833 171 804 137 775 137 742 167Z"></path></svg>		</div>
758					<nav class="elementor-nav-menu--dropdown elementor-nav-menu__container" aria-hidden="true">
759				<ul id="menu-2-b35e74b" class="elementor-nav-menu"><li class="menu-item menu-item-type-custom menu-item-object-custom menu-item-home menu-item-658"><a href="https://picturehouse.com/#aboutus" class="elementor-item elementor-item-anchor" tabindex="-1">ABOUT US</a></li>
760<li class="menu-item menu-item-type-post_type menu-item-object-page menu-item-5449"><a href="https://picturehouse.com/what-we-do/" class="elementor-item" tabindex="-1">WHAT WE DO</a></li>
761<li class="menu-item menu-item-type-post_type menu-item-object-page menu-item-3141"><a href="https://picturehouse.com/films/" class="elementor-item" tabindex="-1">FILMS</a></li>
762<li class="menu-item menu-item-type-custom menu-item-object-custom menu-item-home menu-item-659"><a href="https://picturehouse.com/#newssection" class="elementor-item elementor-item-anchor" tabindex="-1">NEWS</a></li>
763<li class="menu-item menu-item-type-custom menu-item-object-custom menu-item-661"><a target="_blank" href="mailto:[email protected]" class="elementor-item" tabindex="-1">CONTACT</a></li>
764</ul>			</nav>
765						</div>
766				</div>
767					</div>
768		</div>
769				<div class="elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-b671819" data-id="b671819" data-element_type="column" data-e-type="column">
770			<div class="elementor-widget-wrap elementor-element-populated">
771						<div class="elementor-element elementor-element-b9d5662 elementor-nav-menu__align-start elementor-hidden-mobile elementor-hidden-tablet elementor-nav-menu--dropdown-tablet elementor-nav-menu__text-align-aside elementor-widget elementor-widget-nav-menu" data-id="b9d5662" data-element_type="widget" data-e-type="widget" data-settings="{&quot;layout&quot;:&quot;horizontal&quot;,&quot;submenu_icon&quot;:{&quot;value&quot;:&quot;&lt;svg aria-hidden=\&quot;true\&quot; class=\&quot;e-font-icon-svg e-fas-caret-down\&quot; viewBox=\&quot;0 0 320 512\&quot; xmlns=\&quot;http:\/\/www.w3.org\/2000\/svg\&quot;&gt;&lt;path d=\&quot;M31.3 192h257.3c17.8 0 26.7 21.5 14.1 34.1L174.1 354.8c-7.8 7.8-20.5 7.8-28.3 0L17.2 226.1C4.6 213.5 13.5 192 31.3 192z\&quot;&gt;&lt;\/path&gt;&lt;\/svg&gt;&quot;,&quot;library&quot;:&quot;fa-solid&quot;}}" data-widget_type="nav-menu.default">
772				<div class="elementor-widget-container">
773								<nav aria-label="Menu" class="elementor-nav-menu--main elementor-nav-menu__container elementor-nav-menu--layout-horizontal e--pointer-none">
774				<ul id="menu-1-b9d5662" class="elementor-nav-menu"><li class="menu-item menu-item-type-custom menu-item-object-custom menu-item-672"><a target="_blank" href="https://www.facebook.com/PicturehouseUS" class="elementor-item"><i class="fab fa-facebook" ></i></a></li>
775<li class="menu-item menu-item-type-custom menu-item-object-custom menu-item-845"><a target="_blank" href="https://twitter.com/picturehouseus" class="elementor-item"><i class="fa-brands fa-x-twitter"></i></a></li>
776<li class="menu-item menu-item-type-custom menu-item-object-custom menu-item-846"><a target="_blank" href="https://www.instagram.com/picturehouseusa/?hl=en" class="elementor-item"><i class="fab fa-instagram" ></i></a></li>
777<li class="menu-item menu-item-type-custom menu-item-object-custom menu-item-3026"><a target="_blank" href="https://www.youtube.com/user/picturehousemovies" class="elementor-item"><i class="fab fa-youtube" ></i></a></li>
778</ul>			</nav>
779						<nav class="elementor-nav-menu--dropdown elementor-nav-menu__container" aria-hidden="true">
780				<ul id="menu-2-b9d5662" class="elementor-nav-menu"><li class="menu-item menu-item-type-custom menu-item-object-custom menu-item-672"><a target="_blank" href="https://www.facebook.com/PicturehouseUS" class="elementor-item" tabindex="-1"><i class="fab fa-facebook" ></i></a></li>
781<li class="menu-item menu-item-type-custom menu-item-object-custom menu-item-845"><a target="_blank" href="https://twitter.com/picturehouseus" class="elementor-item" tabindex="-1"><i class="fa-brands fa-x-twitter"></i></a></li>
782<li class="menu-item menu-item-type-custom menu-item-object-custom menu-item-846"><a target="_blank" href="https://www.instagram.com/picturehouseusa/?hl=en" class="elementor-item" tabindex="-1"><i class="fab fa-instagram" ></i></a></li>
783<li class="menu-item menu-item-type-custom menu-item-object-custom menu-item-3026"><a target="_blank" href="https://www.youtube.com/user/picturehousemovies" class="elementor-item" tabindex="-1"><i class="fab fa-youtube" ></i></a></li>
784</ul>			</nav>
785						</div>
786				</div>
787					</div>
788		</div>
789					</div>
790		</section>
791					</div>
792		</div>
793					</div>
794		</section>
795				</header>
796		
797<main id="content" class="site-main post-2175 page type-page status-publish hentry">
798
799	
800	<div class="page-content">
801				<div data-elementor-type="wp-page" data-elementor-id="2175" class="elementor elementor-2175" data-elementor-post-type="page">
802						<section class="elementor-section elementor-top-section elementor-element elementor-element-919aedb elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="919aedb" data-element_type="section" data-e-type="section">
803						<div class="elementor-container elementor-column-gap-default">
804					<div class="elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-6fae5da" data-id="6fae5da" data-element_type="column" data-e-type="column">
805			<div class="elementor-widget-wrap elementor-element-populated">
806						<div class="elementor-element elementor-element-c328dc2 elementor-widget elementor-widget-heading" data-id="c328dc2" data-element_type="widget" data-e-type="widget" data-widget_type="heading.default">
807				<div class="elementor-widget-container">
808					<h2 class="elementor-heading-title elementor-size-default">CURRENT NEWS</h2>				</div>
809				</div>
810					</div>
811		</div>
812					</div>
813		</section>
814				<section class="elementor-section elementor-top-section elementor-element elementor-element-a010191 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="a010191" data-element_type="section" data-e-type="section">
815						<div class="elementor-container elementor-column-gap-default">
816					<div class="elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-73f0409" data-id="73f0409" data-element_type="column" data-e-type="column">
817			<div class="elementor-widget-wrap elementor-element-populated">
818						<div class="elementor-element elementor-element-a0f402e elementor-widget elementor-widget-heading" data-id="a0f402e" data-element_type="widget" data-e-type="widget" data-widget_type="heading.default">
819				<div class="elementor-widget-container">
820					<h2 class="elementor-heading-title elementor-size-default">Actor takes role that imitates real-life immigration struggles</h2>				</div>
821				</div>
822				<div class="elementor-element elementor-element-1dcbeb9 elementor-widget elementor-widget-text-editor" data-id="1dcbeb9" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
823				<div class="elementor-widget-container">
824									<p class="video-info-module__text--subtitle__vod">Actor Ezekiel Pacheco takes on a role that resembles some of the immigration struggles he faces in real life. ABC&#8217;s Armando Garcia sits with him to discuss his first lead role in &#8220;At The Gates.&#8221;</p><p>February 9, 2024</p>								</div>
825				</div>
826				<div class="elementor-element elementor-element-f3ffc09 elementor-widget elementor-widget-image" data-id="f3ffc09" data-element_type="widget" data-e-type="widget" data-widget_type="image.default">
827				<div class="elementor-widget-container">
828																<a href="https://abcnews.go.com/Entertainment/video/actor-takes-role-imitates-real-life-immigration-struggles-107086346" target="_blank">
829							<img fetchpriority="high" decoding="async" width="640" height="222" src="https://picturehouse.com/wp-content/uploads/2024/02/ABC_News_logo_2021.svg.png" class="attachment-medium_large size-medium_large wp-image-4505" alt="" srcset="https://picturehouse.com/wp-content/uploads/2024/02/ABC_News_logo_2021.svg.png 640w, https://picturehouse.com/wp-content/uploads/2024/02/ABC_News_logo_2021.svg-300x104.png 300w, https://picturehouse.com/wp-content/uploads/2024/02/ABC_News_logo_2021.svg-500x173.png 500w" sizes="(max-width: 640px) 100vw, 640px" />								</a>
830															</div>
831				</div>
832				<div class="elementor-element elementor-element-b39b1ab elementor-widget elementor-widget-html" data-id="b39b1ab" data-element_type="widget" data-e-type="widget" data-widget_type="html.default">
833				<div class="elementor-widget-container">
834					<iframe width="640" height="640" src="https://abcnews.go.com/video/embed?id=107086346" allowfullscreen frameborder="0"></iframe>				</div>
835				</div>
836					</div>
837		</div>
838					</div>
839		</section>
840				<section class="elementor-section elementor-top-section elementor-element elementor-element-c079c48 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="c079c48" data-element_type="section" data-e-type="section">
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845				<div class="elementor-widget-container">
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847			<span class="elementor-divider-separator">
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849		</div>
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852				<div class="elementor-element elementor-element-29330ca elementor-widget elementor-widget-heading" data-id="29330ca" data-element_type="widget" data-e-type="widget" data-widget_type="heading.default">
853				<div class="elementor-widget-container">
854					<h2 class="elementor-heading-title elementor-size-default">Picturehouse Sets Spring Release For Documentary ‘Carol Doda Topless At The Condor’</h2>				</div>
855				</div>
856				<div class="elementor-element elementor-element-9194020 elementor-widget elementor-widget-text-editor" data-id="9194020" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
857				<div class="elementor-widget-container">
858									<p>By Anthony D&#8217;Alessandro</p><p>January 26, 2024</p>								</div>
859				</div>
860				<div class="elementor-element elementor-element-756f559 elementor-widget elementor-widget-image" data-id="756f559" data-element_type="widget" data-e-type="widget" data-widget_type="image.default">
861				<div class="elementor-widget-container">
862																<a href="https://www.kpcw.org/show/the-sundance-reel/2024-01-20/industry-execs-offer-insight-on-the-film-industry-future-of-sundance" target="_blank">
863							<img decoding="async" width="225" height="225" src="https://picturehouse.com/wp-content/uploads/2021/12/deadline-transparent.png" class="attachment-medium_large size-medium_large wp-image-1986" alt="" srcset="https://picturehouse.com/wp-content/uploads/2021/12/deadline-transparent.png 225w, https://picturehouse.com/wp-content/uploads/2021/12/deadline-transparent-150x150.png 150w" sizes="(max-width: 225px) 100vw, 225px" />								</a>
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869		</section>
870				<section class="elementor-section elementor-top-section elementor-element elementor-element-0acd3d9 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="0acd3d9" data-element_type="section" data-e-type="section">
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876												<figure class="wp-caption">
877										<img decoding="async" width="681" height="383" src="https://picturehouse.com/wp-content/uploads/2024/02/Carol-Doda_a79353.webp" class="attachment-large size-large wp-image-4516" alt="" srcset="https://picturehouse.com/wp-content/uploads/2024/02/Carol-Doda_a79353.webp 681w, https://picturehouse.com/wp-content/uploads/2024/02/Carol-Doda_a79353-300x169.webp 300w, https://picturehouse.com/wp-content/uploads/2024/02/Carol-Doda_a79353-500x281.webp 500w" sizes="(max-width: 681px) 100vw, 681px" />											<figcaption class="widget-image-caption wp-caption-text"></figcaption>
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883				<div class="elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-44d1430" data-id="44d1430" data-element_type="column" data-e-type="column">
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885						<div class="elementor-element elementor-element-f83eb12 elementor-widget elementor-widget-text-editor" data-id="f83eb12" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
886				<div class="elementor-widget-container">
887									<p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   "><strong>EXCLUSIVE: </strong>Picturehouse will release the documentary, <em>Carol Doda Topless at the Condor, </em>exclusively in theaters on March 22 in New York and San Francisco, followed by a March 29 debut in LA, with a further breakout to 40-plus markets.</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">The doc, from San Francisco filmmakers Marlo McKenzie and Jonathan Parker, premiered at the 2023 Telluride Film Festival and the Mill Valley Film Festival. The nonfiction feature follows a daring young woman who fired one of the first shots in the sexual revolution of the 1960s and became an international sex symbol and a San Francisco tourist attraction second only to the Golden Gate Bridge. Doda went from cocktail waitress to international icon and defender of sexual freedom. Pic was produced by Metallica co-founder and drummer Lars Ulrich. </p><p>The docu is based in part on <em>Three Nights at the Condor</em>, a memoir by Benita Mattioli, the wife of Condor co-owner Pete Mattioli. <em>Carol Doda Topless at the Condor</em> brings together a compelling array of Doda’s contemporaries, including dancers, club owners, bartenders and others, who share their first-hand experiences. The film also features interviews with academics who have studied Doda’s role in redefining attitudes toward female nudity, as well as candid interviews with Doda herself.   </p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">“<em>Carol Doda</em> is a provocative story and a nostalgic love letter to San Francisco in the ’60s,” says Bob Berney, CEO of Picturehouse. “Marlo and Jonathan take the audience back to the days before the Summer of Love and the sexual revolution, using amazing archival footage of the city that essentially makes it another character in the film. We are pleased to once again collaborate with Lars Ulrich, after previously releasing Metallica’s groundbreaking film THROUGH THE NEVER.”</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">“I was drawn to Carol Doda’s story because of her courage,” says co-director McKenzie. “She was a trailblazing entrepreneur who took risks to achieve her dreams. There were consequences for her choices, and she faced them with charm and humor. Carol helped move culture towards accepting nudity as a part of the human experience that can be embraced and delighted in.”</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">Co-director Parker adds: “I knew Carol personally. She was such an important part of San Francisco’s cultural history, which had an impact on the whole country. I wanted to make sure her story was told. At a time when there weren’t a lot of options for women, Carol created a career for herself that resonated on many levels.  She had charisma.  She had courage. And I believe she loved what she did.”</p>								</div>
888				</div>
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890		</div>
891					</div>
892		</section>
893				<section class="elementor-section elementor-top-section elementor-element elementor-element-5e554b8 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="5e554b8" data-element_type="section" data-e-type="section">
894						<div class="elementor-container elementor-column-gap-default">
895					<div class="elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-5f60e61" data-id="5f60e61" data-element_type="column" data-e-type="column">
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897						<div class="elementor-element elementor-element-41772a1 elementor-widget-divider--view-line elementor-widget elementor-widget-divider" data-id="41772a1" data-element_type="widget" data-e-type="widget" data-widget_type="divider.default">
898				<div class="elementor-widget-container">
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900			<span class="elementor-divider-separator">
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906				<div class="elementor-widget-container">
