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85 86 </font></div></td> 87 </tr> 88</table> 89<br> 90<table width="100%" border="0"> 91 <tr> 92 <td><div align="center"><img src="SLIKEJPG/FAIRYLAND_front.jpg" width="265" height="272"></div></td> 93 </tr> 94</table> 95<br> 96<table width="100%" border="0"> 97 <tr> 98 <td> <div align="center"> 99 <p><font size="2" face="Tahoma"><strong><font color="#FD0286" size="3">MARC 100 FRUTTERO: “FAIRYLAND”<br> 101 - The Story and the tracks -<br> 102 <font size="2">by Marc Fruttero</font></font></strong></font></p> 103 </div></td> 104 </tr> 105 <tr> 106 <td><div align="center"><font color="#666666" size="2" face="Tahoma">------------------------------------------------</font></div></td> 107 </tr> 108 <tr> 109 <td><div align="center"> 110
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120 121 </div></td> 122 </tr> 123 <tr> 124 <td><div align="center"><font color="#666666" size="2" face="Tahoma">------------------------------------------------</font></div></td> 125 </tr> 126</table> 127<p><font size="2" face="Tahoma"><strong>1. DISCO SILVIA (Album Version) </strong></font><font size="2"><font face="Tahoma"><strong><a href="http://www.flashbackrecords.org/samples/Disco_Silvia_sample.mp3" target="_blank"><img src="GIF/listen.gif" width="14" height="22" border="0"></a></strong></font></font><font size="2" face="Tahoma"><strong><br> 128 (M. Fruttero-C. Bihlmaier) 5'11"<br> 129 Arranged by Andrea Cofrancesco.</strong></font></p> 130<p><font size="2" face="Tahoma">This track has a curious story: It was created 131 as a pure joke, nothing else: In 1990 a sexy French friend (Silvia Bagli) and 132 I, decided to film a funny video for a ridiculous song we had made. That “primordial 133 version“, already called “Disco Silvia”, was full of strange 134 solutions, where Silvia and I sang and produced funny vocals. We laughed a lot, 135 and then played it to our friends. Some of them found it funny, some others 136 remained rather shocked…<br> 137 Obviously, it wasn’t conceived for any release, it was only made for kidding 138 with our friends. But in 2005 I wanted Kimmo Salo (my producer for Flashback 139 records) to listen to some new modern songs (serious ones…) I had made.<br> 140 I also played two old tracks we made for fun (just for joking once again). Among 141 them the original, grotesque “Disco Silvia”…But Kimmo did 142 not laugh… On the contrary he liked its refrain very much, along with 143 some other sound effects in the background. He also admitted the vocals were 144 a bit too “crazy…“, therefore he wanted to take the refrain 145 and start a new arrangement. I had to write new, nicer lyrics for it (the original 146 words were a real disaster…), then Kimmo asked his German friend Chris 147 Bihlmaier to write some instrumental music to add to the vocal refrains.<br> 148 …But Kimmo still wasn’t satisfied with the final result. Chris’ 149 80s style arrangement, along with his additional music, were very nice, but 150 yet the instrumental coda was too long, and there were not enough vocals. Therefore 151 he asked Roman arranger Andrea Cofrancesco to rearrange the song once again, 152 still respecting a pure 80s style, as the album “Fairyland” needed 153 to be.<br> 154 This time, Kimmo was totally enthusiastic of the final result, and I liked it 155 quite a lot.<br> 156 New “Disco Silvia” has been mixed in two versions:<br> 157 An extended mix for a vinyl maxi-single, and a shortened album version to be 158 included in “Fairyland”: In fact, this is the version that has been 159 chosen for the album. Final “Disco Silvia” has a nice “Gazebo” 160 atmosphere, probably created by the influence Gazebo had on Cofrancesco’s 161 musical culture (they are both from Roman background). It is surely a delightful 162 result…! The track features one of my best vocals as well. The lyrics 163 and the refrain are both simple, but everything sounds rather sparkling indeed…<br> 164 There’s also a video already made, and it will probably be broadcasted 165 in September or later in October 2008.