1<!DOCTYPE html> 2<html lang='en-US'> 3<head> 4<meta content='text/html; charset=UTF-8' http-equiv='Content-Type'> 5<meta content='IE=edge' http-equiv='X-UA-Compatible'> 6<meta content='width=device-width, initial-scale=1.0, minimum-scale=1.0' name='viewport'> 7<meta content='.soft porn publishing. book editors. Anthony Valerio' name='keywords'> 8<meta content='Excited about this new FORTHCOMING work. My experiece in the world of publishing. ' name='description'> 9<meta name='google-site-verification'> 10<meta name='date'> 11 12<title>Anthony Valerio 13 14 15 16About award-winning author Anthony Valerio's Confessions of an Aspiring Pornographer, Professor Ellen Nerenberg says: 17 18"These confessions, mine, Walter Michael Gregory's, center on the interstices between soft and hard literary porn as they were known in the 1960s and 70s." 19 This is the kernel of Anthony Valerio's salty and sweet, romping short book, Confessions of an Aspiring Pornographer. Trying to survive as a writer in New York City, Wally joins Ern Billions, Bonita Guggenheim, and Tad Browning as a staff writer at Porn/Prose, where, on spec and on commission, they write porn for hire. And "for hire" is part of the title of the pseudonymous Wally's best-known effort, This Body for Hire, which also has a place within the pages of Valerio's Confessions. Things are hard and soft in so many ways and directions. Among the hard are the winter of 1979, the rules of copyediting that Wally learns at Ern's knee, the lead of the Number 2 pencils he uses to ply his trade as a writers and editor, the concept of one-way staircase that disappears behind anyone who climbs it, the black laces of Sister Morisella's hard-soled black shoes. Among the soft we can group the heart of Anonymous, the hooker Wally invents as the first-person narrator of This Body for Hire, the pillowy arms and bosoms of the women his single mom Caroline surrounds herself with, the rounded characters of the notes Caroline the wordless uses to express herself. Pastiche reigns supreme as genre in this book that pivots between hard and soft, between first and third person narrator, between the writing hand and sober, dignified copyeditor's font and type. Delightful and witty, Confessions of an Aspiring Pornographer is unafraid to own its Times Square-in-the-1970s setting. 20Prof. E. Nerenberg, Wesleyan University - Welcome! 21 22FORTHCOMING FROM GRAILING PRESS: CONFESSIONS OF AN ASPIRING PORNOGRAPHER 23 24IN INTERLOCKING STORIES WE SEE THE WORLD OF WALTER GREGORY, ASPIRING WRITER, AS IT SPRAWLS ACROSS LOWER MANHATTAN IN THE 50s, 60s and 70s. 25 26 27 28 29Professor Eric Goldman's Review of Confessions of an Aspiring Pornographer 30 31Anthony Valerio's Confessions of an Aspiring Pornographer is about the pleasure of creation. One by one, his characters rise, walk, talk and, of course, make love. Make no mistake, though, because Confessions isn't just, or even primarily, about sex, maugre the title; it's about love. For Valerio not only creates, with exquisite pleasure and loving skill, but raises his characters with loving care. And like holograms, with each engraved line they come closer to springing off the page. And spring they do, sometimes even onto each other. 32One such character, an eight-foot-long Bengal tigress, appears and disappears mysteriously and beautifully in the otherwise realistic landscape of Valerio's Manhattan. The tigress, a symbol of Valerio himself, ties together the collage-like pieces described by the titular "aspiring," but not realized, pornographer: Walter Michael Gregory, a persona of the author himself. On the hunt through the city for character, Gregory finds it in a variety of strange places and people, including himself (that's why one of his characters, interpreting his dream tigress, tells him, "You are the Bengal tiger . . . You are her frightened prey").   33Like the phantom tigress, Valerio's lines are simultaneously muscular and elegant. All that power moves easily, leaping from thought to thought with absolutely no strain at all, and with plenty left over, you feel. It's about being as compact as possible, naturally, with no wasted space, and n
33o wasted word. 34Along with the characters who orbit Valerio's sun-like persona, Walter Michael Gregoryâwho warms them into life and vivacity as the sun warms the planetsâis, of course, the author himself, in disguised form. Valerio gives us a bildungsroman-like account of his childhood, backlit of course with imagination and inventionâone that leads through isolation all the way to and through aspiring pornography. What we finally arrive at as readersâin spite of the impact of a clam-like asteroid fragment that cleaves Walter Gregory's soft porn publishing house in twoâis the destination of all of Valerio's works, humanity. 35 36 37 38 39 40link to radio show on November 2. Great show with Stephan Alison about my relationship with Shel Silverstein (BEFORE THE SIDEWALK ENDED: A WALK WITH SHEL SILVERSTEIN and 41introduction and reading from forthcoming book: CONFESSIONS OF AN ASPIRING PORNOGRAPHER. 42link: 43https://wesu.streamrewind.com/bookmarks/listen/393757/river-valley-rhythms 44 45thanks, AV</title> 46<link href='https://fonts.googleapis.com/css?family=Roboto+Slab:400,300,700|Open+Sans:400,300,600,700,400italic,600italic' rel='stylesheet' type='text/css'> 47<link href='https://use.typekit.net/vax7jgl.css' rel='stylesheet' type='text/css'> 48<link rel="stylesheet" type="text/css" media="screen" href="/theme/sitebuilder.css" /> 49<link rel="stylesheet" type="text/css" media="screen" href="/theme/theme.css" />
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135pinterest circle</title> 136<path d="M30,60 C46.5685433,60 60,46.5685433 60,30 C60,13.4314567 46.5685433,0 30,0 C13.4314567,0 0,13.4314567 0,30 C0,46.5685433 13.4314567,60 30,60 Z" fill="var(--color-1)"/><path d="M32.7594534,39.0844011 C39.3650607,39.0844011 43.8461538,32.9370493 43.8461538,24.7083106 C43.8461538,18.4879013 38.683296,12.6923077 30.8387325,12.6923077 C21.076393,12.6923077 16.1538462,19.8375106 16.1538462,25.7957548 C16.1538462,29.4035321 17.4908705,32.6132513 20.3616445,33.8095301 C20.831959,34.0055526 21.2533867,33.8158437 21.3903287,33.2845985 C21.4839793,32.9163046 21.7104488,31.9873019 21.8088114,31.6009691 C21.9466368,31.0748349 21.893627,30.8905376 21.5137236,30.4317486 C20.6867711,29.4341982 20.1590293,28.1453197 20.1590293,26.3176799 C20.1590293,21.0172538 24.0419955,16.2721247 30.2747673,16.2721247 C35.7910237,16.2721247 38.8240664,19.7130423 38.8240664,24.3105531 C38.8240664,30.3583905 36.2024384,35.462794 32.3094593,35.462794 C30.1590293,35.462794 28.5513606,33.648082 29.0661444,31.4226848 C29.6825303,28.7655568 30.8805513,25.8967726 30.8805513,23.9786376 C30.8805513,22.2625382 29.9779126,20.8293487 28.1090234,20.8293487 C25.9111792,20.8293487 24.1462481,23.1509534 24.1462481,26.2593542 C24.1462481,28.239122 24.8026858,29.5785093 24.8026858,29.5785093 C24.8026858,29.5785093 22.5535988,39.3053775 22.1586759,41.0082484 C21.8005654,42.5589913 21.7469667,44.2633654 21.797326,45.7037705 C21.9478148,46.9959561 23.1994346,48.0482244 24.2852515,46.6306686 C25.0485923,45.3850835 25.8693603,43.8120926 26.2940276,42.2354939 C26.5472965,41.3025828 27.7400165,36.4699652 27.7400165,36.4699652 C28.454765,37.860162 30.5412887,39.0844011 32.7594534,39.0844011 Z" fill="var(--color-2)"></path> 137</symbol> 138 139</defs> 140</svg> 141 142<div class='site_wrapper'> 143<div class='sbx_wrapper_header' id='sbx_wrapper_header'> 144<style> 145 .notification-bar { 146 background-color: #0abd1f; 147 color: #ffffff; 148 } 149 .notification-bar p.from_wysiwyg { 150 color: #ffffff; 151 } 152 .notification-bar .nb-button { background-color: #ffffff;} 153 .notification-bar .nb-button a { color: #000000;} 154</style> 155<div class='notification-bar'> 156<p class="from_wysiwyg">just out: VOLUME 2: WOMAN & OTHER STORIES (1980-2025) </p> 157<p class="from_wysiwyg"> </p> 158<p class="from_wysiwyg">https://www.amazon.com/dp/B0FS28PQX9</p> 159<p class="from_wysiwyg"> </p> 160<p class="from_wysiwyg"> </p> 161<p class="from_wysiwyg">Anthony Valerio AWARDED THE LITERARY TITAN</p> 162<p class="from_wysiwyg"> </p> 163<p class="from_wysiwyg">BOOK AWARD! FOR</p> 164<p class="from_wysiwyg"> </p> 165<p class="from_wysiwyg">CONFESSIONS OF AN ASPIRRING PORNOGRAPHER</p> 166<p class="from_wysiwyg"> </p> 167<p class="from_wysiwyg">link to New Books Network podcast about Confessions: </p> 168<p class="from_wysiwyg"> Anthony Valerio, "Confessions of an Aspiring Pornographer" (Grailing Press, 2024) - New Books Network</p> 169<div class='nb-button'> 170Literary Titan BOOK AWARD 171</div> 172</div> 173 174<header id='sb_head'> 175<div class='sb_region sb_site_title_region'> 176<div class='sb_title_wrapper'> 177<div class='sb-title-wrapper'> 178<a href="/index.htm"><h1 class='sb_title sb_has_Subtitle'>Anthony Valerio<br> <br> <br> <br>About award-winning author Anthony Valerio's Confessions of an Aspiring Pornographer, Professor Ellen Nerenberg says:<br> <br>"These confessions, mine, Walter Michael Gregory's, center on the interstices between soft and hard literary porn as they were known in the 1960s and 70s."<br> This is the kernel of Anthony Valerio's salty and sweet, romping short book, Confessions of an Aspiring Pornographer. Trying to survive as a writer in New York City, Wally joins Ern Billions, Bonita Guggenheim, and Tad Browning as a staff writer at Porn/Prose, where, on spec and on commission, they write porn for hire. And "for hire" is part of the title of the pseudonymous Wally's best-known effort, This Body for Hire, which also has a place within the pages of Valerio's Confessions. Things are hard and soft in so many ways and directions. Among the hard are the winter of 1979, the rules of copyediting that Wally learns at Ern's knee, the lead of the Number 2 pencils he uses to ply his trade as a writers and editor, the concept of one-way staircase that disappears behind anyone who climbs it, the black laces of Sister Morisella's hard-soled black shoes. Among the soft we can group the heart of Anonymous, the hooker Wally invents as the first-person narrator of This Body for Hire, the pillowy arms and bosoms of the women his single mom Caroline surrounds herself with, the rounded characters of the notes Caroline the wordless uses to express herself. Pastiche reigns supreme as genre in this book that pivots between hard and soft, between first and third person narrator, between the writing hand and s
