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146<body class="page-template page-about tag-hash-hide-posts-sidebar hide-sidebar-posts
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148	<a href="#navigation" class="button screen-reader-text">Skip to Navigation</a>
149	<a href="#navigation-posts" class="button screen-reader-text">Skip to Posts</a>
150	<a href="#content" class="button screen-reader-text">Skip to Content</a>
151
152	<div class="main">
153		<aside class="sidebar">
154			<div class="sidebar-header">
155				<a class="logo" href="https://www.lucamailhol.com" aria-label="Luca Mailhol">
156		<span>Luca Mailhol</span>
157
158</a>				<nav class="navigation navigation-secondary" aria-label="Secondary Navigation">
159	<button class="button button-minimal dropdown-toggle" aria-expanded="false">
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166	<div class="dropdown">
167		<ul>
168<li class="nav-item">
169
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171<a href="/tags/" class="nav-link nav-link-tags">
172	
173	<span class="label">Tags</span>
174</a>						</li>
175			
176<li class="nav-separator"></li>
177<li class="nav-item">
178
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180<a href="/contact/" class="nav-link nav-link-contact">
181	
182	<span class="label">Contact</span>
183</a>						</li>
184<li class="nav-item">
185
186				
187<a href="/mentions-legales/" class="nav-link nav-link-mentions-legales">
188	
189	<span class="label">Mentions légales</span>
190</a>				</li>
191</ul>
192
193	</div>
194</nav>
195			</div>
196
197			<nav class="navigation navigation-sidebar" id="navigation" aria-label="Primary Navigation">
198				<ul>
199<li class="nav-item">
200
201						
202<a href="/" class="nav-link nav-link-home">
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208
209
210	<span class="label">Home</span>
211</a>						</li>
212<li class="nav-item">
213
214						
215<a href="/blog/" class="nav-link nav-link-blog">
216	<svg width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="http://www.w3.org/2000/svg">
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221</svg>
222
223	<span class="label">Blog</span>
224</a>						</li>
225<li class="nav-item">
226
227						
228<a href="/portfolio/" class="nav-link nav-link-portfolio">
229	<svg width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="http://www.w3.org/2000/svg">
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232</svg>
233
234
235	<span class="label">Portfolio</span>
236</a>						</li>
237<li class="nav-item">
238
239						
240<a href="/photographs/" class="nav-link nav-link-photographs">
241	<svg width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="http://www.w3.org/2000/svg">
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244</svg>
245
246
247	<span class="label">Photographs</span>
248</a>						</li>
249<li class="nav-item">
250
251						
252	<button
253		aria-expanded="false"
254		class="collapse-toggle nav-link nav-link-about-me"
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262
263
264		<span class="label">About me</span>
265	</button>
266
267						
268		<div
269			class="collapse"
270			aria-labelledby="nav-collapse-toggle-about-me-4"
271			id="nav-collapse-content-about-me-4"
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273			<ul>
274
275
276<li class="nav-item nav-item-sub">
277<a href="/about/" class="nav-link nav-link-who-am-i nav-link-current">
278	<svg width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="http://www.w3.org/2000/svg">
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281</svg>
282
283
284	<span class="label">- Who am I?</span>
285</a></li>
286
287<li class="nav-item nav-item-sub">
288<a href="/contact/" class="nav-link nav-link-contact-me">
289	<svg width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="http://www.w3.org/2000/svg">
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292</svg>
293
294
295	<span class="label">- Contact me!</span>
296</a></li>
297
298
299	</ul></div>
300</li>
301			
302<li class="nav-section">
303		<span class="nav-link nav-section-link">
304			<span class="label"># On lmhl.blog</span>
305		</span>
306</li>
307<li class="nav-item">
308
309						
310<a href="https://www.lmhl.blog/writings/" class="nav-link nav-link-personal-journal">
311	<svg width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="http://www.w3.org/2000/svg">
312	<path d="M15 2H6C5.46957 2 4.96086 2.21071 4.58579 2.58579C4.21071 2.96086 4 3.46957 4 4V20C4 20.5304 4.21071 21.0391 4.58579 21.4142C4.96086 21.7893 5.46957 22 6 22H18C18.5304 22 19.0391 21.7893 19.4142 21.4142C19.7893 21.0391 20 20.5304 20 20V7L15 2Z" stroke="currentColor" fill="#808080" fill-opacity="0.2" stroke-width="2" stroke-linecap="round" stroke-linejoin="round"/>
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314</svg>
315
316
317	<span class="label">
317Personal journal</span>
318</a>						</li>
319<li class="nav-item">
320
321						
322<a href="https://www.lmhl.blog/projects/" class="nav-link nav-link-travel-stories">
323	<svg width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="http://www.w3.org/2000/svg">
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326</svg>
327
328
329	<span class="label">Travel stories</span>
330</a>						</li>
331<li class="nav-item">
332
333						
334<a href="https://www.lmhl.blog/bibliotheque/" class="nav-link nav-link-cultural-library">
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433
434	
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437	
438<section class="section section-hero container-wide">
439	<div class="section-hero-content">
440			<h1>Who am I, in a few seconds...</h1>
441
442
443			<p>Welcome!</p>
444
445		
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472		"
473		alt="Who am I, in a few seconds..."
