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165 166 167 168 169 170 171<br> 172 </p></td> 173 <td valign="top"> 174 <p align="left"> 175 <font face="Verdana" style="font-size: 36pt" color="#FFFFFF"> 176 <span style="background-color: #E6E6E6"> work list </span></font></p> 177 <blockquote> 178 <p align="justify"> 179 <font style="font-size: 8pt" color="#000000" face="Verdana"><br> 180 Chopin composed more than 200 works during his lifetime and 181 dedicated most of them to his friends and students. Works 182 with opus numbers from 1 to 65 (except opus 4) were published during Chopin's 183 lifetime. Although Chopin wished to destroy all of his unpublished manuscripts, Chopin's friend Julian Fontana, with the consensus 184 from Chopin's mother and sisters, selected more than 20 piano 185 pieces and published them under opus numbers from 66 to 73 in 1855, 186 and 17 songs under opus 74 in 1859. There were also works 187 without opus number published during Chopin's lifetime and other 188 posthumous works not published by Fontana (e.g. opus 4 was first 189 published by Charles Haslinger in 1851, two years after Chopin's 190 death). These works were later 191 catalogued by Maurice John Edwin Brown (Br Index), Józef Michał Chominski (C Index), and Krystyna Kobylanska (KK 192 Index). 193 Br Index is in chronological order of composition. C Index is in 194 alphabetical order starting from works with opus and ending with 195 posthumous works. KK Index follows the same method as C index using 196 page numbers. For more information on these indices, visit "<a target="_blank" style="text-decoration: none" href="http://web.archive.org/web/20080108091937/infopuq.uquebec.ca/~uss1010/catal/chopin/chof.html"><font color="#000000">Catalogue des oeuvres de Chopin</font></a>": 197 [<a target="_blank" style="font-style:italic" href="Br.txt"><font color="#000000">Br Index</font></a>], 198 [<a target="_blank" style="font-style:italic" href="Ch.txt"><font color="#000000">C Index</font></a>], 199 [<a target="_blank" style="font-style:italic" href="KK.txt"><font color="#000000">KK Index</font></a>]. <br> 200 </font> 201 <br> 202 <font style="font-size: 8pt" color="#000000" face="Verdana">This work list 203 is modified from the lists by Maurice Brown, Józef Chominski, Krystyna Kobylanska, 204 and Roman Mueller. All 205 </font><font face="Verdana" style="font-size: 8pt">illustrations are courtesy of the Chopin Society and the National Library in Warsaw. 206 Work </font> 207 <font style="font-size: 8pt" color="#000000" face="Verdana"> 208 dedications are compiled from various score editions. 209 </font><font face="Verdana" style="font-size: 8pt">Quotes on selected works 210 are gathered from the archive of the National Library in Warsaw 211 and "Selected correspondence of Fryderyk Chopin" by Arthur 212 Hedley published by Heinemann. The complete list of dedications, quotes, and publication time are first made available online at this 213 website. Please do not copy and redistribute at another website 214 without necessary citation. 215 Many thanks to Minh Khoa for typing part of the quotes.