</font></p> 166<p><font size="2" face="Tahoma"><strong>2. MEMORIES (Extended Remix) </strong></font><font size="2"><font face="Tahoma"><strong><a href="http://www.flashbackrecords.org/samples/.mp3" target="_blank"><img src="GIF/listen.gif" width="14" height="22" border="0"></a></strong></font></font><font size="2" face="Tahoma"><strong><br> 167 (R. Calzolari-M. Traversoni) 7'40"<br> 168 Arranged by the <a href="Dyva.html" target="_blank">Dyva</a>.</strong></font></p> 169<p><font size="2" face="Tahoma">A track written by Dyva and rearranged by the 170 same band. It was previously released by Flashback Records as a vinyl maxi (Under 171 the name of Dyva, obviously), and I later sang a new version for my album. Practically 172 it’s a Flashback cover. It’s undoubtfully a catchy song, as some 173 other tracks written by Calzolari & Traversoni. One original thing of Dyva’s 174 style, is changing the instrumental refrain for any rearranged ver
174sion, keeping 175 the original music only for the vocal sections. I have never heard any other 176 band or artist to work like that, and to tell the truth, I did not want them 177 to change the original instrumental theme for my own new version (the old refrain 178 was already fantastic). …But…they anyway did it…This new instrumental 179 theme is nice too, but the older one was even better. Never mind, the final 180 result has been satisfying too. I suppose the fans of Italodisco will be sure 181 to enjoy this 80s arrangement, as those they love so much….In fact, there’s 182 one very typical element of the 80s in this track: The bells, and this arrangement 183 is all pervaded by that magical effect that makes “Memories” a lovely 184 and cheerful song.</font></p> 185<p><font size="2" face="Tahoma"><strong>3. DEEP INSIDE OF YOUR HEART (Extended 186 Version) </strong></font><font size="2"><font face="Tahoma"><strong><a href="http://www.flashbackrecords.org/samples/Marc_Fruttero_-_Deep_inside_of_your_heart.mp3" target="_blank"><img src="GIF/listen.gif" width="14" height="22" border="0"></a></strong></font></font><font size="2" face="Tahoma"><strong><br> 187 (G. Mauro-M. Fruttero) 5'34"<br> 188 Arranged by <a href="JoeyMauro.html" target="_blank">Joey Mauro</a>.</strong></font></p> 189<p><font size="2" face="Tahoma">A track composed by “Magical” Joey 190 Mauro, a guy with a “nervous” creativity…able to compose 80s 191 style arrangements with an originality that distinguishes his works from those 192 made by other arrangers.<br> 193 “Deep Inside Of Your Heart” was previously released as a vinyl maxy-single, 194 but it wasn’t a success among Italo collectors (who generally buy Flashback’s 195 vinyl records). All the same, I think it’s a very pleasant song. It isn’t 196 exactly catchy like Dyva’s melodies, but it’s nice music anyway, 197 and Kimmo Salo liked it madly from the moment he listened to its demo for the 198 first time…</font></p> 199<p><font size="2" face="Tahoma"><strong>4. DARKNESS (Turin Mix) </strong></font><font size="2"><font face="Tahoma"><strong><a href="http://www.flashbackrecords.org/samples/fruttero_darkness.mp3" target="_blank"><img src="GIF/listen.gif" width="14" height="22" border="0"></a></strong></font></font><font size="2" face="Tahoma"><strong><br> 200 (M. Fruttero) 4'26"<br> 201 Arranged By Maurizio Castellano and Roberto Gilio.</strong></font></p> 202<p><font size="2" face="Tahoma">There are only two songs of mine that have really 203 been advertised in this world of modern Italo revival. One is “If You’re 204 Feeling Blue”, and the other one is “Darkness”. With “Darkness”, 205 some Dutch 80s Dance collectors discovered 1986 forgotten Aquarius project... 206 A vinyl maxi with whom the original version was released (more or less) already 207 in 1986 by a small Italian record label.