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478</picture>
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480			
481		</figure>
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484	
485	<div class="post-content">
486		
487
488		<figure class="kg-card kg-gallery-card kg-width-wide kg-card-hascaption"><div class="kg-gallery-container"><div class="kg-gallery-row"><div class="kg-gallery-image"><img src="https://www.lucamailhol.com/content/images/2024/11/01.jpg" width="800" height="534" loading="lazy" alt="" srcset="https://www.lucamailhol.com/content/images/size/w600/2024/11/01.jpg 600w, https://www.lucamailhol.com/content/images/2024/11/01.jpg 800w" sizes="(min-width: 720px) 720px"></div><div class="kg-gallery-image"><img src="https://www.lucamailhol.com/content/images/2024/11/02.jpg" width="1200" height="800" loading="lazy" alt="" srcset="https://www.lucamailhol.com/content/images/size/w600/2024/11/02.jpg 600w, https://www.lucamailhol.com/content/images/size/w1000/2024/11/02.jpg 1000w, https://www.lucamailhol.com/content/images/2024/11/02.jpg 1200w" sizes="(min-width: 720px) 720px"></div><div class="kg-gallery-image"><img src="https://www.lucamailhol.com/content/images/2024/11/03.jpg" width="1300" height="861" loading="lazy" alt="" srcset="https://www.lucamailhol.com/content/images/size/w600/2024/11/03.jpg 600w, https://www.lucamailhol.com/content/images/size/w1000/2024/11/03.jpg 1000w, https://www.lucamailhol.com/content/images/2024/11/03.jpg 1300w" sizes="(min-width: 720px) 720px"></div></div></div><figcaption><p><span style="white-space: pre-wrap;">Left to right : J.P. Estournet, Yuntian Guan, Roxane Bergerot. Top : Louis Maillé.</span></p></figcaption></figure><div class="kg-card kg-toggle-card" data-kg-toggle-state="close">
489            <div class="kg-toggle-heading">
490                <h4 class="kg-toggle-heading-text"><span style="white-space: pre-wrap;">🙀 What I'm doing right now...</span></h4>
491                <button class="kg-toggle-card-icon" aria-label="Expand toggle to read content">
492                    <svg id="Regular" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 24 24">
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495                </button>
496            </div>
497            <div class="kg-toggle-content"><p><i><b><strong class="italic" style="white-space: pre-wrap;">(May 2026 update) </strong></b></i><span style="white-space: pre-wrap;">- I'm working on a lot of commercials, among other things. But I've finished color grading several projects that I lit. I can't wait to tell more!</span></p><p><a href="https://www.lmhl.blog/now/?ref=lucamailhol.com"><span style="white-space: pre-wrap;">To know more, you can visit my "/now" page on my personal website!</span></a></p></div>
498        </div><p>I'm a young cinematographer, working in the film industry for several years. I'm from Burgundy, I live in Paris and work everywhere the wind takes me...</p><p>I'm also a camera-assistant or a DIT and I have solid expertise in post-production management. I’m a versatile person with a wide range of experience on projects of all sizes, from the most budget-strapped short films to big-money productions.</p><p>In addition, I directed a <a href="https://www.lucamailhol.com/portfolio/ningxia-le-fruit-ne-du-desert/" rel="noreferrer">short documentary</a> about vine exploitation in China and I co-directed a short movie, <a href="https://www.lucamailhol.com/portfolio/demain-dargile/" rel="noreferrer">Words of Clay</a>.</p><p>Don't hesitate to wander around my portfolio or my blog. If you want to see my personal website (french written), it's right there : <a href="https://lmhl.blog/?ref=lucamailhol.com" rel="noreferrer">https://lmhl.blog</a>. I also have a tiny wiki where I document professional stuffs : <a href="https://wiki.lucamailhol.com/?ref=lucamailhol.com" rel="noreferrer">https://wiki.lucamailhol.com</a>. </p><p>Most of all, feel free to contact me anytime!</p><div class="kg-card kg-toggle-card" data-kg-toggle-state="close">
499            <div class="kg-toggle-heading">
500                <h4 class="kg-toggle-heading-text"><span style="white-space: pre-wrap;">🇫🇷 Présentation</span></h4>
501                <button class="kg-toggle-card-icon" aria-label="Expand toggle to read content">
502                    <svg id="Regular" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 24 24">
503                        <path class="cls-1" d="M23.25,7.311,12.53,18.03a.749.749,0,0,1-1.06,0L.75,7.311"></path>
504                    </svg>
505                </button>
506            </div>
507            <div class="kg-toggle-content"><p><span style="white-space: pre-wrap;">Je suis un jeune chef-opérateur évoluant dans le milieu du cinéma depuis plusieurs années. Je viens de Bourgogne, vis à Paris et travaille où le vent m'emmène.</sp