178ober, dignified copyeditor's font and type. Delightful and witty, Confessions of an Aspiring Pornographer is unafraid to own its Times Square-in-the-1970s setting.<br>Prof. E. Nerenberg, Wesleyan University</h1> 179<h2 class='sb_subTitle'>About award-winning novel Confessions of an Aspiring Pornographer</h2> 180</a></div> 181 182</div> 183</div> 184<div class='nav-wrapper clearfix'> 185<nav class='sb_site_nav'> 186<div class='collapsed-menu-wrapper'> 187<a class='collapsed-menu-link' href='javascript:void(0)' id='js-collapsed-menu-link'></a> 188</div> 189<ul class='nav-menu show' id='js-nav-menu'> 190<li class='active'> 191<a href="/index.htm">Home</a> 192</li> 193<li> 194<a href="/works.htm">Works</a> 195</li> 196<li> 197<a href="/bio.htm">Biography</a> 198</li> 199<li> 200<a href="/events.htm">Events</a> 201</li> 202<li> 203<a href="/newsletter.htm">Newsletter</a> 204</li> 205<li> 206<a href="/disc.htm">Discussion</a> 207</li> 208<li> 209<a href="/blog">Blog</a> 210</li> 211<li> 212<a href="/contact">Contact</a> 213</li> 214</ul> 215</nav> 216 217</div> 218</header> 219<div class='banner-images-carousel' style='top:40px;'> 220<a target="_self" href="https://www.amazon.com/dp/B0FS28PQX9"><div class='mySlides'> 221<span><image alt='APPEN-1.jpeg' sizes='(min-width: 2000px) 66vw, 100vw' src='/images/APPEN-1.jpeg' srcset='/images/APPEN-1.jpeg 1280w, /images/APPEN-1.jpeg 960w, /images/APPEN-1.jpeg 640w'></image> 222</span> 223<div class='teaser-box' style='bottom: auto; top: 47%'> 224<a target="_self" href="https://www.amazon.com/dp/B0FS28PQX9"><button class='btn' style='background-color: #000000; color: #ffffff;'> 225Tony Palladino's cover 226</button> 227</a></div> 228</div> 229 230</a><div class='mySlides'> 231<span><image alt='APPEN-1.jpeg' sizes='(min-width: 2000px) 66vw, 100vw' src='/images/APPEN-1.jpeg' srcset='/images/APPEN-1.jpeg 1280w, /images/APPEN-1.jpeg 960w, /images/APPEN-1.jpeg 640w'></image> 232</span> 233<div class='teaser-box' style='bottom: auto; top: 47%'> 234</div> 235</div> 236 237<button class='w3-button w3-display-left' onclick='plusDivs(-1)'> 238<svg class="ant-caret-icon"><use xlink:href="#si-ant-caret-left"></use></svg> 239</button> 240<button class='w3-button w3-display-right' onclick='plusDivs(+1)'> 241<svg class="ant-caret-icon"><use xlink:href="#si-ant-caret-right"></use></svg> 242</button> 243</div>
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267 268 269 270</div> 271<div class='sbx_wrapper_main' id='sbx_wrapper_main'> 272<main> 273<section class='main-body'> 274<aside class='column column-sidebar-01'> 275<div class='column-sidebar-01__content-wrap'> 276<div class='sb_region'> 277<div class='sb_region small_primary_before_global'> 278<div class='region-contents'> 279<div class='content-wrap'> 280<div class='content-container-wrapper edit'> 281<div class='move-buttons-wrapper'> 282 283 284</div> 285<div class='content clearfix text-block'> 286<div class='image-block-align-left small'> 287<image alt='' sizes='(min-width: 530px) 33vw, (min-width: 750px) 25vw, 100vw' src='/images/cuv-1.jpg' srcset='/images/cuv-1.jpg 480w, /images/cuv-1.jpg 320w'></image> 288 289</div> 290<div class='text-wrapper'> 291<p class="from_wysiwyg">link to New Books Network's wonderful podcast about CONFESSIONS OF AN ASPIRING PORNOGRAPHER:</p> 292<p class="from_wysiwyg">Anthony Valerio, "Confessions of an Aspiring Pornographer" (Grailing Press, 2024) - New Books Network</p> 293<p class="from_wysiwyg"> </p> 294<p class="from_wysiwyg">https://newbooksnetwork.com/anthony-valerio-confessions-of-an-aspiring-pornographer-grailing-press-2024</p> 295</div> 296</div> 297</div> 298 299 300</div> 301<div class='content-wrap'> 302<div class='content-container-wrapper edit'> 303<div class='move-buttons-wrapper'> 304 305 306</div> 307<div class='content clearfix text-block'> 308<div class='image-block-align-left small'> 309<image alt='' sizes='(min-width: 530px) 33vw, (min-width: 750px) 25vw, 100vw' src='/images/john3.jpg' srcset='/images/john3.jpg 480w, /images/john3.jpg 320w'></image> 310 311<div class='caption'> 312Cult Classic CONVERSATION WITH JOHNNY is now availaboe in Audio, Print and E-book editions. 313</div> 314</div> 315</div> 316</div> 317 318 319</div> 320<div class='content-wrap'> 321<div class='content-container-wrapper edit'> 322<div class='move-buttons-wrapper'> 323 324 325</div> 326<div class='content clearfix text-block'> 327<div class='image-block-align-left small'> 328<image alt='' sizes='(min-width: 530px) 33vw, (min-width: 750px) 25vw, 100vw' src='/images/two-guys_no-type.jpg' srcset='/images/two-guys_no-type.jpg 480w, /images/two-guys_no-type.jpg 320w'></image> 329 330<div class='caption'> 331TWO GUYS---<br> <br>Original Collage in BEFORE THE SIDWALK ENDED by Dave Barry<br> <br> 332</div> 333</div> 334</div> 335</div> 336 337 338</div> 339<div class='content-wrap'> 340<div class='content-container-wrapper edit'> 341<div class='move-buttons-wrapper'> 342 343 344</div> 345<div class='content clearfix text-block'> 346<div class='image-block-align-left small'> 347<a href='https://newbooksnetwork.com/anthony-valerio-semmelweis-the-womens-doctor-zantedeschi-books-2019/'> 348<image alt='' sizes='(min-width: 530px) 33vw, (min-width: 750px) 25vw, 100vw' src='/images/3d_mockup_bonus_(1)_-_copy.png' srcset='/images/3d_mockup_bonus_(1)_-_copy.png 480w, /images/3d_mockup_bonus_(1)_-_copy.png 320w'></image> 349 350</a> 351</div> 352<div class='text-wrapper'> 353<p class="from_wysiwyg">PODCAST JUST OUT ABOUT MY BOOK ON THE AMAZING Dr. Ignaz P. Semmelweis.</p> 354<p class="from_wysiwyg">Here it is.</p> 355<p class="from_wysiwyg"> </p> 356<p class="from_wysiwyg"> </p> 357<p class="from_wysiwyg">https://newbooksnetwork.com/anthony-valerio-semmelweis-the-womens-doctor-zantedeschi-books-2019/</p> 358<p class="from_wysiwyg"> </p> 359</div> 360</div> 361</div> 362 363 364</div> 365<div class='content-wrap'> 366<div class='content-container-wrapper edit'> 367<div class='move-buttons-wrapper'> 368 369 370</div> 371<div class='content clearfix text-block'> 372<div class='image-block-align-left small'> 373<image alt='' sizes='(min-width: 530px) 33vw, (min-width: 750px) 25vw, 100vw' src='/images/face.jpg' srcset='/images/face.jpg 480w, /images/face.jpg 320w'></image> 374 375</div> 376</div> 377</div> 378 379 380</div> 381<div class='content-wrap'> 382<div class='content-container-wrapper edit'> 383<div class='move-buttons-wrapper'> 384 385 386</div> 387<div class='content clearfix text-block'> 388<div class='image-block-align-left small'> 389<image alt='Just released--Anthony Valerio's biography of Dr. Ignaz Semmelweis, the doctor who discovered the causes of childbed fever and its means of prevention. Semmelweis (1817-1865) was largely ignored, ultimately placed in an asylum and there was killed. ' sizes='(min-width: 530px) 33vw, (min-width: 750px) 25vw, 100vw' src='/images/dave_cover_uze2_2.jpg' srcset='/images/dave_cover_uze2_2.jpg 480w, /images/dave_cover_uze2_2.jpg 320w'></image> 390 391<div class='caption'> 392cover design by Dave Barry for Semmelweis, the Women's Doctor - Just Released!<br> <br>The Life and Work of pioneering physician Ignaz P. Semmelweis, who discovered the causes and means of prevention of childbed fever, the H.I.V. and cancer of his day. Called the "Father of Antisepsis," he was largely ignored, placed in an asylum and murdered. <br> <br>Proud to say that though Semmelweis lived and worked about 150 years ago the great art for this project from Aharon Gluska and Dave Barry root the great doctor in a powerful present. Below examples of their work for this project.<br> <br>"He was a man who did good for women."-- M. Zantedeschi<br> <br> 393</div> 394</div> 395</div> 396</div> 397 398 399</div> 400<div class='content-wrap'> 401<div class='content-container-wrapper edit'> 402<div class='move-buttons-wrapper'> 403 404 405</div> 406<div class='content clearfix text-block'> 407<div class='image-block-align-left small'> 408<image alt='Young Semmelweis by Aharon Gluska found in Semmelweis, the Women's Doctor' sizes='(min-width: 530px) 33vw, (min-width: 750px) 25vw, 100vw' src='/images/signed_semm_2.jpg' srcset='/images/signed_semm_2.jpg 480w, /images/signed_semm_2.jpg 320w'></image> 409 410<div class='caption'> 411Young Semmelweis by Aharon Gluska, found in Semmelweis, the Women's Doctor 412</div> 413</div> 414</div> 415</div> 416 417 418</div> 419<div class='content-wrap'> 420<div class='content-container-wrapper edit'> 421<div class='move-buttons-wrapper'> 422 423 424</div> 425<div class='content clearfix text-block'> 426<div class='image-block-align-left small'> 427<image alt='NEW EDITION, TONI CADE BAMBARA'S ONE SICILIAN NIGHT. COVER DESIGN BY DAVE BARRY. PLUS EPILOGUE, WATER FOR TONI MORRISON' sizes='(min-width: 530px) 33vw, (min-width: 750px) 25vw, 100vw' src='/images/daves_tcb_1_2.jpg' srcset='/images/daves_tcb_1_2.jpg 480w, /images/daves_tcb_1_2.jpg 320w'></image> 428 429<div class='caption'> 430new edition print & E-book--<br>TONI CADE BAMBARA'S ONE SICILIAN NIGHT<br> <br>including the essay WATER FOR TONI MORRISON<br> <br>new cover design by Dave Barry 431</div> 432</div> 433</div> 434</div> 435 436 437</div> 438<div class='content-wrap'> 439<div class='content-container-wrapper edit'> 440<div class='move-buttons-wrapper'> 441 442 443</div> 444<div class='content clearfix text-block'> 445<h4>JOHN DANTE'S INFERNO, a Playboy's Life</h4> 446<div class='image-block-align-left small'> 447<a href='https://www.amazon.com/John-Dantes-Inferno-Playboys-Life-ebook/dp/B008MOP7
44754/ref=sr_1_18?keywords=Anthony+Valerio&qid=1569421202&s=gateway&sr=8-18'> 448<image alt='' sizes='(min-width: 530px) 33vw, (min-width: 750px) 25vw, 100vw' src='/images/dave_updated_jdi_cover.png' srcset='/images/dave_updated_jdi_cover.png 480w, /images/dave_updated_jdi_cover.png 320w'></image> 449 450</a> 451<div class='caption'> 452<a href='https://www.amazon.com/John-Dantes-Inferno-Playboys-Life-ebook/dp/B008MOP754/ref=sr_1_18?keywords=Anthony+Valerio&qid=1569421202&s=gateway&sr=8-18'> 453new cover by Dave Barry 454</a> 455</div> 456</div> 457</div> 458</div> 459 460 461</div> 462</div> 463</div> 464 465<div class='sb_region small_primary_global'> 466<div class='region-contents'> 467<div class='content-wrap'> 468<div class='content-container-wrapper'> 469<div class='content global-content clearfix' data-global-content-container> 470<div class='inner-contents'> 471 472</div> 473</div> 474</div> 475 476</div> 477</div> 478</div> 479 480<div class='sb_region small_primary_after_global'> 481<div class='region-contents'> 482<div class='content-wrap'> 483<div class='content-container-wrapper edit'> 484<div class='move-buttons-wrapper'> 485 486 487</div> 488<div class='content clearfix text-block'> 489<div class='text-wrapper'> 490<p class="from_wysiwyg">An Infernal Pleasure</p> 491<p class="from_wysiwyg"> </p> 492<p class="from_wysiwyg">This is a highly original way of telling the story of John Dante, self-made namesake of the more famous Dante. Using the medieval poet's vision of Hell as a kind of running parallel narrative, Anthony Valerio weaves a fascinating tale of ambition, excess, friendship, and rocking good times back in the day of the Playboy Clubs, replete with Bunnies, orgies, and hedonistic fun. Valerio writes with verve and compassion about men and women who ran after their dreams and their pleasures with abandon, living as if youth, potency, and beauty would never end. They did, of course, and this gives a poignant quality to the book. This is also the life story of an Italian American who came up from very humble origins to the heights of Hugh Hefner's sexy Never Never Land. I didn't always like these players' choices, and the machismo of that world is sometimes hard to take. Women are prized for their long, smooth legs, their willingness to service the men, their decorative essence, all of which is not the most admirable way of viewing women. But those were the times and those were the values that dominated Hef's universe. John Dante did have his own moral code, unusual as it was, and he was above all a good and faithful friend. Valerio is so expert at making us feel the lives of others, even those very far from our own experiences, and his colloquial style is just right. It seems that he wrote this book out of friendship, and so it is ultimately a kind, compassionate book. I am looking forward to many more tales told by the master storyteller, Anthony Valerio!