<br> 208 But unfortunately, distribution was extremely poor and it was almost impossible 209 to find that record in any Italian shop. I heard less than 100 copies were distributed, 210 and “Darkness” was then completely forgotten… Just after 2000, 211 those Dutch collectors discovered a few “abandoned” copies in some 212 Italian shops somewhere, and published a very positive article on “Darkness” 213 at Iventi.net (until 2006 the most popular site for Italodance). That article 214 was read by almost everybody in this field, and all the collectors started to 215 look for “Darkness” by Aquarius. But that record was very rare, 216 and each copy found and sold at Ebay costed a bundle. Anyway, the track gradually 217 became very popular among those collectors, and, even now, it is the only song 218 of mine (along with “…Feeling Blue”, as I said before) that 219 is known by each Italodisco fan. That Aquarius version has been recently included 220 in Summer Klub vol 2 compilation by 4EverMusic (Warner Bros distribution in 221 Poland). This present other “Turin” version, included in the “Fairyland” 222 album, is the original one of 1984. It’s arrangement is a rather poor 223 when compared to final 1986 Aquarius version, but it anyway has its own particular 224 feeling: A bit “naïve”, as some of the Italo tracks were during 225 the 80s. It was recorded and mixed in a Turin recording studio, but it was practically 226 unfinished. We restored and end this version for including it as B-Side of my 227 successful ”If You’re Feeling Blue” maxi-single. That record 228 was advertised at the top of Iventi.net’s home page, and Flashback Records 229 could almost immediately sell a considerable number of copies. After two years, 230 “Darkness”
230 Turin mix has been included in this CD album too. Kimmo 231 Salo likes this older mix more than the Aquarius version, even if I still think, 232 the other one is still the best ever.<br> 233 The subject of “Darkness” is a dialogue with our unconscious: We 234 beg the ”deeper part” or “…darker part” of our 235 soul to help us to solve the problems that makes life so difficult and problematic, 236 hoping that powerful part will finally come out and save our existence in a 237 near future…<br> 238 The melody of “Darkness” is very wide and romantic, and listeners 239 can surely feel a subtle influence by British NewWave. Therefore, some Italofans 240 might say it’s not “Pure Italo” genre, but despite of this, 241 it has been the luckier track I have yet recorded.</font></p> 242<p><font size="2" face="Tahoma"><strong>5. TELL ME NOW (Dance Version) </strong></font><font size="2"><font size="2"><font face="Tahoma"><strong><img src="GIF/listen.gif" width="14" height="22"></strong></font></font></font><font size="2" face="Tahoma"><strong><br> 243 (M. Fruttero) 6'14"</strong></font></p> 244<p><font size="2" face="Tahoma">Along with “Darkness”, “Tell 245 Me Now” is one of the most melodic songs of the entire album, and surely 246 one of my best loved compositions. It also has a very wide melody, passionate 247 and romantic, and the lyrics talk about remembrances of youth and the love for 248 our friends. Without friendship and love, our lives wouldn’t have any 249 value, and this song celebrates those great sentiments.<br> 250 This original version was recorded in the mid 80s, but it wasn’t much 251 more than un unfinished demo. Therefore, it has been rather complicated to restore 252 it with the PC: The drums section was still the most uncompleted part (it has 253 been finished by DJ Dario Viale). To tell the truth this original arrangement 254 isn’t really the best. I would have started a totally new one, keeping 255 80s style, as the spirit of this album requires, but Flashback Records wasn’t 256 really interested in this song, and I was feeling lucky this track wasn’t 257 omitted from the final album project.