<br> 216 <br> 217 Recommended reading on Chopin's work list: <br> 218 - 219 Maurice J. E. Brown, <b> 220 <a target="_blank" href="http://www.amazon.com/gp/product/0306705001?ie=UTF8&tag=chopthepoetof-20&linkCode=xm2&camp=1789&creativeASIN=0306705001">Chopin: an index of his works in chronological 221 order</a></b>, Macmillan, 1972<br>- 222 Józef Michał Chomiński, <b> 223 <a target="_blank" href="http://www.amazon.com/gp/product/8322404077?ie=UTF8&tag=chopthepoetof-20&linkCode=xm2&camp=1789&creativeASIN=8322404077">Katalog dzieł Fryderyka Chopina</a></b>, Frederick 224 Chopin Society Polskie Wydawnictwo Muzyczne, Kraków 1990<br>- 225 Krystyna Kobylańska, <b> 226 <a target="_blank" href="http://www.amazon.com/gp/product/B000S2KJPQ?ie=UTF8&tag=chopthepoetof-20&linkCode=xm2&camp=1789&creativeASIN=B000S2KJPQ">Rękopisy utworów Chopina: katalog</a></b>, Kraków, 1977 227 <br><br> 228 </font><font style="font-size: 8pt" color="#000000" face="Verdana">Please 229 click on each section to view the <b>works</b>, <b>manuscript copies</b>, 230 <b>dedications</b>, <b>quotes</b>, <b>notes</b>, <b>years of 231 composition and publication</b>. Works are sorted by Opus Number, Br Index, and Year. </font></p> 232 <p align="justify"> 233 <font style="font-size: 8pt" color="#000000" face="Courier New"> 234 <b>> WORKS WITHOUT OPUS</b>: 235 </font></p> 236 <p align="justify"> 237 <font style="font-size: 8pt" color="#000000" face="Courier New"> 238 <a href="list/listidx.html">INDEXED WORKS</a> | 239 <a href="list/listunidx.html">UNINDEXED WORKS</a></font></p> 240 <p align="justify"> 241 <font style="font-size: 8pt" color="#000000" face="Courier New"> 242 <b>> WORKS WITH OPUS</b>: 243 </font></p> 244 <p align="justify"> 245 <font style="font-size: 8pt" color="#000000" face="Courier New"> 246 <a href="list/list0105.html">01-05</a> | 247 <a href="list/list0610.html">06-10</a> | 248 <a href="list/list1115.html">11-15</a> <br> 249 <a href="list/list1620.html">16-20</a> | 250 <a href="list/list2125.html">21-25</a> | 251 <a href="list/list2630.html">26-30</a> <br> 252 <a href="list/list3135.html">31-35</a> | 253 <a href="list/list3640.html">36-40</a> | 254 <a href="list/list4145.html">41-45</a> <br> 255 <a href="list/list4650.html">46-50</a> | 256 <a href="list/list5155.html">51-55</a> | 257 <a href="list/list5660.html">56-60</a> <br> 258 <a href="list/list6165.html">61-65</a> | 259 <a href="list/list6670.html">66-70</a> | 260 <a href="list/list7174.html">71-74</a> 261 </font></p> 262 <p align="justify"> 263 <font style="font-size: 8pt" color="#000000" face="Courier New"> 264 <b>> WORK 265 LIST BY GENRE</b>: </font> 266 <font style="font-size: 8pt" color="#000000" face="Verdana">>>> 267 go to 268 <a href="music1.html"><i><font color="#000000">M</font></i></a><i><a href="music1.html"><font color="#000000">usic analysis</font></a></i> </font></p> 269 <span style="text-transform: uppercase"> 270 <font style="FONT-SIZE: 8pt" face="Courier New"> 271 272 <a href="analysis/album.html">Albumblatt</a></font><font face="Courier New" style="font-size: 8pt; "><br> 273 </font> 274 <font style="FONT-SIZE: 8pt" face="Courier New"> 275 <a href="analysis/album.html">Allegretto</a></font><br> 276 <font style="FONT-SIZE: 8pt" face="Courier New"> 277 <a href="analysis/album.html">Allegro Concert</a><br> 278 <a href="analysis/album.html">Andantino</a><br> 279 <a href="analysis/ballade.html">Ballade</a></font><font face="Courier New" style="font-size: 8pt; "><br> 280 </font><font style="FONT-SIZE: 8pt" face="Courier New"> 281 <a href="analysis/barcarolle.html">Barcarolle</a><br> 282 <a href="analysis/barcarolle.html">Berceuse</a></font><br> 283 <font style="FONT-SIZE: 8pt" face="Courier New"> 284 <a href="analysis/barcarolle.html">Bolero</a></font><br> 285 <font style="FONT-SIZE: 8pt" face="Courier New"> 286 <a href="analysis/barcarolle.html">Bourrée</a><br> 287 <a href="analysis/barcarolle.html">Canon</a> <br> 288 <a href="analysis/barcarolle.html">Cantabile</a><br> 289 </font><font style="FONT-SIZE: 