</p> 493</div> 494</div> 495</div> 496 497 498</div> 499</div> 500</div> 501 502 503</div> 504<div class='sb_region'> 505<div class='sb_region small_secondary_before_global'> 506<div class='region-contents'> 507<div class='content-wrap'> 508<div class='content-container-wrapper edit'> 509<div class='move-buttons-wrapper'> 510 511 512</div> 513<div class='link-block content clearfix'> 514<a target="_blank" class="link-link" href="https://www.amazon.com/BILLY-WIZARD-BENSONHURST-Anthony-Valerios/dp/8182539714/ref=sr_1_2?keywords=anthony+valerio&qid=1654637567&sr=8-2">Link to Purchase page of- 515 516BILLY BELLO, WIZARD OF BENSONHURST</a> 517</div> 518</div> 519 520</div> 521<div class='content-wrap'> 522<div class='content-container-wrapper edit'> 523<div class='move-buttons-wrapper'> 524 525 526</div> 527<div class='content clearfix text-block'> 528<div class='image-block-align-left small'> 529<image alt='cover design for my book JOHN DANTE'S INFERNO by Dave Barry' sizes='(min-width: 530px) 33vw, (min-width: 750px) 25vw, 100vw' src='/images/john-dante-audible-2.jpg' srcset='/images/john-dante-audible-2.jpg 480w, /images/john-dante-audible-2.jpg 320w'></image> 530 531<div class='caption'> 532cover design by Dave Barry 533</div> 534</div> 535</div> 536</div> 537 538 539</div> 540<div class='content-wrap'> 541<div class='content-container-wrapper edit'> 542<div class='move-buttons-wrapper'> 543 544 545</div> 546<div class='content clearfix text-block'> 547<div class='text-wrapper'> 548<p class="from_wysiwyg">NEWS RE MY BOOK -</p> 549<p class="from_wysiwyg">JOHN DANTE'S INFERNO, A PLAYBOY'S LIFE</p> 550<p class="from_wysiwyg"> </p> 551<p class="from_wysiwyg">Director for the AE TV series airing now SECRETS OF PLAYBOY Alexandra Dean and her film crew came to my house and filmed me for the series based on the above book. I did not know what to expect. I wrote the book and stood by it. Well, I appeared last night (Episode 5) in a gruesome Episode, undefensible in my opinion, while there I was speaking about what I had written. That work, in the event you do not know, was based on the life of John Dante. Here is the infor for that work.</p> 552<p class="from_wysiwyg"> </p> 553<p class="from_wysiwyg">https://www.amazon.com/John-Dantes-Inferno-Playboys-Life-ebook/dp/B008MOP7
55354/ref=sr_1_5?crid=13BJH93XCVITR&keywords=anthony+valerio</p> 554</div> 555</div> 556</div> 557 558 559</div> 560<div class='content-wrap'> 561<div class='content-container-wrapper edit'> 562<div class='move-buttons-wrapper'> 563 564 565</div> 566<div class='content clearfix text-block'> 567<div class='text-wrapper'> 568<p class="from_wysiwyg">Professor Eric Goldman write with generosity & insight about CONVERSATION WITH jOHNNY</p> 569<p class="from_wysiwyg"> </p> 570<p class="from_wysiwyg">Like a beam of sunlight that bends<br />Reviewed in the United States on July 24, 2017<br />The plot of Valerio's novel is refracted through a series of vignettes relayed through the narrator's conversations with an approachable mafia don (the titular Johnny) and the narrator's lover, a married woman nicknamed Lefty living a quiet life of married desperation (until she meets the narrator). Like a beam of sunlight that bends, separates into colors, and then reunites after passing through a variety of media, the narrator's conversations express a conflicted relationship with love (not only of women, he tells us, but "the way I view everything.")</p> 571<p class="from_wysiwyg">The narrator, though preoccupied with universal questions, is resolutely, concretely Italian-American, and through his conversations with Johnny he engages both with the local meaning of this identity (in New York City) as well its larger temporal and geographical extensions: back in time to Garibaldi in Italy; across the ocean to Sicily and beyond. As one of the fictional narrators within the novel/autobiography says while musing over the confluence of the Hudson River and Atlantic Ocean, "For years I wondered exactly where the fresh water turns to salt." Key to this novel, and nowhere better or more beautifully articulated than the conversation that follows about how freshwater and saltwater fish both survive there, is the theme of immigration and dual identity. The novel, like the Hudson, is intimately "local" in its quotidian contact with Italian-American culture in New York, but never loses contact with the ocean that lies beyond, and is quite at ease moving just as intimately across the Atlantic – and not only across space but across time – to various locales in Italy. And then there are the imaginary locales of Nicholas's (the narrator's) memory and desire, which add the third dimension of imagination to Valerio's invented autobiography.</p> 572<p class="from_wysiwyg">If this sounds "literary" (unfortunately this term is a pejorative in some circles), it is also winningly funny, full of the wise humor of Valerio's narrator Nicholas, who is a persona of the engaging writer himself. Though the fragmented plot and shifts between different conversations and locales is at first challenging for readers seeking a more traditional linear novel, Valerio's Conversations has a seductive power that does its work subtly and silently, so after it ends you will feel, without really understanding why, like a silence has fallen after a long-lost friend has departed. And the fact that this is accomplished not through an operatic voice but through a series of apparently desultory conversations is an impressive feat of Valerio's dialogic style.</p> 573</div> 574</div> 575</div> 576 577 578</div> 579<div class='content-wrap'> 580<div class='content-container-wrapper edit'> 581<div class='move-buttons-wrapper'> 582 583 584</div> 585<div class='content clearfix text-block'> 586<div class='text-wrapper'> 587<p class="from_wysiwyg">From BART by Anthony Valerio</p> 588<p class="from_wysiwyg"> </p> 589<p class="from_wysiwyg"><span style="font-size: 14pt;">THE GAME'S DEEP PATTERNS</span></p> 590<p class="from_wysiwyg"> </p> 591<p class="from_wysiwyg"><span style="font-size: 14pt;">Somehow, the summer seemed to slip by faster this time. Maybe it wasn't this summer, but all the summers that, in this my fortieth summer, slipped by so fast. There comes a time when every summer will have something of autumn about it. Whatever the reason, it seemed to me that I was investing more and more in baseball, making the game do more of the work that keeps time fat and slow and lazy. I was counting on the game's deep patterns, three strikes, three outs, three times three innings, and its deepest impulse, to go out and back, to leave and return home, to set the order of the day and to organize the daylight.</span></p> 592<p class="from_wysiwyg"><span style="font-size: 14pt;">- -A. BARTLETT GIAMATTI, "The Green Fields of the Mind"</span></p> 593</div> 594</div> 595</div> 596 597 598</div> 599<div class='content-wrap'> 600<div class='content-container-wrapper edit'> 601<div class='move-buttons-wrapper'> 602 603 604</div> 605<div class='content clearfix text-block'> 606</div> 607</div> 608 609 610</div> 611<div class='content-wrap'> 612<div class='content-container-wrapper edit'> 613<div class='move-buttons-wrapper'> 614 615 616</div> 617<div class='content clearfix text-block'> 618<h4>appreciate this wonderful review of BEFORE THE SIDEWALK ENDED:A WALK WITH SHEL SILVERSTEIN<br>By professor E.V. Nerenberg.</h4> 619<div class='text-wrapper'> 620<p class="from_wysiwyg">What an interesting book this is, both in form and content. This is not the<br />Silverstein of his books for children (or whatever someone may have imagined about<br />that author) but a mature man with other interests, ideas, and preoccupations. I<br />found that really refreshing. What emerges from this peripatetic portrait is a<br />particular writer (who is particularly famous) in a particular time in a particular<br />place (NYC's West Village), seen from a particular point of view (Valerio's.) The<br />review about how little time it took to read is sort of curious. Don't people read<br />(and walk, as in the title) at different rates? There's something very lyrical about<br />this prose that I actually stopped along the way more than I might have if I were,<br />say, reading for the plot. I really liked that this was a respectful, adult vision.</p> 621</div> 622</div> 623</div> 624 625 626</div> 627<div class='content-wrap'> 628<div class='content-container-wrapper edit'> 629<div class='move-buttons-wrapper'> 630 631 632</div> 633<div class='content clearfix text-block'> 634<h4>Generous reviews of BEFORE THE SIDEWALK ENDED: A WALK WITH SHEL SILVERSTEIN<br>By Professor John Mccormack, University of Chicago</h4> 635<div class='text-wrapper'> 636<p class="from_wysiwyg">
636A complicated, human portrait of Shel Silverstein, perhaps America's last<br />Renaissance man.</p> 637<p class="from_wysiwyg">Playboy cartoonist, beloved children's books author, Grammy award winning<br />songwriter, poet laureate of the post-counterculture, Shel Silverstein was perhaps<br />America's last Renaissance man. Anthony Valerio, prose painter of many intimate,<br />dazzling, baroque portraits of great Italians and great Americans, famous and not,<br />turns his brush to Silverstein. From Valerio's canvas jumps forth to readers an<br />artist, a time and a friendship. Avoiding the one single human emotion that was<br />anathema to Shel--sentimentality--Valerio evokes the hedonism, disillusion and<br />humanity of 70s-80s Greenwich Village. A moving account of the joys of making art,<br />making conversation, and making love, Valerio bears testament to a great artist and<br />a great friend.</p> 638</div> 639</div> 640</div> 641 642 643</div> 644<div class='content-wrap'> 645<div class='content-container-wrapper edit'> 646<div class='move-buttons-wrapper'> 647 648 649</div> 650<div class='content clearfix text-block'> 651<div class='image-block-align-left small'> 652<image alt='two great pencil drawings of Semmelweis by Aharon Gluska' sizes='(min-width: 530px) 33vw, (min-width: 750px) 25vw, 100vw' src='/images/gluska3.jpg' srcset='/images/gluska3.jpg 480w, /images/gluska3.jpg 320w'></image> 653 654<div class='caption'> 655two great pencil drawings of a young Semmelweis & an ageing Semmelweis by Aharon Gluska 656</div> 657</div> 658</div> 659</div> 660 661 662</div> 663<div class='content-wrap'> 664<div class='content-container-wrapper edit'> 665<div class='move-buttons-wrapper'> 666 667 668</div> 669<div class='content clearfix text-block'> 670<h4>kind words about SEMMELWEIS from professor Eric Goldman- <br> <br>Valerio puts into practice as a non-fiction, imaginative biographer what Whitman did in his great poetry -- in Whitman's words, "putting myself here and now to the ambushed womb of the shadows."<br>Throughout V's career, he has been fascinated with those left in the shadows of greatness and full recognition -- those who deserve the light of an understanding, empathetic, humorous and historically and, more importantly, spiritually and psychologically precise author, so that their beauty and grace, and human fallibility, can also be passed down to future generations. Like Whitman, Valerio sees in the "shadows" of history not a grave, but a womb. And like a good obstetrician, or even like a father, brings forth from those margins of history the worthy individual obscured within, delivering him or her into the full light of history and to us. Here, in Semmelweiss, Valerio delivers into the light of our regard and sympathy a man who is more suited, in a sort of poetic justice, to be delivered from the womb of the shadows than any other--a man who devoted his life -- indeed, sacrificed it to the contumely of his petty and vain detractors, always the unjust punishment of gentle genuis-- to delivering women who were delivering babies, and then dying along with their babies
