1import{f as p,a as r}from"./D_CPI_h-.js";import"./CKi91aQj.js";import{s as l,f as d,G as m}from"./BQW8HMfI.js";import{l as u,s as h}from"./Cl09k4k6.js";import{D as c}from"./sPJ9wW-Y.js";import"./ActNueO3.js";import"./DlHGnM8-.js";import{Y as g}from"./CpObCFJj.js";const a={title:"(Behind) Bright-Side Jamming with Archive: Re-coding",year:2024,media:[{medium:"Audiovisual Performance"},{medium:"Group Performance"}],published:!0,images:[{image:"/uploads/saveclip.app_468917748_18291375673238971_1423725115902540262_n.jpg",caption:"Photo by åå®¶é»å½±åè¦è½æåä¸å¿ Taiwan Film and Audiovisual Institute."},{image:"/uploads/saveclip.app_469059179_18291375793238971_3652600000153440770_n.jpg",caption:"Photo by åå®¶é»å½±åè¦è½æåä¸å¿ Taiwan Film and Audiovisual Institute."},{image:"/uploads/saveclip.app_468961676_18291376270238971_474940622839802365_n.jpg",caption:"Photo by åå®¶é»å½±åè¦è½æåä¸å¿ Taiwan Film and Audiovisual Institute."},{image:"/uploads/saveclip.app_469150149_18291376237238971_1238322720908014675_n.jpg",caption:"Photo by åå®¶é»å½±åè¦è½æåä¸å¿ Taiwan Film and Audiovisual Institute."},{image:"/uploads/saveclip.app_469166495_18291376168238971_4907614483367012945_n-1-.jpg",caption:"Photo by åå®¶é»å½±åè¦è½æåä¸å¿ Taiwan Film and Audiovisual Institute."},{image:"/uploads/saveclip.app_469190360_18291376273238971_8616541696515054013_n.jpg",caption:"Photo by åå®¶é»å½±åè¦è½æåä¸å¿ Taiwan Film and Audiovisual Institute."},{caption:"Photo by åå®¶é»å½±åè¦è½æåä¸å¿ Taiwan Film and Audiovisual Institute.",image:"/uploads/saveclip.app_469178864_18291376165238971_2030140590559058180_n.jpg"}]},{title:j,year:I,media:P,published:x,images:B}=a;var _=p("<p>Yen Tzu Chang X Ning Tsai: (Behind) Bright-Side</p> <p>Jamming with Archive: Re-coding</p> <p>å¼µææ
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ç´æ£åï¼ä¹ä¸ï¼ã</p> <p>æªæ¡å½±ååµä½è¨ç«ï¼å編碼</p> <p>2024 Jamming with Archive: Re-coding, Yen Tzu Chang X Ning Tsai: (Behind) Bright-Side, host by Taiwan Film & Audiovisual Institute (TFAI), C-Lab, Taipei, Taiwan</p> <p>Video Links (360-degree panoramic video)</p> <!> <p>News sometimes resembles an apparatus for those in power to promote political achievements and attain social stability as imagined. Today, the utterly positive style and seriousness of reporting in the past make people laugh. As time evolves, juxtaposed with others, absurdity reflects the shadows difficult to discern in the current temporal-spatial context. (Behind) Bright-Side is based on a past initiative of the Government of Taiwan, i.e., sending balloons containing supplies to mainland Chinese as a relief. Related news materials are employed to make audio-visual elements, installations, and sensors for this performance, which depicts the phenomena of spectatorship transformation in terms of thinking.</p> <p>The work was commissioned by the Taiwan Film & Audiovisual Institute. Our mission is to analyze thousands of Taiwanese newsreels (from the 1940s to the 1980s) stored in the National Film and Audiovisual Archive from an artistâs perspective. We aim to find themes and audiovisual materials to serve as focal points for creation. The performance serves as a medium to âactivateâ the database, and we ultimately utilized the theme of floating balloons to thread throughout the entire production.</p> <p>æ°èï¼å¯¦é䏿´åæ¯æ¬åè
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æèè½è®ä¹ç¾è±¡ã</p> <p>Sound: Yen Tzu Chang </p> <p>Visual: Ning Tsai</p> <p>Installation:Yen Tzu Chang, Ning Tsai</p> <p>CV | ââNing Tsai</p> <p>ââNing Tsai, an artistic practitioner and architectural designer, holds an MS in Architecture and is interested in interdisciplinary exploration. She works across digital fabrication, interactive installation, spatial projection, and experimental sound art, focusing on the research of human action, reconstruction of marginal subjectsâ identity, existence, and existential perception.</p>",1);function N(e,t){const n=u(t,["children","$$slots","$$events","$$legacy"]);c(e,h(()=>n,()=>a,{children:(s,f)=>{var i=_(),o=l(d(i),12);g(o,{url:"https://www.youtube.com/embed/UyOMvmmpF9U?si=pRNQetAFlg6_kHs0",allowfullscreen:!0}),m(16),r(s,i)},$$slots:{default:!0}}
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