907					<h2 class="elementor-heading-title elementor-size-default">Industry execs offer insight on the film industry, future of Sundance</h2>				</div>
908				</div>
909				<div class="elementor-element elementor-element-6943f10 elementor-widget elementor-widget-text-editor" data-id="6943f10" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
910				<div class="elementor-widget-container">
911									<div class="RSEP-authorName"><span class="RSEP-authorBy">By Rick Brough, </span></div><div class="RSEP-contributors">David D&#8217;Arcy</div><p>February 9, 2024</p><p>Industry executives John Sloss, Bob Berney, and Richard Lorber discuss the state of the film industry and how it has changed with regards to buying and selling at festivals. They also talk about the films they are most excited about for this year&#8217;s Sundance, then give their thoughts on the future of the festival.</p>								</div>
912				</div>
913				<div class="elementor-element elementor-element-c73b243 elementor-widget elementor-widget-image" data-id="c73b243" data-element_type="widget" data-e-type="widget" data-widget_type="image.default">
914				<div class="elementor-widget-container">
915																<a href="https://www.kpcw.org/show/the-sundance-reel/2024-01-20/industry-execs-offer-insight-on-the-film-industry-future-of-sundance" target="_blank">
916							<img loading="lazy" decoding="async" width="312" height="120" src="https://picturehouse.com/wp-content/uploads/2024/02/npr.brightspotcdn.webp" class="attachment-medium_large size-medium_large wp-image-4521" alt="" srcset="https://picturehouse.com/wp-content/uploads/2024/02/npr.brightspotcdn.webp 312w, https://picturehouse.com/wp-content/uploads/2024/02/npr.brightspotcdn-300x115.webp 300w" sizes="(max-width: 312px) 100vw, 312px" />								</a>
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921									<div class="elementor-button-wrapper">
922					<a class="elementor-button elementor-button-link elementor-size-sm" href="https://www.kpcw.org/show/the-sundance-reel/2024-01-20/industry-execs-offer-insight-on-the-film-industry-future-of-sundance" target="_blank">
923						<span class="elementor-button-content-wrapper">
924									<span class="elementor-button-text">Listen At KPCW</span>
925					</span>
926					</a>
927				</div>
928								</div>
929				</div>
930					</div>
931		</div>
932					</div>
933		</section>
934				<section class="elementor-section elementor-top-section elementor-element elementor-element-808936b elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="808936b" data-element_type="section" data-e-type="section">
935						<div class="elementor-container elementor-column-gap-default">
936					<div class="elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-fac9f29" data-id="fac9f29" data-element_type="column" data-e-type="column">
937			<div class="elementor-widget-wrap elementor-element-populated">
938						<div class="elementor-element elementor-element-317ea69 elementor-widget-divider--view-line elementor-widget elementor-widget-divider" data-id="317ea69" data-element_type="widget" data-e-type="widget" data-widget_type="divider.default">
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940							<div class="elementor-divider">
941			<span class="elementor-divider-separator">
942						</span>
943		</div>
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946				<div class="elementor-element elementor-element-670c335 elementor-widget elementor-widget-heading" data-id="670c335" data-element_type="widget" data-e-type="widget" data-widget_type="heading.default">
947				<div class="elementor-widget-container">
948					<h2 class="elementor-heading-title elementor-size-default">Christopher Nolan Charms Sundance, Denies Being “Independent Filmmaker” and Recalls How “No One Wanted” Seminal Film ‘Memento’</h2>				</div>
949				</div>
950				<div class="elementor-element elementor-element-77105e4 elementor-widget elementor-widget-text-editor" data-id="77105e4" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
951				<div class="elementor-widget-container">
952									<p>By Chris Gardner</p><p>January 19, 2024</p>								</div>
953				</div>
954				<div class="elementor-element elementor-element-6e2c0ef elementor-widget elementor-widget-image" data-id="6e2c0ef" data-element_type="widget" data-e-type="widget" data-widget_type="image.default">
955				<div class="elementor-widget-container">
956																<a href="https://www.hollywoodreporter.com/news/general-news/christopher-nolan-sundance-memento-oppenheimer-1235792713/" target="_blank">
957							<img loading="lazy" decoding="async" width="571" height="174" src="https://picturehouse.com/wp-content/uploads/2023/07/The-hollywood-reporter-vector-logo.png" class="attachment-medium_large size-medium_large wp-image-4227" alt="" srcset="https://picturehouse.com/wp-content/uploads/2023/07/The-hollywood-reporter-vector-logo.png 571w, https://picturehouse.com/wp-content/uploads/2023/07/The-hollywood-reporter-vector-logo-300x91.png 300w, https://picturehouse.com/wp-content/uploads/2023/07/The-hollywood-reporter-vector-logo-500x152.png 500w" sizes="(max-width: 571px) 100vw, 571px" />								</a>
958															</div>
959				</div>
960					</div>
961		</div>
962					</div>
963		</section>
964				<section class="elementor-section elementor-top-section elementor-element elementor-element-e649415 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="e649415" data-element_type="section" data-e-type="section">
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966					<div class="elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-7fd8517" data-id="7fd8517" data-element_type="column" data-e-type="column">
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968						<div class="elementor-element elementor-element-a31ab07 elementor-widget elementor-widget-image" data-id="a31ab07" data-element_type="widget" data-e-type="widget" data-widget_type="image.default">
969				<div class="elementor-widget-container">
970												<figure class="wp-caption">
971										<img loading="lazy" decoding="async" width="800" height="451" src="https://picturehouse.com/wp-content/uploads/2024/02/Robert-Downey-Jr.-Christopher-Nolan-2024-Sundance-getty-H-2024-1024x577.webp" class="attachment-large size-large wp-image-4534" alt="" srcset="https://picturehouse.com/wp-content/uploads/2024/02/Robert-Downey-Jr.-Christopher-Nolan-2024-Sundance-getty-H-2024-1024x577.webp 1024w, https://picturehouse.com/wp-content/uploads/2024/02/Robert-Downey-Jr.-Christopher-Nolan-2024-Sundance-getty-H-2024-300x169.webp 300w, https://picturehouse.com/wp-content/uploads/2024/02/Robert-Downey-Jr.-Christopher-Nolan-2024-Sundance-getty-H-2024-768x433.webp 768w, https://picturehouse.com/wp-content/uploads/2024/02/Robert-Downey-Jr.-Christopher-Nolan-2024-Sundance-getty-H-2024-500x282.webp 500w, https://picturehouse.com/wp-content/uploads/2024/02/Robert-Downey-Jr.-Christopher-Nolan-2024-Sundance-getty-H-2024.webp 1296w" sizes="(max-width: 800px) 100vw, 800px" />											<figcaption class="widget-image-caption wp-caption-text"></figcaption>
972										</figure>
973									</div>
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977				<div class="elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-6c558d6" data-id="6c558d6" data-element_type="column" data-e-type="column">
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979						<div class="elementor-element elementor-element-0d7eef8 elementor-widget elementor-widget-text-editor" data-id="0d7eef8" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
980				<div class="elementor-widget-container">
981									<p class="paragraph larva //  a-font-body-m     ">For some artists, the duties and demands of awards attention can be a lifelong dream come true. For others, it’s a slog. Or worse. Christopher Nolan may fall in the latter category, based on what his <em>Oppenheimer</em> star Robert Downey Jr. said from the stage on Thursday night in Park City during the Sundance Film Festival’s opening night gala.</p><p class="paragraph larva //  a-font-body-m     ">“During this wildly social season, in the wake of resounding global reaction to the <em>Oppenheimer</em> phenomenon, Chris and I shared a vulnerable moment of existential query. He placed his hand on my shoulder, got a little misty and whispered, ‘I’m beginning to wonder, is it possible: Death by schmoozing?’ Adulation, congratulations, celebration, being thanked and honored is as desirable to him as being tarred, feathered and pilloried.”</p><p class="paragraph larva //  a-font-body-m     ">If that’s true, Nolan didn’t show it nor did he flinch during his time inside the DeJoria Center in nearby Kamas, Utah, where he was honored with an inaugural Sundance Institute Trailblazer Award. In fact, he held the capacity crowd in the palm of his hand while delivering the night’s longest speech, clocking in at more than 10 minutes. It was bookended with an anecdote about a call with Comcast boss Brian Roberts over the fate of <em>Oppenheimer</em> and mixed in with an intellectual examination of what it truly means to be an independent filmmaker.</p><p class="paragraph larva //  a-font-body-m     ">Of the latter subject, Nolan asked, “Was I ever an independent filmmaker?” He thinks not. “I’ve never been an independent filmmaker because I don’t think you can be. I think painters are independent. I think poets can be independent. As filmmakers, we’re so depen
981dent on other people.”</p><p class="paragraph larva //  a-font-body-m     ">He used <em>Memento</em> as a prime example. “A lot of people know that <em>Memento</em> came to Sundance. A lot of people know that it was a hit, and it enabled so much more that came after it for us. But not a lot of people know that what really happened with that film is we finished it and then somebody, not me, had the bright idea of screening for all of the independent distributors at the same time to try and sell the film, get a bidding war going or whatever. And they all passed,” he said of the 2000 film starring Guy Pearce as an amnesia-rattled man attempting to find his wife’s killer. “No one wanted the film. In the year or so after that, we were in terrible limbo, we never knew whether anyone would ever see this film.”</p><p class="paragraph larva //  a-font-body-m     ">Nolan then detailed the heroes of the story, citing Aaron Ryder and Bob Berney among them as champions of his vision, who helped set up a new distribution avenue for it through Newmarket Films. He credited Berney with suggesting they bring the film to Sundance, and used the anecdote to credit festivals for offering filmmakers the chance to merge with moviegoers.</p><p class="paragraph larva //  a-font-body-m     ">“If you can get your film here, it’ll fill the seats and you’ll connect with an audience. They won’t always see eye to eye with you or whatever, but you’ll be experiencing that pride of ownership. If that little fire that you already had in you that could get you to the festival gets fanned, the flame grows bigger. You carry that when you climb down the mountain, then you go and become part of a cog in a much bigger machine.”</p><p class="paragraph larva //  a-font-body-m     ">Speaking of, Nolan eventually circled back to that phone call he and Emma Thomas had with Roberts, “waiting for the head of Comcast to get on the line.” He wasn’t optimistic about the conversation because they were thinking, “We’ve just sold his studio, a three-hour film about quantum physics and the apocalypse, and it’s R rated. I don’t know, maybe somebody finally figured out what we’d done or whatever.”</p><p class="paragraph larva //  a-font-body-m     ">But to his surprise, Roberts hopped on the call and “said something that was completely shocking.” The Comcast chief told Nolan that he and his father were skiing in Deer Valley in 2001, and on a whim decided to check out a film at the Sundance Film Festival by an unknown director. Yep, it was <em>Memento</em>.</p><p class="paragraph larva //  a-font-body-m     ">“In that moment I could hear Emma’s relief on the other end of the phone, and in my relief, a couple of things occurred to us. One, we’re probably going to be OK, this is going to work out. He liked the film just as he did in his day. But also, I mean, it’s a quarter of a century later and I’m still being fucking discovered by Sundance. What point do I get to move on? But all of that was by way of saying that the experience you have here as a filmmaker is unique in all the world and carry it with you through your whole career. I could not be more grateful for the experience that I had here 23 years ago and for getting this award tonight. It means the world to me.”</p><p class="paragraph larva //  a-font-body-m     ">Downey, an awards season standout who seems to be enjoying his <em>Oppenheimer</em> run and the swirl of events, brought the comic relief tonight as he’s known to do. About Nolan, he said, “Confidentially, he needs his spirits lifted. He’s a bit blue because a terrible tragedy has befallen him, and I don’t need to bring this up, Emma, I know it’s very personal. He has become recognizable on the street, and he recoils as though from a hot flame from this new and most unwelcome reality.”</p><p class="paragraph larva //  a-font-body-m     ">It’s not necessarily a surprise, especially here in Park City, where he’s heralded as a hero. Downey noted that 23 years ago, Nolan with his brother Jonah, took home the Waldo Salt Screenwriting Award for <em>Memento</em> from the festival. And he went on to deliver such films as <em>Insomnia, The Dark Knight </em>trilogy<em>, The Prestige, Inception, Interstellar, Dunkirk</em> and <em>Tenet</em>. Downey also praised Nolan’s work on <em>Oppenheimer</em> by calling it “basically Hollywood backwards” with “nary a drop of creative compromise, ahead of schedule, under budget.” (It’s also cleaned up during awards season, even receiving a new round of BAFTA nominations earlier today.)</p><p class="paragraph larva //  a-font-body-m     ">
981Much is made of Nolan’s on-set rules, and Downey called it “a monastic and devotional energy,” with the closest comparison being “a hundred people making a watch. I’ve never experienced anything like it.”</p><p class="paragraph larva //  a-font-body-m     ">Downey also paid tribute to Emma Thomas, Nolan’s longtime producing partner and wife, who “energetically, somehow both apologizes for and reinforces the necessity of every creative decision and the level of respect they give and require is frankly astonishing.” He continued: “Because they lead from the front, you faithfully follow, and because she blocks for him, he’s free to be as independent a voice as has ever existed in cinema, while telling stories that remind us of the interdependency of the human experience.”</p><p class="paragraph larva //  a-font-body-m     ">The gala’s other big experiences came courtesy of <em>Past Lives</em> filmmaker Celine Song who received a Vanguard Award for fiction presented by Acura and her producer Christine Vachon of Killer Films; Maite Alberdi taking home a Vanguard Award for nonfiction presented by Acura and presenter Jodie Foster; and Sundance Institute board member Pat Mitchell earning a Vanguard Award for philanthropy (and two standing ovations) from Mary Robinson, first female president of Ireland.</p><p class="paragraph larva //  a-font-body-m     ">Among those in attendance were Darren Aronofsky, Jason Blum, Jennifer Grey, Rory Kennedy, Roger Ross Williams, Danny Ramirez, Ondi Timoner, Lío Mehiel and others. Amy Redford read a special message written by her father, Sundance chief Robert Redford, who offered apologies for missing the festivities and praise for his longtime friend Mitchell.</p><p class="paragraph larva //  a-font-body-m     ">“Simply put, Pat is a force for good, a catalyst for positive change, somebody who has dedicated her time, her expertise, and her energy to making a difference by using the power of media and storytelling to shine a light on the people and the issues and the challenges of our time.”</p><p class="paragraph larva //  a-font-body-m     ">Then there was Kristen Stewart who was honored by actor pal Jesse Eisenberg with a Visionary Award. She said the trophy arrived at the perfect moment (“It is so well-timed. I need this”) as she’s trying to get a new movie off the ground while here celebrating the debut of two new ones, <em>Love Me</em> and <em>Love Lies Bleeding.</em> “Thank you for lighting a fire under my ass and letting me know my whole life implicitly and explicitly that it is possible. Sundance is the fucking shit. I love being here.”</p>								</div>