670-- delivering them, with all his might and soul, from what we now recognize as purpural fever -- childbed fever.</h4> 671<div class='text-wrapper'> 672<p class="from_wysiwyg">About Semmelweis, the Women's Doctor</p> 673<p class="from_wysiwyg">by Prof. Eric Goldman</p> 674<p class="from_wysiwyg"> </p> 675<p class="from_wysiwyg">Anthony Valerio's Semmelweis doesn't just make you feel the thrill of hunting the cause of one of the most devastating diseases of the nineteenth century (puerperal fever, a major killer of pregnant women and newborns) with one of the great medical scientists of the nineteenth century, Ignaz Semmelweis. Even more powerfully, he brings readers to feel Semmelweis's frustration of actually finding the cause and the means of preventing it, but then not being able to save thousands of women dying of the disease because of the pride, vanity, and ignorance of the medical establishment.</p> 676<p class="from_wysiwyg">Valerio's Semmelweis is no alienating genius who has from birth a special capacity for greatness that we can only witness and admire. Instead, Valerio impresses upon us how Semmelweis stumbles into greatness, almost against his will, into a mystery he feels both intellectually and, increasingly, morally responsible for solving. And then, Valerio renders the hardest part of Semmelweis's burden: his ethical responsibility to tell doctors that they are the cause of the epidemic of dead mothers and babies. Because Valerio so effectively allows us to identify with Semmelweis (we enter his painstaking logic and solve the mystery with him), his allies seem like our friends, too. Likewise, the ironic enemies of Semmelweis's discovery—the very doctors who are supposed to cure disease and protect the innocent from death—become the reader's enemies.</p> 677<p class="from_wysiwyg">Valerio's book is an intimate and heartfelt letter of thanks and gratitude to one of history's great heroes. What makes Valerio's narrative biography so moving at both intellectual and emotional levels, though, is his ability to bring readers within Semmelweis's mind and heart, looking out with him both at a physical disease that tormented and destroyed so many women and children and, almost as bad, at a cultural disease of male pride and power that prevented Semmelweis's discovery and cure from saving so many victims. Readers feel like they are with Semmelweis in the hospital wards where women are dying mysteriously of puerperal fever. We feel with him as he hunts down the cause of the disease with observation and deductive reasoning. We share the exhilarating joy of discovering the cause and then, once the establishment resists the findings, and rejects the easy prevention of the disease, Semmelweis's initial outrage and anger. Though injustice meets Semmelweis at the end of his life, his personal battle to make doctors wash their hands largely lost, ultimately the scientific truth and power of Semmelweis's discovery prevail, as Valerio reminds us in the opening images of hand-sanitizer in modern-day hospitals.</p> 678<p class="from_wysiwyg">Semmelweis is as intimate and personally engaging a narrative of a medical genius as anyone could possibly write. Valerio's book transcends, with its ability to allow readers into Semmelweis's amble heart and mind, mere biography and becomes, instead, a form of human autobiography.</p> 679<p class="from_wysiwyg"> </p> 680</div> 681</div> 682</div> 683 684 685</div> 686<div class='content-wrap'> 687<div class='content-container-wrapper edit'> 688<div class='move-buttons-wrapper'> 689 690 691</div> 692<div class='link-block content clearfix'> 693<a target="_blank" class="link-link" href="https://www.amazon.com/SEMMELWEIS-Womens-Doctor-Anthony-VALERIO-ebook/dp/B07SXB767W/ref=sr_1_1?keywords=anthony+valerio&qid=1560558566&s=gateway&sprefix=anthony+valerio%2Caps%2C201&sr=8-1">link to Semmelweis, the Women's Doctor</a> 694<div class='link-description'><p class="from_wysiwyg">"inspirational and very well written."</p></div> 695</div> 696</div> 697 698</div> 699<div class='content-wrap'> 700<div class='content-container-wrapper edit'> 701<div class='move-buttons-wrapper'> 702 703 704</div> 705<div class='content clearfix text-block'> 706<div class='image-block-align-right small'> 707<image alt='new edition ANITA GARIBALDI, a biography' sizes='(min-width: 530px) 33vw, (min-width: 750px) 25vw, 100vw' src='/images/dave_anite_new_cover_3.jpg' srcset='/images/dave_anite_new_cover_3.jpg 480w, /images/dave_anite_new_cover_3.jpg 320w'></image> 708 709<div class='caption'> 710new edition ANITA GARIBALDI, a biography<br> <br>cover design, Dave Barry 711</div> 712</div> 713</div> 714</div> 715 716 717</div> 718</div> 719</div> 720 721<div class='sb_region small_secondary_global'> 722<div class='region-contents'> 723<div class='content-wrap'> 724<div class='content-container-wrapper'> 725<div class='content global-content clearfix' data-global-content-container> 726<div class='global_content_header_wrapper'> 727<div class='global_content_inner_wrapper'> 728<h3 class='MediumHeader'> 729Quick Links 730</h3> 731</div> 732</div> 733<div class='inner-contents'> 734<div class='content-container-wrapper edit'> 735<div class='move-buttons-wrapper'> 736 737 738</div> 739<div class='link-block content clearfix'> 740<a target="_blank" class="link-link" href="https://www.amazon.com/ANITA-GARIBALDI-Biography-Anthony-Valerio/dp/0977282465/ref=sr_1_3?keywords=anthony+valerio&qid=1551480816&s=gateway&sprefix=anthony+valerio%2Caps%2C201&sr=8-3">find Anita's print edition</a> 741<div class='link-description'>also in digital</div> 742</div> 743</div> 744<div class='content-container-wrapper edit'> 745<div class='move-buttons-wrapper'> 746 747 748</div> 749<div class='link-block content clearfix'> 750<a target="_blank" class="link-link" href="http://">About ANITA GARIBALDI, a Biography</a> 751<div class='link-description'>"In Valerio's hand, Anita Garibaldi emerges as the courageous but vulnerable woman from Sao Paulo, Brazil, whose singular and precious spirit was caught in the times. Anita Garibaldi is a romance discovered in history's embrace. Valerio creates the Brazilian ethos
751in its emerald presence as the brilliant nerve in Garibaldi's brave but short time. This biography has a texture like a Renior film, broad and expansive, swimming along in voluble seas."-Afaa M. Weaver, poet, professor, scholar </div> 752</div> 753</div> 754<div class='content-container-wrapper edit'> 755<div class='move-buttons-wrapper'> 756 757 758</div> 759<div class='link-block content clearfix'> 760<a target="_blank" class="link-link" href="http://https://www.amazon.com/ANITA-GARIBALDI-Biography-Anthony-Valerio/dp/0977282465/ref=sr_1_3?keywords=anthony+valerio&qid=1551480816&s=gateway&sprefix=anthony+valerio%2Caps%2C201&sr=8-3"></a> 761</div> 762</div> 763<div class='content-container-wrapper edit'> 764<div class='move-buttons-wrapper'> 765 766 767</div> 768<div class='link-block content clearfix'> 769<a target="_blank" class="link-link" href="https://www.amazon.com/Conversation-Johnny-novel-power-sex/dp/1522065830/ref=sr_1_6?keywords=anthony+valerio&qid=1551481352&s=gateway&sprefix=anthony+valerio%2Caps%2C201&sr=8-6">Converse with Johnny in print edition</a> 770<div class='link-description'>also in digital</div> 771</div> 772</div> 773<div class='content-container-wrapper edit'> 774<div class='move-buttons-wrapper'> 775 776 777</div> 778<div class='link-block content clearfix'> 779<a target="_blank" class="link-link" href="http://"> About Conversation with Johnny</a> 780<div class='link-description'> âSubsequent artistic attempts at humanizing the don include Analyze This and The Sopranos. Both of these productions feature don characters in therapy. Valero's use of the therapy device, though, is unique and visionary. It not only predates these films, but also shows the don in control, as therapist, not patient. This configuration emphasizes the power of Italian culture to nurture individual identity. Johnny, the don, serves as cultural nursemaid to the reborn Italian-American, Nicholas. â Melus</div> 781</div> 782</div> 783 784</div> 785</div> 786</div> 787 788</div> 789</div> 790</div> 791 792<div class='sb_region small_secondary_after_global'> 793<div class='region-contents'> 794<div class='content-wrap'> 795<div class='content-container-wrapper edit'> 796<div class='move-buttons-wrapper'> 797 798 799</div> 800<div class='content clearfix text-block'> 801<div class='image-block-align-right small'> 802<image alt='' sizes='(min-width: 530px) 33vw, (min-width: 750px) 25vw, 100vw' src='/images/j_cover10_2.jpg' srcset='/images/j_cover10_2.jpg 480w, /images/j_cover10_2.jpg 320w'></image> 803 804</div> 805</div> 806</div> 807 808 809</div> 810<div class='content-wrap'> 811<div class='content-container-wrapper edit'> 812<div class='move-buttons-wrapper'> 813 814 815</div> 816<div class='content clearfix text-block'> 817<h4>A BEAM OF LIGHT THAT BENDS<br>Â <br>by Professor Eric Goldman</h4> 818<div class='text-wrapper'> 819<p class="from_wysiwyg">The plot of Valerio's novel is refracted through a series of vignettes relayed through the narrator's conversations with an approachable mafia don (the titular Johnny) and the narrator's lover, a married woman nicknamed Lefty living a quiet life of married desperation (until she meets the narrator). Like a beam of sunlight that bends, separates into colors, and then reunites after passing through a variety of media, the narrator's conversations express a conflicted relationship with love (not only of women, he tells us, but "the way I view everything.")</p> 820<p class="from_wysiwyg">The narrator, though preoccupied with universal questions, is resolutely, concretely Italian-American, and through his conversations with Johnny he engages both with the local meaning of this identity (in New York City) as well its larger temporal and geographical extensions: back in time to Garibaldi in Italy; across the ocean to Sicily and beyond. As one of the fictional narrators within the novel/autobiography says while musing over the confluence of the Hudson River and Atlantic Ocean, "For years I wondered exactly where the fresh water turns to salt." Key to this novel, and nowhere better or more beautifully articulated than the conversation that follows about how freshwater and saltwater fish both survive there, is the theme of immigration and dual identity. The novel, like the Hudson, is intimately "local" in its quotidian contact with Italian-American culture in New York, but never loses contact with the ocean that lies beyond, and is quite at ease moving just as intimately across the Atlantic –