507an></p><p><span style="white-space: pre-wrap;">En parallèle, j’officie comme assistant-opérateur ou DIT. Je possède aussi un bon savoir-faire en gestion de postproduction. J’ai un profil touche-à-tout et une expérience éclectique sur des projets de différentes ampleurs, du court-métrage le plus fauché à la grosse production pleine de sous. Cumulé, tout cela m’offre une vue assez large de la création d’un film, de sa production aux finitions.</span></p><p><span style="white-space: pre-wrap;">En outre, j’ai réalisé&nbsp;</span><a href="https://lucamailhol.com/portfolio/le-fruit-ne-du-desert/?ref=lucamailhol.com"><span style="white-space: pre-wrap;">un documentaire</span></a><span style="white-space: pre-wrap;">&nbsp;sur l'exploitation viti-vinicole Chinoise et coréalisé un court-métrage,&nbsp;</span><a href="https://lucamailhol.com/portfolio/demain-dargile/?ref=lucamailhol.com"><i><em class="italic" style="white-space: pre-wrap;">Demain d’Argile</em></i></a><span style="white-space: pre-wrap;">.</span></p><p><span style="white-space: pre-wrap;">N’hésitez pas à consulter mon portfolio ou à éplucher mon blog. Si vous souhaitez découvrir mon site plus personnel, c'est à cette adresse : </span><a href="https://lmhl.blog/?ref=lucamailhol.com" rel="noreferrer"><span style="white-space: pre-wrap;">https://lmhl.blog</span></a><span style="white-space: pre-wrap;">. J'ai aussi un wiki sur lequel je documente des trucs professionnels. </span></p><p><span style="white-space: pre-wrap;">Mais surtout, n’hésitez pas à me contacter !</span></p></div>
508        </div>
509<!--kg-card-begin: html-->
510<p>✉️ : contact [at]<!--.example--> lucamailhol<!--.example--> [dot] com</p>
511<!--kg-card-end: html-->
512<figure class="kg-card kg-bookmark-card"><a class="kg-bookmark-container" href="https://www.lucamailhol.com/contact/"><div class="kg-bookmark-content"><div class="kg-bookmark-title">Contact</div><div class="kg-bookmark-description">If you’re more a form person... Feel free to leave me your number if you want a callback. Unless it’s you, Gruber…</div><div class="kg-bookmark-metadata"><img class="kg-bookmark-icon" src="https://www.lucamailhol.com/content/images/icon/me-21.jpg" alt=""><span class="kg-bookmark-author">Luca Mailhol</span><span class="kg-bookmark-publisher">Luca Mailhol</span></div></div><div class="kg-bookmark-thumbnail"><img src="https://www.lucamailhol.com/content/images/thumbnail/une-journee-en-enfer-die-hard-3-photo-1023797-scaled-1.jpg" alt="" onerror="this.style.display = 'none'"></div></a></figure><figure class="kg-card kg-image-card kg-card-hascaption"><img src="https://www.lucamailhol.com/content/images/2025/01/DSCF1487.jpg" class="kg-image" alt="" loading="lazy" width="2000" height="1000" srcset="https://www.lucamailhol.com/content/images/size/w600/2025/01/DSCF1487.jpg 600w, https://www.lucamailhol.com/content/images/size/w1000/2025/01/DSCF1487.jpg 1000w, https://www.lucamailhol.com/content/images/size/w1600/2025/01/DSCF1487.jpg 1600w, https://www.lucamailhol.com/content/images/2025/01/DSCF1487.jpg 2048w" sizes="(min-width: 720px) 720px"><figcaption><span style="white-space: pre-wrap;">I look forward to seeing you again, hopefully in some beautiful places! Photo: Jean Legrand</span></figcaption></figure><p>Here's a small comic about my background... Because why not?</p><figure class="kg-card kg-image-card"><img src="https://www.lucamailhol.com/content/images/2026/02/BD-presentation_Luca-Mailhol.jpg" class="kg-image" alt="" loading="lazy" width="1588" height="2245" srcset="https://www.lucamailhol.com/content/images/size/w600/2026/02/BD-presentation_Luca-Mailhol.jpg 600w, https://www.lucamailhol.com/content/images/size/w1000/2026/02/BD-presentation_Luca-Mailhol.jpg 1000w, https://www.lucamailhol.com/content/images/2026/02/BD-presentation_Luca-Mailhol.jpg 1588w" sizes="(min-width: 720px) 720px"></figure><div class="kg-card kg-toggle-card" data-kg-toggle-state="close">
513            <div class="kg-toggle-heading">
514                <h4 class="kg-toggle-heading-text"><span style="white-space: pre-wrap;">🫡 Who am in a few minutes? (🇬🇧 / 🇫🇷)</span></h4>
515                <button class="kg-toggle-card-icon" aria-label="Expand toggle to read content">
516                    <svg id="Regular" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 24 24">
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518                    </svg>
519                </button>
520            </div>
521            <div class="kg-toggle-content"><p><span style="white-space: pre-wrap;">🇬🇧 Are you really that eager to get to know me better? All right, then.</span></p><p><span style="white-space: pre-wrap;">
521Before my first steps in the movie business, I stayed for some time at the Ateliers du Cinéma. Thanks to this extraordinary place, founded in 2017 by Claude Lelouch — a kind of residence without teachers or courses — I met most of the people who trust me now. There, I tried different roles, I failed a lot and I asserted my desire to create film images. Thanks for that.</span></p><p><span style="white-space: pre-wrap;">A while back, I spent a few years in art school. To be completely honest, it didn't suit me well and I didn't graduate. Nevertheless, it wasn't a meaningless choice after all. I've always loved that field, especially drawing. Even though I don't practice often, that experience — and my appreciation for art in general — has a profound influence on my work today.</span></p><p><span style="white-space: pre-wrap;">Younger, I sort of wanted to pursue a </span><i><em class="italic" style="white-space: pre-wrap;">real</em></i><span style="white-space: pre-wrap;"> career, when I felt deeply in love with computers. Back then, I slipped in a rabbit hole while learning to code or discovering the open-source world. I still care deeply about this today. And these skills help me everyday of my life.