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986		</section>
987				<section class="elementor-section elementor-top-section elementor-element elementor-element-21fee6b elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="21fee6b" data-element_type="section" data-e-type="section">
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1000				<div class="elementor-widget-container">
1001					<h2 class="elementor-heading-title elementor-size-default">NatGeo’s ‘The Territory’, About Indigenous Brazilian Group’s Daring Fight To Protect Their Land, Wins Emmy For Exceptional Merit</h2>				</div>
1002				</div>
1003				<div class="elementor-element elementor-element-82d75a0 elementor-widget elementor-widget-text-editor" data-id="82d75a0" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
1004				<div class="elementor-widget-container">
1005									<p>By Matthew Carey</p><p>January 7, 2024</p>								</div>
1006				</div>
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1009																<a href="https://deadline.com/2024/01/creative-arts-emmys-the-territory-exceptional-merit-in-documentary-filmmaking-award-1235698731/?fbclid=IwAR15O3PM7mm8f5D-fWdnvmwQ-OFFGX-2y3_y_NBfBJ8O2NVtrMuPJlaNmH4" target="_blank">
1010							<img decoding="async" width="225" height="225" src="https://picturehouse.com/wp-content/uploads/2021/12/deadline-transparent.png" class="attachment-medium_large size-medium_large wp-image-1986" alt="" srcset="https://picturehouse.com/wp-content/uploads/2021/12/deadline-transparent.png 225w, https://picturehouse.com/wp-content/uploads/2021/12/deadline-transparent-150x150.png 150w" sizes="(max-width: 225px) 100vw, 225px" />								</a>
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1017				<section class="elementor-section elementor-top-section elementor-element elementor-element-1c07891 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="1c07891" data-element_type="section" data-e-type="section">
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1023												<figure class="wp-caption">
1024										<img loading="lazy" decoding="async" width="681" height="383" src="https://picturehouse.com/wp-content/uploads/2024/01/Alex-Pritz-and-The-Territory-winners.webp" class="attachment-large size-large wp-image-4492" alt="" srcset="https://picturehouse.com/wp-content/uploads/2024/01/Alex-Pritz-and-The-Territory-winners.webp 681w, https://picturehouse.com/wp-content/uploads/2024/01/Alex-Pritz-and-The-Territory-winners-300x169.webp 300w, https://picturehouse.com/wp-content/uploads/2024/01/Alex-Pritz-and-The-Territory-winners-500x281.webp 500w" sizes="(max-width: 681px) 100vw, 681px" />											<figcaption class="widget-image-caption wp-caption-text"></figcaption>
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1034									<p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">The makers of National Geographic’s <em>The Territory</em> are celebrating their win at the Creative Arts Emmy Awards for Exceptional Merit in Documentary Filmmaking, one of the most prestigious awards in nonfiction.</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">The prize, voted on by a special jury, was shared by director-producer Alex Pritz, producers Darren Aronofsky, Sigrid Dyekjær, Will N. Miller, Gabriel Uchida, and Lizzie Gillett, and executive producer Txai Suruí. Their film centers on the Indigenous Uru-eu-wau-wau people, who face constant assault as they try to protect their territory within Brazil’s Amazon rainforest from invasion by outsiders. As Deadline previously wrote about the film, those invaders are “engaged in burning down great swaths of the rainforest for mining, logging, clearing land for cattle and homesteading.”</p><p>The film also underscores what’s at stake with each acre of Brazilian rainforest that goes up in smoke — it is the ecological health of the Earth that hangs in the balance.</p><p>“To receive the recognition of our peers, alongside such an incredible group of nominees, is an unbelievable honor,” Pritz told Deadline after his Emmy win. “We share this award with communities around the world who are standing up in defense of our planet’s continued habitability and fighting for a better future.”</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">Among those who attended the Creative Arts Emmy Awards ceremony Sunday night were Neidinha Bandeira, a defender of the Uru-eu-wau-wau who is one of the main characters in the documentary. She previously told Deadline, “The Uru-eu-wau-wau Indigenous territory is important for the whole planet, because of its nature and biodiversity and because it’s fighting climate change.”</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">Bitaté Uru-eu-wau-wau, an emerging leader of his Indigenous group, also attended the Emmy ceremony. He participated in the film and has taken an active role teaching his people how to shoot and edit video so that they can be better represented in media narratives about their land.</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">In an interview with Deadline last year, Bitaté said of <em>The Territory</em>, “It brings to the forefront the fight of my people. It displays for the world the situation we live in. We know that the challenge that we face — that we have always faced in our territory — is being represented now to the world beyond Brazil. People are talking about it. I feel very good about that.” He added, “We are also calling on the government of Brazil to protect all of our regions and our communities. We need help not only here in my community, but throughout all of our Indigenous territories.”</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   "><em>The Territory</em> features exceptional photography, both aerials allowing viewers to see how much of the rainforest is being chewed up, and the life that exists under the remaining canopy, down to the almost imperceptible movements of insects.</p><p>“I really wanted visually to be able to move between the big and the small, because this story is about the climate and about the planet and these really huge forces, the rise of populist authoritarianism and these huge themes — manifest destiny,” Pritz told Deadline previously. “But it’s also about the individual characters… and we wanted to make a film that was able to move between the macro level forces and the micro level people and regional conflicts that encapsulates it. Trying to build a visual language where we can move between satellite imagery of the continent where you see, over 30 years, how many trees have been lost and what this really looks like and then go all the way down to like one caterpillar and really just focus on that.”</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">Fellow nominees in the Exceptional Merit in Documentary Filmmaking category included <em>Last Flight Home</em>, directed and produced by Ondi Timoner and produced by David Turner; <em>The Accused: Damned Or Devoted?</em>, directed and produced by Mohammed Ali Naqvi, and <em>Aftershock</em>, directed and produced by Paula Eiselt and Tonya Lewis Lee.</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">According to the TV Academy, the purpose of the Exceptional Merit in Documentary Filmmaking Award “is to both honor and encourage profound social impact, significant innovation of form, and remarkable mastery of filmmaking technique.” As the TV Academy’s rules note, “All applicants for candidacy in this juried award [are] required to submit a written statement that expresses the program’s qualifications as a Documentary Film with Exceptional Merit.”</p>								</div>
1035				</div>
1036					</div>
1037		</div>
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1039		</section>
1040				<section class="elementor-section elementor-top-section elementor-element elementor-element-4512cb2 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="4512cb2" data-element_type="section" data-e-type="section">
1041						<div class="elementor-container elementor-column-gap-default">
1042					<div class="elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1c3771f" data-id="1c3771f" data-element_type="column" data-e-type="column">
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1045				<div class="elementor-widget-container">
1046					<h2 class="elementor-heading-title elementor-size-default">Picturehouse Sets Fall Release For ‘At The Gates’</h2>				</div>
1047				</div>
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1049				<div class="elementor-widget-container">
1050									By Anthony D&#8217;Alessandro
1051
1052October 4, 2023								</div>
1053				</div>
1054				<div class="elementor-element elementor-element-95126a1 elementor-widget elementor-widget-image" data-id="95126a1" data-element_type="widget" data-e-type="widget" data-widget_type="image.default">
1055				<div class="elementor-widget-container">
1056																<a href="https://deadline.com/2023/10/picturehouse-at-the-gates-theatrical-release-date-1235564135/" target="_blank">
1057							<img decoding="async" width="225" height="225" src="https://picturehouse.com/wp-content/uploads/2021/12/deadline-transparent.png" class="attachment-medium_large size-medium_large wp-image-1986" alt="" srcset="https://picturehouse.com/wp-content/uploads/2021/12/deadline-transparent.png 225w, https://picturehouse.com/wp-content/uploads/2021/12/deadline-transparent-150x150.png 150w" sizes="(max-width: 225px) 100vw, 225px" />								</a>
1058															</div>
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1063		</section>
1064				<section class="elementor-section elementor-top-section elementor-element elementor-element-47ae829 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="47ae829" data-element_type="section" data-e-type="section">
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1070												<figure class="wp-caption">
1071										<img loading="lazy" decoding="async" width="681" height="383" src="https://picturehouse.com/wp-content/uploads/2023/10/ATG-014.jpg.webp" class="attachment-large size-large wp-image-4343" alt="" srcset="https://picturehouse.com/wp-content/uploads/2023/10/ATG-014.jpg.webp 681w, https://picturehouse.com/wp-content/uploads/2023/10/ATG-014.jpg-300x169.webp 300w, https://picturehouse.com/wp-content/uploads/2023/10/ATG-014.jpg-500x281.webp 500w" sizes="(max-width: 681px) 100vw, 681px" />											<figcaption class="widget-image-caption wp-caption-text"></figcaption>
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1077				<div class="elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-c1d4887" data-id="c1d4887" data-element_type="column" data-e-type="column">
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1081									<p class="paragraph larva // lrv-u-margin-lr-auto lrv-a-font-body-m ">Augustus Meleo Bernstein’s new movie <em>At the Gates </em>is getting a November 3 theatrical release date in New York and L
1081os Angeles from Picturehouse.</p><p class="paragraph larva // lrv-u-margin-lr-auto lrv-a-font-body-m ">The Beacon Pictures and Five Towers production stars Miranda Otto, Noah Wyle, Ezekiel Pacheco, Vanessa Benavente and Sadie Stanley. Bernstein wrote and directed in his feature debut.</p><p>In the movie, Ana (Benavente), a housekeeper from El Salvador, brings her teenage son Nico (Pacheco) to help her clean an affluent family’s Los Angeles home. But after being told by her employers Marianne (Otto) and Peter Barris (Wyle) that immigration officers are searching for her, she accepts the invitation to shelter in their house until the crisis blows over. As days go by and the interactions between the two families become increasingly tense, Nico begins to question their hosts’ true intentions.</p><p class="paragraph larva // lrv-u-margin-lr-auto lrv-a-font-body-m ">The pic’s theatrical rollout follows several festival stops including New York Latino Film Festival, where it won the Best U.S. Narrative Prize, the Woodstock Film Festival, and SCAD Savannah Film Festival.</p><p class="paragraph larva // lrv-u-margin-lr-auto lrv-a-font-body-m ">“<em>At the Gates</em> is a gripping combination of noir and political commentary that creates a tense and emotional ride,” says Bob Berney, CEO of Picturehouse. “Set in what could be the not-too-distant future, the film asks how far you would go to protect your family.”</p><p class="paragraph larva // lrv-u-margin-lr-auto lrv-a-font-body-m ">Bernstein also produced along with Jhanvi Motla and Paulo Torre. The film’s cinematographer is Alan Torres, and Julia Newman composed the score. Executive producers are Colleen Camp, Berney, Armyan Bernstein and Rodrigo Garcia.</p><p class="paragraph larva // lrv-u-margin-lr-auto lrv-a-font-body-m ">“I believe in the power of film to make social change,” Augustus Meleo Bernstein said. “I have tried to make a film with a lot of heart that is also a thrilling, captivating experience.”</p><p>Read the article on <a href="https://deadline.com/2023/10/picturehouse-at-the-gates-theatrical-release-date-1235564135/" target="_blank" rel="noopener">deadline.com</a>.</p>								</div>
1082				</div>
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1086		</section>
1087				<section class="elementor-section elementor-top-section elementor-element elementor-element-dfa75f5 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="dfa75f5" data-element_type="section" data-e-type="section">
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1092				<div class="elementor-widget-container">
1093					<h2 class="elementor-heading-title elementor-size-default">"PAN’S LABYRINTH, MANCHESTER BY THE SEA, Y TU MAMA TAMBIAN, BRIGHT STAR are four of The Hollywood Reporter's critic picks for the best 50 films of the 21st Century (so far)."</h2>				</div>
1094				</div>
1095				<div class="elementor-element elementor-element-05c5a01 elementor-widget elementor-widget-text-editor" data-id="05c5a01" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
1096				<div class="elementor-widget-container">
1097									<p>By Jon Frosch, David Rooney, Sheri Linden, Lovia Gyarkye, Leslie Felperin, Jordan Mintzer</p><p>April 6, 2023</p>								</div>
1098				</div>
1099				<div class="elementor-element elementor-element-d0f5787 elementor-widget elementor-widget-image" data-id="d0f5787" data-element_type="widget" data-e-type="widget" data-widget_type="image.default">
1100				<div class="elementor-widget-container">
1101																<a href="https://variety.com/2022/awards/awards/pga-awards-documentary-nominees-2023-1235457282/" target="_blank">
1102							<img loading="lazy" decoding="async" width="571" height="174" src="https://picturehouse.com/wp-content/uploads/2023/07/The-hollywood-reporter-vector-logo.png" class="attachment-medium_large size-medium_large wp-image-4227" alt="" srcset="https://picturehouse.com/wp-content/uploads/2023/07/The-hollywood-reporter-vector-logo.png 571w, https://picturehouse.com/wp-content/uploads/2023/07/The-hollywood-reporter-vector-logo-300x91.png 300w, https://picturehouse.com/wp-content/uploads/2023/07/The-hollywood-reporter-vector-logo-500x152.png 500w" sizes="(max-width: 571px) 100v
1102w, 571px" />								</a>
1103															</div>
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1108		</section>
1109				<section class="elementor-section elementor-top-section elementor-element elementor-element-bad8b9c elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="bad8b9c" data-element_type="section" data-e-type="section">
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1111					<div class="elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-42dcc8f" data-id="42dcc8f" data-element_type="column" data-e-type="column">
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1113						<div class="elementor-element elementor-element-ef31b2d elementor-widget elementor-widget-image" data-id="ef31b2d" data-element_type="widget" data-e-type="widget" data-widget_type="image.default">
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1115												<figure class="wp-caption">
1116										<img loading="lazy" decoding="async" width="800" height="451" src="https://picturehouse.com/wp-content/uploads/2023/07/2023_03-top50movies-splash-2-FINAL-1024x577.webp" class="attachment-large size-large wp-image-4228" alt="" srcset="https://picturehouse.com/wp-content/uploads/2023/07/2023_03-top50movies-splash-2-FINAL-1024x577.webp 1024w, https://picturehouse.com/wp-content/uploads/2023/07/2023_03-top50movies-splash-2-FINAL-300x169.webp 300w, https://picturehouse.com/wp-content/uploads/2023/07/2023_03-top50movies-splash-2-FINAL-768x433.webp 768w, https://picturehouse.com/wp-content/uploads/2023/07/2023_03-top50movies-splash-2-FINAL-500x282.webp 500w, https://picturehouse.com/wp-content/uploads/2023/07/2023_03-top50movies-splash-2-FINAL.webp 1296w" sizes="(max-width: 800px) 100vw, 800px" />											<figcaption class="widget-image-caption wp-caption-text"></figcaption>