<br> 258 There’s also a better version, with a modern arrangement, that I recorded 259 in 2000. I included it in the “In My Dreams“ Cafepress CD-R album 260 of unreleased tracks<br> 261 ( <a href="http://www.cafepress.com/marcfruttero2" target="_blank">www.cafepress.com/marcfruttero2</a> 262 ).<br> 263 Unfortunately I didn’t have any chance to release it as a real CD or vinyl 264 maxi, therefore that Cafepress CD-R is the only release available until now. 265 A video of that modern version will be ready soon.</font></p> 266<p><font size="2" face="Tahoma"><strong>6. I WANNA LIVE WITH YOU (Miami Mix) </strong></font><font size="2"><font size="2"><font face="Tahoma"><strong><a href="http://www.flashbackrecords.org/samples/Marc_Fruttero_-_I_wanna_live_with_you(extended_version).mp3" target="_blank"><img src="GIF/listen.gif" width="14" height="22" border="0"></a></strong></font></font></font><font size="2" face="Tahoma"><strong><br> 267 (M. Fruttero-M. Remigi) 4'44"<br> 268 Arranged by <a href="http://www.discogs.com/artist/Marco%2BRemigi" target="_blank">M. 269 Remigi</a>.</strong></font></p> 270<p><font size="2" face="Tahoma">This was the real track that started my collaboration 271 with Flashback Records in 2004. It’s a “happy” love song, 272 with a simple melody and sparkling arrangement that is refined and easy at the 273 same time. It recalls the atmosphere of an old 80s hit like “Neverending 274 Story” by Giorgio Moroder/Limahl.<br> 275 This present mix, was previously released for the B-Side vinyl maxi with the 276 same name. The A-Side featured the Extended Version, while this Miami Mix (it 277 was in fact remixed in Florida) has been chosen for inclusion in the CD album.<br> 278 “I Wanna Live With You” symbolises my first attempt of starting 279 a solo singer career in the end of the 80s/beginning of the 90s, but for some 280 distribution problem I had, it was only released in 2005 by Flashback Records…</font></p> 281<p><font size="2" face="Tahoma"><strong>7. IF YOU'RE FEELING BLUE (Extended Version) 282 </strong></font><font size="2"><font size="2"><font face="Tahoma"><strong><a href="http://www.flashbackrecords.org/samples/fruttero_ifyourefeeling.mp3" target="_blank"><img src="GIF/listen.gif" width="14" height="22" border="0"></a></strong></font></font></font><font size="2" face="Tahoma"><strong> 283 <br> 284 (R. Calzolari-M. Traversoni) 5'57"<br> 285 Arranged by L.A.Messina.</strong></font></p> 286<p><font size="2" face="Tahoma">Surely the catchiest melody written by the Dyva, 287 and also the catchiest song I have ever recorded. It was in Dyva’s collection 288 of unreleased demos, and, since the first time I listened to it, I was immediately 289 captured by its music themes. I still wonder why no producer has thought of 290 releasing it as a single before Kimmo Salo and I took it for my 2006 vinyl maxi 291 for Flashback Record!<br> 292 But…this is a strange field, and all the most weird things are obviously 293 possible. Perhaps the words have always been a bit too easy, but the entire 294 track sounds so brilliant, that one can easily forget about any week lyrics…<br> 295 The Dyva were then rather busy, therefore, we asked former Italo star L.A.Messina 296 to arrange the song with a pure 80s Dance style. People that follow this genre, 297 really know L.A.Messina very well (He was rather famous in the 80s), and this 298 probably was one of the reasons why that maxi was an immediate success among 299 the Italodance collectors.<br> 300 Surely, advertising the record at Iventi.net was undoubtelly a good idea, but 301 also taking Messina as arranger was really the right choice. The album ”Fairyland” 302 features the same A-Side version of that maxi-single, so called Extended Version 303 and mixed by DJ Savino in Holland. To tell the truth another better mix (called 304 Waves mix) was chosen by Kimmo Salo and I for the final album project. But just 305 before publishing the CD, Flashback Records decided to discard that new mix, 306 and reintroduce Savino’s original Extended Version…That Waves Mix 307 remains unreleased, but one can have an idea of how it was, going to my MySpace 308 home page<br> 309 ( <a href="http://www.myspace.com/marcfruttero" target="_blank">www.myspace.com/marcfruttero</a> 310 ),<br> 311 and listen to a previous version of that mix. The subtitle is the same (always 312 Waves Mix), but even if it’s not the final version that had to be included 313 in “Fairyland“, the one featured at Myspace is rather similar, and