</span></p><p><span style="white-space: pre-wrap;">What was my gateway to cinema, to begin with? Around 14 or 15, I started to really think about the things I was watching. The turning point was a screening of Friedkin's </span><i><em class="italic" style="white-space: pre-wrap;">The French Connection</em></i><span style="white-space: pre-wrap;">: </span><i><em class="italic" style="white-space: pre-wrap;">"how the hell did they manage to make that?"</em></i><span style="white-space: pre-wrap;">. Since then, I've seen hundreds of other movies that I love.</span></p><p><span style="white-space: pre-wrap;">Apart from all that, I love hiking and travelling. One of my favorite hobbies is music. I also care deeply about museums and parks.</span></p><p><span style="white-space: pre-wrap;">I also have a few more specific interests: for example, I’m passionate about managing digital “lives”. This includes, among other things, organizing file trees, file naming conventions, and various methods and tools.</span></p><p><span style="white-space: pre-wrap;">To learn more about my life, please click here: </span><a href="https://www.youtube.com/watch?v=dQw4w9WgXcQ&ref=lucamailhol.com"><span style="white-space: pre-wrap;">Who am I in a few hours?</span></a></p><p><span style="white-space: pre-wrap;">—</span></p><p><span style="white-space: pre-wrap;">🇫🇷 Vous êtes motivé au point de vouloir me connaître un peu plus ? Soit.</span></p><p><span style="white-space: pre-wrap;">Avant de travailler dans mon domaine, je suis resté quelque temps aux </span><a href="https://ateliersducinema.org/?ref=lucamailhol.com" rel="noreferrer"><span style="white-space: pre-wrap;">Ateliers du Cinéma</span></a><span style="white-space: pre-wrap;">. C'est grâce à ce lieu hors du commun, monté en 2017 par le réalisateur Claude Lelouch, sorte de résidence sans professeurs ni cours théoriques, que j'ai rencontré une majorité des personnes qui me font confiance aujourd'hui. J'ai pu y essayer un grand nombre de choses, y faire un paquet d'erreurs et y découvrir mon envie profonde de produire des images pour le cinéma. Pour cela, merci. </span></p><p><span style="white-space: pre-wrap;">Un peu plus en arrière, je suis passé par une formation en art. Pour être tout à fait honnête, ce n'est pas un cursus qui me convenait. J'ai passé une année en classe préparatoire et deux en école... Sans rien valider du tout. Néanmoins, ce choix n'était pas dénué de sens. C'est un domaine qui m'a toujours attiré, notamment </span><a href="https://www.lucamailhol.com/blog/le-maroc-photographie-et-dessine/"><span style="white-space: pre-wrap;">le dessin</span></a><span style="white-space: pre-wrap;">. Et même si je ne suis plus du tout aussi assidu qu'avant, cette pratique m'apporte beaucoup dans mon travail actuel — ainsi que mon appréciation de l'art, plus généralement.</span></p><p><span style="white-space: pre-wrap;">Plus jeune, j'ai caressé la possibilité de me diriger vers un </span><i><em class="italic" style="white-space: pre-wrap;">vrai</em></i><span style="white-space: pre-wrap;"> travail lorsque je me suis pris de passion pour l'informatique. À l'époque, j'ai glissé dans un véritable terrier de lapin en découvrant la programmation et surtout l'univers du </span><a href="https://fr.wikipedia.org/wiki/Logiciel_libre?ref=lucamailhol.com"><span style="white-space: pre-wrap;">logiciel libre</span></a><span style="white-space: pre-wrap;"> et de </span><a href="https://fr.wikipedia.org/wiki/Linux?ref=lucamailhol.com"><span style="white-space: pre-wrap;">Gnu/Linux</span></a><span style="white-space: pre-wrap;">. Aujourd'hui, il s'agit toujours de sujets qui me passionnent. Et dans ma vie de saltimbanque intermittent du spectacle, </span><a href="https://fr.wikipedia.org/wiki/Programmation_web?ref=lucamailhol.com#:~:text=La%20programmation%20web%20est%20la,sur%20Internet%20ou%20en%20Intranet."><span style="white-space: pre-wrap;">mes</span></a> <a href="https://fr.wikipedia.org/wiki/R%C3%A9seau_informatique?ref=lucamailhol.com"><span style="white-space: pre-wrap;">notions</span></a> <a href="https://fr.wikipedia.org/wiki/Syst%C3%A8me_d%27exploitation?ref=lucamailhol.com"><span style="white-space: pre-wrap;">d'informatique</span></a> <a href="https://fr.wikipedia.org/wiki/Sauvegarde_(informatique)?ref=lucamailhol.com#:~:text=En%20informatique%2C%20la%20sauvegarde%20(backup,contenues%20dans%20un%20syst%C3%A8me%2