820 and not only across space but across time – to various locales in Italy. And then there are the imaginary locales of Nicholas's (the narrator's) memory and desire, which add the third dimension of imagination to Valerio's invented autobiography.</p> 821<p class="from_wysiwyg">If this sounds "literary" (unfortunately this term is a pejorative in some circles), it is also winningly funny, full of the wise humor of Valerio's narrator Nicholas, who is a persona of the engaging writer himself. Though the fragmented plot and shifts between different conversations and locales is at first challenging for readers seeking a more traditional linear novel, Valerio's Conversations has a seductive power that does its work subtly and silently, so after it ends you will feel, without really understanding why, like a silence has fallen after a long-lost friend has departed. And the fact that this is accomplished not through an operatic voice but through a series of apparently desultory conversations is an impressive feat of Valerio's dialogic style.</p> 822</div> 823</div> 824</div> 825 826 827</div> 828</div> 829</div> 830 831 832</div> 833</div> 834</aside> 835<section class='column column-primary column-last'> 836<div class='column-primary__content-wrap'> 837<div class='sb_region sb_region_page_title'> 838<div class='sb_page_title_wrapper'> 839<h2> 840Welcome!<br> <br>FORTHCOMING FROM GRAILING PRESS: CONFESSIONS OF AN ASPIRING PORNOGRAPHER<br> <br>IN INTERLOCKING STORIES WE SEE THE WORLD OF WALTER GREGORY, ASPIRING WRITER, AS IT SPRAWLS ACROSS LOWER MANHATTAN IN THE 50s, 60s and 70s.<br> <br> <br> <br> <br>Professor Eric Goldman's Review of Confessions of an Aspiring Pornographer<br> <br>Anthony Valerio's Confessions of an Aspiring Pornographer is about the pleasure of creation. One by one, his characters rise, walk, talk and, of course, make love. Make no mistake, though, because Confessions isn't just, or even primarily, about sex, maugre the title; it's about love. For Valerio not only creates, with exquisite pleasure and loving skill, but raises his characters with loving care. And like holograms, with each engraved line they come closer to springing off the page. And spring they do, sometimes even onto each other.<br>One such character, an eight-foot-long Bengal tigress, appears and disappears mysteriously and beautifully in the otherwise realistic landscape of Valerio's Manhattan. The tigress, a symbol of Valerio himself, ties together the collage-like pieces described by the titular "aspiring," but not realized, pornographer: Walter Michael Gregory, a persona of the author himself. On the hunt through the city for character, Gregory finds it in a variety of strange places and people, including himself (that's why one of his characters, interpreting his dream tigress, tells him, "You are the Bengal tiger . . . You are her frightened prey").   <br>Like the phantom tigress, Valerio's lines are simultaneously muscular and elegant. All that power moves easily, leaping from thought to thought with absolutely no strain at all, and with plenty left over, you feel. It's about being as compact as possible, naturally, with no wasted space, and no wasted word.<br>Along with the characters who orbit Valerio's sun-like persona, Walter Michael Gregoryâwho warms them into life and vivacity as the sun warms the planetsâis, of course, the author himself, in disguised form. Valerio gives us a bildungsroman-like account of his childhood, backlit of course with imagination and inventionâone that leads through isolation all the way to and through aspiring pornography. What we finally arrive at as readersâin spite of the impact of a clam-like asteroid fragment that cleaves Walter Gregory's soft porn publishing house in twoâis the destination of all of Valerio's works, humanity.<br> <br> <br> <br> <br> <br>link to radio show on November 2. Great show with Stephan Alison about my relationship with Shel Silverstein (BEFORE THE SIDEWALK ENDED: A WALK WITH SHEL SILVERSTEIN and<br>introduction and reading from forthcoming book: CONFESSIONS OF AN ASPIRING PORNOGRAPHER. <br>link:<br>https://wesu.streamrewind.com/bookmarks/listen/393757/river-valley-rhythms<br> <br>thanks, AV 841</h2> 842</div> 843 844</div> 845<div class='sb_region'> 846<div class='sb_region big'> 847<div class='region-contents'> 848<div class='content-wrap'> 849<div class='content-container-wrapper edit'> 850<div class='move-buttons-wrapper'> 851 852 853</div> 854<div class='content clearfix text-block'> 855<div class='text-wrapper'> 856<p class="from_wysiwyg">CONFESSIONS OF AN ASPIRING PORNOGRAPHER</p> 857<p class="from_wysiwyg">JUST FINISHED. EXCITED ABOUT IT, OBVIOUSLY.</p> 858<p class="from_wysiwyg">a little about it:</p> 859<p class="from_wysiwyg">Of the editorial fields open to aspiring writers in the 60s and 70s is the world of commissioned porn. Wally Gregory wends his way through Lower Manhattan's micro-communites, dishing up porn for a salary and a chance at the entry into the world of literaure. Forthcoming from Grailing Press</p> 860<p class="from_wysiwyg"> </p> 861<p class="from_wysiwyg">link to excerpt: https://shoutout.wix.com/so/ccOan0tVu?languageTag=en&cid=3a15eb5c-9f19-481c-bfad-e1c0dd821cdb</p> 862<p class="from_wysiwyg">Chapter One: At Maurizio's Cafe</p> 863</div> 864</div> 865</div> 866 867 868</div> 869<div class='content-wrap'> 870<div class='content-container-wrapper edit'> 871<div class='move-buttons-wrapper'> 872 873 874</div> 875<div class='content clearfix text-block'> 876</div> 877</div> 878 879 880</div> 881<div class='content-wrap'> 882<div class='content-container-wrapper edit'> 883<div class='move-buttons-wrapper'> 884 885 886</div> 887<div class='content clearfix text-block'> 888<div class='text-wrapper'> 889<p class="from_wysiwyg">Just out--New Short Novel</p> 890<p class="from_wysiwyg"> </p> 891<p class="from_wysiwyg">BILLY BELLO, WIZARD OF BENSONHURST</p> 892<p class="from_wysiwyg"> </p> 893<p class="from_wysiwyg">
893Meet teenager Billy Bello, modern-day wizard. He can see through things. He can step onto his magic carpet and fly to distance lands. Ride elephants in India with Sabu. At the same time, Billy shares anxieties with young folks around the world. Drugs. Crime. Coming-of-age Sex. He fancies himself a lover.</p> 894</div> 895</div> 896</div> 897 898 899</div> 900<div class='content-wrap'> 901<div class='content-container-wrapper edit'> 902<div class='move-buttons-wrapper'> 903 904 905</div> 906<div class='content clearfix text-block'> 907<div class='text-wrapper'> 908<p class="from_wysiwyg">Check out my YOU TUBE CHANNEL WHICH IS FEATURING </p> 909<p class="from_wysiwyg">READINGS FROM MY WORLD-WIDE VIRTUAL TOUR.</p> 910<p class="from_wysiwyg">HERE'S THE LINK.</p> 911<p class="from_wysiwyg"> </p> 912<p class="from_wysiwyg">https://www.youtube.com/channel/UC6HUc1QxYCapjyP9fDqorCQ</p> 913<p class="from_wysiwyg"> </p> 914<p class="from_wysiwyg"><br />Featuring Back Stories to each book (beginnign with the last one, BILLY BELLO, WIZARD, followed by BART: A LIFE OF A.BARTLETT GIAMATTI.)</p> 915</div> 916</div> 917</div> 918 919 920</div> 921<div class='content-wrap'> 922<div class='content-container-wrapper edit'> 923<div class='move-buttons-wrapper'> 924 925 926</div> 927<div class='content clearfix text-block'> 928<div class='image-block-align-left small'> 929<image alt='' sizes='(min-width: 530px) 33vw, (min-width: 940px) 25vw, 100vw' src='/images/bart-cover3.jpg' srcset='/images/bart-cover3.jpg 480w, /images/bart-cover3.jpg 320w'></image> 930 931<div class='caption'> 932PLAY BALL!<br>Cover of my best-selling BART. Designed by my great former editor Cork Smith.<br> <br> 933</div> 934</div> 935</div> 936</div> 937 938 939</div> 940<div class='content-wrap'> 941<div class='content-container-wrapper edit'> 942<div class='move-buttons-wrapper'> 943 944 945</div> 946<div class='content clearfix text-block'> 947</div> 948</div> 949 950 951</div> 952<div class='content-wrap'> 953<div class='content-container-wrapper edit'> 954<div class='move-buttons-wrapper'> 955 956 957</div> 958<div class='content clearfix text-block'> 959<div class='text-wrapper'> 960<p class="from_wysiwyg">photo of John Dante from JOHN DANTE'S INFERNO, a Playboy's Life</p> 961</div> 962</div> 963</div> 964 965 966</div> 967<div class='content-wrap'> 968<div class='content-container-wrapper edit'> 969<div class='move-buttons-wrapper'> 970 971 972</div> 973<div class='content clearfix text-block'> 974<div class='image-block-align-left small'> 975<image alt='' sizes='(min-width: 530px) 33vw, (min-width: 940px) 25vw, 100vw' src='/images/bad-jd.jpg' srcset='/images/bad-jd.jpg 480w, /images/bad-jd.jpg 320w'></image> 976 977</div> 978<div class='text-wrapper'> 979<p class="from_wysiwyg">Gripping, literate, naughty, bawdy<br /><br />Anthony Valerio's biography of John Dante, Hugh Hefner's second-in-command at *Playboy* and the Great Libertine's best friend for over 40 years, is like no other book I have read. Deft and clever, literate and highly readable.</p> 980<p class="from_wysiwyg"><br />First, there's the subject matter. Decades of insider *Playboy* views, virtually from the landmark magazine's inception. Second, there is the intricate weaving of the "other" Dante's story. John Dante sought to imitate Dante Alighieri, he of the medieval, Italian and "divine" Comedy, who meted out punishments, penances, and paradises, in an epic-length poem made of three parts. What has one to do with the other? That would be the third part of this unique book, part social history, part immigrant story, the part that I will call the cautionary tale. For, and I won't say how, John Dante does not end well.<br />Parading through these pages are some of the best-known names in show business and, its darker side--especially for a magazine self-identified as "men's entertainment"-- pornography: Beatty, Bogdanovich, Caan, Cosby, Curtis, Jagger, Lovelace, Nicholson, Reems, Steinem, and, especially, Silverstein. Readers will be riveted by the portrait of the beloved children's author that emerges in these pages. Not exactly what they may have expected. Silverstein urged John Dante to contact Valerio, whom Silverstein knew and whose work he respected, so that John Dante could write a book--the insider's view of *Playboy*!--that would earn him enough money to get him to Florence, the town that exiled his namesake, the poet Dante Alighieri close to 700 years earlier. The 20th-century (John) Dante gets to Florence all right, but the price is steep, indeed. It's not exactly *Se7en,* but it has its dark, seamy, *nasty* side. Think *Star 80*.</p> 981<p class="from_wysiwyg"><br />