8pt" face="Courier New"> 290 <a href="analysis/concerto.html">Concerto</a></font><font style="FONT-SIZE: 8pt" face="Courier New"> 291 <br> 292 </font><font style="FONT-SIZE: 8pt" face="Courier New"> 293 </font> 294 <font style="FONT-SIZE: 8pt" face="Courier New"> 295 <a href="analysis/ecossaise.html">Contredanse</a></font></span><br> 296 <span style="text-transform: uppercase"> 297 <font style="FONT-SIZE: 8pt" face="Courier New"> 298 <a href="analysis/ecossaise.html">Duo Concertant</a></font></span><br> 299 <span style="text-transform: uppercase"> 300 <font style="FONT-SIZE: 8pt" face="Courier New"> 301 </font> 302 <font style="FONT-SIZE: 8pt" face="Courier New"> 303 <a href="analysis/ecossaise.html">Ecossaise</a></font></span><br> 304 <span style="text-transform: uppercase"> 305 <font style="FONT-SIZE: 8pt" face="Courier New"> 306 <a href="analysis/etude.html">Etude</a></font></span><br> 307 <span style="text-transform: uppercase"> 308 <font style="FONT-SIZE: 8pt" face="Courier New"> 309 </font> 310 <font style="FONT-SIZE: 8pt" face="Courier New"> 311 <a href="analysis/fantasy.html">Fantasia</a></font></span><br> 312 <span style="text-transform: uppercase"> 313 <font style="FONT-SIZE: 8pt" face="Courier New"> 314 <a href="analysis/fantasy.html">Fugue</a></font></span><br> 315 <span style="text-transform: uppercase"> 316 <font style="FONT-SIZE: 8pt" face="Courier New"> 317 <a href="analysis/fantasy.html">Funeral March</a></font></span><br> 318 <span style="text-transform: uppercase"> 319 <font style="FONT-SIZE: 8pt" face="Courier New"> 320 </font></span> 321 <font style="FONT-SIZE: 8pt" face="Courier New"> 322 <span style="text-transform: uppercase"> 323 <a href="analysis/fantasy.html">Galop Marquis</a></span></font><br> 324 <span style="text-transform: uppercase"> 325 <font style="FONT-SIZE: 8pt" face="Courier New"> 326 <a href="analysis/impromptu.html">Impromptu</a></font></span><br> 327 <span style="text-transform: uppercase"> 328 <font style="FONT-SIZE: 8pt" face="Courier New"> 329 </font></span> 330 <font style="FONT-SIZE: 8pt" face="Courier New"> 331 <span style="text-transform: uppercase"> 332 <a href="analysis/impromptu.html">Largo</a></span></font><br> 333 <span style="text-transform: uppercase"> 334 <font style="FONT-SIZE: 8pt" face="Courier New"> 335 </font></span> 336 <font style="FONT-SIZE: 8pt" face="Courier New"> 337 <span style="text-transform: uppercase"> 338 <a href="analysis/mazurka.html">Mazurka</a></span></font><br> 339 <span style="text-transform: uppercase"> 340 <font style="FONT-SIZE: 8pt" face="Courier New"> 341 </font></span> 342 <font style="FONT-SIZE: 8pt" face="Courier New"> 343 <span style="text-transform: uppercase">
344 <a href="analysis/nocturne.html">Nocturne</a></span></font><br> 345 <span style="text-transform: uppercase"> 346 <font style="FONT-SIZE: 8pt" face="Courier New"> 347 </font> 348 <font style="FONT-SIZE: 8pt" face="Courier New"> 349 <a href="analysis/polonaise.html">Polonaise</a></font></span><br> 350 <span style="text-transform: uppercase"> 351 <font style="FONT-SIZE: 8pt" face="Courier New"> 352 </font> 353 <font style="FONT-SIZE: 8pt" face="Courier New"> 354 <a href="analysis/prelude.html">Prelude</a></font></span><br> 355 <span style="text-transform: uppercase"> 356 <font style="FONT-SIZE: 8pt" face="Courier New"> 357 </font></span> 358 <font style="FONT-SIZE: 8pt" face="Courier New"> 359 <span style="text-transform: uppercase"> 360 <a href="analysis/rondo.html">Rondo</a></span></font><br> 361 <span style="text-transform: uppercase"> 362 <font