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40 41<div id="logo"> 42 <a id="Backtotop"><img src="../images/logo.jpg" alt="Friends of Christ Church Spitalfields" /></a> 43</div> 44 </div> 45 <div id="breadcrumbs_holder"> 46 <div id="breadcrumbs" class="breadcrumbs"> 47 <a href="../index.html">home</a> 48 </div> 49 <div id="top-links" class="breadcrumbs" align="right"> 50 51<!--<div style="float:right; text-align:right; text-align:right" class="breadcrumbs"> 52 53</div> 54<div style="float:right; text-align:right;" align="right" class="breadcrumbs"> 55 <div id="divSignIn"> 56 <a id="ChristChurch_CustomerLinks_lnkSignIn" href="/account/login.aspx">Sign In</a> 57 </div> 58</div>--> 59<!--<div style="float:right; text-align:right;" align="right" class="breadcrumbs"> 60 <a href="/PRD_GiveOnline.aspx">give online</a> | <a href="/basket/">shopping basket</a> | 61</div>--> 62 63 </div> 64 </div> 65 <div id="page-title"> 66 <h1> 67 <span id="ChristChurch_lblTitle">Christ Church: architecture</span> 68 </h1> 69 </div> 70 <div class="main-content-block"> 71 <h2>Architecture</h2> 72<p>The composition of the church demonstrates Hawksmoor's characteristic abruptness: 73the very plain rectangular box of the nave is surmounted at its west end by a broad 74tower of three stages topped by a steeple more gothic than classical. The 75magnificent Tuscan porch with its semi-circular pediment is bluntly attached to the 76west end: it was a late addition to the design intended to add further support to the 77tower.</p> 78<p>Like those of Hawksmoor’s other London churches and many of Wren's, the central 79space of the nave is organised around two axes, the shorter originally emphasised 80by two entrances of which only that to the south remains. It has a richly decorated 81flat ceiling and is lit by a clerestory. The aisles are roofed with elliptical barrel-vaults 82carried on a raised Composite order (cf. Wren's St James, Piccadilly), and the same 83order is used for the screens across the east and west ends. The Venetian window at 84the east may show his ease with using Palladian motifs, or it may be a rhyme with 85the arched pediment of the entrance portico, repeated in the wide main stage of the 86tower.</p> 87<p><span class="quote">‘During the next two centuries, only the most perceptive – such as Soane and Cockerell – really understood Hawksomoor’s architecture, and only in recent decades has he received the recognition and attention which was his due. Hawksmoor is now prominently placed in the Pantheon of British art, and our modern architects are happy to worship at this shrine. Perhaps it is the utterly uncompromising monumentality of his work, sometimes verging upon the brutal, which endears him to modern masters like Lasdun and Stirling; but it is also his thoughtful and harmonious originality within a vital tradition which establishes Hawksmoor among the truly great.'’</span><br /> 88<p class="small_quote">Gavin Stamp, architectural historian</p> 89 90 91 92 </div> 93 <div class="right-content-block"> 94 <img src="../images/content/cc-architecture.jpg" alt="Christ Church Architecture" class="r-content-img" /> 95<p class="caption">Christ Church Spitalfields portico from the west.<br /> 96photograph by SRB Humphreys</p> 97 98 99 </div> 100 </div> 101 <div id="footer" class="footer_text"> 102 103 104<div id="footer-left"> 105 <a href="#Backtotop">back to top</a> | <a href="../index.html">
105home</a> 106</div> 107<div id="footer-right">Registered Charity No: 276056</div> 108 109 </div> 110 111 112 113 114 115 </div> 116 </body> 117</html>
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