314 can efficiently provide a fresh example of how it had to be.<br> 315 Another earlier demo version is featured in my Cafepress CD-R “Just For 316 The Record…”.<br> 317 ( <a href="http://www.cafepress.com/marcfruttero" target="_blank">www.cafepress.com/marcfruttero</a> 318 )<br> 319 One could finally think: What’s really the best version of all…?</font></p> 320<p><font size="2" face="Tahoma"><strong>8. FAIRYLAND (Extended Version) </strong></font><font size="2"><font size="2"><font face="Tahoma"><strong><a href="http://www.flashbackrecords.org/samples/Fairyland.mp3" target="_blank"><img src="GIF/listen.gif" width="14" height="22" border="0"></a></strong></font></font></font><font size="2" face="Tahoma"><strong><br> 321 (G. Mauro-G.S. Arena-M. Fruttero) 5'12"<br> 322 Arranged by Joey Mauro.</strong></font></p> 323<p><font size="2" face="Tahoma">Another sweet track taken from the “Deep 324 Inside Of Your Heart” vinyl maxi (B-Side). It’s also the title track 325 of this present CD, and it can clearly express the dreaming nature of the album. 326 The lyrics, created by Californian writer Gregory Santo Arena, talk about nostalgic 327 remembrances of a guy that has lost his family and misses his brother most of 328 all. That bad past has been substituted by two “princesses”:<br> 329 His wife and the young daughter, in a magic place called…Fairyland…that 330 gave life back to him…<br> 331 Those soft lyrics have anyway a certain relation with the author’s biography.<br> 332 Joey Mauro once again creates a fantasist game of sequencers that can delight 333 the ears and make people dance at…Fairyland…</font></p> 334<p><font size="2" face="Tahoma"><strong>9. DIVERTISSEMENT (Extended Version) <br> 335 (M. Fruttero) 5'42" - Duet with Anna<br> 336 Arranged by Davide Balangero.</strong></font></p> 337<p><font size="2" face="Tahoma">An authentic and unreleased recording from the 338 middle 80s.<br> 339 It has been remastered to include it in the album. It’s a duet with Anna, 340 a girl that wasn’t a professional vocalist, but she used to sing with 341 bands from time to time. Her voice was fresh and spontaneous, and Kimmo Salo 342 liked her immediately since the first time he heard “Divertissement”. 343 This enigmatic title is French, and it would mean a sequel of bright dances 344 “to have fun” (the symphonic divertissement from the second act 345 of “The Nutcracker” by Tchaikovsky, is a typical and very famous 346 example). In fact my song would like to create the sensation of a dance series, 347 where the only real intention is making people to have pure fun, to move on 348 the wave of sounds and rhythm.<br> 349 On the contrary, the lyrics’ subject is once again the unconscious, and 350 the unpleasant presage of a difficult future made of loneliness. It can be considered, 351 as for “Darkness”, to be rather a gothic atmosphere.</font></p> 352<p><font size="2" face="Tahoma"><strong>10. CRYING FOR LOVE (Extended Version) 353 </strong></font><font size="2"><font size="2"><font face="Tahoma"><strong><a href="http://www.flashbackrecords.org/samples/fruttero_cryingforlove.mp3" target="_blank"><img src="GIF/listen.gif" width="14" height="22" border="0"></a></strong></font></font></font><font size="2" face="Tahoma"><strong> 354 <br> 355 (M. Fruttero) 6'46"<br> 356 Arranged by Mauro”Tommy” Gallo<br> 357 (also known as <a href="http://www.discogs.com/artist/Tommy%2BBow" target="_blank">Tommy 358 Bow</a>).