style="FONT-SIZE: 8pt" face="Courier New"> 363 <a href="analysis/scherzo.html">Scherzo</a></font></span><br> 364 <span style="text-transform: uppercase"> 365 <font style="FONT-SIZE: 8pt" face="Courier New"> 366 <a href="analysis/sonata.html">Sonata</a></font></span><br> 367 <span style="text-transform: uppercase"> 368 <font style="FONT-SIZE: 8pt" face="Courier New"> 369 <a href="analysis/song.html">Song</a></font></span><br> 370 <span style="text-transform: uppercase"> 371 <font style="FONT-SIZE: 8pt" face="Courier New"> 372 </font> 373 <font style="FONT-SIZE: 8pt" face="Courier New"> 374 <a href="analysis/variation.html">Tarantella</a></font></span><br> 375 <span style="text-transform: uppercase"> 376 <font style="FONT-SIZE: 8pt" face="Courier New"> 377 </font></span> 378 <font style="FONT-SIZE: 8pt" face="Courier New"> 379 <span style="text-transform: uppercase"> 380 <a href="analysis/variation.html">Trio</a></span></font><br> 381 <span style="text-transform: uppercase"> 382 <font style="FONT-SIZE: 8pt" face="Courier New"> 383 </font></span> 384 <font style="FONT-SIZE: 8pt" face="Courier New"> 385 <span style="text-transform: uppercase"> 386 <a href="analysis/variation.html">Variation</a></span></font><br> 387 <span style="text-transform: uppercase"> 388 <font style="FONT-SIZE: 8pt" face="Courier New"> 389 <a href="analysis/waltz.html">Waltz</a></font></span><p><font style="font-size: 8pt" color="#000000" face="Courier New"> 390 <b>> WORK LIST IN ALPHABETICAL ORDER</b>: </font> 391 </p> 392 <blockquote> 393 <p align="justify"> 394 <font style="FONT-SIZE: 8pt" face="Verdana">- Works of the same genre are arranged according to the opus 395 numbers. <br> 396 - Works without opus number are placed at the end of each group in
397 chronological or numerical order. 398 <br> 399 - The numbers in [ ] are based on popular numbering 400 methods of recording companies and score editions. 401 <br> 402 - The names in ( ) are for reference only; none of them were given by Chopin. 403 <br> 404 - The dedications/dedicatees if available are presented in the 405 <a target="_top" href="list.html" style="text-decoration: none"> 406 <font color="#000000">'Work list'</font></a> section. 407 <br> 408 - Some abbreviations: "Op"-opus, "no"-number, "#"-sharp, "b"-flat, " "-major, 409 "m"-minor.</font></p> 410 <p align="justify"> 411 <i><font face="Verdana" style="font-size: 8pt"> 412 Albumblatt E major (Feuille d'Album / Moderato), 1843 <br> 413 <br> 414 Allegretto, F sharp major, 1829 <br> 415 <br> 416 Allegro de Concert, A major, Op. 46, 1841 <br> 417 <br> 418 Andantino "Wiosna" G major, 1838<br> 419 <br> 420 Ballade [No. 1], G minor, Op. 23 (Polish), 1833 <br> 421 <br> 422 Ballade [No. 2], F major, Op. 38 (La gracieuse), 1839 <br> 423 <br> 424 Ballade [No. 3], A flat major, Op. 47, 1841 <br> 425 <br> 426 Ballade [No. 4], F minor, Op. 52, 1843 <br> 427 <br> 428 Barcarolle, F sharp major, Op. 60, 1846 <br> 429 <br> 430 Berceuse, D flat major, Op. 57, 1844 <br> 431 <br> 432 Bolero, C major, Op. 19 (Souvenir d'Andalousie), 1833 <br> 433 <br> 434 Bourrées: no 1 in G minor, no.2 in A major, 1846<br> 435 <br> 436 Canon, F minor, 1839 <br> 437 <br> 438 Cantabile, B flat major, 1834 <br> 439 <br> 440 Concerto [No. 1], E minor, Op. 11, piano and orchestra, 1830: <br> 441 I-Allegro maestoso, II-Romance: Larghetto, III-Rondo: Vivace<br> 442 <br> 443 Concerto [No. 2], F minor, Op. 21, piano and orchestra, 1829: <br> 444 I-Maestoso, II-Larghetto, III-Allegro vivace <br> 445 <br> 446 Contredanse, in G Flat major (Kulaway), 1827<br> 447 <br> 448 