5210informatique."><span style="white-space: pre-wrap;">me</span></a><span style="white-space: pre-wrap;"> servent tous les jours.</span></p><p><span style="white-space: pre-wrap;">Qu'est-ce qui m'a poussé à aller vers le cinéma ? Cette envie m'est tombée dessus vers 14 ou 15 ans quand j'ai vraiment commencé à m'intéresser aux nombreux films que je regardais... Je crois que le vrai déclic est arrivé le jour où j'ai vu </span><a href="https://fr.wikipedia.org/wiki/French_Connection_(film)?ref=lucamailhol.com"><i><em class="italic" style="white-space: pre-wrap;">French Connection</em></i></a><span style="white-space: pre-wrap;"> de Friedkin : </span><i><em class="italic" style="white-space: pre-wrap;">"Mais comment ont-ils fabriqué ça ?"</em></i><span style="white-space: pre-wrap;">. Puis j'ai vu des centaines </span><a href="https://www.lucamailhol.com/a-voir/"><span style="white-space: pre-wrap;">d'autres choses</span></a><span style="white-space: pre-wrap;"> qui me fascinent toujours aujourd'hui.</span></p><p><span style="white-space: pre-wrap;">En dehors de tout cela, j'apprécie beaucoup </span><a href="https://www.lucamailhol.com/blog/randonnee-sur-la-west-highland-way/"><span style="white-space: pre-wrap;">la randonnée</span></a><span style="white-space: pre-wrap;">. Que j'aime conjuguer avec une envie grandissante </span><a href="https://www.lucamailhol.com/blog/voyage-au-canada-randonnee-en-gaspesie-et-traversee-du-pays-en-train/"><span style="white-space: pre-wrap;">de voyage</span></a><span style="white-space: pre-wrap;">. Pour l'instant, je n'ai pas encore dépassé la bonne semaine de marche en autonomie, on verra bien la suite ! Je me nourris aussi </span><a href="https://www.lucamailhol.com/a-ecouter/"><span style="white-space: pre-wrap;">d'énormément de musique</span></a><span style="white-space: pre-wrap;">... mais je suis un bien piètre musicien. J'apprécie beaucoup les musées. Avec les parcs, ce sont généralement mes seules visites quand je bouge.</span></p><p><span style="white-space: pre-wrap;">J'ai aussi quelques intérêts un peu plus spécifiques : je suis, par exemple, passionné par la gestion de "vie" numérique. Comprenant, entre autres, la hiérarchisation d'arborescences, la nomenclature de fichiers, les </span><a href="https://jdcm.al/?ref=lucamailhol.com"><span style="white-space: pre-wrap;">différentes méthodes</span></a><span style="white-space: pre-wrap;"> et </span><a href="https://obsidian.md/?ref=lucamailhol.com"><span style="white-space: pre-wrap;">outils</span></a><span style="white-space: pre-wrap;">. </span></p><p><span style="white-space: pre-wrap;">Pour connaitre toute ma vie, je vous invite à cliquer ici : </sp
521an><a href="https://www.youtube.com/watch?v=dQw4w9WgXcQ&ref=lucamailhol.com"><span style="white-space: pre-wrap;">qui suis-je en quelques heures ?</span></a></p></div>
522        </div><div class="kg-card kg-toggle-card" data-kg-toggle-state="close">
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524                <h4 class="kg-toggle-heading-text"><span style="white-space: pre-wrap;">🎥 Selection of movies as cinematographer</span></h4>
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531            <div class="kg-toggle-content"><p><b><strong style="white-space: pre-wrap;">Features</strong></b></p><ul><li value="1"><i><em class="italic" style="white-space: pre-wrap;">Pony Girls 6 </em></i><span style="white-space: pre-wrap;">de Enguerrand Jouvin, 96mpire (2h50)</span></li><li value="2"><i><em class="italic" style="white-space: pre-wrap;">Pony Girls 5</em></i><span style="white-space: pre-wrap;"> de Enguerrand Jouvin, 96mpire (2h00)</span></li><li value="3"><i><em class="italic" style="white-space: pre-wrap;">Pony Girls 4 de </em></i><span style="white-space: pre-wrap;">Enguerrand Jouvin, 96mpire (1h04)</span></li><li value="4"><i><em class="italic" style="white-space: pre-wrap;">Dites que c'est vrai, tout le monde vous croira </em></i><span style="white-space: pre-wrap;">de Léo Nèti, Les Films Bleus (1h10)</span></li></ul><p><b><strong style="white-space: pre-wrap;">Shorts</strong></b></p><ul><li value="1"><i><em class="italic" style="white-space: pre-wrap;">Perdre pied</em></i><span style="white-space: pre-wrap;"> de Laurent Rebeyrotte, LR Communicability (41mn)</span></li><li value="2"><i><em class="italic" style="white-space: pre-wrap;">Pony Girls 7 </em></i><span style="white-space: pre-wrap;">de Enguerrand Jouvin, 96mpire (50mn)</span></li><li value="3"><i><em class="italic" style="white-space: pre-wrap;">On tue les animaux pour les manger </em></i><span style="white-space: pre-wrap;">de Faustin Salmin, autoproduction (5mn)</span></li><li value="4"><i><em class="italic" style="white-space: pre-wrap;">La Forme des Nuages</em></i><span style="white-space: pre-wrap;"> de Guillaume Ligoule, autoproduction (40mn)</span></li><li value="5"><i><em class="italic" style="white-space: pre-wrap;">Pony Girls 3 </em></i><span style="white-space: pre-wrap;">de Enguerrand Jouvin, 96mpire (45mn)</span></li><li value="6"><i><em class="italic" style="white-space: pre-wrap;">À Toujours </em></i><span style="white-space: pre-wrap;">de Philippe Garcin, Uni-vers Production (20mn)</span></li><li value="7"><i><em class="italic" style="white-space: pre-wrap;">L'Un et l'Autre se disent</em></i><span style="white-space: pre-wrap;"> de Yuntian Guan, autoproduction (20mn)</span></li><li value="8"><i><em class="italic" style="white-space: pre-wrap;">Les Chairs Froissées</em></i><span style="white-space: pre-wrap;"> de Paul-Guy Rabiet, autoproduction (20mn)</span></li><li value="9"><i><em class="italic" style="white-space: pre-wrap;">Demain d'Argile</em></i><span style="white-space: pre-wrap;"> de C.S.Cabaret &amp; moi-même, autoproduction (33mn)</span></li><li value="10"><i><em class="italic" style="white-space: pre-wrap;">Ningxia : Le fruit né du désert</em></i><span style="white-space: pre-wrap;"> de moi-même, Les Films 13 &amp; GCN France (18mn)</span></li><li value="11"><i><em class="italic" style="white-space: pre-wrap;">Accord Parfait</em></i><span style="white-space: pre-wrap;"> de Xavier Inbona, Les Films 13 (15mn)</span></li><li value="12"><i><em class="italic" style="white-space: pre-wrap;">Symphonie pour Malo</em></i><span style="white-space: pre-wrap;"> de Léo Nèti (40mn)</span></li></ul><p><b><strong style="white-space: pre-wrap;">Other</strong></b></p><ul><li value="1"><i><em class="italic" style="white-space: pre-wrap;">Le plus ordinaire, le plus illusoire</em></i><span style="white-space: pre-wrap;"> captation d'une performance de Jisoo Yoo, Le Fresnoy</span></li></ul></div>
