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42          <li><a class="nav-link scrollto" href="/">Home</a></li>
43          <li class="dropdown"><a href="#"><span>Masterpieces by Paul Gauguin</span> <i class="bi bi-chevron-down"></i></a>
44            <ul>
45								<li><a href="/vision-after-the-sermon.jsp">Vision after the Sermon, 1888 by Paul Gauguin</a></li>
46								<li><a href="/the-painter-of-sunflowers.jsp">The Painter of Sunflowers, 1888 by Paul Gauguin</a></li>
47								<li><a href="/night-cafe-at-arles.jsp">Cafe at Arles, 1888, by Paul Gauguin</a></li>
48								<li><a href="/still-life-with-three-puppies.jsp">Still Life with Three Puppies, 1888 by Paul Gauguin</a></li>
49								<li><a href="/self-portrait.jsp">Self-Portrait, 1889 by Paul Gauguin</a></li>
50								<li><a href="/self-portrait-1888.jsp">Self portrait 1888 by Paul Gauguin</a></li>
51								<li><a href="/the-yellow-christ.jsp">The Yellow Christ,	1889 by Paul Gauguin</a></li>
52								<li><a href="/the-green-christ.jsp">The Green Christ, 1889 by Paul Gauguin</a></li>
53								<li><a href="/hail-mary.jsp">Hail Mary,	1891 by Paul Gauguin</a></li>
54								<li><a href="/melancholy.jsp">Melancholy, 1891 by Paul Gauguin</a></li>
55								<li><a href="/tahitian-women.jsp">Tahitian Women, 1891 by Paul Gauguin</a></li>
56								<li><a href="/the-spirit-of-the-dead-watches.jsp">The Spirit of the Dead Watches, 1892 by Paul Gauguin</a></li>
57								<li><a href="/are-you-jealous.jsp">Are you jealous?	1892 by Paul Gauguin</a></li>
58								<li><a href="/by-the-sea.jsp">By the Sea, 1892 by Paul Gauguin</a></li>
59								<li><a href="/ta-matete.jsp">Ta Matete, 1892 by Paul Gauguin</a></li>
60								<li><a href="/siesta.jsp">Siesta,1893 by Paul Gauguin</a></li>
61								<li><a href="/the-day-of-the-god.jsp">The Day of the God, 1894 by Paul Gauguin</a></li>
62								<li><a href="/nativity.jsp">Nativity, 1896 by Paul Gauguin</a></li>
63								<li><a href="/why-are-you-angry.jsp">Why Are You Angry,	1896 by Paul Gauguin</a></li>
64								<li><a href="/perfect-days.jsp">Perfect Days, 1896 by Paul Gauguin</a></li>
65								<li><a href="/where-do-we-come-from-what-are-we.jsp">Where Do We Come From? What Are We? Wher Are We Going? 1897 by Paul Gauguin</a></li>
66								<li><a href="/nevermore.jsp">Nevermore, 1897 by Paul Gauguin</a></li>
67								<li><a href="/tahitian-women-on-the-beach.jsp">Tahitian	Women on the Beach, 1891 by Paul Gauguin</a></li>
68								<li><a href="/two-tahitian-women.jsp">Two Tahitian Women, 1899 by Paul Gauguin</a></li>
69            </ul>
70          </li>
71          <li><a class="nav-link scrollto" href="/paintings.jsp">Selected Paul Gauguin Paintings</a></li>
72          <li><a class="nav-link scrollto" href="/quotes.jsp">Paul Gauguin Quotes</a></li>
73          <li><a class="nav-link scrollto" href="/biography.jsp">Paul Gauguin Biography</a></li>
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86          <div class='section-title'>
87            <h1>Self Portrait, 1889 by Paul Gauguin</h1>
88          </div>
89
90          <div class='row'>
91            <div class='col-md-12 info-box'>
92              <figure class="figure">
93                  <img loading="lazy" src="/assets/img/paintings/self-portrait.jpg" class="figure-img img-fluid" alt="Self Portrait, 1889 by Paul Gauguin">
94                  <figcaption class="figure-caption text-right">Self Portrait, 1889 by Paul Gauguin</figcaption>
95              </figure>
96
97              <p>Gauguin painted many self-portraits, but few are as enigmatic as this one. It was among the work that Gauguin and his student Meyer Isaac de Haan created to decorate the dining room of the inn where they were staying in Le Pouldu, 
98              near Pont-Aven. In the six weeks after their arrival in late 1889, they made dozens of ceramic works, woodcarvings, and sculptures, and covered the walls with paintings. This self-portrait, and one Gauguin did of de Haan, were 
99              painted on a pair of cupboard doors.
100              </p>
101              <p>
102              At the time, Gauguin's likeness was described by friends as an "unkind character sketch"- a caricature. Today, it is the subject of intense analysis. Some see the artist casting himself in the role of Satan, others as Christ. What 
103              are we to make of the imagery - the apples that precipitate man's fall from grace; the halo over Gauguin's disembodied head;
103 the snake that is both tempter of Eve and the embodiment of knowledge; the bold division into vivid 
104              yellow and red, evocative of both hellfire and the heat of creation? Perhaps it is most likely that Gauguin is revealing his conception of the artist as hero, and - almost to challenge his colleagues - of himself, particularly, 
105              as a kind of magus, a master who knows that he possesses the power of magic by virtue of talent and genius.
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248                      <h6 class='card-title'>Self Portrait</h6>
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