Duo Concertant from Meyerbeer's "Robert le Diable", E major, piano and 449 cello, 1831 <br> 450 <br> 451 Ecossaises Op. 72: no 3 D major, no 4 G major, no 5 D flat major, 452 1826-30 [No. 1-3]<br> 453 <br> 454 Etudes Op. 10, 1829-1833: [No. 1-12]<br> 455 no 1 C major (Waterfall)<br> 456 no 2 A minor (Chromatic)<br> 457 no 3 E major (Tristesse)<br> 458 no 4 C# minor (Torrent)<br> 459 no 5 Gb major (Black keys) <br> 460 no 6 Eb minor <br> 461 no 7 C major (Toccata)<br> 462 no 8 F major (Sunshine)<br> 463 no 9 F minor<br> 464 no 10 Ab major<br> 465 no 11 Eb major (Arpeggio)<br> 466 no 12 C minor (Revolutionary)<br> 467 <br> 468 Etudes Op. 25, 1835-1837: [No. 13-24] <br> 469 no 1 Ab major (Aeolian harp)<br> 470 no 2 F minor (Bees)<br> 471 no 3 F major (Cartwheel/Horseman)<br> 472 no 4 A minor<br> 473 no 5 E minor (Wrong notes)<br> 474 no 6 G# minor (Thirds)<br> 475 no 7 C# minor (Cello)<br> 476 no 8 Db major (Sixths)<br> 477 no 9 Gb major (Butterfly)<br> 478 no 10 B minor (Octaves)<br> 479 no 11 A minor (Winter wind)<br> 480 no 12 C minor (Ocean)<br> 481 <br> 482 Etudes de la Méthode des Méthodes, 1839-1840 (Trois nouvelles études): 483 [No. 25-27] <br> 484 no 1 F minor<br> 485 no 2 A flat major<br> 486 no 3 D flat major <br> 487 <br> 488 Fantasy on Polish Airs, A major, Op. 13, piano and orchestra, 1828 <br> 489 <br> 490 Fantasy, F minor, Op. 49, 1841 <br> 491 <br> 492 Fugue, A minor, 1841 <br> 493 <br> 494 Funeral March, C minor, Op. 72 no 2, 1826-29 <br> 495 <br> 496 Galop Marquis, A flat major, 1846 <br> 497 <br>
498 Impromptu [No. 1], A flat major, Op. 29, 1837 <br> 499 <br> 500 Impromptu [No. 2], F sharp major, Op. 36, 1839 <br> 501 <br> 502 Impromptu [No. 3], G flat major, Op. 51, 1842 <br> 503 <br> 504 Impromptu [No. 4] (Fantaisie-Impromptu), C sharp minor, Op. 66, 1834 <br> 505 <br> 506 Largo E flat major, 1847 <br> 507 <br> 508 Mazurkas Op. 6: no 1 F#m, no 2 C#m, no 3 E, no 4 Ebm, 1832 [No. 1-4]<br> 509 <br> 510 Mazurkas Op. 7: no 1 Bb, no 2 Am, no 3 Fm, no 4 Ab, no 5 C, 1824-32 [No. 511 5-9] <br> 512 <br> 513 Mazurkas Op. 17: no 1 Bb, no 2 Em, no 3 Ab, no 4 Am, 1833 [No. 10-13] 514 <br> 515 <br> 516 Mazurkas Op. 24: no 1 Gm, no 2 C, no 3 Ab, no 4 Bbm, 1833 [No. 14-17] 517 <br> 518 <br> 519 Mazurkas Op. 30: no 1 Cm, no 2 Bm, no 3 Db, no 4 C#m, 1837 [No. 18-21] 520 <br> 521 <br> 522 Mazurkas Op. 33: no 1 G#m, no 2 D, no 3 C, no 4 Bm, 1838 [No. 22-25] <br> 523 <br> 524 Mazurkas Op. 41: no 1 C#m, no 2 Em, no 3 B, no 4 Ab, 1838-39 [No. 26-29] 525 <br> 526 <br> 527 Mazurkas Op. 50: no 1 G, no 2 Ab, no 3 C#m, 1842 [No. 30-32] <br> 528 <br> 529 Mazurkas Op. 56: no 1 B, no 2 C, no 3 Cm, 1843-1844 [No. 33-35] <br> 530 <br> 531 Mazurkas Op. 59: no 1 Am, no 2 Ab, no 3 F#m, 1845 [No. 36-38] <br> 532 <br> 533 Mazurkas Op. 63: no 1 B, no 2 Fm, no 3 C#m, 1846 [No. 39-41] <br> 534 <br> 535 Mazurkas Op. 67: no 1 G 1835, no 2 Gm 1849, no 3 C 1835, no 4 Am 1846 536 [No. 42-45]<br> 537 <br> 538 Mazurkas Op. 68: no 1 C 1830, no 2 Am 1827, no 3 F 1830, no 4 Fm 1849 539 [No. 46-49]<br> 540 <br> 541 Mazurka A minor (Emile Gaillard), 1840 [No. 50]<br> 542 <br> 543 Mazurka A minor (Notre Temps), 1841 [No. 51] <br> 544 <br> 545 Mazurka D major, 1820 <br> 546 <br> 547 Mazurka G major (Prague), 1826 <br> 548 <br> 549 Mazurka B flat major, 1826 <br> 550 <br> 551 Mazurka D major, 1832 <br> 552 <br> 553 Mazurka B flat major, 1832 <br> 554 <br> 555 Mazurka C major, 1833 <br> 556 <br> 557 Mazurka A flat major (Szymanowska), 1834 [No. 52-58] <br> 558 <br> 559 Nocturnes Op. 9 (Les murmures de la Seine): no 1 Bbm, no 2 Eb, no 3 B, 560 