1117										</figure>
1118									</div>
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1124						<div class="elementor-element elementor-element-88ca74c elementor-widget elementor-widget-text-editor" data-id="88ca74c" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
1125				<div class="elementor-widget-container">
1126									<p class="paragraph larva //  a-font-body-m     ">Why now? Why not?</p><p class="paragraph larva //  a-font-body-m     ">Sure, we’ve yet to hit the quarter-century mark, when these sorts of lists tend to start landing. But we’ve arguably already lived through 100 years’ worth of upheaval, progress, pain, destruction, hope and heartache in the world — not to mention the film industry — since 2000. We thought it as good a time as any to look back at the films that have, to us, stood the ever-unfolding test of time.</p><p class="paragraph larva //  a-font-body-m     ">In the spirit of transparency, our methodology went something like this: We all offered up titles we thought were worthy of consideration (an initial list of well over 100 movies). Everyone voted “yea” or “nay” on each of those titles. The films with the most yeas — about 80 — advanced to the next round. Everyone scored each title from 0 to 3. We tallied up the points, and then hashed it out from there. Countless emails and a few long Zoom meetings later, we had our list.</p><p class="paragraph larva //  a-font-body-m     ">Our only parameters: All six of us had to love, like or at least respect every film on the list. And we did not consider anything from 2022; it just felt too soon (translation: after the forever-long awards season, we needed a breather from talking about <em>Tár</em>, <em>Everything Everywhere All at Once</em> and the rest of ’em).</p><p class="paragraph larva //  a-font-body-m     ">Picking the movies we love the most, while being mindful of variety and inclusivity, significance and staying power, was difficult (we know: world’s smallest violin). We wanted our list to reflect the breadth of world cinema and of our tastes, but we also didn’t want to placate or pander or allow fear of Film Twitter or Outrage Twitter (or any Twitter) to weigh on our process.</p><p class="paragraph larva //  a-font-body-m     ">That doesn’t mean we weren’t plagued by doubts along the way. What are we missing? Who are we leaving out?  Why this movie and n
1126ot that one? We know certain omissions and selections are bound to incite eye rolls, grumbles and maybe a shriek or two.</p><p class="paragraph larva //  a-font-body-m     ">But we tried to stay true to our love of movies, these movies, and others that didn’t make the cut. (Remember, it’s only 50!) The final list is a reflection of that love, but also of a system that favors certain stories and storytellers at the expense of others. If the list is not a model of representational balance, call us out — we can take it — but also continue to call out an industry that hasn’t given us a more diverse landscape of voices to love, hate and argue over.</p><p class="paragraph larva //  a-font-body-m     ">The most conspicuous, surprising (including to us) and, surely to some readers, infuriating, thing about our list is how many masters are missing. After all our deliberating, point tallying, reconsidering, revoting, retallying and re-deliberating, none of the following directors cracked the top 50 films or 15 honorable mentions: Clint Eastwood, Steven Spielberg, Martin Scorsese, Terrence Malick, Spike Lee, Gus Van Sant, Jean-Luc Godard, David Cronenberg, Michael Mann, Quentin Tarantino, Steven Soderbergh, Alexander Payne, Jim Jarmusch, James Gray, Jia Zhangke, Abbas Kiarostami, Jafar Panahi, Asghar Farhadi, Apichatpong Weerasethakul and Hou Hsiao-Hsien. Ditto polarizing though prolific auteurs like Woody Allen, Roman Polanski and Lars von Trier.</p><p class="paragraph larva //  a-font-body-m     ">This wasn’t the result of any kind of “out with the old, in with the new” intention. In some cases — Scorsese, Spike, Godard — we felt their best work was pre-21st century. In Spielberg’s case, there were several films that had love (including <em>Minority Report</em> and <em>West Side Story</em>), but none that united all six of us in full-throated enthusiasm. In other cases, as in Eastwood’s <em>Million Dollar Baby</em>, Malick’s <em>The New World</em> and <em>The Tree of Life</em>, and Tarantino’s <em>Once Upon a Time in Hollywood</em>, there were ardent supporters but also just-as-ardent detractors.</p><p class="paragraph larva //  a-font-body-m     ">In other words, we didn’t reverse-engineer the list by starting with great directors and pulling from their filmographies; we allowed the titles to emerge organically, via memory and good old-fashioned brainstorming. (Five directors — or six if you count the Coens separately — ended up with two films apiece on the list: Jane Campion, Joel and Ethan Coen, Alfonso Cuarón, David Fincher and Richard Linklater. For more stats and specifics about the results, read this breakdown.)</p><p class="paragraph larva //  a-font-body-m     ">Straight-up studio comedy, action, sci-fi and horror are largely, though not entirely, absent from our final selections (cue the cries of film-critic elitism). We love those genres, we swear! Movies like <em>Borat</em>, <em>The 40-Year-Old Virgin</em>, <em>Collateral</em>, <em>The Bourne Ultimatum</em>, <em>Master and Commander</em> and, yes, <em>Anchorman: The Legend of Ron Burgundy</em> were all in contention at one point or another. But the scarcity of this type of entertainment on our list reflects what we see as a certain creative impoverishment in those genres over the past few decades. The lack of risk-taking in mainstream filmmaking, the sameness and safeness of so much of that “product,” results in few of those movies lingering in the mind for longer than their runtimes.</p><p class="paragraph larva //  a-font-body-m     ">We could go on and on about the shortcomings of our work here — not enough animation! — but that’s what we count on you for! Without further ado, here are what we consider the 50 best films of the 21st century so far.</p><p>(<a href="https://www.hollywoodreporter.com/lists/best-movies-21st-century/" target="_blank" rel="noopener">Read the list on hollywoodreporter.com</a>)</p>								</div>
1127				</div>
1128					</div>
1129		</div>
1130					</div>
1131		</section>
1132				<section class="elementor-section elementor-top-section elementor-element elementor-element-57133e5 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="57133e5" data-element_type="section" data-e-type="section">
1133						<div class="elementor-container elementor-column-gap-default">
1134					<div class="elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3d55524" data-id="3d55524" data-element_type="column" data-e-type="column">
1135			<div class="elementor-widget-wrap elementor-element-populated">
1136						<div class="elementor-element elementor-element-140f02f elementor-widget elementor-widget-heading" data-id="140f02f" data-element_type="widget" data-e-type="widget" data-widget_type="heading.default">
1137				<div class="elementor-widget-container">
1138					<h2 class="elementor-heading-title elementor-size-default">My Big Fat Greek Wedding's Slow Rollout Strategy Worked Like A Charm</h2>				</div>
1139				</div>
1140				<div class="elementor-element elementor-element-36c2f83 elementor-widget elementor-widget-text-editor" data-id="36c2f83" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
1141				<div class="elementor-widget-container">
1142									<p>By Deepayan Sengupta<span style="color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); font-size: 1rem;"><br /></span><span style="color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); font-size: 1rem;">May 11, 2023</span></p>								</div>
1143				</div>
1144				<div class="elementor-element elementor-element-9c4fb97 elementor-widget elementor-widget-image" data-id="9c4fb97" data-element_type="widget" data-e-type="widget" data-widget_type="image.default">
1145				<div class="elementor-widget-container">
1146																<a href="https://www.looper.com/1284111/my-big-fat-greek-weddings-slow-rollout-strategy-worked-charm/" target="_blank">
1147							<img loading="lazy" decoding="async" width="300" height="98" src="https://picturehouse.com/wp-content/uploads/2023/07/looper-logo-4AE92BFF48-seeklogo.com_.png" class="attachment-medium_large size-medium_large wp-image-4244" alt="" />								</a>
1148															</div>
1149				</div>
1150					</div>
1151		</div>
1152					</div>
1153		</section>
1154				<section class="elementor-section elementor-top-section elementor-element elementor-element-2380021 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="2380021" data-element_type="section" data-e-type="section">
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1159				<div class="elementor-widget-container">
1160												<figure class="wp-caption">
1161										<img loading="lazy" decoding="async" width="780" height="438" src="https://picturehouse.com/wp-content/uploads/2023/07/intro-1683863242.webp" class="attachment-large size-large wp-image-4245" alt="" srcset="https://picturehouse.com/wp-content/uploads/2023/07/intro-1683863242.webp 780w, https://picturehouse.com/wp-content/uploads/2023/07/intro-1683863242-300x168.webp 300w, https://picturehouse.com/wp-content/uploads/2023/07/intro-1683863242-768x431.webp 768w, https://picturehouse.com/wp-content/uploads/2023/07/intro-1683863242-500x281.webp 500w" sizes="(max-width: 780px) 100vw, 780px" />											<figcaption class="widget-image-caption wp-caption-text"></figcaption>
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1171									<p>To commemorate the 20-year anniversary of the hit romantic comedy &#8220;My Big Fat Greek Wedding,&#8221; The Ringer did an oral history of the film. Part of the conversation revolved around the movie&#8217;s distribution strategy, noting that the slow rollout was a deliberate choice that reaped dividends.</p><p>One of the reasons was to ensure the film didn&#8217;t get lost in wide release amidst blockbuster juggernauts such as Sam Raimi&#8217;s &#8220;Spider-Man.&#8221; However, Bob Berney, who was the head of distribution for IFC at the time, also had another reason for the strategy. In an early screening, he witnessed a member of the audience fall out of her seat in laughter, leading to her breaking her hip and needing medical attention.</p><p>
1171Berney decided that was the atmosphere in which the movie would best thrive, and aimed for small screenings that had a much better chance of selling out, leading to a communal experience where the laughter would spread throughout the audience.</p><p>&#8220;We all together made a conscious decision to keep it special, keep it limited, keep it sold out,&#8221; Berney said. &#8220;We always felt like if we expanded, it may have done well, but it could have just easily fallen off before it became so widely known.&#8221; The film&#8217;s distribution peaked at around 1,000 screens, far lower than big-budget films would get. The film&#8217;s limited release helped boost its popularity to the point that IFC ran out of film prints and had to tell theater owners to call back the next week for more copies.</p><p>The rollout strategy allowed &#8220;My Big Fat Greek Wedding&#8221; to be a success where other movies would have faltered. A key indicator of the film&#8217;s success was that it continued making money in theaters even after it had been sold to airlines to be shown as an in-flight movie. It ultimately made over $240 million domestically.</p><p>Jonathan Sehring, who was the president of IFC Films at the time that &#8220;My Big Fat Greek Wedding&#8221; was released, told The Ringer that it&#8217;s unlikely that the film&#8217;s theatrical success would be replicated in today&#8217;s streaming environment. Streaming services, he noticed, allow for a guaranteed immediate profit, which is less risky than taking the movie to theaters.</p><p>Bob Berney noted that the extended theatrical release of the film is also unlikely in the modern distribution environment. He noted that &#8220;My Big Fat Greek Wedding&#8221; would not have had the opportunity to grow gradually today, as the box office returns from the first two weekends are the markers of success and the present climate does not give movies a chance to grow and find their audience.</p><p>Berney said that the quick turnaround from a theatrical release to a streaming or VOD release would also have hindered the cult classic, especially with studios who use the films to market their own streaming services. The mix of these factors makes it unlikely that a film could find success today the way &#8220;My Big Fat Greek Wedding&#8221; did.</p><p>Read article on <a href="https://www.looper.com/1284111/my-big-fat-greek-weddings-slow-rollout-strategy-worked-charm/" target="_blank" rel="noopener">looper.com</a>.</p>								</div>
1172				</div>
1173					</div>
1174		</div>
1175					</div>
1176		</section>
1177				<section class="elementor-section elementor-top-section elementor-element elementor-element-4375fd7 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="4375fd7" data-element_type="section" data-e-type="section">
1178						<div class="elementor-container elementor-column-gap-default">
1179					<div class="elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e3547e7" data-id="e3547e7" data-element_type="column" data-e-type="column">
1180			<div class="elementor-widget-wrap elementor-element-populated">
1181						<div class="elementor-element elementor-element-228dda6 elementor-widget elementor-widget-heading" data-id="228dda6" data-element_type="widget" data-e-type="widget" data-widget_type="heading.default">
1182				<div class="elementor-widget-container">
1183					<h2 class="elementor-heading-title elementor-size-default">National Geographic Dominates PGA Award Documentary Film Nominees With ‘Fire of Love,‘ ’Retrograde‘ and ’The Territory’</h2>				</div>
1184				</div>
1185				<div class="elementor-element elementor-element-337497e elementor-widget elementor-widget-text-editor" data-id="337497e" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
1186				<div class="elementor-widget-container">
1187									<p>By <span style="color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); font-size: 1rem;">Clayton Davis<br /></span><span style="color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif;
1187 font-weight: var( --e-global-typography-text-font-weight ); font-size: 1rem;">Dec. 12, 2022</span></p>								</div>
1188				</div>
1189				<div class="elementor-element elementor-element-9c8a291 elementor-widget elementor-widget-image" data-id="9c8a291" data-element_type="widget" data-e-type="widget" data-widget_type="image.default">
1190				<div class="elementor-widget-container">
1191																<a href="https://variety.com/2022/awards/awards/pga-awards-documentary-nominees-2023-1235457282/" target="_blank">
1192							<img loading="lazy" decoding="async" width="768" height="232" src="https://picturehouse.com/wp-content/uploads/2021/10/Variety_logo.svg-768x232.png" class="attachment-medium_large size-medium_large wp-image-4109" alt="" srcset="https://picturehouse.com/wp-content/uploads/2021/10/Variety_logo.svg-768x232.png 768w, https://picturehouse.com/wp-content/uploads/2021/10/Variety_logo.svg-300x91.png 300w, https://picturehouse.com/wp-content/uploads/2021/10/Variety_logo.svg-1024x309.png 1024w, https://picturehouse.com/wp-content/uploads/2021/10/Variety_logo.svg-1536x464.png 1536w, https://picturehouse.com/wp-content/uploads/2021/10/Variety_logo.svg-2048x618.png 2048w, https://picturehouse.com/wp-content/uploads/2021/10/Variety_logo.svg-500x151.png 500w" sizes="(max-width: 768px) 100vw, 768px" />								</a>
1193															</div>
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1197					</div>
1198		</section>
1199				<section class="elementor-section elementor-top-section elementor-element elementor-element-c43d496 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="c43d496" data-element_type="section" data-e-type="section">
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1205												<figure class="wp-caption">