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534                <h4 class="kg-toggle-heading-text"><span style="white-space: pre-wrap;">📏 Selection of movies as an assistant (and other works)</span></h4>
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541            <div class="kg-toggle-content"><p><b><strong style="white-space: pre-wrap;">Features</strong></b></p><ul><li value="1"><i><em class="italic" style="white-space: pre-wrap;">BADH</em></i><span style="white-space: pre-wrap;"> de Guillaume de Fontenay, photographié par Pierre Cottereau, MES Productions ➡ </sp
541an><b><strong style="white-space: pre-wrap;">DIT near-set</strong></b></li><li value="2"><i><em class="italic" style="white-space: pre-wrap;">Hauts-les-cœurs</em></i><span style="white-space: pre-wrap;"> de Antoine Garceau, photographié par Pierre Cottereau, Storia Télévision ➡</span><b><strong style="white-space: pre-wrap;"> 2nd assistant-opérateur</strong></b></li><li value="3"><i><em class="italic" style="white-space: pre-wrap;">Les Musiciens</em></i><span style="white-space: pre-wrap;"> de Grégory Magne, photographié par Pierre Cottereau, Les Films Velvet ➡ </span><b><strong style="white-space: pre-wrap;">2nd assistant-opérateur</strong></b></li><li value="4"><i><em class="italic" style="white-space: pre-wrap;">De Gaulle</em></i><span style="white-space: pre-wrap;"> de Antonin Baudry, photographié par Pierre Cottereau, Pathé ➡ </span><b><strong style="white-space: pre-wrap;">3e assistant-opérateur &amp; DIT near-set </strong></b><span style="white-space: pre-wrap;">(partie Marocaine)</span></li><li value="5"><i><em class="italic" style="white-space: pre-wrap;">Finalement</em></i><span style="white-space: pre-wrap;"> de Claude Lelouch, photographié par Maxime Héraud, Les Films 13 ➡ </span><b><strong style="white-space: pre-wrap;">DIT, 2e second assistant-opérateur &amp; supervision de post-production </strong></b></li><li value="6"><i><em class="italic" style="white-space: pre-wrap;">Une belle course</em></i><span style="white-space: pre-wrap;"> de Christian Carion, photographié par Pierre Cottereau, Une Hirondelle Prod ➡ </span><b><strong style="white-space: pre-wrap;">3e assistant-opérateur</strong></b></li><li value="7"><i><em class="italic" style="white-space: pre-wrap;">L'amour c'est mieux que la vie</em></i><span style="white-space: pre-wrap;"> de Claude Lelouch, photographié par Maxime Héraud, Les Films 13 ➡ </span><b><strong style="white-space: pre-wrap;">DIT &amp; supervision de post-production</strong></b></li><li value="8"><i><em class="italic" style="white-space: pre-wrap;">Les plus belles années d'une vie</em></i><span style="white-space: pre-wrap;">, de Claude Lelouch, photographié par Robert Alazraki, Les Films 13 ➡ </span><b><strong style="white-space: pre-wrap;">Stagiaire &amp; data-manager</strong></b></li></ul><p><b><strong style="white-space: pre-wrap;">Other</strong></b></p><ul><li value="1"><i><em class="italic" style="white-space: pre-wrap;">V - Winter Ahead</em></i><span style="white-space: pre-wrap;"> clip de Lee Hangyeol, photographié par Pierre Cottereau, Keystone Films ➡ </span><b><strong style="white-space: pre-wrap;">2nd assistant-opérateur</strong></b></li><li value="2"><i><em class="italic" style="white-space: pre-wrap;">Polar Park</em></i><span style="white-space: pre-wrap;"> série de Gérald Hustache-Mathieu, photographiée par Pierre Cottereau, 247 Max ➡ </span><b><strong style="white-space: pre-wrap;">3e assistant-opérateur</strong></b></li><li value="3"><span style="white-space: pre-wrap;">Diverses publicités en temps que </span><b><strong style="white-space: pre-wrap;">1er ou 2nd assistant</strong></b><span style="white-space: pre-wrap;">, souvent photographiées par Johan Le Roux.</span></li></ul><p><b><strong style="white-space: pre-wrap;">Shorts</strong></b></p><ul><li value="1"><i><em class="italic" style="white-space: pre-wrap;">Le Cordon</em></i><span style="white-space: pre-wrap;"> de Margot Poupeville, photographié par Stephen Le Cocq, Golgota Production ➡ </span><b><strong style="white-space: pre-wrap;">1er assistant-opérateur</strong></b></li><li value="2"><i><em class="italic" style="white-space: pre-wrap;">The Taste of Salt</em></i><span style="white-space: pre-wrap;"> de Arthur Mercier, photographié par Pearl Hort, Libelo Production ➡ </span><b><strong style="white-space: pre-wrap;">1er assistant-opérateur</strong></b></li><li value="3"><i><em class="italic" style="white-space: pre-wrap;">Olga &amp; Lise </em></i><span style="white-space: pre-wrap;">de Johanna Lagarde, photographié par Pearl Hort, Production Androgyne ➡ </sp