981The surprising portrait of Silverstein is but one of the gifts that this book offers. Another is the gangsta Chicagoland of the 1950s and early `60s, which teems with memorable gangland characters.<br />Part biography, part immigrant story, *John Dante's Inferno* in some ways mimics the Poet Dante's imagined journey through hell, into purgatory, and, finally, into paradise. Yet the 20th Century was a chaotic one, and sometimes it's difficult to keep separate what is hell and what is heaven. For example, John Dante claims to have had 16,000 women--and, *maybe*, one male--as lovers (he can't be sure: he was too stoned to say, exactly). Heavenly, to be sure, at least as far as John Dante was concerned. Heavenly, but with a (hellish) price to be paid.<br />Valerio writes surely and gives us gripping and very, very literate prose. It seems completely appropriate that the readers of *John Dante's Inferno* be brought into the presence of the Great Libertines of western culture, which include, surely, Casanova and Hugh Hefner.<br />Read it. And enjoy.</p> 982</div> 983</div> 984</div> 985 986 987</div> 988<div class='content-wrap'> 989<div class='content-container-wrapper edit'> 990<div class='move-buttons-wrapper'> 991 992 993</div> 994<div class='content clearfix text-block'> 995<div class='image-block-align-left large'> 996<image alt='new edition of JOHN DANTE'S INFERNO with new great cover by Dave Barry' sizes='(min-width: 940px) 66vw, 100vw' src='/images/new-jd-cover-dave.jpg' srcset='/images/new-jd-cover-dave.jpg 1280w, /images/new-jd-cover-dave.jpg 960w, /images/new-jd-cover-dave.jpg 640w'></image> 997 998<div class='caption'> 999new edition with great cover by Dave Barry. 1000</div> 1001</div> 1002</div> 1003</div> 1004 1005 1006</div> 1007<div class='content-wrap'> 1008<div class='content-container-wrapper edit'> 1009<div class='move-buttons-wrapper'> 1010 1011 1012</div> 1013<div class='content clearfix text-block'> 1014</div> 1015</div> 1016 1017 1018</div> 1019<div class='content-wrap'> 1020<div class='content-container-wrapper edit'> 1021<div class='move-buttons-wrapper'> 1022 1023 1024</div> 1025<div class='link-block content clearfix'> 1026<a target="_blank" class="link-link" href="https://www.amazon.com/Conversation-Johnny-Novel-Power-Sex/dp/B092SYYYZF/ref=tmm_aud_swatch_0?_encoding=UTF8&qid=1619099379&sr=8-20">link to Audible Original of CONVERSATION WITH JOHNNY, a novel of power & sex</a> 1027<div class='link-description'><p class="from_wysiwyg">A powerful, funny novel. Preceded The Sopranos and Analyze This</p> 1028<p class="from_wysiwyg"> </p> 1029<p class="from_wysiwyg">Conversation with Johnny is very special to me, because it constitutes at least my own dual cultural nature, the writer and the individual of power, the local gangster who most of us experienced in the old neighborhoods. Here, they merge into one. Out of this duo comes, I hope, a kind of closure on the stereotype we also all know, that of the godfather myth. On an exalted plain above all of this, to my great pleasure, is the alluring, elusive woman</p></div> 1030</div> 1031</div> 1032 1033</div> 1034<div class='content-wrap'> 1035<div class='content-container-wrapper edit'> 1036<div class='move-buttons-wrapper'> 1037 1038 1039</div> 1040<div class='content clearfix text-block'> 1041<div class='image-block-align-left small'> 1042<image alt='COVER FOR CONVERSATION WITH JOHNNY, A NOVEL OF POWER & SEX' sizes='(min-width: 530px) 33vw, (min-width: 940px) 25vw, 100vw' src='/images/johnny-nre-dave.jpg' srcset='/images/johnny-nre-dave.jpg 480w, /images/johnny-nre-dave.jpg 320w'></image> 1043 1044<div class='caption'> 1045cover CONVERSATION WITH jOHNNY 1046</div> 1047</div> 1048<div class='text-wrapper'> 1049<p class="from_wysiwyg">just released: Audible Original -</p> 1050<p class="from_wysiwyg"> </p> 1051<p class="from_wysiwyg">CONVERSATION WITH JOHNNY, a novel of power & sex</p> 1052</div> 1053</div> 1054</div> 1055 1056 1057</div> 1058<div class='content-wrap'> 1059<div class='content-container-wrapper edit'> 1060<div class='move-buttons-wrapper'> 1061 1062 1063</div> 1064<div class='content clearfix text-block'> 1065<div class='image-block-align-left small'> 1066<image alt='' sizes='(min-width: 530px) 33vw, (min-width: 940px) 25vw, 100vw' src='/images/cover-grove-use1.jpg' srcset='/images/cover-grove-use1.jpg 480w, /images/cover-grove-use1.jpg 320w'></image> 1067 1068</div> 1069</div> 1070</div> 1071 1072 1073</div> 1074<div class='content-wrap'> 1075<div class='content-container-wrapper edit'> 1076<div class='move-buttons-wrapper'> 1077 1078 1079</div> 1080<div class='link-block content clearfix'> 1081<a target="_blank" class="link-link" href="http://www.prnewswire.com/news-releases/before-the-sidewalk-ended-a-walk-with-shel-silverstein-301203223.html?tc=eml_cleartime">link to Press Release: BEFORE THE SIDEWALK ENDED: A WALK WITH SHEL SILVERSTEIN</a> 1082<div class='link-description'><p class="from_wysiwyg">& enjoyed recording the Audible Original of this project.</p> 1083<p class="from_wysiwyg"> </p> 1084<p class="from_wysiwyg">Great fotos also of a Greenwitch Village of the 80's & 90's largely gone by Dave Barry. </p></div> 1085</div> 1086</div> 1087 1088</div> 1089<div class='content-wrap'> 1090<div class='content-container-wrapper edit'> 1091<div class='move-buttons-wrapper'> 1092 1093 1094</div> 1095<div class='content clearfix text-block'> 1096</div> 1097</div> 1098 1099 1100</div> 1101<div class='content-wrap'> 1102<div class='content-container-wrapper edit'> 1103<div class='move-buttons-wrapper'> 1104 1105 1106</div> 1107<div class='content clearfix text-block'> 1108<div class='text-wrapper'> 1109<p class="from_wysiwyg">recent kind words about BEFORE THE SIDEWALK ENDED: A WALK WITH SHEL SILVERSTEIN-</p> 1110<p class="from_wysiwyg"> </p> 1111<p class="from_wysiwyg"> </p> 1112<p class="from_wysiwyg">
1112A Great Nostalgic Trip to New York with Valerio and Shel Silverstein</p> 1113<p class="from_wysiwyg"><br />Reviewed in the United States on November 3, 2020</p> 1114<p class="from_wysiwyg"><br />Valerio's voice is unique, and reflects the cityscape he describes in this "walk" with Silverstein. About midway through the book, Shel provides a "blurb" for one of Valerio's books that, to me, seemed like a perfect description of this charming promenade. (You'll have to read this; and see the original note). One can't help but be nostalgic with the author for an earlier era (nostalgic for certain things, not Aids or orgies). I couldn't help but think, in reading this, that there was a flavor to NYC that seems duller now….but is totally present in Valerio's writing. The writing transports and provides welcome oasis these days!</p> 1115<p class="from_wysiwyg"> </p> 1116</div> 1117</div> 1118</div> 1119 1120 1121</div> 1122<div class='content-wrap'> 1123<div class='content-container-wrapper edit'> 1124<div class='move-buttons-wrapper'> 1125 1126 1127</div> 1128<div class='link-block content clearfix'> 1129<a target="_blank" class="link-link" href="https://www.amazon.com/John-Dantes-Inferno-Playboys-Life/dp/099046752X/ref=sr_1_8?dchild=1&keywords=anthony+valerio&qid=1599599484&sr=8-8">John Dante's Inferno, a Playboy's Life</a> 1130<div class='link-description'><p class="from_wysiwyg">link to Amazon's page for John Dante's Inferno</p></div> 1131</div> 1132</div> 1133 1134</div> 1135<div class='content-wrap'> 1136<div class='content-container-wrapper edit'> 1137<div class='move-buttons-wrapper'> 1138 1139 1140</div> 1141<div class='content clearfix text-block'> 1142<div class='image-block-align-left small'> 1143<a href='https://www.amazon.com/BEFORE-SIDEWALK-ENDED-WALK-SILVERSTEIN/dp/0977282422/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1603545825&sr=8-1'> 1144<image alt='' sizes='(min-width: 530px) 33vw, (min-width: 940px) 25vw, 100vw' src='/images/cover-new-audible.jpg' srcset='/images/cover-new-audible.jpg 480w, /images/cover-new-audible.jpg 320w'></image> 1145 1146</a> 1147<div class='caption'> 1148<a href='https://www.amazon.com/BEFORE-SIDEWALK-ENDED-WALK-SILVERSTEIN/dp/0977282422/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1603545825&sr=8-1'> 1149GREAT COVER BY DAVE BARRY 1150</a> 1151</div> 1152</div> 1153<div class='text-wrapper'> 1154<p class="from_wysiwyg">JUST RELEASED:</p> 1155<p class="from_wysiwyg"> </p> 1156<p class="from_wysiwyg">BEFORE THE SIDEWALK ENDED: A WALK WITH SHEL SILVERSTEIN</p> 1157<p class="from_wysiwyg">E & PRINT EDITIONS</p> 1158</div> 1159</div> 1160</div> 1161 1162 1163</div> 1164<div class='content-wrap'> 1165<div class='content-container-wrapper edit'> 1166<div class='move-buttons-wrapper'> 1167 1168 1169</div> 1170<div class='content clearfix text-block'> 1171<div class='text-wrapper'> 1172<p class="from_wysiwyg">Anthony Valerio's biography of John Dante, Hugh Hefner's second-in-command at *Playboy* and the Great Libertine's best friend for over 40 years, is like no other book I have read. Deft and clever, literate and highly readable. First, there's the subject matter. Decades of insider *Playboy* views, virtually from the landmark magazine's inception. Second, there is the intricate weaving of the "other" Dante's story. John Dante sought to imitate Dante Alighieri, he of the medieval, Italian and "divine" Comedy, who meted out punishments, penances, and paradises, in an epic-length poem made of three parts. What has one to do with the other? That would be the third part of this unique book, part social history, part immigrant story, the part that I will call the cautionary tale. For, and I won't say how, John Dante does not end well. Parading through these pages are some of the best-known names in show business and, its darker side--especially for a magazine self-identified as "men's entertainment"-- pornography: Beatty, Bogdanovich, Caan, Cosby, Curtis, Jagger, Lovelace, Nicholson, Reems, Steinem, and, especially, Silverstein. Readers will be riveted by the portrait of the beloved children's author that emerges in these pages. Not exactly what they may have expected. Silverstein urged John Dante to contact Valerio, whom Silverstein knew and whose work he respected, so that John Dante could write a book--the insider's view of *Playboy*!--that would earn him enough money to get him to Florence, the town that exiled his namesake, the poet Dante Alighieri close to 700 years earlier. The 20th-century (John) Dante gets to Florence all right, but the price is steep, indeed. It's not exactly *Se7en,* but it has its dark, seamy, *nasty* side. Think *Star 80*.