1206										<img loading="lazy" decoding="async" width="681" height="383" src="https://picturehouse.com/wp-content/uploads/2022/12/Retrograde-Fire-of-Love-The-Territory.webp" class="attachment-large size-large wp-image-4202" alt="" srcset="https://picturehouse.com/wp-content/uploads/2022/12/Retrograde-Fire-of-Love-The-Territory.webp 681w, https://picturehouse.com/wp-content/uploads/2022/12/Retrograde-Fire-of-Love-The-Territory-300x169.webp 300w, https://picturehouse.com/wp-content/uploads/2022/12/Retrograde-Fire-of-Love-The-Territory-500x281.webp 500w" sizes="(max-width: 681px) 100vw, 681px" />											<figcaption class="widget-image-caption wp-caption-text"></figcaption>
1207										</figure>
1208									</div>
1209				</div>
1210					</div>
1211		</div>
1212				<div class="elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-75ff85f" data-id="75ff85f" data-element_type="column" data-e-type="column">
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1214						<div class="elementor-element elementor-element-2c08108 elementor-widget elementor-widget-text-editor" data-id="2c08108" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
1215				<div class="elementor-widget-container">
1216									<p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">National Geographic Films dominated the 2023 Documentary Motion Picture nominees for the upcoming 34th Producers Guild Awards. The studio landed three of the seven spots with “Fire of Love” from Sara Dosa, “Retrograde” from Matthew Heineman and “The Territory” from Alex Pritz.</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">In addition to the Nat Geo trio, other nominees included HBO’s “All That Breathes,” Netflix’s “Descendant,” CNN and Warner Bros’ “Navalny” and Showtime’s “Nothing Compares.” All seven are in the discussion for Oscar recognition this year.</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">The Producers Guild Awards honors excellence in motion picture and television productions, as well as the most notable names in the industry who are shaping the producing profession.</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">PGA nominees for docs haven’t had the best track record of translating to Oscar attention, which differs from the narrative feature category. However, it strongly correlates to appearing on the Oscar doc shortlist of 15 films, which began voting today. Last year, seven of the eight PGA nominees made it to the shortlist, and four were ultimately nominated by the Academy — “Ascension,” “Flee,” “Writing with Fire” and winner “Summer of Soul (…Or, When the Revolution Could Not Be Televised).”</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">
1216When it comes to winners, in the last decade, four PGA winners became Oscar winners — “Searching for Sugar Man” (2012) “Amy” (2015), “O.J.: Made in America” (2016), “My Octopus Teacher” (2020) and the aforementioned “Summer of Soul.”</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">The nominees for sports, children’s and short form television programs will be announced on Friday, Dec. 16. For the theatrical motion pictures, animated features, television series and specials and televised/streamed motion pictures, they will be revealed on Thursday, Jan. 12. The winners will be announced on Saturday, Feb. 25, 2023.</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">The Producers Guild of America represents over 8,500 producers. It is a non-profit trade organization that represents, protects, and promotes the interests of all producing team members in film, television and new media.</p><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">The full list of nominees is below; all are being vetted for individual producer eligibility.</p><div class="container // lrv-a-font-body-m lrv-u-margin-lr-auto   "><ul><li>“All That Breathes” (HBO)</li><li>“Descendant” (Netflix)</li><li>“Fire of Love” (National Geographic Documentary/Neon)</li><li>“Navalny” (CNN/Warner Bros.)</li><li>“Nothing Compares” (Showtime)</li><li>“Retrograde” (National Geographic)</li><li>“The Territory” (National Geographic)<br /><br /></li></ul></div><p class="paragraph larva // lrv-u-margin-lr-auto  lrv-a-font-body-m   ">Read the current nominees for best documentary feature on <em>Variety </em>Awards Circuit. Make sure to bookmark the <strong>2022-2023 Awards Season calendar</strong> for all key dates and timelines for the season.</p>								</div>
1217				</div>
1218					</div>
1219		</div>
1220					</div>
1221		</section>
1222				<section class="elementor-section elementor-top-section elementor-element elementor-element-cf2504f elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="cf2504f" data-element_type="section" data-e-type="section">
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1224					<div class="elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-fc943e7" data-id="fc943e7" data-element_type="column" data-e-type="column">
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1226						<div class="elementor-element elementor-element-eb6ebbb elementor-widget elementor-widget-heading" data-id="eb6ebbb" data-element_type="widget" data-e-type="widget" data-widget_type="heading.default">
1227				<div class="elementor-widget-container">
1228					<h2 class="elementor-heading-title elementor-size-default">'The Territory' Review: Saving The Amazon, One Camera At A Time</h2>				</div>
1229				</div>
1230				<div class="elementor-element elementor-element-56285e8 elementor-widget elementor-widget-text-editor" data-id="56285e8" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
1231				<div class="elementor-widget-container">
1232									<p>By <span style="color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); font-size: 1rem;">Claire Shaffer<br /></span><span style="color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); font-size: 1rem;">August 18, 2022</span></p>								</div>
1233				</div>
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1235				<div class="elementor-widget-container">
1236																<a href="https://www.nytimes.com/2022/08/18/movies/the-territory-review.html" target="_blank">
1237							<img loading="lazy" decoding="async" width="768" height="104" src="https://picturehouse.com/wp-content/uploads/2021/10/NewYorkTimes.svg-768x104.png" class="attachment-medium_large size-medium_large wp-image-4119" alt="" srcset="https://picturehouse.com/wp-content/uploads/2021/10/NewYorkTimes.svg-768x104.png 768w, https://picturehouse.com/wp-content/uploads/2021/10/NewYorkTimes.svg-300x41.png 300w, https://picturehouse.com/wp-content/uploads/2021/10/NewYorkTimes.svg-1024x138.png 1024w, https://picturehouse.com/wp-content/uploads/2021/10/NewYorkTimes.svg-1536x208.png 1536w, https://picturehouse.com/wp-content/uploads/2021/10/NewYorkTimes.svg-2048x277.png 2048w, https://picturehouse.com/wp-content/uploads/2021/10/NewYorkTimes.svg-500x68.png 500w" sizes="(max-width: 768px) 100vw, 768px" />								</a>
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1243		</section>
1244				<section class="elementor-section elementor-top-section elementor-element elementor-element-3ec4584 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="3ec4584" data-element_type="section" data-e-type="section">
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1250												<figure class="wp-caption">
1251										<img loading="lazy" decoding="async" width="800" height="334" src="https://picturehouse.com/wp-content/uploads/2022/08/the-territory-review-2022-1024x427.jpeg" class="attachment-large size-large wp-image-4135" alt="" srcset="https://picturehouse.com/wp-content/uploads/2022/08/the-territory-review-2022-1024x427.jpeg 1024w, https://picturehouse.com/wp-content/uploads/2022/08/the-territory-review-2022-300x125.jpeg 300w, https://picturehouse.com/wp-content/uploads/2022/08/the-territory-review-2022-768x320.jpeg 768w, https://picturehouse.com/wp-content/uploads/2022/08/the-territory-review-2022-500x208.jpeg 500w, https://picturehouse.com/wp-content/uploads/2022/08/the-territory-review-2022.jpeg 1200w" sizes="(max-width: 800px) 100vw, 800px" />											<figcaption class="widget-image-caption wp-caption-text"></figcaption>
1252										</figure>
1253									</div>
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1256		</div>
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1258			<div class="elementor-widget-wrap elementor-element-populated">
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1260				<div class="elementor-widget-container">
1261									<p class="p1"><span class="s1">“Save the rainforest” has been a constant refrain among environmentalist groups for the past half-century, but no recent film captures the immediacy of the threat better than “The Territory,” Alex Pritz’s documentary feature debut, which had its premiere earlier this year at Sundance.</span></p><p class="p2"><span class="s1">National Geographic Documentary Films acquired the rights to the movie after it screened, and given the distributor’s current interest in gripping thrillers (<span class="s2">“Free Solo,”</span> <span class="s2">“Fire of Love”</span>), it’s no surprise that this feature, covering the embittered conflict between Brazilian cattle ranchers and an Indigenous group in the Amazon rainforest, fits right into its lineup. But “The Territory” is more than meets the eye, revealing its most profound observations in stages across its running time. The film’s luscious cinematography captures the sun-dappled island of jungle where the Uru Eu Wau Wau reside, a land slowly being consumed by flames as farmers and other settlers illegally raze the forest for pastures, with few repercussions.</span></p><p class="p1"><span class="s1">While the two opposing groups are given near-equal amounts of screen time, Pritz does not draw a false equivalency between the two; in fact, the longer time is spent with the farmers, the more alarming their gap of understanding toward the Uru Eu Wau Wau becomes. A particularly zealous cattle rancher, whom Pritz repeatedly returns to, describes his settlement as a divine right and bemoans the Indigenous group’s defense of their territory: “Why should they be allowed to stay? They do not work the land, they just live in it.”</span></p><p class="p1"><span class="s2"><span style="color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif;
1261 font-weight: var( --e-global-typography-text-font-weight ); font-size: 1rem;">Pritz heightens the stakes with the story of Neidinha Bandeira, a Brazilian environmental activist who has received death threats because of her work. But it’s only after the Uru Eu Wau Wau choose to trek deeper into their land — a decision brought on by both a violent tragedy and the looming threat of the Covid-19 pandemic — that the film takes on a life of its own. Bitaté, a young leader for his people, works with other Uru Eu Wau Wau members to set up drones and additional cameras to document illegal settlers in their home. (When a journalist requests to send cameramen into the jungle to follow their guerrilla activism, Bitaté responds, “Send us the shot list — we’ve got it covered from here.”) Cinematography credit is shared between Pritz and Tangãi Uru Eu Wau Wau.</span><br /></span></p><p class="p2"><span class="s1">To see the villagers take matters into their own hands, capturing proof of the encroachment on their land that the government chooses to ignore, is a special kind of thrill.</span></p>								</div>
1262				</div>
1263					</div>
1264		</div>
1265					</div>
1266		</section>
1267				<section class="elementor-section elementor-top-section elementor-element elementor-element-ad0f239 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="ad0f239" data-element_type="section" data-e-type="section">
1268						<div class="elementor-container elementor-column-gap-default">
1269					<div class="elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-b957d35" data-id="b957d35" data-element_type="column" data-e-type="column">
1270			<div class="elementor-widget-wrap elementor-element-populated">
1271						<div class="elementor-element elementor-element-db6de19 elementor-widget elementor-widget-heading" data-id="db6de19" data-element_type="widget" data-e-type="widget" data-widget_type="heading.default">
1272				<div class="elementor-widget-container">
1273					<h2 class="elementor-heading-title elementor-size-default">20 Years Married: How ‘My Big Fat Greek Wedding’ Became a Smash Hit</h2>				</div>
1274				</div>
1275				<div class="elementor-element elementor-element-6e7b3e1 elementor-widget elementor-widget-text-editor" data-id="6e7b3e1" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
1276				<div class="elementor-widget-container">
1277									<p>By Alison Herman<br /><a href="https://www.theringer.com/movies/2022/4/19/23031256/my-big-fat-greek-wedding-anniversary-nia-vardalos" target="_blank" rel="noopener">Read at theringer.com</a></p>								</div>
1278				</div>
1279					</div>
1280		</div>
1281					</div>
1282		</section>
1283				<section class="elementor-section elementor-top-section elementor-element elementor-element-651cb68 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="651cb68" data-element_type="section" data-e-type="section">
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1287						<div class="elementor-element elementor-element-c763f63 elementor-widget elementor-widget-image" data-id="c763f63" data-element_type="widget" data-e-type="widget" data-widget_type="image.default">
1288				<div class="elementor-widget-container">
1289												<figure class="wp-caption">
1290										<img loading="lazy" decoding="async" width="728" height="409" src="https://picturehouse.com/wp-content/uploads/2022/04/andrea_martin.png" class="attachment-large size-large wp-image-3505" alt="" srcset="https://picturehouse.com/wp-content/uploads/2022/04/andrea_martin.png 728w, https://picturehouse.com/wp-content/uploads/2022/04/andrea_martin-300x169.png 300w, https://picturehouse.com/wp-content/uploads/2022/04/andrea_martin-500x281.png 500w" sizes="(max-width: 728px) 100vw, 728px" />											<figcaption class="widget-image-caption wp-caption-text">IFC Films</figcaption>
1291										</figure>
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1300									<p id="oRZEiD" class="p--has-dropcap drop-letter-o">On the long list of movies that don’t get made anymore, the romantic comedy is typically at the top. In technical terms, this isn’t strictly true; as the mid-budget film has been driven out of the multiplex to free space for blockbusters and IP, it’s found a foothold on streaming services eager for couch-friendly content. The Netflix rom-com is practically a category unto itself, delivering standbys like <em>Set It Up</em>,<em> To All the Boys I’ve Loved Before</em>,<em> </em>and <em>Always Be My Maybe. </em>This past Valentine’s Day, viewers had their pick between <em>I Want You Back</em>,<em> </em>on Amazon Prime Video, and <em>Marry Me</em>,<em> </em>the Jennifer Lopez vehicle that paired its theatrical run with a day-and-date release on Peacock.</p>
1301<p id="6edpos">But even as the romantic comedy survives, it’s dwindled from its peak. That heyday is typically associated with established celebrities like Julia Roberts or Sandra Bullock and the star vehicles built on their proven appeal. (Today, Bullock’s <em>The Lost City </em>is a charming throwback; in 1998, it’d be just another week at the box office.) Yet the most financially successful rom-com of all time—the film that draws the greatest contrast between the genre’s past as a cultural juggernaut and its present as a sweet diversion—didn’t have a single star in its cast. It wasn’t produced by a major studio. It never even hit no. 1 at the box office, despite spending five months playing in wide release. At the time, the stupendous success of <em>My Big Fat Greek Wedding </em>was extraordinary. Today, it’s practically unthinkable.</p>
1302Written by and starring then-unknown actress Nia Vardalos, <em>My Big Fat Greek Wedding </em>isn’t structured like a typical rom-com, in part because it wasn’t conceived as one. The plot may hinge on the nuptials between Toula (Vardalos), a Greek American waitress, and Ian (John Corbett), the mild-mannered teacher she meets at work. But the relationship that truly drives the story is between Toula and her loud, overbearing, tightly knit family. Throughout the movie, Ian and Toula stay on largely solid ground. It’s Toula’s ambivalence toward her relatives that changes, helped along by a few squirts of Windex.