541an><b><strong style="white-space: pre-wrap;">1er assistant-opérateur</strong></b></li><li value="4"><i><em class="italic" style="white-space: pre-wrap;">Un Animal</em></i><span style="white-space: pre-wrap;"> de Kevin Lameta, photographié par Nicolas Berteyac, Nouvelle Donne ➡ </span><b><strong style="white-space: pre-wrap;">1er assistant-opérateur</strong></b></li><li value="5"><i><em class="italic" style="white-space: pre-wrap;">La course de votre vie </em></i><span style="white-space: pre-wrap;">de Arthur Fanget, photographié par Nicolas Berteyac, Plus de Prod ➡ </span><b><strong style="white-space: pre-wrap;">1er assistant-opérateur</strong></b></li><li value="6"><i><em class="italic" style="white-space: pre-wrap;">À l'aube</em></i><span style="white-space: pre-wrap;"> de Antonin Bonnot, photographié par Marc Stef, autoproduction ➡ </span><b><strong style="white-space: pre-wrap;">2nd assistant-opérateur</strong></b></li></ul><p><span style="white-space: pre-wrap;">When I was just starting out, I also worked as an electrician on various projects (mostly shorts, with a little bit of additional crew on longer ones). I don’t have much professional experience, but I know the basics of electricity and I know, for example, how to plug in a splitter without setting the place on fire.</span></p><p><b><strong style="white-space: pre-wrap;">Post-production</strong></b></p><p><span style="white-space: pre-wrap;">I’ve color-corrected the vast majority of the projects I’ve lit (for the full list, check IMDb). I’m constantly learning DaVinci Resolve while also starting to experiment a bit with FilmLight tools. Please note, I don’t consider myself a professional colorist! Let’s just say I’m a knowledgeable amateur who has really only w
541orked on personal projects.</span></p><p><span style="white-space: pre-wrap;">I can also handle the post-production of a film, right up to the creation of a compliant DCP (I handled this aspect of Claude Lelouch’s last two feature films, for example). I generally like to stay closely involved with all my projects during this phase.</span></p><p><span style="white-space: pre-wrap;">I worked as an assistant editor on Claude Lelouch’s project </span><i><em class="italic" style="white-space: pre-wrap;">D’un Film à l’Autre</em></i><span style="white-space: pre-wrap;">, edited by Stéphane Mazalaigue. Together with Carol Oriot-Couraye, I co-edited the film screened at the Palais des Congrès during a symphonic concert dedicated to the same director. I also edited the live recording of the event, which was purchased by Canal+.</span></p><p><span style="white-space: pre-wrap;">This has nothing to do with the visuals, but I gradually shifted my focus to sound during my </span><a href="https://www.lucamailhol.com/blog/demain-dargile-remaster-dune-fiction-que-jai-corealisee-il-y-a-quelques-annees/" rel="noreferrer"><span style="white-space: pre-wrap;">Word of Clays</span></a><span style="white-space: pre-wrap;"> era, teaching myself how to use ProTools for sound editing and mixing. I’d be completely incapable of making a career out of it, obviously, but tinkering with audio helped me better understand the implications of live recording and the possibilities offered by post-production, both technically and in terms of staging.</span></p><p><b><strong style="white-space: pre-wrap;">Other</strong></b></p><p><span style="white-space: pre-wrap;">Aside from working on a specific film, I had the opportunity to teach a few courses on visual arts in 2025. They mainly focused on our relationship with color, first from a sensory perspective and then from a technical one. It was a great experience that I’d love to repeat more often.</span></p><p><span style="white-space: pre-wrap;">Beyond film, I have some experience as a graphic design assistant and am proficient in the basics of desktop publishing, poster design, and other such tasks (I even did a bit of computer graphics for a feature film a long time ago). So I admit I enjoy keeping an eye on that side of things for the projects I’m involved in.</span></p></div>
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544                <h4 class="kg-toggle-heading-text"><span style="white-space: pre-wrap;">🧑‍💻 About this site</span></h4>
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551            <div class="kg-toggle-content"><p><span style="white-space: pre-wrap;">My cute little website is powered by </span><a href="https://ghost.org/?ref=lucamailhol.com"><span style="white-space: pre-wrap;">Ghost</span></a><span style="white-space: pre-wrap;"> and uses a </span><i><em class="italic" style="white-space: pre-wrap;">Thesis</em></i><span style="white-space: pre-wrap;">-based theme from </span><a href="https://www.priority.vision/?ref=lucamailhol.com"><span style="white-space: pre-wrap;">Priority Vision</span></a><span style="white-space: pre-wrap;"> that I customized myself. It's hosted by </span><a href="https://www.pikapods.com/?ref=lucamailhol.com"><span style="white-space: pre-wrap;">Pikapods</span></a><span style="white-space: pre-wrap;">.</span></p><p><span style="white-space: pre-wrap;">As for the rest, all the usual nonsense can be found in the </span><a href="https://www.lucamailhol.com/mentions-legales/"><span style="white-space: pre-wrap;">site’s legal notice</span></a><span style="white-space: pre-wrap;">.</span></p></div>