1832 [No. 1-3]<br> 561 <br> 562 Nocturnes Op. 15 (Les zéphyrs): no 1 F, no 2 F#, no 3 Gm, 1833 [No. 4-6] 563 <br> 564 <br> 565 Nocturnes Op. 27 (Les plaintives): no 1 C#m, no 2 Db, 1835 [No. 7,8] <br> 566 <br> 567 Nocturnes Op. 32 (Il lamento e la consolazione): no 1 B, no 2 Ab, 1837 568 [No. 9,10] <br> 569 <br> 570 Nocturnes Op. 37 (Les soupirs): no 1 G minor 1838, no 2 G major 1839 571 [No. 11,12]<br> 572 <br> 573 Nocturnes Op. 48: no 1 C minor, no 2 F sharp minor, 1841 [No. 13,14] <br> 574 <br> 575 Nocturnes Op. 55: no 1 F minor, no 2 E flat major, 1842-44 [No. 15,16] 576 <br> 577 <br> 578 Nocturnes Op. 62: no 1 B major, no 2 E major, 1846 [No. 17,18] <br> 579 <br> 580 Nocturne Op. 72 no 1 E minor, 1827 [No. 19] <br> 581 <br> 582 Nocturne C sharp minor (Lento con gran espressione / Reminiscence), 1830 583 [No. 20]<br> 584 <br> 585 Nocturne C minor, 1847 [No. 21] <br> 586 <br> 587 Nocturne, C sharp minor (Oubliée) [No. 22: recently discovered] <br> 588 <br> 589 Polonaise C major Op. 3 (La gaité), piano and cello, 1829-30 <br> 590 <br> 591 Polonaise E flat major, Op. 22 <br> 592 (Grande Polonaise Brillante précédée dun Andante Spianato), 1830-1835:<br> 593 Version for piano and orchestra: I. Andante Spianato, II. Grande 594 polonaise <br> 595 Version for solo piano: I. Andante Spianato, II. Grande polonaise <br> 596 <br> 597 Polonaises Op. 26: no 1 C sharp minor, no 2 E flat minor (Siberian 598 Revolt), 1835 [No. 1,2]<br> 599 <br> 600 Polonaises Op. 40: no 1 A major (Military) 1838, no 2 C minor 1839 [No. 601 3,4]<br> 602 <br> 603 Polonaise F sharp minor, Op. 44 (Tragic), 1841 [No. 5] <br> 604 <br> 605 Polonaise A flat major, Op. 53 (Heroic), 1843 [No. 6] <br> 606 <br> 607 Polonaise A flat major, Op. 61 (Polonaise-fantaisie), 1846 [No. 7] <br> 608 <br> 609 Polonaises Op. 71: no 1 D minor, no 2 B flat major, no 3 F minor, 610 1827-29 [No. 8-10]<br> 611 <br> 612 Polonaise G minor, 1817 <br> 613 <br> 614 Polonaise B flat major, 1817 <br> 615 <br> 616 Polonaise A flat major, 1821 <br> 617 <br> 618 Polonaise G sharp minor, 1822 or 1824 <br> 619 <br> 620 Polonaise B flat minor (L'adieu à Guillaume Kolberg / La Gazza Ladra), 621 1826 <br> 622 <br> 623 Polonaise G flat major (Les adieux de Varsovie), 1829 [No. 11-16] <br> 624 <br> 625 Preludes Op. 28, 1838-1839: [No. 1-24] <br> 626 no 1 C major (Reunion)<br> 627 no 2 A minor (Presentiment of death) <br> 628 no 3 G major (Thou art so like a flower) <br> 629 no 4 E minor (Suffocation) <br> 630 no 5 D major (Uncertainty) <br> 631 no 6 B minor (Tolling bells) <br> 632 no 7 A major (The Polish dance) <br> 633 no 8 F# minor (Desperation) <br> 634 no 9 E major (Vision) <br> 635 no 10 C# minor (The night moth) <br> 636 no 11 B major (Dragonfly) <br> 637 no 12 G# minor (Duel) <br> 638 no 13 F# major (Loss) <br> 639 no 14 Eb minor (Fear) <br> 640 no 15 Db major (Raindrop) <br> 641 no 16 Bb minor (Hades) <br> 642 no 17 Ab major (A scene on the place de Nôtre Dame de Paris) <br> 643 no 18 F minor (Suicide) <br> 644 no 19 Eb major (Heartfelt happiness) <br> 645 no 20 C minor (Funeral march) <br> 646 no 21 Bb major (Sunday) <br> 647 no 22 G minor (Impatience) <br> 648 no 23 F major (A pleasure boat) <br> 649 no 24 D minor (The storm)<br> 650 <br> 651 Prelude C sharp minor, Op. 45, 1841 [No. 25]<br> 652 <br> 653 Prelude A flat major (Presto con leggerezza / Pierre Wolf), 1834 [No. 654 26]<br> 655 <br>