</strong></font></p> 359<p><font size="2" face="Tahoma">Once again an authentic recording from the 80s, 360 at least for the arrangement and the music. In fact, the music for the vocals 361 was already written, but had never been sung at the time. The voice was finally 362 recorded a bit later in Bologna, when I decided to finish the song.<br> 363 In 2004, Kimmo Salo wanted to make it longer (an extended version), to be suitable 364 for B-Side of the ”I Wanna Live With You” maxi. The original edit 365 was much shorter. It is surely an extremely characteristic 80s danceable track, 366 along the lines of Albert One or even Rick Astley. Tommy (Mauro Gallo) was one 367 of Albert One’s arrangers, and this is the main reason why his work for 368 this track sounds so typical. The words are about a desperate love story, where 369 a guy is dominated and imprisoned by the cruel passion of a woman similar to 370 Circe. Those lyrics were inspired by an original idea of Gregory Santo Arena 371 once again.</font></p> 372<p><font size="2" face="Tahoma"><strong>11. PLEASE MY LOVE (Remix) </strong></font><font size="2"><font size="2"><font face="Tahoma"><strong><a href="http://www.flashbackrecords.org/samples/Marc%20Fruttero%20-%20Please%20My%20Love.mp3" target="_blank"><img src="GIF/listen.gif" width="14" height="22" border="0"></a></strong></font></font></font><font size="2" face="Tahoma"><strong><br> 373 (R. Calzolari-M. Traversoni) 7'55"<br> 374 Arranged by the Dyva.</strong></font></p> 375<p><font size="2" face="Tahoma">Another beautiful cover written by Dyva. Previously 376 released as title track of one of Dyva’s maxi-singles for Flashback, has 377 been rearranged for my album. Roby Calzolari has once again changed the instrumental 378 refrain, but keeping the vocals as they were before. I really love this new 379 version, and I think it is surely one of the most pleasant recordings in this 380 album. The arrangement is bright and cheerful, and can donate an immediate sensation 381 of fresh purification. It is a love song, and, at the same time can clearly 382 express sensations of magic that the subject of “Fairyland” requires. 383 It’s also the longest track in this album. Therefore very suitable for 384 DJs…</font></p> 385<p><font size="2" face="Tahoma"><strong>12. MOMENTS OF SURPRISE (Extended Version) 386 <br> 387 (G. Mauro-M. Fruttero) 6'05"<br> 388 Arranged by Joey Mauro.</strong></font></p> 389<p><font size="2" face="Tahoma">The final track…Kimmo Salo did not like 390 this love song so much, and this is the banal reason why it is the last track 391 in the album. I anyway think it’s a pleasant piece: It has a bit monotonous 392 arrangement, so typical of many Italian Dance productions of the 80s. His drums 393 section, that beats so much and constantly, was very frequently chosen in this 394 music genre, first of all by secondary labels that pressed records only intended 395 for playing in the discothèques or during private parties. “Moments 396 Of Surprise” efficiently re-creates this effect so characteristic of those 397 optimistic years.</font></p> 398<p><font size="2" face="Tahoma">Marc</font></p> 399<p><font color="#666666" size="2" face="Tahoma">-------------------------------------------------------------------</font></p> 400<p><font size="2" face="Tahoma"><strong><font color="#FD0286">“FAIRYLAND” 401 CD album is available at:</font><br> 402 <a href="http://www.flashbackrecords.org" target="_blank">www.flashbackrecords.org</a></strong></font></p> 403<table width="100%" border="0"> 404 <tr> 405 <td><div align="center"><font size="1" face="Arial, Helvetica, sans-serif"><strong>© 406 Zeljko Vujkovic - September 2008</strong></font></div></td> 407 </tr> 408 <tr> 409 <td><div align="center"></div></td> 410 </tr> 411 <tr> 412 <td><div align="center"><font size="2" face="Arial, Helvetica, sans-serif"> 413
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