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554                <h4 class="kg-toggle-heading-text"><span style="white-space: pre-wrap;">🤖 About AI (🇫🇷)</span></h4>
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561            <div class="kg-toggle-content"><p><span style="white-space: pre-wrap;">Mon contenu n'est pas écrit par une IA ! Et je ne compte pas changer cela. Commencer à générer trop de texte automatiquement s'apparente, pour moi, à de la véritable paresse intellectuelle.</span></p><p><span style="white-space: pre-wrap;">Ceci étant dit et par souci de transparence : j'utilise parfois certains outils d'IA. J'ai notamment profité de ChatGPT pour bidouiller le code de ce site sans avoir à trop me plonger dans les arcanes du moteur de template de Ghost (honnêtement, j'étais assez bluffé, mais sans ma relative connaissance du code, je me serai retrouvé avec un sac de nœud infâme). Pour le reste, j'ai notamment essayé Mistral, à plusieurs reprises, pour corriger mes éventuelles fautes et m'indiquer les répétitions. Ça ne fonctionne pas très bien. Je suis retourné au logiciel Antidote pour gagner du temps à la relecture. Concernant l'écriture en anglais, il m'arrive aussi quelque fois d'utiliser l'IA pour corriger mes fautes et surtout me pointer où je fais des erreurs, afin de les comprendre. Pour cela, j'utilise le modèle Kimi auquel j'ai accès grâce à mon abonnement </span><a href="https://kagi.com/?ref=lucamailhol.com"><span style="white-space: pre-wrap;">Kagi Search</span></a><span style="white-space: pre-wrap;">.</span></p><p><span style="white-space: pre-wrap;">Enfin, par rapport à l'IA en général :</span></p><p><span style="white-space: pre-wrap;">Je me pose de grandes questions, mais manque d'éléments concrets pour y répondre correctement. Je ne jette pas l'opprobre sur la technologie, mais j'ai le sentiment qu'il y a une véritable réflexion à avoir autour de l'éthique et de la confidentialité. Je vois beaucoup trop de mes pairs partager n'importe quoi avec ces outils depuis très peu de temps.</span></p><p><span style="white-space: pre-wrap;">En plus d'être pratiques, les chatbots suscitent de l’empathie et jouent sur l’émotion... Un pouvoir d'assise très puissant sur les utilisateurs.&nbsp;</span><i><em class="italic" style="white-space: pre-wrap;">De facto</em></i><span style="white-space: pre-wrap;">, un trouble potentiel à la liberté. Après des années de débats autour de l'accès aux données personnelles, qui commençaient même à toucher la sphère publique, voire à devenir des arguments marketings (dans un genre de&nbsp;</span><i><em class="italic" style="white-space: pre-wrap;">privacy washing</em></i><span style="white-space: pre-wrap;">, certes, mais prouvant néanmoins que ces questions devenaient communes), j'ai le sentiment d'un retour en arrière déplorable.</span></p><p><span style="white-space: pre-wrap;">Concernant les IA génératives et une éventuelle crainte quand à l'évolution des métiers créatifs, je n'ai pas vraiment de réponses à donner. Je souhaite, comme toujours, rester optimiste et faire confiance à l'individu pour continuer à nourrir l'art. Des choses vont changer, c'est certain, comme ce fut déjà le cas à de nombreuses reprises dans l'histoire. Je choisis, pour l'instant, de n'être ni acteur ni détracteur de ce changement. J'ai conscience qu'il s'agit d'une posture assez facile. Mais je préfère déployer mon énergie à autre chose qu'à la crainte ou la fascination totale pour une technologie qui, pour le moment, ne m'apporte rien de concret.</sp
561an></p><p><span style="white-space: pre-wrap;">Je ne pense pas que des avatars merdiques à la sauce Ghibli ou des starter-packs ridicules vont définitivement tuer les artistes. Du moins, je l'espère ! La problématique se trouve, encore une fois, dans le traitement des données ainsi que dans la vaste question de l'utilisation colossale de ressources. Pour l'instant, je n'ai pas le sentiment d'être face à des acteurs responsables : nous sommes dans une ère de farwest numérique... Soit, mais elle ne pourra pas durer éternellement.</span></p><p><span style="white-space: pre-wrap;">Bien sûr qu'il y a déjà un manque à gagner pour de nombreuses professions. Je pense aux graphistes, par exemple. Même des technicien.ne.s de l'image, comme moi et d'autres encore. Malheureusement, je suis un peu trop pragmatique. Le changement est déjà là et n'attendra personne. C'est malheureux, dans un sens. Je ne suis pas totalement résigné, je pense qu'il y a effectivement une balance à trouver dans tout ça. Mais clairement, le paradigme ne sera plus jamais le même.</span></p><p><span style="white-space: pre-wrap;">Ce qui est certain, c'est que je ne vais pas résoudre cette problématique, là de suite, en deux paragraphes peu inspirés ! Non, je ferai ça demain, promis.</span></p></div>
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1184
1185
1186
1187
1188
1189		<h3 class="card-title">Enregistrement de la bande originale avec La Ruche</h3>
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1191		</div>
1192
1193	</div>
1194</article>
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