656 Prelude E flat minor (Devil's trills) [No. 27: recently discovered]<br> 657 <br> 658 Rondo C minor, Op. 1 (L'adieu à Varsovie), 1825 <br> 659 <br> 660 Rondo à la Mazur, F major, Op. 5 (La posiana), 1826 <br> 661 <br> 662 Rondo à la Krakoviak, F major, Op. 14, Piano and orchestra, 1828 <br> 663 <br> 664 Rondo E flat major, Op. 16 (Rondo élégante), 1833 <br> 665 <br> 666 Rondo C major, Op. 73, for 2 pianos, 1828 <br> 667 <br> 668 Scherzo [No. 1], B minor, Op. 20 (Infernal Banquet), 1833 <br> 669 <br> 670 Scherzo [No. 2], B flat minor, Op. 31, 1837 <br> 671 <br> 672 Scherzo [No. 3], C sharp minor, Op. 39, 1839 <br> 673 <br> 674 Scherzo [No. 4], E major, Op. 54, 1843 <br> 675 <br> 676 Sonata [No. 1], C minor, Op. 4, 1828: <br> 677 I. Allegro maestoso, II. Minuetto: Allegro - Trio, III. Larghetto, IV. 678 Finale: Presto <br> 679 <br> 680 Sonata [No. 2], B flat minor, Op. 35 (Funeral March), 1839: <br> 681 I. Grave - Doppio movimento, II. Scherzo, III. Funeral March, IV. 682 Finale: Presto <br> 683 <br> 684 Sonata [No. 3], B minor, Op. 58, 1844: <br> 685 I. Allegro maestoso, II. Scherzo: Molto vivace, III. Largo, IV. Finale: 686 Presto ma non tanto <br> 687 <br> 688 Sonata G minor, Op. 65, piano and cello, 1846: <br> 689 I. Allegro moderato, II. Scherzo, III. Largo, IV. Finale <br> 690 <br> 691 Songs Op. 74, voice and piano: <br> 692 no 1 Zyczenie [A Young Girl's Wish] G major, 1829 (S.Witwicki); <br> 693 no 2 Wiosna [Spring Song] G minor, 1838 (S.Witwicki); <br> 694 no 3 Smutna rzeka [Sad River] F sharp minor, 1831 (S.Witwicki); <br> 695 no 4 Hulanka [A Drinking Song] C major, 1830 (S.Witwicki); <br> 696 no 5 Gdzie lubi [A Girl's Desire] A major, 1829, (S.Witwicki); <br> 697 no 6 Precz z moich oczu [Out of my Sight] F minor, 1827, (A.Mickiewicz); 698 <br> 699 no 7 Posel [The Messenger] D major, 1831, (S.Witwicki); <br> 700 no 8 Sliczny chlopiec [The Handsome Lad] D major, 1841, (B.Zaleski); <br> 701 no 9 Melodia [Elegy] G major, 1847, (Z.Krasinski); <br> 702 no 10 Wojak [The Warrior] A flat major, 1831, (S.Witwicki); <br> 703 no 11 Dwojaki koniec [Death's Divisions] D minor, 1845, (B.Zaleski); <br> 704 no 12 Moja pieszczotka [My Sweetheart] G flat major, 1837, (A.Mickiewicz); 705 <br> 706 no 13 Nie ma czego trzeba [Faded and Vanished] A minor, 1845, (B.Zaleski); 707 <br> 708 no 14 Pierscien [The Ring] E flat major, 1836, (S.Witwicki); <br> 709 no 15 Narzeczony [The Betrothed] C minor, 1831, (S.Witwicki); <br> 710 no 16 Piosnka litewska [A Lithuanian Song] E flat major, 1831, (L.Osinski); 711 <br> 712 no 17 Leci liscie z drzewa [Leaves Are Falling] E flat minor, 1836, (W.Pol) 713 <br> 714 <br> 715 Songs, voice and piano, without opus numbers: <br> 716 Czary [Witchcraft / Enchantement] D minor, 1830 (S.Witwicki); <br> 717 Dumka [A Sad Song / Reverie] A minor, (B.Zaleski) <br> 718 <br> 719 Tarantella, A flat major, Op. 43, 1841 <br> 720 <br> 721 Trio, G minor, Op. 8, Piano, violin, cello, 1829: <br> 722 I. Allegro con fuoco, II. Scherzo, III. Adagio sostenuto, IV. Allegretto<br> 723 <br> 724 Variations, B flat major, Op. 2, on Mozart's "La ci darem la mano", 725 piano and orchestra, 1827 <br> 726 <br> 727 Variations brillantes, B flat major, Op. 12, on "Je vends des 728 Scapulaires", 1833 <br> 729 <br> 730 Variations E major, on a theme from Rossini's 'La Cenerentola', for 731 pianoforte & flute, 1824 <br> 732 <br> 733 Variations E major, on "Steh' auf, steh' auf o du Schweitzer Bub", 1824 734 <br> 735 <br> 736 Variations D major, on a theme of Thomas Moore, piano 4 hands, 1826 <br> 737 <br> 738 Variations A major, Souvenir de Paganini, 1829 <br> 739 <br> 740 Variations E major, from Hexameron on the march of Vincenzo Bellini's "I 741 Puritani", 1837 <br> 742 <br> 743 Waltz Eb major, Op. 