1303
1304“The story was to be told through Ian and Toula’s eyes, but it was about the family—the smothering, ever-suffocating, loving family,” Vardalos tells <em>The Ringer</em>. Because the conflict was largely internal, she felt free to cut down on more conventional, external sources of strife. “I w
1304anted very, very much to not follow the standard romantic comedy formula of ‘he cheats on the girl and wins her back,’” she explains. “I didn’t want them to break up, because the only villain in the screenplay was the world against Ian and Toula.”
1305
1306Structural quirks aside, <em>My Big Fat Greek Wedding </em>nonetheless became the high-water mark for the romantic comedy as a commercial force, eventually grossing more than $350 million worldwide on a $5 million budget. The film’s triumph wasn’t entirely commercial; Vardalos received an Academy Award nomination for the screenplay alongside such luminaries as Todd Haynes, Alfonso Cuarón, and eventual winner Pedro Almodóvar. <em>Greek Wedding </em>would ultimately yield a short-lived sitcom on CBS, which fizzled after just seven episodes, and a sequel in 2016, to modest success. (The premiere was sponsored by Windex.) The extended afterlife wasn’t what anyone anticipated when <em>My Big Fat Greek Wedding </em>first hit theaters, 20 years ago today.
1307
1308“I never, in a million years, thought the movie was going to do what it did,” says Jonathan Sehring, the former president of <em>Greek Wedding </em>distributor IFC Films. And in 2022, it probably wouldn’t. <em>My Big Fat Greek Wedding </em>is, in some ways, a timeless story about culture clash and immigrant solidarity. Its unlikely breakout as a bona fide phenomenon is also the product of a bygone era, one where word of mouth and the luxury of time could help a small, charming comedy beat out <em>The Lord of the Rings: The Two Towers </em>to become America’s fifth highest-grossing film of 2002. It’s a fairy tale romance that became a fairy tale in itself.
1309<p id="An7t0a" class="p--has-dropcap drop-letter-m">Most accounts of <em>My Big Fat Greek Wedding </em>start with the one-woman show of the same name Vardalos staged in Los Angeles. But that origin story reverses the true order of events. The script for <em>My Big Fat Greek Wedding </em>isn’t based on the stage show; the show itself was adapted from a script Vardalos wrote after she was fired by her then-agent. “She said, ‘I’ve been sending you out like crazy. But the problem is—what are you, anyway?’ And I said, ‘I’m Greek,’” Vardalos recalls. “She said, ‘Well, that’s the problem. You’re not a visible minority … and there aren’t any Greek roles.’”</p>
1310At the time, Vardalos—a Canadian expat who’d spent time performing with Chicago’s Second City—had been scraping by on voice-over work and occasional bit parts on shows like <em>Boy Meets World </em>and <em>Curb Your Enthusiasm. </em>In the absence of explicitly Greek stories, Vardalos strung together some of her own, borrowing a friend’s computer with Final Draft pre-installed and channeling the anecdotes she’d been telling at parties for years. Some of the details were changed: Two sisters were consolidated into one; the fictional family ran a restaurant; the setting switched from Winnipeg to Chicago. But some of the most memorable details from the movie are entirely true to life. It’s hard to make up a story as vivid as Aunt Voula’s lump that turned out to be her twin, though comic legend Andrea Martin puts her own stamp on the delivery.</p>
1311<p id="czDl1T">Once Vardalos had the screenplay, she had to convince Hollywood’s gatekeepers it was worth producing. (Her manager at the time took three months to even read the script, Vardalos says.) It’s here where the one-woman show comes in. Vardalos rented out a 99-seat theater, hired a stage manager she knew from her Second City days, and promoted the show by handing out flyers at local Greek Orthodox churches. Looking to expand the audience, she scraped together $500 for a one-time-only ad in the <em>Los Angeles Times. </em>It happened to find exactly the right audience.</p>
1312<p id="NdBiBb">Rita Wilson, the actress and singer, is one of the most notable Greek Americans to break out in the entertainment industry. She’s also married to Tom Hanks, who had recently started his production outfit Playtone—named for the fictional record label in <em>That Thing You Do!—</em>with Gary Goetzman, the former child star who partly inspired the character Gary Valentine in Paul Thomas Anderson’s <em>Licorice Pizza. </em>Wilson had recently caught some live theater in New York and was curious about the offerings on the West Coast. Then she spotted an ad in the <em>
1312L.A. Times </em>that seemed right up her alley<em>.</em></p>
1313
1314<div class="m-ad m-ad__dynamic_ad_unit m-ad__desktop_feature_body" data-concert-ads-name="desktop_feature_body_dynamic">
1315<div id="div-gpt-ad-desktop_feature_body_dynamic_1" class="dynamic-js-slot">
1316<div id="google_ads_iframe_/172968584,22712020492/ringer/theringer.com/movies_5__container__"></div>
1317</div>
1318</div>
1319<p id="HqfX6y">Based on Wilson’s raves, Hanks and Goetzman went to see Vardalos’s work for themselves and jumped at the chance to expand Playtone’s film slate beyond Hanks’s own starring roles. (The company’s first credited feature was 2000’s <em>Cast Away.</em>) Vardalos had other suitors prior to Playtone, but most wanted her to relinquish the lead role and change the characters to fit into a more recognizable immigrant community, like making the Portokalos clan a Hispanic family. “I was like, ‘Listen … J.Lo would be amazing. I will write something else for her. However, this is a Greek family,’” Vardalos recalls. Only Playtone had no problem with Vardalos channeling her firsthand experience—or casting herself as Toula.</p>
1320<p id="is5nYB">“I never thought, ‘Oh, my God, they’re going to replace me with Julia Roberts’ in that meeting,” Vardalos says of her first formal sit-down with the Playtone crew. “But for every second <em>outside</em> that meeting, that’s what I thought.” Vardalos’s contract had a standard provision that said she could be replaced within the first three days of filming in case of gross incompetence. On day four, she shot a scene when Toula cries while trying to convince her father to let her go to night school downtown. Freshly secure in her dream job, Vardalos shed real tears.</p>
1321<p id="693ekP">At the time, Hanks had a years-long relationship with the premium cable channel HBO, collaborating on acclaimed miniseries like <em>Band of Brothers </em>and <em>From the Earth to the Moon, </em>the 1998 space drama that Hanks led as a producer and director. To secure financing, Hanks and Goetzman turned to the actor’s serial patron. HBO wouldn’t typically contribute to movies it wasn’t airing itself. (“We didn’t do that shit,” executive Chris Albrecht memorably told journalist James Andrew Miller for Miller’s oral history of the network.) But Hanks was a special enough case for HBO to make an exception, ultimately underwriting about half of <em>My Big Fat Greek Wedding</em>’s budget.</p>
1322<p id="rT4cDW">Playtone’s other major producing partner would be Gold Circle Films, whose president Paul Brooks still calls Vardalos’s screenplay “one of the best scripts I’ve ever read.” IFC’s Sehring credits Brooks with pushing for <em>My Big Fat Greek Wedding </em>as a true theatrical experience, though Brooks says now it was a no-brainer: “We viewed it as a film that if we got lucky with it, could just reach families everywhere,” he says. As niche as a comedy hinged on Greek American in-jokes may seem, plenty of viewers can relate to the idea of an overbearing parent or the awkwardness of assimilation. “We thought it was just so relatable. Everybody, no matter where they come from, no matter what part of the world, sees themselves, and their families, in this movie.” <em>My Big Fat Greek Wedding </em>even opens with a textbook “lunch box moment,” a trope now so established it’s inspired entire critical essays<a href="https://www.eater.com/22239499/lunchbox-moment-pop-culture-tropes">.</a> Just swap in moussaka for the traditional food of your choice.</p>
1323<p id="IMg6xS">“The joke is that Nia wrote <em>My Big Fat Greek Wedding</em> and I directed <em>Fiddler on the Roof</em>,” says director Joel Zwick. “Because that’s how I perceived it. I saw my family.” Zwick had largely worked in television prior to <em>Greek Wedding, </em>including the sitcom <em>Bosom Buddies, </em>Hanks’s breakout role opposite the late Peter Scolari. When Hanks sent him the script, Zwick found himself nodding along. “Even though it was about Greeks, it wasn’t very far from the Jewish people,” Zwick recalls. “I mean, my father didn’t do Windex, but [he] had this insane thing that everybody who was famous was Jewish”—just like Toula’s dad insists every word, including “kimono,” comes from Greek. By being specific, <em>My Big Fat Greek Wedding </em>ended up universal.</p>
1324It&#8217;s one thing to make a good movie, and quite another to get people to see it. Were <em>My Big Fat Greek Wedding </em>made today, it’s easy to imagine it topping Netflix’s Top 10 for a week before the content churn gives way to some new flash in the pan. It’s less easy to see how it could go toe-to-toe with <em>Star Wars </em>or the MCU—though as it turns out, part of the distribution strategy was making sure the movie <em>didn’t </em>directly compete with behemoths like the Tobey Maguire <em>Spider-Man, </em>which premiered just weeks after <em>Greek Wedding </em>first hit theaters.</p>
1325<p id="uZcgpF">The first time Bob Berney saw <em>My Big Fat Greek Wedding, </em>he watched a woman literally fall out of her seat laughing and break her hip. The screening had to pause so she could get medical attention, but IFC’s then–head of distribution had seen enough. “We decided to start small and try to recreate that full house atmosphere in every way we could,” Berney says now. Most comedies may not feature explosions or stunts, but they can benefit just as much from the theatrical experience as any blockbuster—not that you’d know that from how few get
1325 brick-and-mortar releases these days.</p>
1326<p id="15OVjv">At first, <em>My Big Fat Greek Wedding </em>was marketed like a supersized version of the one-woman show, with screenings held at Greek Orthodox churches and booths rented at Greek cultural fairs. The limited release focused on cities like Chicago with major Greek populations, and expanded gradually, to make sure showings were packed enough to achieve the communal, contagious laughter that first sold Berney on the project (minus the personal injury, of course). Most importantly, Playtone, Gold Circle, and IFC never let the movie get <em>too </em>big, keeping theaters packed and the scale modest. <em>My Big Fat Greek Wedding </em>eventually did big-budget numbers, but it was never truly competing for screens with epic studio fare.</p>
1327<p id="Tk94QH">“We all together made a conscious decision to keep it special, keep it limited, keep it sold out,” Berney explains. “Like, let’s not cave to the pressure of the exhibitors, or even ourselves, to get ahead of the skis just because it’s doing well. We always felt like if we expanded, it may have done well, but it could have just easily fallen off before it became so widely known.” <em>My Big Fat Greek Wedding </em>stayed on around 1,000 screens—not 1,500, or 2,000, or 3,000—for most of its run, which Berney considers crucial to its success. (By comparison, Warner Bros.’ latest franchise tentpole <em>Fantastic Beasts: The Secrets of Dumbledore </em>just opened at more than 4,000 theaters nationwide.) The scarcity strategy worked; at one point, Sehring recalls, a staffer had to record a voicemail message for frantic theater owners explaining that IFC had no more prints on hand and to call back the next week.</p>
1328<p id="N66ZN7">As a result, <em>Greek Wedding </em>didn’t explode and fade away. It kept going, and going, and going, past anyone’s expectations for how long the frenzy would last. “On July 4 weekend, it crossed $20 million, and I was like, ‘We’re done. Okay, that’s it.’” Vardalos says. Sehring assumed the cutoff would be when the film was sold to the airlines, when the domestic box office total was already at a stupendous $100 million. Who would go see a movie in a theater when you could watch it at 10,000 feet? But <em>Greek Wedding </em>was still less than halfway to its eventual haul. At first, the audience skewed older, a demographic that isn’t prioritized by today’s young-oriented event movies. Only gradually did <em>Greek Wedding </em>break into the zeitgeist—though once it did, it stayed there for months.</p>
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1335<p id="P7IYee">Everyone involved with the film<em> </em>had a different “aha” moment when they realized how big the craze had gotten, or would become. For Vardalos, it was when Eugene Levy—Martin’s former costar from <em>SCTV</em>—gave her a co-sign after a preview at Montréal’s Just for Laughs. For Berney, it was when actor Michael Constantine, who died last year, threw the opening pitch at a Mets game and unveiled a bottle of Windex to thunderous applause. For Sehring, it was when he saw the movie on a plane and could feel the cabin physically shaking with laughter. Regardless of when it sunk in, the sheer scope still surprises, as does the longevity. During the pandemic lockdowns, Berney caught a drive-in screening on the roof of a parking garage. The jokes still landed, even in a car.</p>