1172The surprising portrait of Silverstein is but one of the gifts that this book offers. Another is the gangsta Chicagoland of the 1950s and early `60s, which teems with memorable gangland characters. Part biography, part immigrant story, *John Dante's Inferno* in some ways mimics the Poet Dante's imagined journey through hell, into purgatory, and, finally, into paradise. Yet the 20th Century was a chaotic one, and sometimes it's difficult to keep separate what is hell and what is heaven. For example, John Dante claims to have had 16,000 women--and, *maybe*, one male--as lovers (he can't be sure: he was too stoned to say, exactly). Heavenly, to be sure, at least as far as John Dante was concerned. Heavenly, but with a (hellish) price to be paid. Valerio writes surely and gives us gripping and very, very literate prose. It seems completely appropriate that the readers of *John Dante's Inferno* be brought into the presence of the Great Libertines of western culture, which include, surely, Casanova and Hugh Hefner.<br />Read it. And enjoy.</p> 1173</div> 1174</div> 1175</div> 1176 1177 1178</div> 1179<div class='content-wrap'> 1180<div class='content-container-wrapper edit'> 1181<div class='move-buttons-wrapper'> 1182 1183 1184</div> 1185<div class='content clearfix text-block'> 1186<div class='image-block-align-left small'> 1187<a href='https://www.amazon.com/Semmelweis-Anthony-Valerio/dp/0990467511/ref=sr_1_39?dchild=1&keywords=anthony+valerio&qid=1588427501&sr=8-39&swrs=EBC0597CC83E32B5CA72A33EEE695DD7'> 1188<image alt='new revised edition with blue cover of SEMMELWEIS by Anthony Valerio' sizes='(min-width: 530px) 33vw, (min-width: 940px) 25vw, 100vw' src='/images/3d-mockup-bonus.png' srcset='/images/3d-mockup-bonus.png 480w, /images/3d-mockup-bonus.png 320w'></image> 1189 1190</a> 1191<div class='caption'> 1192<a href='https://www.amazon.com/Semmelweis-Anthony-Valerio/dp/0990467511/ref=sr_1_39?dchild=1&keywords=anthony+valerio&qid=1588427501&sr=8-39&swrs=EBC0597CC83E32B5CA72A33EEE695DD7'> 1193new revised edition of --<br> <br>SEMMELWEIS<br> <br>"His life was a benefictial example for all mankind." Kurt Vonnegut 1194</a> 1195</div> 1196</div> 1197</div> 1198</div> 1199 1200 1201</div> 1202<div class='content-wrap'> 1203<div class='content-container-wrapper edit'> 1204<div class='move-buttons-wrapper'> 1205 1206 1207</div> 1208<div class='link-block content clearfix'> 1209<a target="_blank" class="link-link" href=" https://youtu.be/if4rjmu0xgo">LINK TO GREAT VIDEO RE SEMMELWEIS BY BEN TRAVERS</a> 1210</div> 1211</div> 1212 1213</div> 1214<div class='content-wrap'> 1215<div class='content-container-wrapper edit'> 1216<div class='move-buttons-wrapper'> 1217 1218 1219</div> 1220<div class='content clearfix text-block'> 1221<div class='image-block-align-left small'> 1222<image alt='' sizes='(min-width: 530px) 33vw, (min-width: 940px) 25vw, 100vw' src='/images/semm-red-rezize-2.jpg' srcset='/images/semm-red-rezize-2.jpg 480w, /images/semm-red-rezize-2.jpg 320w'></image> 1223 1224</div> 1225</div> 1226</div> 1227 1228 1229</div> 1230<div class='content-wrap'> 1231<div class='content-container-wrapper edit'> 1232<div class='move-buttons-wrapper'> 1233 1234 1235</div> 1236<div class='content clearfix text-block'> 1237<div class='text-wrapper'> 1238<p class="from_wysiwyg"><span style="font-family: 'arial black', sans-serif; font-size: 12pt;">Just released--Print Edition of ANTHONY VALERIO'S SEMMELWEIS</span></p> 1239</div> 1240</div> 1241</div> 1242 1243 1244</div> 1245<div class='content-wrap'> 1246<div class='content-container-wrapper edit'> 1247<div class='move-buttons-wrapper'> 1248 1249 1250</div> 1251<div class='content clearfix text-block'> 1252<div class='image-block-align-left small'> 1253<image alt='' sizes='(min-width: 530px) 33vw, (min-width: 940px) 25vw, 100vw' src='/images/semmelweis-press-release-jpg1.jpg' srcset='/images/semmelweis-press-release-jpg1.jpg 480w, /images/semmelweis-press-release-jpg1.jpg 320w'></image> 1254 1255<div class='caption'> 1256PRESS RELEASE & COVER IMAGE<br> 1257</div> 1258</div> 1259</div> 1260</div> 1261 1262 1263</div> 1264<div class='content-wrap'> 1265<div class='content-container-wrapper edit'> 1266<div class='move-buttons-wrapper'> 1267 1268 1269</div> 1270<div class='content clearfix text-block'> 1271<h4>WRITING WORKSHOP IN THE COMFORT OF YOUR HOME</h4> 1272<div class='text-wrapper'> 1273<p class="from_wysiwyg">ANTHONY VALERIO'S 2 1/2 hr. ANIMATED VIDEO ON WRITING-</p> 1274<p class="from_wysiwyg"> </p> 1275<p class="from_wysiwyg">Write better in the comfort of your home.</p> 1276<p class="from_wysiwyg"> </p> 1277<p class="from_wysiwyg">Enter a professional writer's studio & life.</p> 1278<p class="from_wysiwyg"> </p> 1279<p class="from_wysiwyg">My 2 1/2 hour animated & animating writing workshop can help all levels of writers. You can try iit and purchase here: </p> 1280<p class="from_wysiwyg"> </p> 1281<p class="from_wysiwyg">https://www.udemy.com/course/learn-from-the-masters-anthony-valer
1281io-on-writing/?instructorPreviewMode=guest</p> 1282<p class="from_wysiwyg"> </p> 1283<p class="from_wysiwyg"> </p> 1284<p class="from_wysiwyg">Testimonials:</p> 1285<p class="from_wysiwyg"><br />The best<br />Valuable information<br />Engaging delivery<br />Helpful practice activities</p> 1286<p class="from_wysiwyg"> </p> 1287<p class="from_wysiwyg">thanks, AV</p> 1288</div> 1289</div> 1290</div> 1291 1292 1293</div> 1294<div class='content-wrap'> 1295<div class='content-container-wrapper edit'> 1296<div class='move-buttons-wrapper'> 1297 1298 1299</div> 1300<div class='content clearfix text-block'> 1301<div class='text-wrapper'> 1302<p class="from_wysiwyg">DANTE IN LOVE, a modern literary interpration of Dante's classic VITA NUOVA, A NEW LIFE</p> 1303</div> 1304</div> 1305</div> 1306 1307 1308</div> 1309<div class='content-wrap'> 1310<div class='content-container-wrapper edit'> 1311<div class='move-buttons-wrapper'> 1312 1313 1314</div> 1315<div class='content clearfix text-block'> 1316<div class='text-wrapper'> 1317<p class="from_wysiwyg">"The mixing of the two voices, the translator and the explicator, works wonderfully. A winner, very good stuff, really." <br />Giuseppe Mazzotta, Sterling Professor in the Humanities for Italian, Yale University.</p> 1318<p class="from_wysiwyg"> </p> 1319<p class="from_wysiwyg">"I just kept on reading it right through even though I had read the original many times. Anthony Valerio's version really makes it new.--Rebecca West, William R. Kenan, Jr. Distinguished Service Professor Emerita, University of Chicago.</p> 1320</div> 1321</div> 1322</div> 1323 1324 1325</div> 1326<div class='content-wrap'> 1327<div class='content-container-wrapper edit'> 1328<div class='move-buttons-wrapper'> 1329 1330 1331</div> 1332<div class='content clearfix text-block'> 1333<div class='image-block-align-left small'> 1334<a href='https://www.amazon.com/Dante-Love-Alighieris-Life-Reinterpreted-ebook/dp/B01N16GMR0/ref=sr_1_7?keywords=anthony+valerio&qid=1581131274&sr=8-7'> 1335<image alt='DANTE IN LOVE, a love story for the ages' sizes='(min-width: 530px) 33vw, (min-width: 940px) 25vw, 100vw' src='/images/D-in-L-cover-Yves2.jpg' srcset='/images/D-in-L-cover-Yves2.jpg 480w, /images/D-in-L-cover-Yves2.jpg 320w'></image> 1336 1337</a> 1338<div class='caption'> 1339<a href='https://www.amazon.com/Dante-Love-Alighieris-Life-Reinterpreted-ebook/dp/B01N16GMR0/ref=sr_1_7?keywords=anthony+valerio&qid=1581131274&sr=8-7'> 1340DANTE IN LOVE<br> <br>the story of Beatrice & Dante, a love story for the ages<br> <br>COVER IMAGE OF BEATRICE BY TONY PALLADINO 1341</a> 1342</div> 1343</div> 1344</div> 1345</div> 1346 1347 1348</div> 1349<div class='content-wrap'> 1350<div class='content-container-wrapper edit'> 1351<div class='move-buttons-wrapper'> 1352 1353 1354</div> 1355<div class='content clearfix text-block'> 1356<h4>Â <br>great RADIO SPOT!</h4> 1357</div> 1358</div> 1359 1360 1361</div> 1362<div class='content-wrap'> 1363<div class='content-container-wrapper edit'> 1364<div class='move-buttons-wrapper'> 1365 1366 1367</div> 1368<div class='link-block content clearfix'> 1369<a target="_blank" class="link-link" href="https://wesu.streamrewind.com/bookmarks/listen/265898/crate-digging">link to radio interview - 7/11/'10</a> 1370<div class='link-description'><p class="from_wysiwyg">interesting and at times surprising in a great way, radio interview the other day. Thanks to host Ben Michael. AV</p></div> 1371</div> 1372</div> 1373 1374</div> 1375<div class='content-wrap'> 1376<div class='content-container-wrapper edit'> 1377<div class='move-buttons-wrapper'> 1378 1379 1380</div> 1381<div class='content clearfix text-block'> 1382<div class='image-block-align-center large'> 1383<image alt='thanks to Professor Rebecca West for her generous words-' sizes='(min-width: 940px) 66vw, 100vw' src='/images/rebecca-rev-semm-2.jpg' srcset='/images/rebecca-rev-semm-2.jpg 1280w, /images/rebecca-rev-semm-2.jpg 960w, /images/rebecca-rev-semm-2.jpg 640w'></image> 1384 1385<div class='caption'> 1386thanks to Prof. Rebecca West U. of Chicago for her generous words- 1387</div> 1388</div> 1389</div> 1390</div> 1391 1392 1393</div> 1394<div class='content-wrap'> 1395<div class='content-container-wrapper edit'> 1396<div class='move-buttons-wrapper'> 1397 1398 1399</div> 1400<div class='content clearfix text-block'> 1401<div class='text-wrapper'> 1402<p class="from_wysiwyg">Thought that since I wrote them I might talk a little about my books. Ten in number, thus far, covering my writing life beginning in the late 1970's with the Short Story "The Skyjacker" in The Paris Review and continuing to the recently completed <em>Semmelweis, the Women's Doctor</em>. Feels like just the other day.-- A.V. - 03/2019.