18 (Grande valse brillante), 1833 [No. 1]<br> 744 <br> 745 Waltzes Op. 34 (Grandes valses brillantes): no 1 Ab, 1835; no 2 Am, no 3 746 F, 1838 [No. 2-4]<br> 747 <br> 748 Waltz Ab major, Op. 42 (Grande valse nouvelle), 1840 [No. 5]<br> 749 <br> 750 Waltzes Op. 64: no 1 Db (Minute / Le petit chien), no 2 C#m, no 3 Ab, 751 1847 [No. 6-8]<br> 752 <br> 753 Waltzes Op. 69: no 1 Ab major (L'adieu) 1835, no 2 B minor 1829 [No. 754 9,10]<br> 755 <br> 756 Waltzes Op. 70: no 1 Gb major 1832, no 2 F minor 1842, no 3 Db major 757 1829 [No. 11-13]<br> 758 <br> 759 Waltz E minor, 1830 [No. 14] <br> 760 <br> 761 Waltz E major, 1829 [No. 15] <br> 762 <br> 763 Waltz A flat major (Emily Elsner), 1827 [No. 16] <br> 764 <br> 765 Waltz E flat major (Emily Elsner), 1829-30 [No. 17] <br> 766 <br> 767 Waltz E flat major (Klavierstuck / Sostenuto), 1840 [No. 18]<br> 768 <br> 769 Waltz A minor, 1847 [No. 19] <br> 770 <br> 771 Waltz F sharp minor (Mélancolique) [No. 20: recently discovered] <br> 772 </font></i></p> 773 </blockquote> 774 <p align="justify"> 775 <font face="Verdana" style="font-size: 8pt; font-style: italic"> 776 <a href="http://www.ourchopin.com/news.html#ref" style="text-decoration: none"> 777 <font color="#000000">References: Click here for a full list of 778 books and articles used to build this website</font></a></font></p> 779 <font face="Verdana" style="font-size: 8pt"> 780 <p align="left"><a href="#top"> 781 <img border="0" src="images/WB00677_.gif" width="32" height="32" alt="Back to Top"></a> 782
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797 798 799 </p> 800 <p align="left"> 801 <font face="Verdana" style="font-size: 8pt" font color="#000000" > 802 803 _________________________________________________________________<br> 804 805 <b>CHOPIN : THE POET OF THE PIANO - © by Anh Tran. All rights reserved</b><br> 806 <a href="index.html"><font color="#000000">Home</font></a> | 807 <a href="news.html"><font color="#000000">News</font></a> | 808 <a href="biography.html"><font color="#000000">Bio</font></a> | 809 <a href="quotes.html"><font color="#000000">Quote</font></a> | 810 <a href="images.html"><font color="#000000">Image</font></a> | 811 <a href="list.html"><font color="#000000">Worklist</font></a> | 812 <a href="music.html"><font color="#000000">Music</font></a> | 813 <a href="pianists.html"><font color="#000000">Pianists</font></a> | 814 <a href="links.html"><font color="#000000">Links</font></a> | 815 <a href="http://www.ourchopin.com/forum.html" target="_top" > 816 <font color="#000000">Forum</font></a><br> 817 <a href="tune.html" ><font color="#000000">Tune</font></a> | 818 <a href="quizzes.html" ><font color="#000000">Quiz</font></a> | 819 <a href="questions.html" ><font color="#000000">Q&A</font></a> | 820 <a href="vote.html" ><font color="#000000">Vote</font></a> | 821 <a href="contest.html" ><font color="#000000">Contest</font></a> | 822 <a href="hofame.html" ><font color="#000000">Hall of fame</font></a> | 823 <a href="guestbook.html" ><font color="#000000">Guest</font></a> | 824 <a href="aboutme.html" ><font color="#000000">About me</font></a> | 825 <a href="site.html" ><font color="#000000">Sitemap</font></a> 826 </font> 827 828 </p> 829 </blockquote> 830 </td> 831 </tr> 832</table> 833 834<table border="1" cellpadding="0" style="border-collapse: collapse" width="100%" height="25" bordercolor="#E6E6E6" id="table6"> 835 <tr> 836 <td height="25" width="100%" bordercolor="#E6E6E6" bgcolor="#E6E6E6"> 837 </td> 838 </tr> 839</table> 840
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