1336<p id="NxoQyi">Sehring understands why most producers wouldn’t gamble on a theatrical release for a movie like <em>Greek Wedding </em>today, considering the viable alternatives. “If you’re a producer and somebody is covering your costs plus 20 percent, plus 50 percent—hey, that’s better odds than saying, ‘I’m going to take this movie out theatrically,’” he acknowledges. “That’s why the streaming model looks so attractive.” But he’s still a believer in the theatrical experience, which is why he recently helped work on the rollout of <em>Drive My Car. </em>Ryusuke Hamaguchi’s three-hour drama is a very different movie from <em>My Big Fat Greek Wedding, </em>but both help challenge the idea of what a rewarding theater experience can be.</p>
1337Berney, who currently runs the entertainment company Picturehouse after a stint at Amazon, doubts the current landscape could support a slow burn like <em>Greek Wedding</em>’s. “Even with the traditional theatrical windows, it’s become blockbuster after blockbuster after blockbuster,” he says. “If anything, movies are just going to come in and out quicker than ever as the windows shorten and movies go to either (video on demand) or streaming faster than they ever did.” Companies with their own in-house streaming services to promote, like Disney and WarnerMedia, seized on the pandemic to shorten the window between a movie’s premiere and when it’s available at home. (After controversial, audacious experiments like WarnerMedia releasing its entire 2021 slate day-and-date on HBO Max, standard practice seems to be settling around 45 days, just half of the once-conventional 90-day window.) Meanwhile, what does get released in theaters is increasingly judged on its first weekend or two of returns, an instant gratification that’s the opposite of what made <em>Greek Wedding </em>such a smash.
1338<p id="R0n0DJ" class="c-end-para">Regardless of whether there will be more hits like <em>My Big Fat Greek Wedding </em>to come, the original still endures. Vardalos is well aware it’s still her calling card, even as she’s moved onto other projects. She’s currently working on a comedy serial for Audible about motivational speakers in Rochester, New York, though she still hopes to round <em>Greek Wedding </em>out into a trilogy. “I know a lot of people say, ‘I’m not that person,’ or ‘I want to do other things,’” Vardalos says. “But I <em>am</em> that person. I am Toula. I’m totally okay with it.” It’s a cliché to urge your audience to be themselves. But like all the best rom-coms, <em>My Big Fat Greek Wedding </em>embraces clichés fiercely enough to give them new life.</p>								</div>
1339				</div>
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1343		</section>
1344				<section class="elementor-section elementor-top-section elementor-element elementor-element-d4eae1f elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="d4eae1f" data-element_type="section" data-e-type="section" id="deadlinesftb">
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1349				<div class="elementor-widget-container">
1350					<h2 class="elementor-heading-title elementor-size-default">Arashi Pre-Hiatus Final Concert Film RECORD OF MEMORIES To Hit AMC Theatres For One Night Only From Picturehouse</h2>				</div>
1351				</div>
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1354									<p>By <a href="https://deadline.com/author/adalessandro/">Anthony D&#8217;Alessandro</a><br /><a href="https://deadline.com/2022/02/arashi-record-of-memories-hiatus-concert-film-amc-theatres-1234958567/" target="_blank" rel="noopener">Read at deadline.com</a></p>								</div>
1355				</div>
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1359		</section>
1360				<section class="elementor-section elementor-top-section elementor-element elementor-element-0e5f5f8 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="0e5f5f8" data-element_type="section" data-e-type="section">
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1366												<figure class="wp-caption">
1367										<img loading="lazy" decoding="async" width="681" height="383" src="https://picturehouse.com/wp-content/uploads/2022/02/arashi-e1645628826324.png" class="attachment-large size-large wp-image-3366" alt="" srcset="https://picturehouse.com/wp-content/uploads/2022/02/arashi-e1645628826324.png 681w, https://picturehouse.com/wp-content/uploads/2022/02/arashi-e1645628826324-300x169.png 300w, https://picturehouse.com/wp-content/uploads/2022/02/arashi-e1645628826324-500x281.png 500w" sizes="(max-width: 681px) 100v
1367w, 681px" />											<figcaption class="widget-image-caption wp-caption-text">Picturehouse</figcaption>
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1377									<p>Picturehouse is set to release the pre-hiatus final concert film of the Japanese boyband pop sensation Arashi exclusively in AMC Theatres for one night only on March 22.</p><p>The Arashi Anniversary Tour 5×20 Film RECORD OF MEMORIES<i> </i>was released by Shochiku on Nov. 26, 2021, and grossed $39.5M, making it the highest grossing live-action film in Japan in 2021.</p><p>Arashi has consistently been a top performing act since their debut in 1999, and are composed of five members: Masaki Aiba, Jun Matsumoto, Kazunari Ninomiya, Satoshi Ohno and Sho Sakurai. In 2019, their compilation studio album <i>5×20 All the BEST!! 1999-2019</i> was named the best-selling album of the year worldwide, and most of their singles and albums have ranked as top sellers on the Oricon music charts.</p><p>In addition to music, the band are actors with Ninomiya having appeared in Clint Eastwood’s Oscar-winning film, LETTERS FROM IWO JIMA<i>. </i></p><p><span style="color: var( --e-global-color-text ); font-family: var( --e-global-typography-text-font-family ), Sans-serif; font-weight: var( --e-global-typography-text-font-weight ); font-size: 1rem;">RECORD OF MEMORIES</span><i> </i>showcases the group’s 20th anniversary tour “5×20,” which was their last concert in front of a live audience prior to their current hiatus. The film was directed by Yukihiko Tsutsumi <i>(</i>FIRST LOVE, 12 SUICIDAL TEENS) who also made the group’s debut film PIKA☆NCHI in 2002. Tsutsumi used over 100 cameras during the production. The tour itself, attended by 2.37M people, broke records for concert admission in Japan. A documentary about the group called, ARASHI&#8217;S<i> </i>DIARY-VOYAGE, following the trajectory of the group’s members in the two years leading up to their hiatus, is now available on Netflix in 28 languages and 190 countries.</p><p>The theatrical release of RECORD OF MEMORIES is being handled between Picturehouse and GAGA Corporation, the pic’s international sales agent.</p>								</div>
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1405					<h2 class="elementor-heading-title elementor-size-default">Ed Harris &amp; Amy Madigan To Star In SCHOOL FOR THE BLIND At Picturehouse</h2>				</div>
1406				</div>
1407				<div class="elementor-element elementor-element-77d9f7e elementor-widget elementor-widget-text-editor" data-id="77d9f7e" data-element_type="widget" data-e-type="widget" data-widget_type="text-editor.default">
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1409									<p>By <a href="https://deadline.com/author/adalessandro/">Anthony D&#8217;Alessandro</a><br /><a href="https://deadline.com/2021/10/ed-harris-amy-madigan-school-for-the-blind-picturehouse-1234849380/" target="_blank" rel="noopener">Read at deadline.com</a></p>								</div>
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1414		</section>
1415				<section class="elementor-section elementor-top-section elementor-element elementor-element-4facda9 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="4facda9" data-element_type="section" data-e-type="section">
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1422										<img loading="lazy" decoding="async" width="681" height="383" src="https://picturehouse.com/wp-content/uploads/2021/11/Ed-Harris-Amy-Madigan.webp" class="attachment-large size-large wp-image-1467" alt="" srcset="https://picturehouse.com/wp-content/uploads/2021/11/Ed-Harris-Amy-Madigan.webp 681w, https://picturehouse.com/wp-content/uploads/2021/11/Ed-Harris-Amy-Madigan-300x169.webp 300w, https://picturehouse.com/wp-content/uploads/2021/11/Ed-Harris-Amy-Madigan-500x281.webp 500w" sizes="(max-width: 681px) 100vw, 681px" />											<figcaption class="widget-image-caption wp-caption-text">Ed Harris, Amy Madigan<br />AP</figcaption>
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1432									<p>Husband and wife&nbsp;Ed Harris&nbsp;and&nbsp;Amy Madigan&nbsp;will star in SCHOOL FOR THE BLIND, a $4.5 million budgeted indie that will be produced by&nbsp;Picturehouse, John Boccardo’s Blind Faith Productions and Neil Koenigsberg. Lou Howe is directing from his adaptation of Dennis McFarland’s critically acclaimed 1995 novel.</p>
1433<p>Harris and Madigan have previously starred together in several features including GONE BABY GONE, PLACES IN THE HEART, ALAMO BAY, THE LAST FULL MEASURE, THE RULES DON&#8217;T APPLY, SWEETWATER, RIDERS OF THE PURPLE SAGA<em>&nbsp;</em>to name a few including the Harris-directed Oscar winning POLLOCK. Harris earned an Oscar nom for playing artist Jackson Pollock and Madigan co-starred as Peggy Guggenheim. The two are also starring in Harris’ THE PLOUGHMAN<em>&nbsp;</em>which he’s also directing and in pre-production on. Both Harris and Madigan have co-starred in theatre productions such as the world premiere of Beth Henley’s &#8220;The Jacksonian&#8221; in Los Angeles and New York; in the revival of Sam Shepard’s Pulitzer winner &#8220;Buried Child&#8221;&nbsp;
1433in New York and London; and most recently, in the world premiere of David Rabe’s newest play &#8220;Good for Otto&#8221;&nbsp;in New York.</p>
1434<p>In SCHOOL FOR THE BLIND, Harris and Madigan play siblings with a dark past riddled with unresolved family issues. Harris is a world-weary war correspondent who returns to the small town of his youth to reunite with his sister, a librarian at the local school for blind children. Together they confront these issues as they strive to solve the cold case murder of a blind student who disappeared years before.</p>
1435<p>“It will be wonderful to see the magic Amy and Ed will bring to SCHOOL FOR THE BLIND,” Bob Berney, CEO of Picturehouse tells <i>Deadline</i>. “It’s a terrific gift for Lou to have these two actors portraying an estranged brother and sister in this exciting new drama.”</p>
1436<p>Come December, Harris will be seen co-starring in Maggie Gyllenhaal’s THE LOST DAUGHTER, which is winning rave reviews from its Venice and Telluride premieres. He is currently filming the fourth season of HBO’s &#8220;Westworld&#8221;&nbsp;in addition to prep on THE PLOUGHMEN, which also stars Robert Duvall. Madigan will next be seen in Scott Cooper’s thriller ANTLERS.</p>
1437<p>SCHOOL FOR THE BLIND will be Howe’s second feature film. The Harvard and AFI graduate wrote and directed the well-received GABRIEL, which earned its star Rory Culkin a Gotham Award nomination, as well as an Annenberg Fellowship from the Sundance Institute for Howe.</p>
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1442<p>Koenigsberg, a founder of PMK PR and also a talent manager, was a producer on films A WALK ON THE MOON, AMERICAN HEART, THE GIVER&nbsp;and TAB HUNTER CONFIDENTIAL. He originally optioned the novel and brought it to the attention of Berney and Boccardo.</p>
1443<p>Boccardo produced the recent documentary THE FABULOUS ALLAN CARR&nbsp;and was executive producer of WON&#8217;T YOU BE MY NEIGHBOR?<em>.</em></p>
1444<p>CAA Media Finance will arrange for the film’s financing and will rep the pic’s distribution rights.</p>
1445<p>Picturehouse is a Los Angeles based film marketing and distribution company led by CEO Bob Berney and COO Jeanne R. Berney. The company acquires, markets and distributes global content across all platforms. Originally formed in 2005 as a joint venture between Time Warner’s HBO Films and New Line Cinema, the Picturehouse brand has a long history of storied excellence.</p>
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1469					<h2 class="elementor-heading-title elementor-size-default">BECOMING COUSTEAU: Film Review | Telluride 2021</h2>				</div>
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1473									<p>By Frank Scheck<br /><a href="https://www.hollywoodreporter.com/movies/movie-reviews/becoming-cousteau-telluride-2021-1235006013/" target="_blank" rel="noopener">Read at The Hollywood Reporter</a></p>								</div>
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1485												<figure class="wp-caption">
1486										<img loading="lazy" decoding="async" width="800" height="400" src="https://picturehouse.com/wp-content/uploads/2021/12/becoming_cousteau_01-1024x512.jpeg" class="attachment-large size-large wp-image-1601" alt="" srcset="https://picturehouse.com/wp-content/uploads/2021/12/becoming_cousteau_01-1024x512.jpeg 1024w, https://picturehouse.com/wp-content/uploads/2021/12/becoming_cousteau_01-300x150.jpeg 300w, https://picturehouse.com/wp-content/uploads/2021/12/becoming_cousteau_01-768x384.jpeg 768w, https://picturehouse.com/wp-content/uploads/2021/12/becoming_cousteau_01-500x250.jpeg 500w, https://picturehouse.com/wp-content/uploads/2021/12/becoming_cousteau_01.jpeg 1200w" sizes="(max-width: 800px) 100vw, 800px" />											<figcaption class="widget-image-caption wp-caption-text">Jacques Cousteau<br />National Geographic</figcaption>