<br /><br />Titles in ascending order:<br /><br />The Mediterranean Runs Through Brooklyn<br /><br />Valentino & the Great Italians<br /><br />BART: a Life of A. Bartlett Giamatti<br /><br />Anita Garibaldi, a Biography<br /><br />Conversation with Johnny, a novel<br /><br />Toni Cade Bambara's One Sicilian Night, a memoir<br /><br />The Little Sailor, a Romantic Thriller<br /><br />John Dante's Inferno, a Playboy's Life<br /><br />IMMIGRANTS according to Anthony Valerio, Volumes 1 & 2<br /><br />Semmelweis, the Women's Doctor</p> 1403<p class="from_wysiwyg"><br />Proud to say all books are in print. They - digital & print editions - can be found on Amazon.com -- search Anthony Valerio. And each title has its own Facebook page which will be listed in the Works section. - - Anthony <br /><br /><br /><br /></p> 1404</div> 1405</div> 1406</div> 1407 1408 1409</div> 1410<div class='content-wrap'> 1411<div class='content-container-wrapper edit'> 1412<div class='move-buttons-wrapper'> 1413 1414 1415</div> 1416<div class='content clearfix text-block'> 1417<div class='image-block-align-left small'> 1418<image alt='Publisher's announcement of the first publication (e-book) of Anthony Valerio's Semmelweis, the Women's Doctor' sizes='(min-width: 530px) 33vw, (min-width: 940px) 25vw, 100vw' src='/images/announce-semm-2.jpg' srcset='/images/announce-semm-2.jpg 480w, /images/announce-semm-2.jpg 320w'></image> 1419 1420<div class='caption'> 1421<span style="font-size: 12pt;">Publisher's</span> announcement of the first publication (e-book) of Anthony Valerio's Semmelweis, the Women's Doctor 1422</div> 1423</div> 1424</div> 1425</div> 1426 1427 1428</div> 1429<div class='content-wrap'> 1430<div class='content-container-wrapper edit'> 1431<div class='move-buttons-wrapper'> 1432 1433 1434</div> 1435<div class='link-block content clearfix'> 1436<a target="_blank" class="link-link" href="https://www.amazon.com/s/ref=nb_sb_ss_c_0_15?url=search-alias%3Daps&field-keywords=anthony+valerio&sprefix=anthony+valerio%2Caps%2C201">Amazon.com -- Anthony Valerio</a> 1437</div> 1438</div> 1439 1440</div> 1441<div class='content-wrap'> 1442<div class='content-container-wrapper edit'> 1443<div class='move-buttons-wrapper'> 1444 1445 1446</div> 1447<div class='content clearfix text-block'> 1448<div class='text-wrapper'> 1449<p class="from_wysiwyg">Except from Author's Note, Semmelweis, the Women's Doctor</p> 1450<p class="from_wysiwyg"> </p> 1451<p class="from_wysiwyg">I have attempted to present his life and work through his eyes, mind and heart. At the same time, experience as deeply as possible the horror of a new mother who contracted childbed fever in the days immediately after giving the gift of life. Her motherhood denied! Sudden farewell to her newborn! Attempting in a flash to
1451see how he or she will turn out! Identifying with her pain, the pity. Unimaginable pain, for the post-partum "twilight sleep" of a combination of morphine and scopolamine, an amnesiac, would not be introduced until 60-odd years later. To comprehend the life of Ignaz Semmelweis, one must also plumb oneself, we children who survived. </p> 1452<p class="from_wysiwyg"> </p> 1453<p class="from_wysiwyg">...the hope is that today, around the world, at this moment, when one is passing surely one of millions of hand sanitizers and uses it to cleanse the hands, a thought can possibly go out to Dr. Ignaz Semmelweis and a fuller understanding, and appreciation, of his life and work.</p> 1454</div> 1455</div> 1456</div> 1457 1458 1459</div> 1460<div class='content-wrap'> 1461<div class='content-container-wrapper edit'> 1462<div class='move-buttons-wrapper'> 1463 1464 1465</div> 1466<div class='content clearfix text-block'> 1467<div class='text-wrapper'> 1468<p class="from_wysiwyg"><span style="font-size: 12pt;">About The Women's Doctor: Ignaz Semmelweis—</span></p> 1469<p class="from_wysiwyg"><span style="font-size: 12pt;">"In a global #metoo moment, Semmelweis should also have his place as someone who listened to women and, significantly, to their ailing bodies, even as the medical profession dismissed a common affliction killing women as a "woman's illness" and therefore not worthy of a place on the forefront of medicine. There is a photo circling the internet of the actor Patrick Stewart holding a sign with the Amnesty International seal. The caption for this image, presumably in Stewart's own words, is this: "People won't take you seriously unless you're an old white man, and since I'm an old white man I'm going to use that to help the people who need it." The sign Stewart is holding reads: Defend right for girls and women. Semmelweis, like Stewart, believed in embodied response, of putting one's body behind and into one's words. To be sure, Semmelweis was a pioneering physician and scientist whose accomplishments should be studied for their contributions to science. But he was also a feminist, and his work should be understood in that vein, also."--Ellen Nerenberg, Hollis Professor of Romance Languages & Literatures, Dean, Arts and Humanities. Wesleyan University</span></p> 1470<p class="from_wysiwyg"> </p> 1471<p class="from_wysiwyg"><span style="font-size: 12pt;">On a school outing with my 9 and 10-year-old classmates to the local cinema we saw a film about the life and work of Dr. Semmelweis. I knew about him, from school but even more from my parents; at home I read about famous Hungarian heroes, not just kings and warriors, but those ignored in their lifetime, whose work could have benefited all, children, women, and men. Our history, so full of tragedies like his, unrealized potential: failed reformers and inventors, scientists and artists embittered and ignored, driven to early death. –Akös Åstor, professor, author, filmmaker</span></p> 1472<p class="from_wysiwyg"> </p> 1473<p class="from_wysiwyg"><span style="font-size: 12pt;">Looking at and understanding someone like Semmelweis on a deep level and how he combated prejudices and prevailing thoughts and changed the way medicine is practiced is as relevant today as it was in the 1840s.—Prakash Sampath, M.D. Surgeon. President, Rhode Island Neurological Institute</span></p> 1474</div> 1475</div> 1476</div> 1477 1478 1479</div> 1480<div class='content-wrap'> 1481<div class='content-container-wrapper edit'> 1482<div class='move-buttons-wrapper'> 1483 1484 1485</div> 1486<div class='content clearfix text-block'> 1487<div class='image-block-align-left large'> 1488<image alt='' sizes='(min-width: 940px) 66vw, 100vw' src='/images/med-cover.jpg' srcset='/images/med-cover.jpg 1280w, /images/med-cover.jpg 960w, /images/med-cover.jpg 640w'></image> 1489 1490<div class='caption'> 1491cover ebook The Mediterranean Runs Through Brooklyn 1492</div> 1493</div> 1494<div class='text-wrapper'> 1495<p class="from_wysiwyg">My first book-</p> 1496<p class="from_wysiwyg"> </p> 1497<p class="from_wysiwyg">The Mediterranean Runs Through Brooklyn</p> 1498<p class="from_wysiwyg"> </p> 1499<p class="from_wysiwyg"> </p> 1500<p class="from_wysiwyg">https://www.amazon.com/MEDITERRANEAN-THROUGH-BROOKLYN-ANTHONY-EDITIONS-ebook/dp/B006GCVZ50/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1607549794&sr=8-23</p> 1501<p class="from_wysiwyg"> </p> 1502<p class="from_wysiwyg">The Mediterranean Runs Through Brooklyn by Anthony Valerio contains a series of portraits: "My Mother," "My Father," "My Sister," "My Aunts," "My Uncles" and others. Valerio writes with energy and a rich style, and has an unusually good eye for detail. The situations happen in Brooklyn in the life of an Italian-American family, and sometimes in Italy. Talk about ethnicity:It's here in dozens of guises and shapes. Rudolph Valentino figures in two stories: "You could tell Valentino coming from a mile away by his gait and the unusual swing of his arms. He placed one foot directly in front of the other and swung his arms high in front and just as high in back...and he never looked you straight in the face, tilting his head slightly away to hide his cauliflower ear and his scar." The book has zest, high humor, madness, detached reflection, and pathos.<br />--Los Angeles Times</p> 1503</div> 1504</div> 1505</div> 1506 1507 1508</div> 1509<div class='content-wrap'> 1510<div class='content-container-wrapper edit'> 1511<div class='move-buttons-wrapper'> 1512 1513 1514</div> 1515<div class='content clearfix text-block'> 1516<h4><br></h4> 1517</div> 1518</div> 1519 1520 1521</div> 1522<div class='content-wrap'> 1523<div class='content-container-wrapper edit'> 1524<div class='move-buttons-wrapper'> 1525 1526 1527</div> 1528<div class='content clearfix text-block'> 1529</div> 1530</div> 1531 1532 1533</div> 1534<div class='content-wrap'> 1535<div class='content-container-wrapper edit'> 1536<div class='move-buttons-wrapper'> 1537 1538 1539</div> 1540<div class='content clearfix text-block'> 1541</div> 1542</div> 1543 1544 1545</div> 1546<div class='content-wrap'> 1547<div class='content-container-wrapper edit'> 1548<div class='move-buttons-wrapper'> 1549 1550 1551</div> 1552<div class='content clearfix text-block'> 1553</div> 1554</div> 1555 1556 1557</div> 1558<div class='content-wrap'> 1559<div class='content-container-wrapper edit'> 1560<div class='move-buttons-wrapper'> 1561 1562 1563</div> 1564<div class='content clearfix text-block'> 1565<div class='text-wrapper'> 1566<p><br><br><br></p> 1567</div> 1568</div> 1569</div> 1570 1571 1572</div> 1573<div class='content-wrap'> 1574<div class='content-container-wrapper edit'> 1575<div class='move-buttons-wrapper'> 1576 1577 1578</div> 1579<div class='link-block content clearfix'> 1580<a target="_blank" class="link-link" href="https://www.amazon.com/Conversation-Johnny-novel-Anthony-Valerio-ebook/dp/B01I1BVB84"></a> 1581</div> 1582</div> 1583 1584</div> 1585<div class='content-wrap'> 1586<div class='content-container-wrapper edit'> 1587<div class='move-buttons-wrapper'> 1588 1589 1590</div> 1591<div class='content clearfix text-block'> 1592</div> 1593</div> 1594 1595 1596</div> 1597<div class='content-wrap'> 1598<div class='content-container-wrapper edit'> 1599<div class='move-buttons-wrapper'> 1600 1601 1602</div> 1603<div class='content clearfix text-block'> 1604</div> 1605</div> 1606 1607 1608</div> 1609<div class='content-wrap'> 1610<div class='content-container-wrapper edit'> 1611<div class='move-buttons-wrapper'> 1612 1613 1614</div> 1615<div class='content clearfix text-block'> 1616</div> 1617</div> 1618 1619 1620</div> 1621<div class='content-wrap'> 1622<div class='content-container-wrapper edit'> 1623<div class='move-buttons-wrapper'> 1624 1625 1626</div> 1627<div class='content clearfix text-block'> 1628</div> 1629</div> 1630 1631 1632</div> 1633</div> 1634</div> 1635 1636 1637</div> 1638</div> 1639</section> 1640</section> 1641</main> 1642</div> 1643<div class='sbx_wrapper_footer' id='sbx_wrapper_footer'> 1644<footer> 1645<div class='sb_region sb_site_copyright_region'> 1646<div class='sb_copyright_wrapper'> 1647<div class='footer-left'> 1648</div> 1649<div class='footer-right'> 1650<div class='social'> 1651</div> 1652</div> 1653 1654</div> 1655</div> 1656</footer> 1657</div> 1658<div class='modal modal-public' data-ajax-modal> 1659<div class='modal-fade-screen'> 1660<div class='modal-wrapper'> 1661<div class='modal-inner'> 1662<div data-ajax-modal-content></div> 1663<div data-ajax-modal-loading> 1664Loading…} 1665</div> 1666</div> 1667</div> 1668</div> 1669</div> 1670 1671<div class='modal' data-image-modal> 1672<div class='modal-fade-screen'> 1673<div class='modal-wrapper'> 1674<div class='modal-inner'> 1675<i class='image-modal-close ss-icon ss-delete'></i> 1676<img data-image-modal-content> 1677</div> 1678</div> 1679</div> 1680</div> 1681
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