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1496									<p>In the opening minutes of Liz Garbus’ new documentary, famed explorer and filmmaker Jacques-Yves Cousteau is shown talking to a group of young children. As he patiently answers their questions about his work and life under the ocean, they gaze at him in rapt wonder. Filmgoers, especially those of a certain age who grew up devouring his iconic television series &#8220;The Undersea World of Jacques Cousteau&#8221;, will feel exactly the same way while watching BECOMING COUSTEAU, receiving its world premiere at the&nbsp;Telluride Film Festival.</p>
1497<p>Although his reputation has somewhat faded with time, it’s hard to overstate how revolutionary Cousteau’s film and television work was. Nowadays, you can’t channel surf for more than two minutes without encountering a beautifully photographed nature documentary. In 1956, however, when his Oscar- and Palme d’Or-winning feature doc THE SILENT WORLD&nbsp;(co-directed by Louis Malle) became an unlikely commercial hit, there were very few films utilizing underwater photography.</p>
1498<p>&nbsp;Garbus’ documentary takes a deep dive (apologies for the pun) into Cousteau’s life and career, using copious amounts of archival video and audio footage, as well as excerpts from diary entries read by actor Vincent Cassel, to deliver an immersive, intimate biographical portrait. While clearly laudatory in detailing its subject’s impressive achievements, the film doesn’t shy away from addressing some problematic professional and personal aspects, including his early neglect of his parental responsibilities.</p>
1499<p>As a young man, Cousteau aspired to becoming a French Navy pilot, but his life changed when he was involved in a serious car accident at age 26 that left him with severe injuries. When he began swimming to help himself recuperate, he became fascinated by free diving and spearfishing. “It seemed like the act of a mythical demigod,” he says of the latter.</p>
1500<p>“I became an inventor by necessity,” Cousteau says. He created a waterproof housing for movie cameras so he could film underwater and co-invented a revolutionary breathing apparatus, the Aqua-Lung, in order to dive deeper and longer. In 1951, he converted a former British minesweeping boat into a research vessel dubbed Calypso, which became iconic via his films and television series, and inspired John Denver’s 1975 hit song.</p>
1501<p>Along the way he married Simone Melchior, who loved the sea as much as he did. Nicknamed “The Shepherdess,” she oversaw operations aboard the Calypso even while avoiding the media spotlight.</p>
1502<p>Cousteau disdained the term “documentary” for his cinematic efforts, referring to them instead as adventure films. Television producer David Wolper recognized the potential of his work, resulting in the hit television series &#8220;The Undersea World&nbsp;of Jacques Cousteau&#8221;, which ran on ABC from 1968 to 1976. When Cousteau began emphasizing environmental themes in a largely downbeat manner, the ratings suffered and the show was dropped, although he created a second series for PBS that ran for several more years.</p>
1503<p>The documentary chronicles Cousteau’s evolution from prospecting for petrochemical companies to finance his expeditions to becoming a staunch environmentalist, creating the Cousteau Society to spotlight the fragility of underwater ecosystems. He spearheaded efforts to protect Antarctica and was involved in the creation of the first Earth Summit, held in 1992. He’s shown posing for the event’s official photo, chatting and laughing alongside dozens of world leaders.</p>
1504<p>Garbus doesn’t shy away from dealing with Cousteau’s sometimes messy personal life. His obsessive dedication to his work kept him away from sons Philippe and Jean-Michel for long periods when they were young. Philippe later became instrumental in his father’s career but died in a plane crash when he was only 38. A severely depressed Cousteau declared, “I’m going to work to the bitter end. That’s my punishment.” Simone died of cancer in 1990, and six months later he married the much younger Francine Triplet, with whom he already had two children.</p>
1505<p>BECOMING COUSTEAU succeeds beautifully in its goal of reminding viewers of Jacques Cousteau’s important legacy of underwater exploration and environmental activism. Consistently engrossing as well as informative, the film delivers a richly humanistic portrait of a complex, indefatigable figure who introduced multiple awestruck generations to the wonders beneath the sea.</p>								</div>
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1524				<div class="elementor-widget-container">
1525					<h2 class="elementor-heading-title elementor-size-default">BECOMING COUSTEAU: Film Review | Telluride 2021</h2>				</div>
1526				</div>
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1529									<p>By Todd McCarthy<br /><a href="https://deadline.com/2021/09/becoming-cousteau-movie-review-nat-geo-liz-garbus-1234827034/" target="_blank" rel="noopener">Read at deadline.com</a></p>								</div>
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1541												<figure class="wp-caption">
1542										<img loading="lazy" decoding="async" width="681" height="383" src="https://picturehouse.com/wp-content/uploads/2021/11/Becoming-Cousteau.webp" class="attachment-large size-large wp-image-1485" alt="" srcset="https://picturehouse.com/wp-content/uploads/2021/11/Becoming-Cousteau.webp 681w, https://picturehouse.com/wp-content/uploads/2021/11/Becoming-Cousteau-300x169.webp 300w, https://picturehouse.com/wp-content/uploads/2021/11/Becoming-Cousteau-500x281.webp 500w" sizes="(max-width: 681px) 100vw, 681px" />											<figcaption class="widget-image-caption wp-caption-text">Jacques Cousteau<br />National Geographic</figcaption>
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1552									<p>The multiple generations who grew up mesmerized by the underwater cinematic adventures of Jacques-Yves Cousteau will be able to learn a good deal more about the man’s life and work in BECOMING COUSTEAU. Among the many gifts of&nbsp;Liz Garbus’ filled-to-the-gills documentary is the way it positions the French explorer as an initially unwitting pioneer of the environmentalist movement, which took shape in his literal wake. This National Geographic Films production, set to bow in October after its&nbsp;Telluride Film Festival&nbsp;premiere, will add much to older audiences’ appreciation of the man’s achievements, while younger viewers will learn how he changed perceptions of the sea beneath in profou
1552nd ways.</p>
1553<p>Kids who grew up watching Lloyd Bridges in &#8220;Sea Hunt&#8221;&nbsp;on television in the late ’50s and early ’60s had no idea that swimming with the fishes for prolonged periods unattached to long oxygen tubes was unheard of in their parents’ generation. The first of many surprises in this account of the French seafaring explorer’s life is that Cousteau himself co-invented the Aqua-Lung, a wearable air tank that allowed for prolonged deep dives unconnected to tubes from the surface. It went on the market in 1946.</p>
1554<p>It was only by accident that the young Frenchman ended up in the water in the first place. After joining the French navy in 1935, Lt. Cousteau broke 12 bones in an accident and found that frequent swimming sped his recovery. Two others then joined him in some pioneering underwater photography, and the desire to go ever-deeper led Cousteau to “become an inventor by necessity.”</p>
1555<p>The “Three Diving Musketeers” developed air tanks that allowed them to go down an unheard-of 60 meters without a suit, but then one of them died at 120 meters. Lead-souled shoes enabled the explorers to stay down on the sea floor, and for several years diving provided something of a respite from the war raging above and around them.</p>
1556<p>An amateur cinematographer from his early teens, Cousteau kept developing new ways to photograph underwater and, in 1951, with the assistance of charitable contributions and volunteers, he was able to purchase a boat, the Calypso, which for years served as his home base.</p>
1557<p>Early on he engaged Louis Malle as a camera operator, which led to a collaboration that produced&nbsp;LE MONDE DU SILENCE&nbsp;(THE SILENT WORLD), the first documentary to win the Palme d’Or at the Cannes Film Festival, in 1956. It subsequently copped an Oscar and was a big hit internationally.</p>
1558<p>There were some initial missteps about which Cousteau was ashamed, notably the killing of some sea creatures for his film and collaborations with oil companies to find deposits under the ocean floor. But by the 1960s deep underwater exploration was seen as a parallel event to the manned journeys into outer space, another new frontier. Cousteau became a household name thanks to the David Wolper’s ABC series &#8220;The Undersea World&#8221;, which was on ABC for 10 years beginning in 1967. Overall, Cousteau’s shows, consisting of 550 hours of archival material, scored 40 Emmy nominations and 10 wins.</p>
1559<p>Given how Cousteau himself was photographing his activities from the very beginning, Garbus had an embarrassment of riches to draw upon, and there are moments when it feels like panic is nearly creeping in as she endeavors to jam in tidbits about her subject’s personal life (two wives, long absences, the death of one of his sons, the dissolution of his TV contract) as the man became ever-more famous and busy. “I’m a bad husband and a bad father,” he confesses at one point, and it’s easy to see how the subject’s nomadic, off-the-grid life was not conducive to anything resembling a coherent family life.</p>
1560<p>It was on one of the Calypso’s journeys through the Persian Gulf that the Calypso’s crew discovered oil in Abu Dahbi, from which Cousteau and company were able to benefit. Later, he was a key figure in the first Earth Summit. Publicly, the man was a popularizer, someone who put a hitherto little-regarded aspect of global life firmly on the map. Privately, he became increasingly pessimistic about the environment, sensing the economic interests were prevailing over ecological concerns.</p>
1561<p>BECOMING COUSTEAU will well serve as a reminder and clarifier for those who remember him from their youth, and an invigorating introduction for those meeting him for the first time. There’s a lot more to experience and learn from where this stuff came from.</p>								</div>
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1624				<div class="elementor-widget-container">
1625									<p"><a href="https://picturehouse.com/terms-conditions/">Terms &amp; Conditions</a> | <a href="https://picturehouse.com/privacy-policy/">Privacy Policy</a><br />
1626All Rights Reserved ©2026</p>								</div>
1627				</div>
1628					</div>
1629				</div>
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1697var ElementorProFrontendConfig = {"ajaxurl":"https:\/\/picturehouse.com\/wp-admin\/admin-ajax.php","nonce":"8edeb73b9d","urls":{"assets":"https:\/\/picturehouse.com\/wp-content\/plugins\/elementor-pro\/assets\/","rest":"https:\/\/picturehouse.com\/wp-json\/"},"settings":{"lazy_load_background_images":true},"popup":{"hasPopUps":true},"shareButtonsNetworks":{"facebook":{"title":"Facebook","has_counter":true},"twitter":{"title":"Twitter"},"linkedin":{"title":"LinkedIn","has_counter":true},"pinterest":{"title":"Pinterest","has_counter":true},"reddit":{"title":"Reddit","has_counter":true},"vk":{"title":"VK","has_counter":true},"odnoklassniki":{"title":"OK","has_counter":true},"tumblr":{"title":"Tumblr"},"digg":{"title":"Digg"},"skype":{"title":"Skype"},"stumbleupon":{"title":"StumbleUpon","has_counter":true},"mix":{"title":"Mix"},"telegram":{"title":"Telegram"},"pocket":{"title":"Pocket","has_counter":true},"xing":{"title":"XING","has_counter":true},"whatsapp":{"title":"WhatsApp"},"email":{"title":"Email"},"print":{"title":"Print"},"x-twitter":{"title":"X"},"threads":{"title":"Threads"}},"facebook_sdk":{"lang":"en_US","app_id":""},"lottie":{"defaultAnimationUrl":"https:\/\/picturehouse.com\/wp-content\/plugins\/elementor-pro\/modules\/lottie\/assets\/animations\/default.json"}};
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vendor: 1 bytes, line 1699
1699
1700<script id="elementor-pro-frontend-js" src="https://picturehouse.com/wp-content/plugins/elementor-pro/assets/js/frontend.min.js?ver=4.3.1"></script>
vendor: 1 bytes, line 1700
1700
1701<script id="pro-elements-handlers-js" src="https://picturehouse.com/wp-content/plugins/elementor-pro/assets/js/elements-handlers.min.js?ver=4.3.1"></script>
vendor: 1 bytes, line 1701
1701
1702<script id="wp-emoji-settings" type="application/json">
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1704</script>
vendor: 1 bytes, line 1704
1704
1705<script type="module">
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1708//# sourceURL=https://picturehouse.com/wp-includes/js/wp-emoji-loader.min.js
1709</script>
1709
1710
1711</body>
1712</html>

Line numbers count LF bytes from the start of the resource, as the search results do. Vendor segments are library code the classifier recognised; they are stored but not indexed. Bytes are shown as Latin1 characters, one per byte.